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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6A360 it is the complementary color #395C9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6A360. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6A360 shade: #CBA35B, #DCB56E, #EDC781, #FED994 and #FFEBA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6A360. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6A360 shade: #C6A360, #B5914D, #A47F3A, #936D27 and #825B14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6A360 shade: #C6A361, #C68861, #C66D61 and #C66161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6A360 shade: #C6A361, #C6BE61, #B2C661, #97C661 and #7CC661

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6A360 shade matches the following richer shades: #C6A361, #D7A950, #E8AE3E and #FAB32D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6A360 shade: #C6A361, #B49E72, #A39884, #929395 and #808DA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6A360 shade: #C66D61, #C68861, #C6A361, #C6BD61 and #B3C661

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6A360 shade: #9C7A38, #BB9243, #C6A361, #D1B57F and #DCC69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6A360 shade: #C6A360, #70C661 and #7A61C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6A360 shade: #C6A360, #61C6A3 and #A361C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6A360 shade: #C6A360, #70C661, #6184C6 and #B761C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6A360 shade: #C6A360, #61C670, #6184C6 and #C661B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 52 / 22

HEX #C6A360

RGB 198 163 96

HSL 39.41, 0.47%, 0.58%

LAB 68.78, 4.5, 39.39

 

Complementary color

CMYK 64 / 42 / 0 / 38

HEX #395C9F

RGB 57 92 159

HSL 219.41, 0.47%, 0.42%

LAB 39.63, 9.47, -40.19

 

CMYK 0 / 20 / 55 / 20

HEX #CBA35B

RGB 203 163 91

HSL 38.57, 0.52%, 0.58%

LAB 69.22, 6.17, 42.58

 

CMYK 0 / 18 / 50 / 14

HEX #DCB56E

RGB 220 181 110

HSL 38.73, 0.61%, 0.65%

LAB 75.69, 5.29, 41.25

 

CMYK 0 / 16 / 46 / 7

HEX #EDC781

RGB 237 199 129

HSL 38.89, 0.75%, 0.72%

LAB 82.07, 4.53, 39.96

 

CMYK 0 / 15 / 42 / 0

HEX #FED994

RGB 254 217 148

HSL 39.06, 0.98%, 0.79%

LAB 88.37, 3.87, 38.73

 

CMYK 0 / 8 / 35 / 0

HEX #FFEBA7

RGB 255 235 167

HSL 46.36, 1%, 0.83%

LAB 93.22, -2.8, 35.5

 

CMYK 0 / 18 / 52 / 22

HEX #C6A360

RGB 198 163 96

HSL 39.41, 0.47%, 0.58%

LAB 68.78, 4.5, 39.39

 

CMYK 0 / 20 / 57 / 29

HEX #B5914D

RGB 181 145 77

HSL 39.23, 0.41%, 0.51%

LAB 62.18, 5.42, 40.74

 

CMYK 0 / 23 / 65 / 36

HEX #A47F3A

RGB 164 127 58

HSL 39.06, 0.48%, 0.44%

LAB 55.46, 6.53, 42.07

 

CMYK 0 / 26 / 73 / 42

HEX #936D27

RGB 147 109 39

HSL 38.89, 0.58%, 0.36%

LAB 48.62, 7.89, 43.23

 

CMYK 0 / 30 / 85 / 49

HEX #825B14

RGB 130 91 20

HSL 38.73, 0.73%, 0.29%

LAB 41.66, 9.58, 43.78

 

CMYK 0 / 18 / 51 / 22

HEX #C6A361

RGB 198 163 97

HSL 39.21, 0.47%, 0.58%

LAB 68.8, 4.59, 38.89

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 0 / 45 / 51 / 22

HEX #C66D61

RGB 198 109 97

HSL 7.13, 0.47%, 0.58%

LAB 55.89, 33.97, 22.35

 

CMYK 0 / 51 / 51 / 22

HEX #C66161

RGB 198 97 97

HSL 0, 0.47%, 0.58%

LAB 53.4, 40.22, 19.01

 

CMYK 0 / 18 / 51 / 22

HEX #C6A361

RGB 198 163 97

HSL 39.21, 0.47%, 0.58%

LAB 68.8, 4.59, 38.89

 

CMYK 0 / 4 / 51 / 22

HEX #C6BE61

RGB 198 190 97

HSL 55.25, 0.47%, 0.58%

LAB 75.88, -9.67, 47.47

 

CMYK 10 / 0 / 51 / 22

HEX #B2C661

RGB 178 198 97

HSL 71.88, 0.47%, 0.58%

LAB 76.51, -21.83, 47.83

 

CMYK 24 / 0 / 51 / 22

HEX #97C661

RGB 151 198 97

HSL 87.92, 0.47%, 0.58%

LAB 74.72, -32.25, 45.26

 

CMYK 37 / 0 / 51 / 22

HEX #7CC661

RGB 124 198 97

HSL 103.96, 0.47%, 0.58%

LAB 73.24, -41.75, 43.13

 

CMYK 0 / 18 / 51 / 22

HEX #C6A361

RGB 198 163 97

HSL 39.21, 0.47%, 0.58%

LAB 68.8, 4.59, 38.89

 

CMYK 0 / 21 / 63 / 16

HEX #D7A950

RGB 215 169 80

HSL 39.56, 0.63%, 0.58%

LAB 71.83, 7.23, 51.29

 

CMYK 0 / 25 / 73 / 9

HEX #E8AE3E

RGB 232 174 62

HSL 39.53, 0.79%, 0.58%

LAB 74.68, 10.82, 62.69

 

CMYK 0 / 28 / 82 / 2

HEX #FAB32D

RGB 250 179 45

HSL 39.22, 0.95%, 0.58%

LAB 77.73, 15.21, 72.24

 

