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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69D80 it is the complementary color #39627F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69D80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69D80 shade: #CB9D7B, #DCAF8E, #EDC1A1, #FED3B4 and #FFE5C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69D80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69D80 shade: #C69D80, #B58B6D, #A4795A, #936747 and #825534

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69D80 shade: #C69D80, #C68A80 and #C68080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69D80 shade: #C69D80, #C6B080, #C6C280, #B6C680 and #A3C680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69D80 shade matches the following richer shades: #C69D80, #D49A71, #E39862 and #F29553

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69D80 shade: #C69D80, #B79F8F, #A8A29E, #99A4AC and #8AA7BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69D80 shade: #C68089, #C68980, #C69C80, #C6AE80 and #C6C180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69D80 shade: #A8724B, #B98763, #C69D80, #D2B39C and #DFC9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69D80 shade: #C69D80, #9CC680 and #8080C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69D80 shade: #C69D80, #80C69C and #9C80C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69D80 shade: #C69D80, #9CC680, #80AAC6 and #AA80C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69D80 shade: #C69D80, #87C680, #80AAC6 and #BF80C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

Complementary color

CMYK 55 / 23 / 0 / 50

HEX #39627F

RGB 57 98 127

HSL 204.86, 0.38%, 0.36%

LAB 39.81, -5.42, -20.61

 

CMYK 0 / 23 / 39 / 20

HEX #CB9D7B

RGB 203 157 123

HSL 25.5, 0.43%, 0.64%

LAB 68.2, 12.59, 24.36

 

CMYK 0 / 20 / 35 / 14

HEX #DCAF8E

RGB 220 175 142

HSL 25.38, 0.53%, 0.71%

LAB 74.72, 11.87, 23.16

 

CMYK 0 / 19 / 32 / 7

HEX #EDC1A1

RGB 237 193 161

HSL 25.26, 0.68%, 0.78%

LAB 81.14, 11.25, 22.04

 

CMYK 0 / 17 / 29 / 0

HEX #FED3B4

RGB 254 211 180

HSL 25.14, 0.97%, 0.85%

LAB 87.46, 10.69, 21

 

CMYK 0 / 10 / 22 / 0

HEX #FFE5C7

RGB 255 229 199

HSL 32.14, 1%, 0.89%

LAB 92.32, 4.34, 17.88

 

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

CMYK 0 / 23 / 40 / 29

HEX #B58B6D

RGB 181 139 109

HSL 25, 0.33%, 0.57%

LAB 61.13, 11.91, 22.19

 

CMYK 0 / 26 / 45 / 36

HEX #A4795A

RGB 164 121 90

HSL 25.14, 0.29%, 0.5%

LAB 54.35, 12.77, 23.54

 

CMYK 0 / 30 / 52 / 42

HEX #936747

RGB 147 103 71

HSL 25.26, 0.35%, 0.43%

LAB 47.44, 13.79, 25.03

 

CMYK 0 / 35 / 60 / 49

HEX #825534

RGB 130 85 52

HSL 25.38, 0.43%, 0.36%

LAB 40.4, 15.02, 26.69

 

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

CMYK 0 / 30 / 35 / 22

HEX #C68A80

RGB 198 138 128

HSL 8.57, 0.38%, 0.64%

LAB 63.13, 21.61, 14.56

 

CMYK 0 / 35 / 35 / 22

HEX #C68080

RGB 198 128 128

HSL 0, 0.38%, 0.64%

LAB 60.78, 27.09, 11.27

 

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

CMYK 0 / 11 / 35 / 22

HEX #C6B080

RGB 198 176 128

HSL 41.14, 0.38%, 0.64%

LAB 72.64, 0.91, 27.51

 

CMYK 0 / 2 / 35 / 22

HEX #C6C280

RGB 198 194 128

HSL 56.57, 0.38%, 0.64%

LAB 77.37, -8.54, 33.74

 

CMYK 8 / 0 / 35 / 22

HEX #B6C680

RGB 182 198 128

HSL 73.71, 0.38%, 0.64%

LAB 77.22, -16.82, 33.3

 

CMYK 18 / 0 / 35 / 22

HEX #A3C680

RGB 163 198 128

HSL 90, 0.38%, 0.64%

LAB 75.91, -23.98, 31.34

 

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

CMYK 0 / 27 / 47 / 17

HEX #D49A71

RGB 212 154 113

HSL 24.85, 0.54%, 0.64%

LAB 68.24, 16.78, 30.02

 

CMYK 0 / 33 / 57 / 11

HEX #E39862

RGB 227 152 98

HSL 25.12, 0.7%, 0.64%

LAB 69.23, 22.63, 39.61

 

CMYK 0 / 38 / 66 / 5

HEX #F29553

RGB 242 149 83

HSL 24.91, 0.86%, 0.64%

LAB 70.17, 29.28, 48.8

 

