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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6961E it is the complementary color #3969E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6961E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6961E shade: #CB9619, #DCA82C, #EDBA3F, #FECC52 and #FFDE65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6961E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6961E shade: #C6961E, #B5840B, #A47200, #936000 and #824E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6961E shade: #C7971D, #C7691D, #C73B1D and #C71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6961E shade: #C7971D, #C7C41D, #9CC71D, #6EC71D and #40C71D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6961E shade matches the following richer shades: #C7971D and #DA9F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6961E shade: #C7971D, #B58F30, #A28742, #8F7F55 and #7D7768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6961E shade: #C73A1D, #C7671D, #C7941D, #C7C21D and #A0C71D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6961E shade: #7F6013, #A37B18, #C7971D, #DFAD2E and #E5BB52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6961E shade: #C6961E, #2EC71D and #501DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6961E shade: #C6961E, #1DC794 and #941DC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6961E shade: #C6961E, #2EC71D, #1D50C7 and #B61DC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6961E shade: #C6961E, #1DC73F, #1D50C7 and #C71DA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 85 / 22

HEX #C6961E

RGB 198 150 30

HSL 42.86, 0.74%, 0.45%

LAB 64.89, 7.75, 63.54

 

Complementary color

CMYK 75 / 53 / 0 / 12

HEX #3969E1

RGB 57 105 225

HSL 222.86, 0.74%, 0.55%

LAB 47.51, 25.28, -65.81

 

CMYK 0 / 26 / 88 / 20

HEX #CB9619

RGB 203 150 25

HSL 42.13, 0.78%, 0.45%

LAB 65.42, 9.84, 65.51

 

CMYK 0 / 24 / 80 / 14

HEX #DCA82C

RGB 220 168 44

HSL 42.27, 0.72%, 0.52%

LAB 71.83, 8.14, 66.14

 

CMYK 0 / 22 / 73 / 7

HEX #EDBA3F

RGB 237 186 63

HSL 42.41, 0.83%, 0.59%

LAB 78.16, 6.67, 65.89

 

CMYK 0 / 20 / 68 / 0

HEX #FECC52

RGB 254 204 82

HSL 42.56, 0.99%, 0.66%

LAB 84.41, 5.4, 65.16

 

CMYK 0 / 13 / 60 / 0

HEX #FFDE65

RGB 255 222 101

HSL 47.14, 1%, 0.7%

LAB 89.13, -2.24, 62.14

 

CMYK 0 / 24 / 85 / 22

HEX #C6961E

RGB 198 150 30

HSL 42.86, 0.74%, 0.45%

LAB 64.89, 7.75, 63.54

 

CMYK 0 / 27 / 94 / 29

HEX #B5840B

RGB 181 132 11

HSL 42.71, 0.89%, 0.38%

LAB 58.37, 9.62, 61.96

 

CMYK 0 / 30 / 100 / 36

HEX #A47200

RGB 164 114 0

HSL 41.71, 1%, 0.32%

LAB 51.75, 11.79, 58.34

 

CMYK 0 / 35 / 100 / 42

HEX #936000

RGB 147 96 0

HSL 39.18, 1%, 0.29%

LAB 45.04, 14.22, 52.84

 

CMYK 0 / 40 / 100 / 49

HEX #824E00

RGB 130 78 0

HSL 36, 1%, 0.25%

LAB 38.19, 16.77, 47.27

 

CMYK 0 / 24 / 85 / 22

HEX #C7971D

RGB 199 151 29

HSL 43.06, 0.75%, 0.45%

LAB 65.25, 7.62, 64.15

 

CMYK 0 / 47 / 85 / 22

HEX #C7691D

RGB 199 105 29

HSL 26.82, 0.75%, 0.45%

LAB 54.38, 32.57, 55.11

 

CMYK 0 / 70 / 85 / 22

HEX #C73B1D

RGB 199 59 29

HSL 10.59, 0.75%, 0.45%

LAB 46.12, 54.03, 48.13

 

CMYK 0 / 85 / 85 / 22

HEX #C71D1D

RGB 199 29 29

HSL 0, 0.75%, 0.45%

LAB 42.93, 62.97, 45.39

 

CMYK 0 / 24 / 85 / 22

HEX #C7971D

RGB 199 151 29

HSL 43.06, 0.75%, 0.45%

LAB 65.25, 7.62, 64.15

 

CMYK 0 / 2 / 85 / 22

HEX #C7C41D

RGB 199 196 29

HSL 58.94, 0.75%, 0.45%

LAB 77.11, -15.96, 73.9

 

CMYK 22 / 0 / 85 / 22

HEX #9CC71D

RGB 156 199 29

HSL 75.18, 0.75%, 0.45%

LAB 74.83, -35.33, 70.73

 

CMYK 45 / 0 / 85 / 22

HEX #6EC71D

RGB 110 199 29

HSL 91.41, 0.75%, 0.45%

LAB 72.4, -52.03, 67.68

 

CMYK 68 / 0 / 85 / 22

HEX #40C71D

RGB 64 199 29

HSL 107.65, 0.75%, 0.45%

LAB 70.89, -64.03, 65.78

 

CMYK 0 / 24 / 85 / 22

HEX #C7971D

RGB 199 151 29

HSL 43.06, 0.75%, 0.45%

LAB 65.25, 7.62, 64.15

 

CMYK 0 / 27 / 95 / 15

HEX #DA9F0B

RGB 218 159 11

HSL 42.9, 0.9%, 0.45%

LAB 69.27, 11.37, 71.75

 

CMYK 0 / 24 / 85 / 22

HEX #C7971D

RGB 199 151 29

HSL 43.06, 0.75%, 0.45%

LAB 65.25, 7.62, 64.15

 

