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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69098 it is the complementary color #396F67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69098. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69098 shade: #CB9093, #DCA2A6, #EDB4B9, #FEC6CC and #FFD8DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69098. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69098 shade: #C69098, #B57E85, #A46C72, #935A5F and #82484C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69098 shade: #C58F97 and #C58F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69098 shade: #C58F97, #C58FA6, #C58FB4, #C58FC3 and #B98FC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69098 shade matches the following richer shades: #C58F97, #D3828E, #E17484, #EE677B and #FC5971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69098 shade: #C58F97, #B89DA1, #AAABAB, #9CB8B4 and #8FC6BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69098 shade: #C58FB4, #C58FA6, #C58F98, #C5968F and #C5A48F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69098 shade: #A95965, #B7747E, #C58F97, #D3ABB1 and #E1C6CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69098 shade: #C69098, #C3C58F and #8FADC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69098 shade: #C69098, #98C58F and #8F98C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69098 shade: #C69098, #C3C58F, #8FC5BD and #928FC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69098 shade: #C69098, #B2C58F, #8FC5BD and #A28FC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 23 / 22

HEX #C69098

RGB 198 144 152

HSL 351.11, 0.32%, 0.67%

LAB 65.14, 21.6, 3.86

 

Complementary color

CMYK 49 / 0 / 7 / 56

HEX #396F67

RGB 57 111 103

HSL 171.11, 0.32%, 0.33%

LAB 43.09, -20.08, -1.11

 

CMYK 0 / 29 / 28 / 20

HEX #CB9093

RGB 203 144 147

HSL 356.95, 0.36%, 0.68%

LAB 65.55, 22.76, 7.35

 

CMYK 0 / 26 / 25 / 14

HEX #DCA2A6

RGB 220 162 166

HSL 355.86, 0.45%, 0.75%

LAB 72.1, 22.04, 6.39

 

CMYK 0 / 24 / 22 / 7

HEX #EDB4B9

RGB 237 180 185

HSL 354.74, 0.61%, 0.82%

LAB 78.55, 21.39, 5.5

 

CMYK 0 / 22 / 20 / 0

HEX #FEC6CC

RGB 254 198 204

HSL 353.57, 0.97%, 0.89%

LAB 84.9, 20.79, 4.68

 

CMYK 0 / 15 / 13 / 0

HEX #FFD8DF

RGB 255 216 223

HSL 349.23, 1%, 0.92%

LAB 89.72, 14.65, 1.61

 

CMYK 0 / 27 / 23 / 22

HEX #C69098

RGB 198 144 152

HSL 351.11, 0.32%, 0.67%

LAB 65.14, 21.6, 3.86

 

CMYK 0 / 30 / 27 / 29

HEX #B57E85

RGB 181 126 133

HSL 352.36, 0.27%, 0.6%

LAB 58.45, 22.34, 4.81

 

CMYK 0 / 34 / 30 / 36

HEX #A46C72

RGB 164 108 114

HSL 353.57, 0.24%, 0.53%

LAB 51.65, 23.17, 5.86

 

CMYK 0 / 39 / 35 / 42

HEX #935A5F

RGB 147 90 95

HSL 354.74, 0.24%, 0.46%

LAB 44.72, 24.1, 7.07

 

CMYK 0 / 45 / 42 / 49

HEX #82484C

RGB 130 72 76

HSL 355.86, 0.29%, 0.4%

LAB 37.67, 25.15, 8.51

 

CMYK 0 / 27 / 23 / 23

HEX #C58F97

RGB 197 143 151

HSL 351.11, 0.32%, 0.67%

LAB 64.76, 21.62, 3.87

 

CMYK 0 / 27 / 27 / 23

HEX #C58F8F

RGB 197 143 143

HSL 0, 0.32%, 0.67%

LAB 64.56, 20.46, 8.1

 

