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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69D6D it is the complementary color #396292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69D6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69D6D shade: #CB9D68, #DCAF7B, #EDC18E, #FED3A1 and #FFE5B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69D6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69D6D shade: #C69D6D, #B58B5A, #A47947, #936734 and #825521

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69D6D shade: #C59C6C, #C5846C and #C56C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69D6D shade: #C59C6C, #C5B46C, #BEC56C, #A6C56C and #8EC56C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69D6D shade matches the following richer shades: #C59C6C, #D69D5B, #E69F4B and #F7A03A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69D6D shade: #C59C6C, #B59B7C, #A4998D, #94989D and #8397AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69D6D shade: #C56C6C, #C5846C, #C59B6C, #C5B36C and #BFC56C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69D6D shade: #A0733E, #BA884E, #C59C6C, #D1B089 and #DCC4A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69D6D shade: #C69D6D, #84C56C and #786CC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69D6D shade: #C69D6D, #6CC59B and #9B6CC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69D6D shade: #C69D6D, #84C56C, #6C96C5 and #AD6CC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69D6D shade: #C69D6D, #6CC56F, #6C96C5 and #C56CC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 45 / 22

HEX #C69D6D

RGB 198 157 109

HSL 32.36, 0.44%, 0.6%

LAB 67.44, 9.01, 30.86

 

Complementary color

CMYK 61 / 33 / 0 / 43

HEX #396292

RGB 57 98 146

HSL 212.36, 0.44%, 0.4%

LAB 40.7, 1.03, -30.7

 

CMYK 0 / 23 / 49 / 20

HEX #CB9D68

RGB 203 157 104

HSL 32.12, 0.49%, 0.6%

LAB 67.88, 10.58, 34.19

 

CMYK 0 / 20 / 44 / 14

HEX #DCAF7B

RGB 220 175 123

HSL 32.16, 0.58%, 0.67%

LAB 74.38, 9.74, 32.85

 

CMYK 0 / 19 / 40 / 7

HEX #EDC18E

RGB 237 193 142

HSL 32.21, 0.73%, 0.74%

LAB 80.79, 9.02, 31.6

 

CMYK 0 / 17 / 37 / 0

HEX #FED3A1

RGB 254 211 161

HSL 32.26, 0.98%, 0.81%

LAB 87.11, 8.38, 30.42

 

CMYK 0 / 10 / 29 / 0

HEX #FFE5B4

RGB 255 229 180

HSL 39.2, 1%, 0.85%

LAB 91.95, 1.81, 27.18

 

CMYK 0 / 21 / 45 / 22

HEX #C69D6D

RGB 198 157 109

HSL 32.36, 0.44%, 0.6%

LAB 67.44, 9.01, 30.86

 

CMYK 0 / 23 / 50 / 29

HEX #B58B5A

RGB 181 139 90

HSL 32.31, 0.38%, 0.53%

LAB 60.81, 9.88, 32.24

 

CMYK 0 / 26 / 57 / 36

HEX #A47947

RGB 164 121 71

HSL 32.26, 0.4%, 0.46%

LAB 54.05, 10.92, 33.7

 

CMYK 0 / 30 / 65 / 42

HEX #936734

RGB 147 103 52

HSL 32.21, 0.48%, 0.39%

LAB 47.17, 12.17, 35.24

 

CMYK 0 / 35 / 75 / 49

HEX #825521

RGB 130 85 33

HSL 32.16, 0.6%, 0.32%

LAB 40.17, 13.71, 36.71

 

CMYK 0 / 21 / 45 / 23

HEX #C59C6C

RGB 197 156 108

HSL 32.36, 0.43%, 0.6%

LAB 67.07, 9.04, 30.9

 

CMYK 0 / 33 / 45 / 23

HEX #C5846C

RGB 197 132 108

HSL 16.18, 0.43%, 0.6%

LAB 61.18, 22.2, 23.14

 

