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Color name
HEX #C690AD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C690AD it is the complementary color #396F52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C690AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C690AD shade: #CB90A8, #DCA2BB, #EDB4CE, #FEC6E1 and #FFD8F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C690AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C690AD shade: #C690AD, #B57E9A, #A46C87, #935A74 and #824861

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C690AD shade: #C58FAC, #C58F9E and #C58F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C690AD shade: #C58FAC, #C58FBB, #C18FC5, #B38FC5 and #A48FC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C690AD shade matches the following richer shades: #C58FAC, #D382AD, #E174AE, #EE67AF and #FC59B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C690AD shade: #C58FAC, #B89DAB, #AAABAA, #9CB8A9 and #8FC6A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C690AD shade: #C18FC5, #C58FBB, #C58FAD, #C58F9F and #C58F90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C690AD shade: #A95984, #B77498, #C58FAC, #D3ABC0 and #E1C6D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C690AD shade: #C690AD, #C5B28F and #8FC3C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C690AD shade: #C690AD, #ADC58F and #8FADC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C690AD shade: #C690AD, #C5B28F, #8FC5A8 and #8FA2C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C690AD shade: #C690AD, #C5C38F, #8FC5A8 and #8F92C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 13 / 22

HEX #C690AD

RGB 198 144 173

HSL 327.78, 0.32%, 0.67%

LAB 65.72, 24.93, -7.11

 

Complementary color

CMYK 49 / 0 / 26 / 56

HEX #396F52

RGB 57 111 82

HSL 147.78, 0.32%, 0.33%

LAB 42.53, -25.29, 10.7

 

CMYK 0 / 29 / 17 / 20

HEX #CB90A8

RGB 203 144 168

HSL 335.59, 0.36%, 0.68%

LAB 66.11, 25.9, -3.66

 

CMYK 0 / 26 / 15 / 14

HEX #DCA2BB

RGB 220 162 187

HSL 334.14, 0.45%, 0.75%

LAB 72.66, 25.23, -4.39

 

CMYK 0 / 24 / 13 / 7

HEX #EDB4CE

RGB 237 180 206

HSL 332.63, 0.61%, 0.82%

LAB 79.1, 24.61, -5.07

 

CMYK 0 / 22 / 11 / 0

HEX #FEC6E1

RGB 254 198 225

HSL 331.07, 0.97%, 0.89%

LAB 85.45, 24.05, -5.71

 

CMYK 0 / 15 / 4 / 0

HEX #FFD8F4

RGB 255 216 244

HSL 316.92, 1%, 0.92%

LAB 90.28, 18.14, -8.61

 

CMYK 0 / 27 / 13 / 22

HEX #C690AD

RGB 198 144 173

HSL 327.78, 0.32%, 0.67%

LAB 65.72, 24.93, -7.11

 

CMYK 0 / 30 / 15 / 29

HEX #B57E9A

RGB 181 126 154

HSL 329.45, 0.27%, 0.6%

LAB 59.05, 25.62, -6.42

 

CMYK 0 / 34 / 18 / 36

HEX #A46C87

RGB 164 108 135

HSL 331.07, 0.24%, 0.53%

LAB 52.25, 26.37, -5.66

 

CMYK 0 / 39 / 21 / 42

HEX #935A74

RGB 147 90 116

HSL 332.63, 0.24%, 0.46%

LAB 45.33, 27.2, -4.8

 

CMYK 0 / 45 / 25 / 49

HEX #824861

RGB 130 72 97

HSL 334.14, 0.29%, 0.4%

LAB 38.28, 28.09, -3.79

 

CMYK 0 / 27 / 13 / 23

HEX #C58FAC

RGB 197 143 172

HSL 327.78, 0.32%, 0.67%

LAB 65.35, 24.95, -7.11

 

CMYK 0 / 27 / 20 / 23

HEX #C58F9E

RGB 197 143 158

HSL 343.33, 0.32%, 0.67%

LAB 64.95, 22.69, 0.19

 