CMYK 0 / 27 / 23 / 23

HEX #C58F97

RGB 197 143 151

HSL 351.11, 0.32%, 0.67%

LAB 64.76, 21.62, 3.87

 

CMYK 0 / 27 / 16 / 23

HEX #C58FA6

RGB 197 143 166

HSL 334.44, 0.32%, 0.67%

LAB 65.18, 23.96, -3.99

 

CMYK 0 / 27 / 9 / 23

HEX #C58FB4

RGB 197 143 180

HSL 318.89, 0.32%, 0.67%

LAB 65.6, 26.33, -11.24

 

CMYK 0 / 27 / 1 / 23

HEX #C58FC3

RGB 197 143 195

HSL 302.22, 0.32%, 0.67%

LAB 66.1, 29.05, -18.9

 

CMYK 6 / 27 / 0 / 23

HEX #B98FC5

RGB 185 143 197

HSL 286.67, 0.32%, 0.67%

LAB 64.95, 25.46, -21.88

 

CMYK 0 / 27 / 23 / 23

HEX #C58F97

RGB 197 143 151

HSL 351.11, 0.32%, 0.67%

LAB 64.76, 21.62, 3.87

 

CMYK 0 / 38 / 33 / 17

HEX #D3828E

RGB 211 130 142

HSL 351.11, 0.48%, 0.67%

LAB 63.15, 32.68, 6.86

 

CMYK 0 / 48 / 41 / 12

HEX #E17484

RGB 225 116 132

HSL 351.19, 0.64%, 0.67%

LAB 61.8, 43.88, 10.9

 

CMYK 0 / 57 / 48 / 7

HEX #EE677B

RGB 238 103 123

HSL 351.11, 0.8%, 0.67%

LAB 61.05, 53.74, 15.32

 

CMYK 0 / 65 / 55 / 1

HEX #FC5971

RGB 252 89 113

HSL 351.17, 0.96%, 0.67%

LAB 60.81, 63.46, 21.13

 

CMYK 0 / 27 / 23 / 23

HEX #C58F97

RGB 197 143 151

HSL 351.11, 0.32%, 0.67%

LAB 64.76, 21.62, 3.87

 

CMYK 0 / 15 / 13 / 28

HEX #B89DA1

RGB 184 157 161

HSL 351.11, 0.16%, 0.67%

LAB 67.19, 10.62, 1.61

 

CMYK 1 / 0 / 0 / 33

HEX #AAABAB

RGB 170 171 171

HSL 180, 0.01%, 0.67%

LAB 69.9, -0.35, -0.13

 

CMYK 15 / 0 / 2 / 28

HEX #9CB8B4

RGB 156 184 180

HSL 171.43, 0.16%, 0.67%

LAB 72.66, -10.31, -1.17

 

CMYK 28 / 0 / 4 / 22

HEX #8FC6BE

RGB 143 198 190

HSL 171.27, 0.33%, 0.67%

LAB 76.04, -19.48, -1.75

 

CMYK 0 / 27 / 9 / 23

HEX #C58FB4

RGB 197 143 180

HSL 318.89, 0.32%, 0.67%

LAB 65.6, 26.33, -11.24

 

CMYK 0 / 27 / 16 / 23

HEX #C58FA6

RGB 197 143 166

HSL 334.44, 0.32%, 0.67%

LAB 65.18, 23.96, -3.99

 

CMYK 0 / 27 / 23 / 23

HEX #C58F98

RGB 197 143 152

HSL 350, 0.32%, 0.67%

LAB 64.79, 21.77, 3.34

 

CMYK 0 / 24 / 27 / 23

HEX #C5968F

RGB 197 150 143

HSL 7.78, 0.32%, 0.67%

LAB 66.26, 16.61, 10.52

 

CMYK 0 / 17 / 27 / 23

HEX #C5A48F

RGB 197 164 143

HSL 23.33, 0.32%, 0.67%

LAB 69.76, 8.95, 15.43

 