CMYK 0 / 21 / 73 / 29

HEX #B58F30

RGB 181 143 48

HSL 42.86, 0.58%, 0.45%

LAB 61.38, 4.66, 53.39

 

CMYK 0 / 17 / 59 / 36

HEX #A28742

RGB 162 135 66

HSL 43.13, 0.42%, 0.45%

LAB 57.47, 1.75, 40.31

 

CMYK 0 / 11 / 41 / 44

HEX #8F7F55

RGB 143 127 85

HSL 43.45, 0.25%, 0.45%

LAB 53.68, -0.21, 25.07

 

CMYK 0 / 5 / 17 / 51

HEX #7D7768

RGB 125 119 104

HSL 42.86, 0.09%, 0.45%

LAB 50.16, -0.44, 9.08

 

CMYK 0 / 71 / 85 / 22

HEX #C73A1D

RGB 199 58 29

HSL 10.24, 0.75%, 0.45%

LAB 45.98, 54.41, 48.02

 

CMYK 0 / 48 / 85 / 22

HEX #C7671D

RGB 199 103 29

HSL 26.12, 0.75%, 0.45%

LAB 53.95, 33.62, 54.76

 

CMYK 0 / 26 / 85 / 22

HEX #C7941D

RGB 199 148 29

HSL 42, 0.75%, 0.45%

LAB 64.49, 9.25, 63.53

 

CMYK 0 / 3 / 85 / 22

HEX #C7C21D

RGB 199 194 29

HSL 58.24, 0.75%, 0.45%

LAB 76.57, -14.96, 73.45

 

CMYK 20 / 0 / 85 / 22

HEX #A0C71D

RGB 160 199 29

HSL 73.76, 0.75%, 0.45%

LAB 75.08, -33.73, 71.05

 

CMYK 0 / 24 / 85 / 50

HEX #7F6013

RGB 127 96 19

HSL 42.78, 0.74%, 0.29%

LAB 42.65, 5.16, 44.87

 

CMYK 0 / 25 / 85 / 36

HEX #A37B18

RGB 163 123 24

HSL 42.73, 0.74%, 0.37%

LAB 54.05, 6.7, 54.64

 

CMYK 0 / 24 / 85 / 22

HEX #C7971D

RGB 199 151 29

HSL 43.06, 0.75%, 0.45%

LAB 65.25, 7.62, 64.15

 

CMYK 0 / 22 / 79 / 13

HEX #DFAD2E

RGB 223 173 46

HSL 43.05, 0.73%, 0.53%

LAB 73.4, 6.85, 67.01

 

CMYK 0 / 18 / 64 / 10

HEX #E5BB52

RGB 229 187 82

HSL 42.86, 0.74%, 0.61%

LAB 77.76, 3.76, 57.33

 

CMYK 0 / 24 / 85 / 22

HEX #C6961E

RGB 198 150 30

HSL 42.86, 0.74%, 0.45%

LAB 64.89, 7.75, 63.54

 

CMYK 77 / 0 / 85 / 22

HEX #2EC71D

RGB 46 199 29

HSL 114, 0.75%, 0.45%

LAB 70.54, -67.07, 65.33

 

CMYK 60 / 85 / 0 / 22

HEX #501DC7

RGB 80 29 199

HSL 258, 0.75%, 0.45%

LAB 31.13, 61.26, -77.62

 

CMYK 0 / 24 / 85 / 22

HEX #C6961E

RGB 198 150 30

HSL 42.86, 0.74%, 0.45%

LAB 64.89, 7.75, 63.54

 

CMYK 85 / 0 / 26 / 22

HEX #1DC794

RGB 29 199 148

HSL 162, 0.75%, 0.45%

LAB 71.72, -52.39, 14.27

 

CMYK 26 / 85 / 0 / 22

HEX #941DC7

RGB 148 29 199

HSL 282, 0.75%, 0.45%

LAB 40.08, 69.68, -62.6

 

CMYK 0 / 24 / 85 / 22

HEX #C6961E

RGB 198 150 30

HSL 42.86, 0.74%, 0.45%

LAB 64.89, 7.75, 63.54

 

CMYK 77 / 0 / 85 / 22

HEX #2EC71D

RGB 46 199 29

HSL 114, 0.75%, 0.45%

LAB 70.54, -67.07, 65.33

 

CMYK 85 / 60 / 0 / 22

HEX #1D50C7

RGB 29 80 199

HSL 222, 0.75%, 0.45%

LAB 38.06, 29.04, -66.33

 

CMYK 9 / 85 / 0 / 22

HEX #B61DC7

RGB 182 29 199

HSL 294, 0.75%, 0.45%

LAB 45.56, 75.23, -53.46

 

CMYK 0 / 24 / 85 / 22

HEX #C6961E

RGB 198 150 30

HSL 42.86, 0.74%, 0.45%

LAB 64.89, 7.75, 63.54

 

CMYK 85 / 0 / 68 / 22

HEX #1DC73F

RGB 29 199 63

HSL 132, 0.75%, 0.45%

LAB 70.5, -66.66, 54.45

 

CMYK 85 / 60 / 0 / 22

HEX #1D50C7

RGB 29 80 199

HSL 222, 0.75%, 0.45%

LAB 38.06, 29.04, -66.33

 

CMYK 0 / 85 / 17 / 22

HEX #C71DA5

RGB 199 29 165

HSL 312, 0.75%, 0.45%

LAB 46.63, 73.42, -31.6

 

Description

Color code: HEX #C6961E | qconv.com Color code: HEX #C6961E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 150 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 150 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 85 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 85% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

79% - About - Dina Behrman
Link: http://dinabehrman.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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