CMYK 0 / 27 / 27 / 23

HEX #C58F8F

RGB 197 143 143

HSL 0, 0.32%, 0.67%

LAB 64.56, 20.46, 8.1

 

CMYK 0 / 27 / 13 / 23

HEX #C58FAC

RGB 197 143 172

HSL 327.78, 0.32%, 0.67%

LAB 65.35, 24.95, -7.11

 

CMYK 0 / 27 / 5 / 23

HEX #C58FBB

RGB 197 143 187

HSL 311.11, 0.32%, 0.67%

LAB 65.83, 27.58, -14.83

 

CMYK 2 / 27 / 0 / 23

HEX #C18FC5

RGB 193 143 197

HSL 295.56, 0.32%, 0.67%

LAB 65.76, 28.1, -20.58

 

CMYK 9 / 27 / 0 / 23

HEX #B38FC5

RGB 179 143 197

HSL 280, 0.32%, 0.67%

LAB 64.37, 23.5, -22.82

 

CMYK 17 / 27 / 0 / 23

HEX #A48FC5

RGB 164 143 197

HSL 263.33, 0.32%, 0.67%

LAB 62.98, 18.65, -25.07

 

CMYK 0 / 27 / 13 / 23

HEX #C58FAC

RGB 197 143 172

HSL 327.78, 0.32%, 0.67%

LAB 65.35, 24.95, -7.11

 

CMYK 0 / 38 / 18 / 17

HEX #D382AD

RGB 211 130 173

HSL 328.15, 0.48%, 0.67%

LAB 64.02, 37.08, -9.48

 

CMYK 0 / 48 / 23 / 12

HEX #E174AE

RGB 225 116 174

HSL 328.07, 0.64%, 0.67%

LAB 62.97, 49.12, -11.44

 

CMYK 0 / 57 / 26 / 7

HEX #EE67AF

RGB 238 103 175

HSL 328, 0.8%, 0.67%

LAB 62.48, 59.46, -12.56

 

CMYK 0 / 65 / 30 / 1

HEX #FC59B0

RGB 252 89 176

HSL 327.98, 0.96%, 0.67%

LAB 62.49, 69.46, -12.92

 

CMYK 0 / 27 / 13 / 23

HEX #C58FAC

RGB 197 143 172

HSL 327.78, 0.32%, 0.67%

LAB 65.35, 24.95, -7.11

 

CMYK 0 / 15 / 7 / 28

HEX #B89DAB

RGB 184 157 171

HSL 328.89, 0.16%, 0.67%

LAB 67.46, 12.36, -3.58

 

CMYK 1 / 0 / 1 / 33

HEX #AAABAA

RGB 170 171 170

HSL 120, 0.01%, 0.67%

LAB 69.88, -0.54, 0.38

 

CMYK 15 / 0 / 8 / 28

HEX #9CB8A9

RGB 156 184 169

HSL 147.86, 0.16%, 0.67%

LAB 72.37, -12.53, 4.43

 

CMYK 28 / 0 / 15 / 22

HEX #8FC6A8

RGB 143 198 168

HSL 147.27, 0.33%, 0.67%

LAB 75.49, -24.1, 9.33

 

CMYK 2 / 27 / 0 / 23

HEX #C18FC5

RGB 193 143 197

HSL 295.56, 0.32%, 0.67%

LAB 65.76, 28.1, -20.58

 

CMYK 0 / 27 / 5 / 23

HEX #C58FBB

RGB 197 143 187

HSL 311.11, 0.32%, 0.67%

LAB 65.83, 27.58, -14.83

 

CMYK 0 / 27 / 12 / 23

HEX #C58FAD

RGB 197 143 173

HSL 326.67, 0.32%, 0.67%

LAB 65.38, 25.12, -7.63

 

CMYK 0 / 27 / 19 / 23

HEX #C58F9F

RGB 197 143 159

HSL 342.22, 0.32%, 0.67%

LAB 64.98, 22.84, -0.33

 

CMYK 0 / 27 / 27 / 23

HEX #C58F90

RGB 197 143 144

HSL 358.89, 0.32%, 0.67%

LAB 64.59, 20.61, 7.57

 

