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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69DA4 it is the complementary color #39625B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69DA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69DA4 shade: #CB9D9F, #DCAFB2, #EDC1C5, #FED3D8 and #FFE5EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69DA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69DA4 shade: #C69DA4, #B58B91, #A4797E, #93676B and #825558

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69DA4 shade: #C69EA5 and #C69E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69DA4 shade: #C69EA5, #C69EB0, #C69EBA, #C69EC5 and #BC9EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69DA4 shade matches the following richer shades: #C69EA5, #D2929D, #DF8595, #EB798C and #F76D84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69DA4 shade: #C69EA5, #BAAAAD, #ADB7B5, #A1C3BD and #94D0C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69DA4 shade: #C69EBB, #C69EB0, #C69EA5, #C6A19E and #C6AC9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69DA4 shade: #A76A75, #B7848D, #C69EA5, #D5B8BD and #E4D2D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69DA4 shade: #C69DA4, #C5C69E and #9EB5C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69DA4 shade: #C69DA4, #A5C69E and #9EA5C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69DA4 shade: #C69DA4, #C5C69E, #9EC6BF and #9F9EC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69DA4 shade: #C69DA4, #B9C69E, #9EC6BF and #AB9EC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 17 / 22

HEX #C69DA4

RGB 198 157 164

HSL 349.76, 0.26%, 0.7%

LAB 68.61, 16.3, 2.16

 

Complementary color

CMYK 42 / 0 / 7 / 62

HEX #39625B

RGB 57 98 91

HSL 169.76, 0.26%, 0.3%

LAB 38.48, -16.23, -0.55

 

CMYK 0 / 23 / 22 / 20

HEX #CB9D9F

RGB 203 157 159

HSL 357.39, 0.31%, 0.71%

LAB 68.98, 17.39, 5.55

 

CMYK 0 / 20 / 19 / 14

HEX #DCAFB2

RGB 220 175 178

HSL 356, 0.39%, 0.77%

LAB 75.51, 16.81, 4.71

 

CMYK 0 / 19 / 17 / 7

HEX #EDC1C5

RGB 237 193 197

HSL 354.55, 0.55%, 0.84%

LAB 81.93, 16.28, 3.92

 

CMYK 0 / 17 / 15 / 0

HEX #FED3D8

RGB 254 211 216

HSL 353.02, 0.96%, 0.91%

LAB 88.26, 15.81, 3.18

 

CMYK 0 / 10 / 8 / 0

HEX #FFE5EB

RGB 255 229 235

HSL 346.15, 1%, 0.95%

LAB 93.14, 9.86, 0.32

 

CMYK 0 / 21 / 17 / 22

HEX #C69DA4

RGB 198 157 164

HSL 349.76, 0.26%, 0.7%

LAB 68.61, 16.3, 2.16

 

CMYK 0 / 23 / 20 / 29

HEX #B58B91

RGB 181 139 145

HSL 351.43, 0.22%, 0.63%

LAB 61.94, 16.88, 2.97

 

CMYK 0 / 26 / 23 / 36

HEX #A4797E

RGB 164 121 126

HSL 353.02, 0.19%, 0.56%

LAB 55.15, 17.54, 3.86

 

CMYK 0 / 30 / 27 / 42

HEX #93676B

RGB 147 103 107

HSL 354.55, 0.18%, 0.49%

LAB 48.22, 18.29, 4.84

 

CMYK 0 / 35 / 32 / 49

HEX #825558

RGB 130 85 88

HSL 356, 0.21%, 0.42%

LAB 41.13, 19.15, 5.95

 

CMYK 0 / 20 / 17 / 22

HEX #C69EA5

RGB 198 158 165

HSL 349.5, 0.26%, 0.7%

LAB 68.88, 15.91, 2

 

CMYK 0 / 20 / 20 / 22

HEX #C69E9E

RGB 198 158 158

HSL 0, 0.26%, 0.7%

LAB 68.7, 14.81, 5.64

 

