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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69993 it is the complementary color #39666C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69993. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69993 shade: #CB998E, #DCABA1, #EDBDB4, #FECFC7 and #FFE1DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69993. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69993 shade: #C69993, #B58780, #A4756D, #93635A and #825147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69993 shade: #C69A94 and #C69494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69993 shade: #C69A94, #C6A794, #C6B594, #C6C294 and #BCC694

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69993 shade matches the following richer shades: #C69A94, #D38F86, #E18579, #EE7B6C and #FB715F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69993 shade: #C69A94, #B9A4A1, #ACAEAE, #9FB8BB and #91C2C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69993 shade: #C694A9, #C6949B, #C69A94, #C6A794 and #C6B494

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69993 shade: #AA675E, #B88079, #C69A94, #D4B3AF and #E3CDCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69993 shade: #C69993, #B6C694 and #94A2C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69993 shade: #C69993, #94C69A and #9A94C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69993 shade: #C69993, #B6C694, #94C0C6 and #A494C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69993 shade: #C69993, #A7C694, #94C0C6 and #B394C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 26 / 22

HEX #C69993

RGB 198 153 147

HSL 7.06, 0.31%, 0.68%

LAB 67.2, 15.91, 9.62

 

Complementary color

CMYK 47 / 6 / 0 / 58

HEX #39666C

RGB 57 102 108

HSL 187.06, 0.31%, 0.32%

LAB 40.34, -13.71, -8.22

 

CMYK 0 / 25 / 30 / 20

HEX #CB998E

RGB 203 153 142

HSL 10.82, 0.37%, 0.68%

LAB 67.6, 17.15, 13.05

 

CMYK 0 / 22 / 27 / 14

HEX #DCABA1

RGB 220 171 161

HSL 10.17, 0.46%, 0.75%

LAB 74.14, 16.48, 12.03

 

CMYK 0 / 20 / 24 / 7

HEX #EDBDB4

RGB 237 189 180

HSL 9.47, 0.61%, 0.82%

LAB 80.57, 15.89, 11.09

 

CMYK 0 / 19 / 22 / 0

HEX #FECFC7

RGB 254 207 199

HSL 8.73, 0.96%, 0.89%

LAB 86.91, 15.35, 10.21

 

CMYK 0 / 12 / 15 / 0

HEX #FFE1DA

RGB 255 225 218

HSL 11.35, 1%, 0.93%

LAB 91.76, 9.2, 7.19

 

CMYK 0 / 23 / 26 / 22

HEX #C69993

RGB 198 153 147

HSL 7.06, 0.31%, 0.68%

LAB 67.2, 15.91, 9.62

 

CMYK 0 / 25 / 29 / 29

HEX #B58780

RGB 181 135 128

HSL 7.92, 0.26%, 0.61%

LAB 60.53, 16.59, 10.63

 

CMYK 0 / 29 / 34 / 36

HEX #A4756D

RGB 164 117 109

HSL 8.73, 0.23%, 0.54%

LAB 53.73, 17.36, 11.74

 

CMYK 0 / 33 / 39 / 42

HEX #93635A

RGB 147 99 90

HSL 9.47, 0.24%, 0.46%

LAB 46.8, 18.25, 13

 

CMYK 0 / 38 / 45 / 49

HEX #825147

RGB 130 81 71

HSL 10.17, 0.29%, 0.39%

LAB 39.72, 19.3, 14.46

 

CMYK 0 / 22 / 25 / 22

HEX #C69A94

RGB 198 154 148

HSL 7.2, 0.3%, 0.68%

LAB 67.47, 15.51, 9.45

 

CMYK 0 / 25 / 25 / 22

HEX #C69494

RGB 198 148 148

HSL 0, 0.3%, 0.68%

LAB 66, 18.81, 7.35

 

CMYK 0 / 22 / 25 / 22

HEX #C69A94

RGB 198 154 148

HSL 7.2, 0.3%, 0.68%

LAB 67.47, 15.51, 9.45

 

CMYK 0 / 16 / 25 / 22

HEX #C6A794

RGB 198 167 148

HSL 22.8, 0.3%, 0.68%

LAB 70.72, 8.41, 14.04

 

CMYK 0 / 9 / 25 / 22

HEX #C6B594

RGB 198 181 148

HSL 39.6, 0.3%, 0.68%

LAB 74.31, 0.88, 19.04

 

CMYK 0 / 2 / 25 / 22

HEX #C6C294

RGB 198 194 148

HSL 55.2, 0.3%, 0.68%

LAB 77.71, -5.97, 23.71

 

CMYK 5 / 0 / 25 / 22

HEX #BCC694

RGB 188 198 148

HSL 72, 0.3%, 0.68%

LAB 78, -11.83, 23.97

 

CMYK 0 / 22 / 25 / 22

HEX #C69A94

RGB 198 154 148

HSL 7.2, 0.3%, 0.68%

LAB 67.47, 15.51, 9.45

 

CMYK 0 / 32 / 36 / 17

HEX #D38F86

RGB 211 143 134

HSL 7.01, 0.47%, 0.68%

LAB 65.92, 24.67, 15.29

 

CMYK 0 / 41 / 46 / 12

HEX #E18579

RGB 225 133 121

HSL 6.92, 0.63%, 0.68%

LAB 65.09, 33.98, 21.71

 

CMYK 0 / 48 / 55 / 7

HEX #EE7B6C

RGB 238 123 108

HSL 6.92, 0.79%, 0.68%

LAB 64.5, 42.84, 28.5

 

CMYK 0 / 55 / 62 / 2

HEX #FB715F

RGB 251 113 95

HSL 6.92, 0.95%, 0.68%

LAB 64.28, 51.46, 35.79

 