CMYK 0 / 47 / 22 / 34

HEX #A95984

RGB 169 89 132

HSL 327.75, 0.32%, 0.51%

LAB 48.57, 38.15, -9.3

 

CMYK 0 / 37 / 17 / 28

HEX #B77498

RGB 183 116 152

HSL 327.76, 0.32%, 0.59%

LAB 56.9, 31.56, -8.43

 

CMYK 0 / 27 / 13 / 23

HEX #C58FAC

RGB 197 143 172

HSL 327.78, 0.32%, 0.67%

LAB 65.35, 24.95, -7.11

 

CMYK 0 / 19 / 9 / 17

HEX #D3ABC0

RGB 211 171 192

HSL 328.5, 0.31%, 0.75%

LAB 74.05, 18, -5.19

 

CMYK 0 / 12 / 5 / 12

HEX #E1C6D5

RGB 225 198 213

HSL 326.67, 0.31%, 0.83%

LAB 82.49, 12.03, -3.98

 

CMYK 0 / 27 / 13 / 22

HEX #C690AD

RGB 198 144 173

HSL 327.78, 0.32%, 0.67%

LAB 65.72, 24.93, -7.11

 

CMYK 0 / 10 / 27 / 23

HEX #C5B28F

RGB 197 178 143

HSL 38.89, 0.32%, 0.67%

LAB 73.35, 1.39, 20.4

 

CMYK 27 / 1 / 0 / 23

HEX #8FC3C5

RGB 143 195 197

HSL 182.22, 0.32%, 0.67%

LAB 75.39, -16.37, -6.5

 

CMYK 0 / 27 / 13 / 22

HEX #C690AD

RGB 198 144 173

HSL 327.78, 0.32%, 0.67%

LAB 65.72, 24.93, -7.11

 

CMYK 12 / 0 / 27 / 23

HEX #ADC58F

RGB 173 197 143

HSL 86.67, 0.32%, 0.67%

LAB 76.56, -17.64, 24.47

 

CMYK 27 / 12 / 0 / 23

HEX #8FADC5

RGB 143 173 197

HSL 206.67, 0.32%, 0.67%

LAB 69.3, -4.73, -15.6

 

CMYK 0 / 27 / 13 / 22

HEX #C690AD

RGB 198 144 173

HSL 327.78, 0.32%, 0.67%

LAB 65.72, 24.93, -7.11

 

CMYK 0 / 10 / 27 / 23

HEX #C5B28F

RGB 197 178 143

HSL 38.89, 0.32%, 0.67%

LAB 73.35, 1.39, 20.4

 

CMYK 27 / 0 / 15 / 23

HEX #8FC5A8

RGB 143 197 168

HSL 147.78, 0.32%, 0.67%

LAB 75.2, -23.6, 8.93

 

CMYK 27 / 18 / 0 / 23

HEX #8FA2C5

RGB 143 162 197

HSL 218.89, 0.32%, 0.67%

LAB 66.3, 1.33, -20.14

 

CMYK 0 / 27 / 13 / 22

HEX #C690AD

RGB 198 144 173

HSL 327.78, 0.32%, 0.67%

LAB 65.72, 24.93, -7.11

 

CMYK 0 / 1 / 27 / 23

HEX #C5C38F

RGB 197 195 143

HSL 57.78, 0.32%, 0.67%

LAB 77.81, -7.56, 26.46

 

CMYK 27 / 0 / 15 / 23

HEX #8FC5A8

RGB 143 197 168

HSL 147.78, 0.32%, 0.67%

LAB 75.2, -23.6, 8.93

 

CMYK 27 / 26 / 0 / 23

HEX #8F92C5

RGB 143 146 197

HSL 236.67, 0.32%, 0.67%

LAB 62.02, 10.39, -26.69

 

Description

Color code: HEX #C690AD | qconv.com Color code: HEX #C690AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 144 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 144 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 13 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 13% 22% C M Y K

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Provide designers and agencies with accurate color values.

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