CMYK 0 / 20 / 17 / 22

HEX #C69EA5

RGB 198 158 165

HSL 349.5, 0.26%, 0.7%

LAB 68.88, 15.91, 2

 

CMYK 0 / 20 / 11 / 22

HEX #C69EB0

RGB 198 158 176

HSL 333, 0.26%, 0.7%

LAB 69.18, 17.73, -3.68

 

CMYK 0 / 20 / 6 / 22

HEX #C69EBA

RGB 198 158 186

HSL 318, 0.26%, 0.7%

LAB 69.47, 19.48, -8.8

 

CMYK 0 / 20 / 1 / 22

HEX #C69EC5

RGB 198 158 197

HSL 301.5, 0.26%, 0.7%

LAB 69.82, 21.5, -14.38

 

CMYK 5 / 20 / 0 / 22

HEX #BC9EC6

RGB 188 158 198

HSL 285, 0.26%, 0.7%

LAB 68.91, 18.31, -16.4

 

CMYK 0 / 20 / 17 / 22

HEX #C69EA5

RGB 198 158 165

HSL 349.5, 0.26%, 0.7%

LAB 68.88, 15.91, 2

 

CMYK 0 / 30 / 25 / 18

HEX #D2929D

RGB 210 146 157

HSL 349.69, 0.42%, 0.7%

LAB 67.05, 25.71, 3.97

 

CMYK 0 / 40 / 33 / 13

HEX #DF8595

RGB 223 133 149

HSL 349.33, 0.58%, 0.7%

LAB 65.46, 36.37, 6.4

 

CMYK 0 / 49 / 40 / 8

HEX #EB798C

RGB 235 121 140

HSL 350, 0.74%, 0.7%

LAB 64.35, 45.76, 10.13

 

CMYK 0 / 56 / 47 / 3

HEX #F76D84

RGB 247 109 132

HSL 350, 0.9%, 0.7%

LAB 63.65, 54.81, 13.97

 

CMYK 0 / 20 / 17 / 22

HEX #C69EA5

RGB 198 158 165

HSL 349.5, 0.26%, 0.7%

LAB 68.88, 15.91, 2

 

CMYK 0 / 9 / 7 / 27

HEX #BAAAAD

RGB 186 170 173

HSL 348.75, 0.1%, 0.7%

LAB 71.01, 6.29, 0.54

 

CMYK 5 / 0 / 1 / 28

HEX #ADB7B5

RGB 173 183 181

HSL 168, 0.06%, 0.7%

LAB 73.6, -3.85, -0.19

 

CMYK 17 / 0 / 3 / 24

HEX #A1C3BD

RGB 161 195 189

HSL 169.41, 0.22%, 0.7%

LAB 76.24, -12.57, -0.78

 

CMYK 29 / 0 / 5 / 18

HEX #94D0C6

RGB 148 208 198

HSL 170, 0.39%, 0.7%

LAB 79.32, -21.27, -1.22

 

CMYK 0 / 20 / 6 / 22

HEX #C69EBB

RGB 198 158 187

HSL 316.5, 0.26%, 0.7%

LAB 69.5, 19.66, -9.31

 

CMYK 0 / 20 / 11 / 22

HEX #C69EB0

RGB 198 158 176

HSL 333, 0.26%, 0.7%

LAB 69.18, 17.73, -3.68

 

CMYK 0 / 20 / 17 / 22

HEX #C69EA5

RGB 198 158 165

HSL 349.5, 0.26%, 0.7%

LAB 68.88, 15.91, 2

 

CMYK 0 / 19 / 20 / 22

HEX #C6A19E

RGB 198 161 158

HSL 4.5, 0.26%, 0.7%

LAB 69.44, 13.16, 6.71

 

CMYK 0 / 13 / 20 / 22

HEX #C6AC9E

RGB 198 172 158

HSL 21, 0.26%, 0.7%

LAB 72.21, 7.18, 10.66

 