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

CMYK 0 / 13 / 22 / 28

HEX #B79F8F

RGB 183 159 143

HSL 24, 0.22%, 0.64%

LAB 67.16, 6.25, 11.59

 

CMYK 0 / 4 / 6 / 34

HEX #A8A29E

RGB 168 162 158

HSL 24, 0.05%, 0.64%

LAB 67, 1.44, 2.84

 

CMYK 11 / 5 / 0 / 33

HEX #99A4AC

RGB 153 164 172

HSL 205.26, 0.1%, 0.64%

LAB 66.75, -2.24, -5.47

 

CMYK 26 / 11 / 0 / 27

HEX #8AA7BB

RGB 138 167 187

HSL 204.49, 0.26%, 0.64%

LAB 67, -5.37, -13.56

 

CMYK 0 / 35 / 31 / 22

HEX #C68089

RGB 198 128 137

HSL 352.29, 0.38%, 0.64%

LAB 61, 28.25, 6.43

 

CMYK 0 / 31 / 35 / 22

HEX #C68980

RGB 198 137 128

HSL 7.71, 0.38%, 0.64%

LAB 62.89, 22.16, 14.22

 

CMYK 0 / 21 / 35 / 22

HEX #C69C80

RGB 198 156 128

HSL 24, 0.38%, 0.64%

LAB 67.53, 11.73, 20.63

 

CMYK 0 / 12 / 35 / 22

HEX #C6AE80

RGB 198 174 128

HSL 39.43, 0.38%, 0.64%

LAB 72.12, 1.98, 26.82

 

CMYK 0 / 3 / 35 / 22

HEX #C6C180

RGB 198 193 128

HSL 55.71, 0.38%, 0.64%

LAB 77.1, -8.02, 33.39

 

CMYK 0 / 32 / 55 / 34

HEX #A8724B

RGB 168 114 75

HSL 25.16, 0.38%, 0.48%

LAB 52.8, 16.96, 30.08

 

CMYK 0 / 27 / 46 / 27

HEX #B98763

RGB 185 135 99

HSL 25.12, 0.38%, 0.56%

LAB 60.38, 14.68, 26.84

 

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

CMYK 0 / 15 / 26 / 18

HEX #D2B39C

RGB 210 179 156

HSL 25.56, 0.38%, 0.72%

LAB 75.04, 7.68, 15.89

 

CMYK 0 / 10 / 17 / 13

HEX #DFC9B9

RGB 223 201 185

HSL 25.26, 0.37%, 0.8%

LAB 82.36, 5.13, 10.79

 

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

CMYK 21 / 0 / 35 / 22

HEX #9CC680

RGB 156 198 128

HSL 96, 0.38%, 0.64%

LAB 75.46, -26.53, 30.67

 

CMYK 35 / 35 / 0 / 22

HEX #8080C6

RGB 128 128 198

HSL 240, 0.38%, 0.64%

LAB 56.19, 16.75, -36.4

 

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

CMYK 35 / 0 / 21 / 22

HEX #80C69C

RGB 128 198 156

HSL 144, 0.38%, 0.64%

LAB 74.43, -31.07, 14.19

 

CMYK 21 / 35 / 0 / 22

HEX #9C80C6

RGB 156 128 198

HSL 264, 0.38%, 0.64%

LAB 58.59, 24.97, -32.49

 

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

CMYK 21 / 0 / 35 / 22

HEX #9CC680

RGB 156 198 128

HSL 96, 0.38%, 0.64%

LAB 75.46, -26.53, 30.67

 

CMYK 35 / 14 / 0 / 22

HEX #80AAC6

RGB 128 170 198

HSL 204, 0.38%, 0.64%

LAB 67.59, -7.21, -18.83

 

CMYK 14 / 35 / 0 / 22

HEX #AA80C6

RGB 170 128 198

HSL 276, 0.38%, 0.64%

LAB 59.94, 29.29, -30.27

 

CMYK 0 / 21 / 35 / 22

HEX #C69D80

RGB 198 157 128

HSL 24.86, 0.38%, 0.64%

LAB 67.78, 11.18, 20.97

 

CMYK 32 / 0 / 35 / 22

HEX #87C680

RGB 135 198 128

HSL 114, 0.38%, 0.64%

LAB 74.25, -33.8, 28.85

 

CMYK 35 / 14 / 0 / 22

HEX #80AAC6

RGB 128 170 198

HSL 204, 0.38%, 0.64%

LAB 67.59, -7.21, -18.83

 

CMYK 4 / 35 / 0 / 22

HEX #BF80C6

RGB 191 128 198

HSL 294, 0.38%, 0.64%

LAB 62.16, 35.9, -26.67

 

Description

Color code: HEX #C69D80 | qconv.com Color code: HEX #C69D80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 157 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 157 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 35% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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