CMYK 0 / 18 / 51 / 22

HEX #C6A361

RGB 198 163 97

HSL 39.21, 0.47%, 0.58%

LAB 68.8, 4.59, 38.89

 

CMYK 0 / 12 / 37 / 29

HEX #B49E72

RGB 180 158 114

HSL 40, 0.31%, 0.58%

LAB 66.04, 1.63, 25.98

 

CMYK 0 / 7 / 19 / 36

HEX #A39884

RGB 163 152 132

HSL 38.71, 0.14%, 0.58%

LAB 63.27, 0.63, 11.98

 

CMYK 2 / 1 / 0 / 42

HEX #929395

RGB 146 147 149

HSL 220, 0.01%, 0.58%

LAB 60.91, 0.03, -1.19

 

CMYK 23 / 15 / 0 / 35

HEX #808DA6

RGB 128 141 166

HSL 219.47, 0.18%, 0.58%

LAB 58.41, 0.96, -14.76

 

CMYK 0 / 45 / 51 / 22

HEX #C66D61

RGB 198 109 97

HSL 7.13, 0.47%, 0.58%

LAB 55.89, 33.97, 22.35

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 0 / 18 / 51 / 22

HEX #C6A361

RGB 198 163 97

HSL 39.21, 0.47%, 0.58%

LAB 68.8, 4.59, 38.89

 

CMYK 0 / 5 / 51 / 22

HEX #C6BD61

RGB 198 189 97

HSL 54.65, 0.47%, 0.58%

LAB 75.62, -9.15, 47.15

 

CMYK 10 / 0 / 51 / 22

HEX #B3C661

RGB 179 198 97

HSL 71.29, 0.47%, 0.58%

LAB 76.58, -21.43, 47.93

 

CMYK 0 / 22 / 64 / 39

HEX #9C7A38

RGB 156 122 56

HSL 39.6, 0.47%, 0.42%

LAB 53.25, 5.62, 40.35

 

CMYK 0 / 22 / 64 / 27

HEX #BB9243

RGB 187 146 67

HSL 39.5, 0.47%, 0.5%

LAB 62.95, 6.75, 46.74

 

CMYK 0 / 18 / 51 / 22

HEX #C6A361

RGB 198 163 97

HSL 39.21, 0.47%, 0.58%

LAB 68.8, 4.59, 38.89

 

CMYK 0 / 13 / 39 / 18

HEX #D1B57F

RGB 209 181 127

HSL 39.51, 0.47%, 0.66%

LAB 74.91, 2.55, 31.23

 

CMYK 0 / 10 / 28 / 14

HEX #DCC69E

RGB 220 198 158

HSL 38.71, 0.47%, 0.74%

LAB 80.78, 1.72, 22.89

 

CMYK 0 / 18 / 52 / 22

HEX #C6A360

RGB 198 163 96

HSL 39.41, 0.47%, 0.58%

LAB 68.78, 4.5, 39.39

 

CMYK 43 / 0 / 51 / 22

HEX #70C661

RGB 112 198 97

HSL 111.09, 0.47%, 0.58%

LAB 72.69, -45.55, 42.33

 

CMYK 38 / 51 / 0 / 22

HEX #7A61C6

RGB 122 97 198

HSL 254.85, 0.47%, 0.58%

LAB 47.96, 33.58, -49.46

 

CMYK 0 / 18 / 52 / 22

HEX #C6A360

RGB 198 163 96

HSL 39.41, 0.47%, 0.58%

LAB 68.78, 4.5, 39.39

 

CMYK 51 / 0 / 18 / 22

HEX #61C6A3

RGB 97 198 163

HSL 159.21, 0.47%, 0.58%

LAB 73.27, -37.91, 8.58

 

CMYK 18 / 51 / 0 / 22

HEX #A361C6

RGB 163 97 198

HSL 279.21, 0.47%, 0.58%

LAB 52.3, 44.4, -42.3

 

CMYK 0 / 18 / 52 / 22

HEX #C6A360

RGB 198 163 96

HSL 39.41, 0.47%, 0.58%

LAB 68.78, 4.5, 39.39

 

CMYK 43 / 0 / 51 / 22

HEX #70C661

RGB 112 198 97

HSL 111.09, 0.47%, 0.58%

LAB 72.69, -45.55, 42.33

 

CMYK 51 / 33 / 0 / 22

HEX #6184C6

RGB 97 132 198

HSL 219.21, 0.47%, 0.58%

LAB 55.2, 6.37, -38.11

 

CMYK 8 / 51 / 0 / 22

HEX #B761C6

RGB 183 97 198

HSL 291.09, 0.47%, 0.58%

LAB 54.76, 49.94, -38.26

 

CMYK 0 / 18 / 52 / 22

HEX #C6A360

RGB 198 163 96

HSL 39.41, 0.47%, 0.58%

LAB 68.78, 4.5, 39.39

 

CMYK 51 / 0 / 43 / 22

HEX #61C670

RGB 97 198 112

HSL 128.91, 0.47%, 0.58%

LAB 72.29, -47.7, 34.23

 

CMYK 51 / 33 / 0 / 22

HEX #6184C6

RGB 97 132 198

HSL 219.21, 0.47%, 0.58%

LAB 55.2, 6.37, -38.11

 

CMYK 0 / 51 / 8 / 22

HEX #C661B7

RGB 198 97 183

HSL 308.91, 0.47%, 0.58%

LAB 56.06, 51.52, -27.47

 

Description

Color code: HEX #C6A360 | qconv.com Color code: HEX #C6A360 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 163 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 163 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 52 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 52% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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