CMYK 0 / 37 / 30 / 35

HEX #A76A75

RGB 167 106 117

HSL 349.18, 0.26%, 0.54%

LAB 51.62, 25.88, 4.1

 

CMYK 0 / 28 / 23 / 28

HEX #B7848D

RGB 183 132 141

HSL 349.41, 0.26%, 0.62%

LAB 60.33, 20.94, 2.95

 

CMYK 0 / 20 / 17 / 22

HEX #C69EA5

RGB 198 158 165

HSL 349.5, 0.26%, 0.7%

LAB 68.88, 15.91, 2

 

CMYK 0 / 14 / 11 / 16

HEX #D5B8BD

RGB 213 184 189

HSL 349.66, 0.26%, 0.78%

LAB 77.34, 11.18, 1.3

 

CMYK 0 / 8 / 7 / 11

HEX #E4D2D5

RGB 228 210 213

HSL 350, 0.25%, 0.86%

LAB 85.7, 6.74, 0.76

 

CMYK 0 / 21 / 17 / 22

HEX #C69DA4

RGB 198 157 164

HSL 349.76, 0.26%, 0.7%

LAB 68.61, 16.3, 2.16

 

CMYK 1 / 0 / 20 / 22

HEX #C5C69E

RGB 197 198 158

HSL 61.5, 0.26%, 0.7%

LAB 78.88, -7, 19.99

 

CMYK 20 / 9 / 0 / 22

HEX #9EB5C6

RGB 158 181 198

HSL 205.5, 0.26%, 0.7%

LAB 72.49, -4.2, -11.26

 

CMYK 0 / 21 / 17 / 22

HEX #C69DA4

RGB 198 157 164

HSL 349.76, 0.26%, 0.7%

LAB 68.61, 16.3, 2.16

 

CMYK 17 / 0 / 20 / 22

HEX #A5C69E

RGB 165 198 158

HSL 109.5, 0.26%, 0.7%

LAB 76.59, -18.62, 16.45

 

CMYK 20 / 17 / 0 / 22

HEX #9EA5C6

RGB 158 165 198

HSL 229.5, 0.26%, 0.7%

LAB 68.21, 4.56, -17.7

 

CMYK 0 / 21 / 17 / 22

HEX #C69DA4

RGB 198 157 164

HSL 349.76, 0.26%, 0.7%

LAB 68.61, 16.3, 2.16

 

CMYK 1 / 0 / 20 / 22

HEX #C5C69E

RGB 197 198 158

HSL 61.5, 0.26%, 0.7%

LAB 78.88, -7, 19.99

 

CMYK 20 / 0 / 4 / 22

HEX #9EC6BF

RGB 158 198 191

HSL 169.5, 0.26%, 0.7%

LAB 76.93, -14.66, -0.88

 

CMYK 20 / 20 / 0 / 22

HEX #9F9EC6

RGB 159 158 198

HSL 241.5, 0.26%, 0.7%

LAB 66.44, 8.79, -20.37

 

CMYK 0 / 21 / 17 / 22

HEX #C69DA4

RGB 198 157 164

HSL 349.76, 0.26%, 0.7%

LAB 68.61, 16.3, 2.16

 

CMYK 7 / 0 / 20 / 22

HEX #B9C69E

RGB 185 198 158

HSL 79.5, 0.26%, 0.7%

LAB 77.98, -11.45, 18.59

 

CMYK 20 / 0 / 4 / 22

HEX #9EC6BF

RGB 158 198 191

HSL 169.5, 0.26%, 0.7%

LAB 76.93, -14.66, -0.88

 

CMYK 14 / 20 / 0 / 22

HEX #AB9EC6

RGB 171 158 198

HSL 259.5, 0.26%, 0.7%

LAB 67.42, 12.66, -18.8

 

Description

Color code: HEX #C69DA4 | qconv.com Color code: HEX #C69DA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 157 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 157 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 17 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 17% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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