CMYK 0 / 45 / 45 / 23

HEX #C56C6C

RGB 197 108 108

HSL 0, 0.43%, 0.6%

LAB 55.76, 35.2, 15.79

 

CMYK 0 / 21 / 45 / 23

HEX #C59C6C

RGB 197 156 108

HSL 32.36, 0.43%, 0.6%

LAB 67.07, 9.04, 30.9

 

CMYK 0 / 9 / 45 / 23

HEX #C5B46C

RGB 197 180 108

HSL 48.54, 0.43%, 0.6%

LAB 73.28, -3.84, 38.8

 

CMYK 4 / 0 / 45 / 23

HEX #BEC56C

RGB 190 197 108

HSL 64.72, 0.43%, 0.6%

LAB 77.26, -15.46, 43.6

 

CMYK 16 / 0 / 45 / 23

HEX #A6C56C

RGB 166 197 108

HSL 80.9, 0.43%, 0.6%

LAB 75.53, -24.89, 41.08

 

CMYK 28 / 0 / 45 / 23

HEX #8EC56C

RGB 142 197 108

HSL 97.08, 0.43%, 0.6%

LAB 74.04, -33.76, 38.9

 

CMYK 0 / 21 / 45 / 23

HEX #C59C6C

RGB 197 156 108

HSL 32.36, 0.43%, 0.6%

LAB 67.07, 9.04, 30.9

 

CMYK 0 / 27 / 57 / 16

HEX #D69D5B

RGB 214 157 91

HSL 32.2, 0.6%, 0.6%

LAB 68.87, 14.04, 42.44

 

CMYK 0 / 31 / 67 / 10

HEX #E69F4B

RGB 230 159 75

HSL 32.52, 0.76%, 0.6%

LAB 70.96, 18.6, 53.12

 

CMYK 0 / 35 / 77 / 3

HEX #F7A03A

RGB 247 160 58

HSL 32.38, 0.92%, 0.6%

LAB 73.04, 24.35, 63.26

 

CMYK 0 / 21 / 45 / 23

HEX #C59C6C

RGB 197 156 108

HSL 32.36, 0.43%, 0.6%

LAB 67.07, 9.04, 30.9

 

CMYK 0 / 14 / 31 / 29

HEX #B59B7C

RGB 181 155 124

HSL 32.63, 0.28%, 0.6%

LAB 65.53, 4.95, 19.83

 

CMYK 0 / 7 / 14 / 36

HEX #A4998D

RGB 164 153 141

HSL 31.3, 0.11%, 0.6%

LAB 63.83, 1.93, 7.75

 

CMYK 6 / 3 / 0 / 38

HEX #94989D

RGB 148 152 157

HSL 213.33, 0.04%, 0.6%

LAB 62.66, -0.44, -3.13

 

CMYK 25 / 13 / 0 / 32

HEX #8397AE

RGB 131 151 174

HSL 212.09, 0.21%, 0.6%

LAB 61.67, -1.81, -14.36

 

CMYK 0 / 45 / 45 / 23

HEX #C56C6C

RGB 197 108 108

HSL 0, 0.43%, 0.6%

LAB 55.76, 35.2, 15.79

 

CMYK 0 / 33 / 45 / 23

HEX #C5846C

RGB 197 132 108

HSL 16.18, 0.43%, 0.6%

LAB 61.18, 22.2, 23.14

 

CMYK 0 / 21 / 45 / 23

HEX #C59B6C

RGB 197 155 108

HSL 31.69, 0.43%, 0.6%

LAB 66.82, 9.58, 30.57

 

CMYK 0 / 9 / 45 / 23

HEX #C5B36C

RGB 197 179 108

HSL 47.87, 0.43%, 0.6%

LAB 73.02, -3.31, 38.47

 

CMYK 3 / 0 / 45 / 23

HEX #BFC56C

RGB 191 197 108

HSL 64.04, 0.43%, 0.6%

LAB 77.34, -15.05, 43.72

 