CMYK 0 / 47 / 40 / 34

HEX #A95965

RGB 169 89 101

HSL 351, 0.32%, 0.51%

LAB 47.65, 33.96, 8.02

 

CMYK 0 / 37 / 31 / 28

HEX #B7747E

RGB 183 116 126

HSL 351.04, 0.32%, 0.59%

LAB 56.15, 27.68, 5.59

 

CMYK 0 / 27 / 23 / 23

HEX #C58F97

RGB 197 143 151

HSL 351.11, 0.32%, 0.67%

LAB 64.76, 21.62, 3.87

 

CMYK 0 / 19 / 16 / 17

HEX #D3ABB1

RGB 211 171 177

HSL 351, 0.31%, 0.75%

LAB 73.64, 15.52, 2.45

 

CMYK 0 / 12 / 10 / 12

HEX #E1C6CA

RGB 225 198 202

HSL 351.11, 0.31%, 0.83%

LAB 82.2, 10.16, 1.49

 

CMYK 0 / 27 / 23 / 22

HEX #C69098

RGB 198 144 152

HSL 351.11, 0.32%, 0.67%

LAB 65.14, 21.6, 3.86

 

CMYK 1 / 0 / 27 / 23

HEX #C3C58F

RGB 195 197 143

HSL 62.22, 0.32%, 0.67%

LAB 78.18, -9.36, 26.94

 

CMYK 27 / 12 / 0 / 23

HEX #8FADC5

RGB 143 173 197

HSL 206.67, 0.32%, 0.67%

LAB 69.3, -4.73, -15.6

 

CMYK 0 / 27 / 23 / 22

HEX #C69098

RGB 198 144 152

HSL 351.11, 0.32%, 0.67%

LAB 65.14, 21.6, 3.86

 

CMYK 23 / 0 / 27 / 23

HEX #98C58F

RGB 152 197 143

HSL 110, 0.32%, 0.67%

LAB 75.2, -25.16, 22.39

 

CMYK 27 / 23 / 0 / 23

HEX #8F98C5

RGB 143 152 197

HSL 230, 0.32%, 0.67%

LAB 63.61, 6.96, -24.25

 

CMYK 0 / 27 / 23 / 22

HEX #C69098

RGB 198 144 152

HSL 351.11, 0.32%, 0.67%

LAB 65.14, 21.6, 3.86

 

CMYK 1 / 0 / 27 / 23

HEX #C3C58F

RGB 195 197 143

HSL 62.22, 0.32%, 0.67%

LAB 78.18, -9.36, 26.94

 

CMYK 27 / 0 / 4 / 23

HEX #8FC5BD

RGB 143 197 189

HSL 171.11, 0.32%, 0.67%

LAB 75.73, -19.19, -1.66

 

CMYK 26 / 27 / 0 / 23

HEX #928FC5

RGB 146 143 197

HSL 243.33, 0.32%, 0.67%

LAB 61.47, 13.02, -27.52

 

CMYK 0 / 27 / 23 / 22

HEX #C69098

RGB 198 144 152

HSL 351.11, 0.32%, 0.67%

LAB 65.14, 21.6, 3.86

 

CMYK 10 / 0 / 27 / 23

HEX #B2C58F

RGB 178 197 143

HSL 81.11, 0.32%, 0.67%

LAB 76.91, -15.79, 25.01

 

CMYK 27 / 0 / 4 / 23

HEX #8FC5BD

RGB 143 197 189

HSL 171.11, 0.32%, 0.67%

LAB 75.73, -19.19, -1.66

 

CMYK 18 / 27 / 0 / 23

HEX #A28FC5

RGB 162 143 197

HSL 261.11, 0.32%, 0.67%

LAB 62.81, 18.01, -25.35

 

Description

Color code: HEX #C69098 | qconv.com Color code: HEX #C69098 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 144 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 144 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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