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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69F99 it is the complementary color #396066. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69F99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69F99 shade: #CB9F94, #DCB1A7, #EDC3BA, #FED5CD and #FFE7E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69F99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69F99 shade: #C69F99, #B58D86, #A47B73, #936960 and #82574D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69F99 shade: #C69F99 and #C69999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69F99 shade: #C69F99, #C6AB99, #C6B799, #C6C399 and #BCC699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69F99 shade matches the following richer shades: #C69F99, #D2968D, #DF8C80, #EC8373 and #F97A66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69F99 shade: #C69F99, #B9A9A6, #ACB2B3, #9FBBC0 and #92C5CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69F99 shade: #C699AB, #C6999F, #C69F99, #C6AB99 and #C6B799

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69F99 shade: #A86D65, #B7867F, #C69F99, #D4B8B4 and #E3D1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69F99 shade: #C69F99, #B7C699 and #99A5C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69F99 shade: #C69F99, #99C69F and #9F99C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69F99 shade: #C69F99, #B7C699, #99C0C6 and #A899C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69F99 shade: #C69F99, #AAC699, #99C0C6 and #B599C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

Complementary color

CMYK 44 / 6 / 0 / 60

HEX #396066

RGB 57 96 102

HSL 188, 0.28%, 0.31%

LAB 38.19, -12.03, -7.76

 

CMYK 0 / 22 / 27 / 20

HEX #CB9F94

RGB 203 159 148

HSL 12, 0.35%, 0.69%

LAB 69.21, 14.69, 11.98

 

CMYK 0 / 20 / 24 / 14

HEX #DCB1A7

RGB 220 177 167

HSL 11.32, 0.43%, 0.76%

LAB 75.73, 14.11, 11.02

 

CMYK 0 / 18 / 22 / 7

HEX #EDC3BA

RGB 237 195 186

HSL 10.59, 0.59%, 0.83%

LAB 82.15, 13.58, 10.13

 

CMYK 0 / 16 / 19 / 0

HEX #FED5CD

RGB 254 213 205

HSL 9.8, 0.96%, 0.9%

LAB 88.48, 13.1, 9.29

 

CMYK 0 / 9 / 12 / 0

HEX #FFE7E0

RGB 255 231 224

HSL 13.55, 1%, 0.94%

LAB 93.36, 7.05, 6.36

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 0 / 22 / 26 / 29

HEX #B58D86

RGB 181 141 134

HSL 8.94, 0.24%, 0.62%

LAB 62.16, 14.1, 9.54

 

CMYK 0 / 25 / 30 / 36

HEX #A47B73

RGB 164 123 115

HSL 9.8, 0.21%, 0.55%

LAB 55.38, 14.77, 10.57

 

CMYK 0 / 29 / 35 / 42

HEX #936960

RGB 147 105 96

HSL 10.59, 0.21%, 0.48%

LAB 48.45, 15.55, 11.72

 

CMYK 0 / 33 / 41 / 49

HEX #82574D

RGB 130 87 77

HSL 11.32, 0.26%, 0.41%

LAB 41.37, 16.48, 13.04

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 0 / 23 / 23 / 22

HEX #C69999

RGB 198 153 153

HSL 0, 0.28%, 0.69%

LAB 67.34, 16.79, 6.48

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 0 / 14 / 23 / 22

HEX #C6AB99

RGB 198 171 153

HSL 24, 0.28%, 0.69%

LAB 71.85, 6.97, 12.88

 

CMYK 0 / 8 / 23 / 22

HEX #C6B799

RGB 198 183 153

HSL 40, 0.28%, 0.69%

LAB 74.93, 0.53, 17.2

 

CMYK 0 / 2 / 23 / 22

HEX #C6C399

RGB 198 195 153

HSL 56, 0.28%, 0.69%

LAB 78.07, -5.79, 21.54

 

CMYK 5 / 0 / 23 / 22

HEX #BCC699

RGB 188 198 153

HSL 73.33, 0.28%, 0.69%

LAB 78.1, -11.1, 21.45

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 0 / 29 / 33 / 18

HEX #D2968D

RGB 210 150 141

HSL 7.83, 0.43%, 0.69%

LAB 67.6, 21.36, 13.72

 

CMYK 0 / 37 / 43 / 13

HEX #DF8C80

RGB 223 140 128

HSL 7.58, 0.6%, 0.69%

LAB 66.52, 30.23, 19.7

 

CMYK 0 / 44 / 51 / 7

HEX #EC8373

RGB 236 131 115

HSL 7.93, 0.76%, 0.69%

LAB 65.98, 38.62, 26.5

 

