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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C693DC it is the complementary color #396C23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C693DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C693DC shade: #CB93D7, #DCA5EA, #EDB7FD, #FEC9FF and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C693DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C693DC shade: #C693DC, #B581C9, #A46FB6, #935DA3 and #824B90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C693DC shade: #C693DC, #D993DC, #DC93CA, #DC93B7 and #DC93A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C693DC shade: #C693DC, #B293DC, #9E93DC and #9393DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C693DC shade matches the following richer shades: #C693DC, #CA87E7, #CF7CF3 and #D370FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C693DC shade: #C693DC, #C19ED0, #BCAAC4, #B8B5B9 and #B3C1AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C693DC shade: #9E93DC, #B193DC, #C493DC, #D893DC and #DC93CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C693DC shade: #A554C7, #B574D1, #C693DC, #D6B2E6 and #E6D1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C693DC shade: #C693DC, #DC939B and #93DCA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C693DC shade: #C693DC, #DCC493 and #93DCC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C693DC shade: #C693DC, #DC939B, #AADC93 and #93DCD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C693DC shade: #C693DC, #DCA093, #AADC93 and #93CEDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

Complementary color

CMYK 47 / 0 / 68 / 58

HEX #396C23

RGB 57 108 35

HSL 101.92, 0.51%, 0.28%

LAB 40.76, -31.61, 34.49

 

CMYK 6 / 32 / 0 / 16

HEX #CB93D7

RGB 203 147 215

HSL 289.41, 0.46%, 0.71%

LAB 68.37, 32.66, -26.51

 

CMYK 6 / 29 / 0 / 8

HEX #DCA5EA

RGB 220 165 234

HSL 287.83, 0.62%, 0.78%

LAB 74.87, 32, -26.82

 

CMYK 6 / 28 / 0 / 1

HEX #EDB7FD

RGB 237 183 253

HSL 286.29, 0.95%, 0.85%

LAB 81.27, 31.37, -27.11

 

CMYK 0 / 21 / 0 / 0

HEX #FEC9FF

RGB 254 201 255

HSL 298.89, 1%, 0.89%

LAB 87.03, 27.62, -19.28

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 10 / 36 / 0 / 21

HEX #B581C9

RGB 181 129 201

HSL 283.33, 0.4%, 0.65%

LAB 61.43, 32.8, -29.58

 

CMYK 10 / 39 / 0 / 29

HEX #A46FB6

RGB 164 111 182

HSL 284.79, 0.33%, 0.57%

LAB 54.7, 33.56, -29.34

 

CMYK 10 / 43 / 0 / 36

HEX #935DA3

RGB 147 93 163

HSL 286.29, 0.28%, 0.5%

LAB 47.85, 34.36, -29.08

 

CMYK 10 / 48 / 0 / 44

HEX #824B90

RGB 130 75 144

HSL 287.83, 0.32%, 0.43%

LAB 40.88, 35.17, -28.77

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 1 / 33 / 0 / 14

HEX #D993DC

RGB 217 147 220

HSL 297.53, 0.51%, 0.72%

LAB 70.03, 38.05, -26.6

 

CMYK 0 / 33 / 8 / 14

HEX #DC93CA

RGB 220 147 202

HSL 314.79, 0.51%, 0.72%

LAB 69.72, 35.79, -17.09

 

CMYK 0 / 33 / 17 / 14

HEX #DC93B7

RGB 220 147 183

HSL 330.41, 0.51%, 0.72%

LAB 69.11, 32.67, -7.42

 

CMYK 0 / 33 / 26 / 14

HEX #DC93A3

RGB 220 147 163

HSL 346.85, 0.51%, 0.72%

LAB 68.55, 29.7, 2.94

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 19 / 33 / 0 / 14

HEX #B293DC

RGB 178 147 220

HSL 265.48, 0.51%, 0.72%

LAB 66.14, 25.93, -32.92

 

CMYK 28 / 33 / 0 / 14

HEX #9E93DC

RGB 158 147 220

HSL 249.04, 0.51%, 0.72%

LAB 64.41, 19.99, -35.74

 

CMYK 33 / 33 / 0 / 14

HEX #9393DC

RGB 147 147 220

HSL 240, 0.51%, 0.72%

LAB 63.54, 16.85, -37.16

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 13 / 42 / 0 / 9

HEX #CA87E7

RGB 202 135 231

HSL 281.88, 0.67%, 0.72%

LAB 66.25, 42.09, -38.64

 

CMYK 15 / 49 / 0 / 5

HEX #CF7CF3

RGB 207 124 243

HSL 281.85, 0.83%, 0.72%

LAB 65.08, 51.74, -47.06

 