CMYK 0 / 22 / 25 / 22

HEX #C69A94

RGB 198 154 148

HSL 7.2, 0.3%, 0.68%

LAB 67.47, 15.51, 9.45

 

CMYK 0 / 11 / 13 / 27

HEX #B9A4A1

RGB 185 164 161

HSL 7.5, 0.15%, 0.68%

LAB 69.07, 7.13, 4.34

 

CMYK 1 / 0 / 0 / 32

HEX #ACAEAE

RGB 172 174 174

HSL 180, 0.01%, 0.68%

LAB 70.94, -0.7, -0.26

 

CMYK 15 / 2 / 0 / 27

HEX #9FB8BB

RGB 159 184 187

HSL 186.43, 0.17%, 0.68%

LAB 73.05, -7.87, -4.4

 

CMYK 28 / 3 / 0 / 22

HEX #91C2C8

RGB 145 194 200

HSL 186.55, 0.33%, 0.68%

LAB 75.31, -14.58, -8.23

 

CMYK 0 / 25 / 15 / 22

HEX #C694A9

RGB 198 148 169

HSL 334.8, 0.3%, 0.68%

LAB 66.56, 22.06, -3.63

 

CMYK 0 / 25 / 22 / 22

HEX #C6949B

RGB 198 148 155

HSL 351.6, 0.3%, 0.68%

LAB 66.18, 19.85, 3.68

 

CMYK 0 / 22 / 25 / 22

HEX #C69A94

RGB 198 154 148

HSL 7.2, 0.3%, 0.68%

LAB 67.47, 15.51, 9.45

 

CMYK 0 / 16 / 25 / 22

HEX #C6A794

RGB 198 167 148

HSL 22.8, 0.3%, 0.68%

LAB 70.72, 8.41, 14.04

 

CMYK 0 / 9 / 25 / 22

HEX #C6B494

RGB 198 180 148

HSL 38.4, 0.3%, 0.68%

LAB 74.05, 1.41, 18.68

 

CMYK 0 / 39 / 45 / 33

HEX #AA675E

RGB 170 103 94

HSL 7.11, 0.31%, 0.52%

LAB 50.75, 25.87, 16.53

 

CMYK 0 / 30 / 34 / 28

HEX #B88079

RGB 184 128 121

HSL 6.67, 0.31%, 0.6%

LAB 58.98, 20.74, 12.51

 

CMYK 0 / 22 / 25 / 22

HEX #C69A94

RGB 198 154 148

HSL 7.2, 0.3%, 0.68%

LAB 67.47, 15.51, 9.45

 

CMYK 0 / 16 / 17 / 17

HEX #D4B3AF

RGB 212 179 175

HSL 6.49, 0.3%, 0.76%

LAB 75.66, 11.25, 6.46

 

CMYK 0 / 10 / 11 / 11

HEX #E3CDCA

RGB 227 205 202

HSL 7.2, 0.31%, 0.84%

LAB 84.1, 7.17, 4.27

 

CMYK 0 / 23 / 26 / 22

HEX #C69993

RGB 198 153 147

HSL 7.06, 0.31%, 0.68%

LAB 67.2, 15.91, 9.62

 

CMYK 8 / 0 / 25 / 22

HEX #B6C694

RGB 182 198 148

HSL 79.2, 0.3%, 0.68%

LAB 77.56, -14.08, 23.3

 

CMYK 25 / 18 / 0 / 22

HEX #94A2C6

RGB 148 162 198

HSL 223.2, 0.3%, 0.68%

LAB 66.68, 3.1, -20.08

 

CMYK 0 / 23 / 26 / 22

HEX #C69993

RGB 198 153 147

HSL 7.06, 0.31%, 0.68%

LAB 67.2, 15.91, 9.62

 

CMYK 25 / 0 / 22 / 22

HEX #94C69A

RGB 148 198 154

HSL 127.2, 0.3%, 0.68%

LAB 75.46, -25.12, 16.86

 

CMYK 22 / 25 / 0 / 22

HEX #9A94C6

RGB 154 148 198

HSL 247.2, 0.3%, 0.68%

LAB 63.45, 12.87, -24.99

 

CMYK 0 / 23 / 26 / 22

HEX #C69993

RGB 198 153 147

HSL 7.06, 0.31%, 0.68%

LAB 67.2, 15.91, 9.62

 

CMYK 8 / 0 / 25 / 22

HEX #B6C694

RGB 182 198 148

HSL 79.2, 0.3%, 0.68%

LAB 77.56, -14.08, 23.3

 

CMYK 25 / 3 / 0 / 22

HEX #94C0C6

RGB 148 192 198

HSL 187.2, 0.3%, 0.68%

LAB 74.87, -13.11, -7.78

 

CMYK 17 / 25 / 0 / 22

HEX #A494C6

RGB 164 148 198

HSL 259.2, 0.3%, 0.68%

LAB 64.28, 16.03, -23.64

 

CMYK 0 / 23 / 26 / 22

HEX #C69993

RGB 198 153 147

HSL 7.06, 0.31%, 0.68%

LAB 67.2, 15.91, 9.62

 

CMYK 16 / 0 / 25 / 22

HEX #A7C694

RGB 167 198 148

HSL 97.2, 0.3%, 0.68%

LAB 76.52, -19.56, 21.71

 

CMYK 25 / 3 / 0 / 22

HEX #94C0C6

RGB 148 192 198

HSL 187.2, 0.3%, 0.68%

LAB 74.87, -13.11, -7.78

 

CMYK 10 / 25 / 0 / 22

HEX #B394C6

RGB 179 148 198

HSL 277.2, 0.3%, 0.68%

LAB 65.62, 20.9, -21.46

 

Description

Color code: HEX #C69993 | qconv.com Color code: HEX #C69993 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 153 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 153 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 26 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 26% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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