CMYK 0 / 51 / 59 / 2

HEX #F97A66

RGB 249 122 102

HSL 8.16, 0.92%, 0.69%

LAB 65.76, 46.92, 33.75

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 0 / 9 / 10 / 27

HEX #B9A9A6

RGB 185 169 166

HSL 9.47, 0.12%, 0.69%

LAB 70.49, 5.25, 3.63

 

CMYK 4 / 1 / 0 / 30

HEX #ACB2B3

RGB 172 178 179

HSL 188.57, 0.04%, 0.69%

LAB 72.14, -1.9, -1.25

 

CMYK 17 / 3 / 0 / 25

HEX #9FBBC0

RGB 159 187 192

HSL 189.09, 0.21%, 0.69%

LAB 74.01, -8.4, -5.71

 

CMYK 28 / 3 / 0 / 20

HEX #92C5CC

RGB 146 197 204

HSL 187.24, 0.36%, 0.69%

LAB 76.32, -14.91, -8.89

 

CMYK 0 / 23 / 14 / 22

HEX #C699AB

RGB 198 153 171

HSL 336, 0.28%, 0.69%

LAB 67.82, 19.64, -2.89

 

CMYK 0 / 23 / 20 / 22

HEX #C6999F

RGB 198 153 159

HSL 352, 0.28%, 0.69%

LAB 67.5, 17.71, 3.34

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 0 / 14 / 23 / 22

HEX #C6AB99

RGB 198 171 153

HSL 24, 0.28%, 0.69%

LAB 71.85, 6.97, 12.88

 

CMYK 0 / 8 / 23 / 22

HEX #C6B799

RGB 198 183 153

HSL 40, 0.28%, 0.69%

LAB 74.93, 0.53, 17.2

 

CMYK 0 / 35 / 40 / 34

HEX #A86D65

RGB 168 109 101

HSL 7.16, 0.28%, 0.53%

LAB 52.06, 22.5, 14.18

 

CMYK 0 / 27 / 31 / 28

HEX #B7867F

RGB 183 134 127

HSL 7.5, 0.28%, 0.61%

LAB 60.47, 17.8, 11.15

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 0 / 13 / 15 / 17

HEX #D4B8B4

RGB 212 184 180

HSL 7.5, 0.27%, 0.77%

LAB 77.02, 9.35, 5.71

 

CMYK 0 / 8 / 9 / 11

HEX #E3D1CE

RGB 227 209 206

HSL 8.57, 0.27%, 0.85%

LAB 85.19, 5.73, 3.73

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 8 / 0 / 23 / 22

HEX #B7C699

RGB 183 198 153

HSL 80, 0.28%, 0.69%

LAB 77.73, -12.95, 20.89

 

CMYK 23 / 17 / 0 / 22

HEX #99A5C6

RGB 153 165 198

HSL 224, 0.28%, 0.69%

LAB 67.84, 2.98, -18.29

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 23 / 0 / 20 / 22

HEX #99C69F

RGB 153 198 159

HSL 128, 0.28%, 0.69%

LAB 75.86, -22.55, 14.79

 

CMYK 20 / 23 / 0 / 22

HEX #9F99C6

RGB 159 153 198

HSL 248, 0.28%, 0.69%

LAB 65.15, 11.61, -22.35

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 8 / 0 / 23 / 22

HEX #B7C699

RGB 183 198 153

HSL 80, 0.28%, 0.69%

LAB 77.73, -12.95, 20.89

 

CMYK 23 / 3 / 0 / 22

HEX #99C0C6

RGB 153 192 198

HSL 188, 0.28%, 0.69%

LAB 75.17, -11.59, -7.3

 

CMYK 15 / 23 / 0 / 22

HEX #A899C6

RGB 168 153 198

HSL 260, 0.28%, 0.69%

LAB 65.89, 14.49, -21.15

 

CMYK 0 / 20 / 23 / 22

HEX #C69F99

RGB 198 159 153

HSL 8, 0.28%, 0.69%

LAB 68.83, 13.5, 8.6

 

CMYK 14 / 0 / 23 / 22

HEX #AAC699

RGB 170 198 153

HSL 97.33, 0.28%, 0.69%

LAB 76.82, -17.68, 19.49

 

CMYK 23 / 3 / 0 / 22

HEX #99C0C6

RGB 153 192 198

HSL 188, 0.28%, 0.69%

LAB 75.17, -11.59, -7.3

 

CMYK 9 / 23 / 0 / 22

HEX #B599C6

RGB 181 153 198

HSL 277.33, 0.28%, 0.69%

LAB 67.04, 18.76, -19.29

 

Description

Color code: HEX #C69F99 | qconv.com Color code: HEX #C69F99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 159 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 159 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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