CMYK 17 / 56 / 0 / 0

HEX #D370FE

RGB 211 112 254

HSL 281.83, 0.99%, 0.72%

LAB 63.83, 61, -55.06

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 7 / 24 / 0 / 18

HEX #C19ED0

RGB 193 158 208

HSL 282, 0.35%, 0.72%

LAB 69.71, 21.97, -20.67

 

CMYK 4 / 13 / 0 / 23

HEX #BCAAC4

RGB 188 170 196

HSL 281.54, 0.18%, 0.72%

LAB 71.84, 11.29, -10.89

 

CMYK 1 / 2 / 0 / 27

HEX #B8B5B9

RGB 184 181 185

HSL 285, 0.03%, 0.72%

LAB 74.02, 1.8, -1.66

 

CMYK 7 / 0 / 10 / 24

HEX #B3C1AD

RGB 179 193 173

HSL 102, 0.14%, 0.72%

LAB 76.52, -8.52, 8.43

 

CMYK 28 / 33 / 0 / 14

HEX #9E93DC

RGB 158 147 220

HSL 249.04, 0.51%, 0.72%

LAB 64.41, 19.99, -35.74

 

CMYK 20 / 33 / 0 / 14

HEX #B193DC

RGB 177 147 220

HSL 264.66, 0.51%, 0.72%

LAB 66.04, 25.63, -33.07

 

CMYK 11 / 33 / 0 / 14

HEX #C493DC

RGB 196 147 220

HSL 280.27, 0.51%, 0.72%

LAB 67.85, 31.47, -30.13

 

CMYK 2 / 33 / 0 / 14

HEX #D893DC

RGB 216 147 220

HSL 296.71, 0.51%, 0.72%

LAB 69.92, 37.74, -26.77

 

CMYK 0 / 33 / 7 / 14

HEX #DC93CC

RGB 220 147 204

HSL 313.15, 0.51%, 0.72%

LAB 69.78, 36.14, -18.09

 

CMYK 17 / 58 / 0 / 22

HEX #A554C7

RGB 165 84 199

HSL 282.26, 0.51%, 0.55%

LAB 50.05, 51.88, -46.42

 

CMYK 13 / 44 / 0 / 18

HEX #B574D1

RGB 181 116 209

HSL 281.94, 0.5%, 0.64%

LAB 58.9, 41.62, -38.03

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 7 / 23 / 0 / 10

HEX #D6B2E6

RGB 214 178 230

HSL 281.54, 0.51%, 0.8%

LAB 77.19, 22.25, -21.15

 

CMYK 4 / 13 / 0 / 6

HEX #E6D1F0

RGB 230 209 240

HSL 280.65, 0.51%, 0.88%

LAB 86.36, 12.8, -12.56

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 0 / 33 / 30 / 14

HEX #DC939B

RGB 220 147 155

HSL 353.42, 0.51%, 0.72%

LAB 68.35, 28.6, 7.12

 

CMYK 33 / 0 / 24 / 14

HEX #93DCA7

RGB 147 220 167

HSL 136.44, 0.51%, 0.72%

LAB 81.94, -33.59, 18.98

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 0 / 11 / 33 / 14

HEX #DCC493

RGB 220 196 147

HSL 40.27, 0.51%, 0.72%

LAB 80.07, 1.36, 27.73

 

CMYK 33 / 0 / 11 / 14

HEX #93DCC4

RGB 147 220 196

HSL 160.27, 0.51%, 0.72%

LAB 82.58, -27.88, 4.59

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 0 / 33 / 30 / 14

HEX #DC939B

RGB 220 147 155

HSL 353.42, 0.51%, 0.72%

LAB 68.35, 28.6, 7.12

 

CMYK 23 / 0 / 33 / 14

HEX #AADC93

RGB 170 220 147

HSL 101.1, 0.51%, 0.72%

LAB 82.83, -29.37, 30.78

 

CMYK 33 / 0 / 4 / 14

HEX #93DCD3

RGB 147 220 211

HSL 172.6, 0.51%, 0.72%

LAB 82.96, -24.6, -2.82

 

CMYK 10 / 33 / 0 / 14

HEX #C693DC

RGB 198 147 220

HSL 281.92, 0.51%, 0.72%

LAB 68.05, 32.09, -29.81

 

CMYK 0 / 27 / 33 / 14

HEX #DCA093

RGB 220 160 147

HSL 10.68, 0.51%, 0.72%

LAB 71.19, 20.56, 15.57

 

CMYK 23 / 0 / 33 / 14

HEX #AADC93

RGB 170 220 147

HSL 101.1, 0.51%, 0.72%

LAB 82.83, -29.37, 30.78

 

CMYK 33 / 6 / 0 / 14

HEX #93CEDC

RGB 147 206 220

HSL 191.51, 0.51%, 0.72%

LAB 79.34, -15.48, -13

 

Description

Color code: HEX #C693DC | qconv.com Color code: HEX #C693DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 147 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 147 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 33 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 33% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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