CMYK 0 / 28 / 61 / 37

HEX #A0733E

RGB 160 115 62

HSL 32.45, 0.44%, 0.44%

LAB 51.93, 11.83, 35.87

 

CMYK 0 / 27 / 58 / 27

HEX #BA884E

RGB 186 136 78

HSL 32.22, 0.44%, 0.52%

LAB 60.42, 12.63, 38.27

 

CMYK 0 / 21 / 45 / 23

HEX #C59C6C

RGB 197 156 108

HSL 32.36, 0.43%, 0.6%

LAB 67.07, 9.04, 30.9

 

CMYK 0 / 16 / 34 / 18

HEX #D1B089

RGB 209 176 137

HSL 32.5, 0.44%, 0.68%

LAB 73.81, 6.39, 24.44

 

CMYK 0 / 11 / 24 / 14

HEX #DCC4A7

RGB 220 196 167

HSL 32.83, 0.43%, 0.76%

LAB 80.45, 4, 17.66

 

CMYK 0 / 21 / 45 / 22

HEX #C69D6D

RGB 198 157 109

HSL 32.36, 0.44%, 0.6%

LAB 67.44, 9.01, 30.86

 

CMYK 33 / 0 / 45 / 23

HEX #84C56C

RGB 132 197 108

HSL 103.82, 0.43%, 0.6%

LAB 73.49, -37.23, 38.1

 

CMYK 39 / 45 / 0 / 23

HEX #786CC5

RGB 120 108 197

HSL 248.09, 0.43%, 0.6%

LAB 50.39, 26.24, -45.02

 

CMYK 0 / 21 / 45 / 22

HEX #C69D6D

RGB 198 157 109

HSL 32.36, 0.44%, 0.6%

LAB 67.44, 9.01, 30.86

 

CMYK 45 / 0 / 21 / 23

HEX #6CC59B

RGB 108 197 155

HSL 151.69, 0.43%, 0.6%

LAB 73.21, -36.45, 12.88

 

CMYK 21 / 45 / 0 / 23

HEX #9B6CC5

RGB 155 108 197

HSL 271.69, 0.43%, 0.6%

LAB 53.73, 35.87, -39.52

 

CMYK 0 / 21 / 45 / 22

HEX #C69D6D

RGB 198 157 109

HSL 32.36, 0.44%, 0.6%

LAB 67.44, 9.01, 30.86

 

CMYK 33 / 0 / 45 / 23

HEX #84C56C

RGB 132 197 108

HSL 103.82, 0.43%, 0.6%

LAB 73.49, -37.23, 38.1

 

CMYK 45 / 24 / 0 / 23

HEX #6C96C5

RGB 108 150 197

HSL 211.69, 0.43%, 0.6%

LAB 60.81, -1.71, -28.75

 

CMYK 12 / 45 / 0 / 23

HEX #AD6CC5

RGB 173 108 197

HSL 283.82, 0.43%, 0.6%

LAB 55.73, 41.1, -36.25

 

CMYK 0 / 21 / 45 / 22

HEX #C69D6D

RGB 198 157 109

HSL 32.36, 0.44%, 0.6%

LAB 67.44, 9.01, 30.86

 

CMYK 45 / 0 / 44 / 23

HEX #6CC56F

RGB 108 197 111

HSL 122.02, 0.43%, 0.6%

LAB 72.41, -44.38, 34.97

 

CMYK 45 / 24 / 0 / 23

HEX #6C96C5

RGB 108 150 197

HSL 211.69, 0.43%, 0.6%

LAB 60.81, -1.71, -28.75

 

CMYK 0 / 45 / 2 / 23

HEX #C56CC2

RGB 197 108 194

HSL 302.02, 0.43%, 0.6%

LAB 58.5, 47.63, -30

 

Description

Color code: HEX #C69D6D | qconv.com Color code: HEX #C69D6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 157 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 157 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 45 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 45% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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