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Color name
HEX #C6A39A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6A39A it is the complementary color #395C65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6A39A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6A39A shade: #CBA395, #DCB5A8, #EDC7BB, #FED9CE and #FFEBE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6A39A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6A39A shade: #C6A39A, #B59187, #A47F74, #936D61 and #825B4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6A39A shade: #C6A299 and #C69999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6A39A shade: #C6A299, #C6AE99, #C6BA99, #C5C699 and #B9C699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6A39A shade matches the following richer shades: #C6A299, #D29B8D, #DF9380, #EC8C73 and #F98466

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6A39A shade: #C6A299, #B9AAA6, #ACB1B3, #9FB9C0 and #92C1CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6A39A shade: #C699A8, #C6999C, #C6A299, #C6AE99 and #C6BA99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6A39A shade: #A87265, #B78A7F, #C6A299, #D4BAB4 and #E3D2CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6A39A shade: #C6A39A, #B4C699 and #99A2C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6A39A shade: #C6A39A, #99C6A2 and #A299C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6A39A shade: #C6A39A, #B4C699, #99BDC6 and #AB99C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6A39A shade: #C6A39A, #A7C699, #99BDC6 and #B899C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 22 / 22

HEX #C6A39A

RGB 198 163 154

HSL 12.27, 0.28%, 0.69%

LAB 69.85, 11.46, 9.5

 

Complementary color

CMYK 44 / 9 / 0 / 60

HEX #395C65

RGB 57 92 101

HSL 192.27, 0.28%, 0.31%

LAB 36.86, -9.99, -9.14

 

CMYK 0 / 20 / 27 / 20

HEX #CBA395

RGB 203 163 149

HSL 15.56, 0.34%, 0.69%

LAB 70.22, 12.65, 12.85

 

CMYK 0 / 18 / 24 / 14

HEX #DCB5A8

RGB 220 181 168

HSL 15, 0.43%, 0.76%

LAB 76.73, 12.11, 11.9

 

CMYK 0 / 16 / 21 / 7

HEX #EDC7BB

RGB 237 199 187

HSL 14.4, 0.58%, 0.83%

LAB 83.15, 11.61, 11.01

 

CMYK 0 / 15 / 19 / 0

HEX #FED9CE

RGB 254 217 206

HSL 13.75, 0.96%, 0.9%

LAB 89.46, 11.17, 10.17

 

CMYK 0 / 8 / 12 / 0

HEX #FFEBE1

RGB 255 235 225

HSL 20, 1%, 0.94%

LAB 94.36, 5.16, 7.29

 

CMYK 0 / 18 / 22 / 22

HEX #C6A39A

RGB 198 163 154

HSL 12.27, 0.28%, 0.69%

LAB 69.85, 11.46, 9.5

 

CMYK 0 / 20 / 25 / 29

HEX #B59187

RGB 181 145 135

HSL 13.04, 0.24%, 0.62%

LAB 63.2, 12.01, 10.44

 

CMYK 0 / 23 / 29 / 36

HEX #A47F74

RGB 164 127 116

HSL 13.75, 0.21%, 0.55%

LAB 56.42, 12.64, 11.46

 

CMYK 0 / 26 / 34 / 42

HEX #936D61

RGB 147 109 97

HSL 14.4, 0.2%, 0.48%

LAB 49.5, 13.37, 12.6

 

CMYK 0 / 30 / 40 / 49

HEX #825B4E

RGB 130 91 78

HSL 15, 0.25%, 0.41%

LAB 42.43, 14.23, 13.88

 

CMYK 0 / 18 / 23 / 22

HEX #C6A299

RGB 198 162 153

HSL 12, 0.28%, 0.69%

LAB 69.57, 11.86, 9.66

 

CMYK 0 / 23 / 23 / 22

HEX #C69999

RGB 198 153 153

HSL 0, 0.28%, 0.69%

LAB 67.34, 16.79, 6.48

 

CMYK 0 / 18 / 23 / 22

HEX #C6A299

RGB 198 162 153

HSL 12, 0.28%, 0.69%

LAB 69.57, 11.86, 9.66

 

CMYK 0 / 12 / 23 / 22

HEX #C6AE99

RGB 198 174 153

HSL 28, 0.28%, 0.69%

LAB 72.61, 5.35, 13.96

 

CMYK 0 / 6 / 23 / 22

HEX #C6BA99

RGB 198 186 153

HSL 44, 0.28%, 0.69%

LAB 75.71, -1.06, 18.29

 

CMYK 1 / 0 / 23 / 22

HEX #C5C699

RGB 197 198 153

HSL 61.33, 0.28%, 0.69%

LAB 78.79, -7.73, 22.51

 

CMYK 7 / 0 / 23 / 22

HEX #B9C699

RGB 185 198 153

HSL 77.33, 0.28%, 0.69%

LAB 77.88, -12.21, 21.11

 

CMYK 0 / 18 / 23 / 22

HEX #C6A299

RGB 198 162 153

HSL 12, 0.28%, 0.69%

LAB 69.57, 11.86, 9.66

 

CMYK 0 / 26 / 33 / 18

HEX #D29B8D

RGB 210 155 141

HSL 12.17, 0.43%, 0.69%

LAB 68.8, 18.64, 15.39

 

CMYK 0 / 34 / 43 / 13

HEX #DF9380

RGB 223 147 128

HSL 12, 0.6%, 0.69%

LAB 68.1, 26.49, 21.86

 

CMYK 0 / 41 / 51 / 7

HEX #EC8C73

RGB 236 140 115

HSL 12.4, 0.76%, 0.69%

LAB 67.89, 33.96, 29.02

 

CMYK 0 / 47 / 59 / 2

HEX #F98466

RGB 249 132 102

HSL 12.24, 0.92%, 0.69%

LAB 67.73, 41.98, 36.22

 

CMYK 0 / 18 / 23 / 22

HEX #C6A299

RGB 198 162 153

HSL 12, 0.28%, 0.69%

LAB 69.57, 11.86, 9.66

 

CMYK 0 / 8 / 10 / 27

HEX #B9AAA6

RGB 185 170 166

HSL 12.63, 0.12%, 0.69%

LAB 70.74, 4.71, 4

 

CMYK 4 / 1 / 0 / 30

HEX #ACB1B3

RGB 172 177 179

HSL 197.14, 0.04%, 0.69%

LAB 71.87, -1.36, -1.64

 

CMYK 17 / 4 / 0 / 25

HEX #9FB9C0

RGB 159 185 192

HSL 192.73, 0.21%, 0.69%

LAB 73.46, -7.33, -6.52

 

CMYK 28 / 5 / 0 / 20

HEX #92C1CC

RGB 146 193 204

HSL 191.38, 0.36%, 0.69%

LAB 75.21, -12.84, -10.54

 

CMYK 0 / 23 / 15 / 22

HEX #C699A8

RGB 198 153 168

HSL 340, 0.28%, 0.69%

LAB 67.74, 19.14, -1.34

 

CMYK 0 / 23 / 21 / 22

HEX #C6999C

RGB 198 153 156

HSL 356, 0.28%, 0.69%

LAB 67.42, 17.25, 4.91

 

CMYK 0 / 18 / 23 / 22

HEX #C6A299

RGB 198 162 153

HSL 12, 0.28%, 0.69%

LAB 69.57, 11.86, 9.66

 

CMYK 0 / 12 / 23 / 22

HEX #C6AE99

RGB 198 174 153

HSL 28, 0.28%, 0.69%

LAB 72.61, 5.35, 13.96

 

CMYK 0 / 6 / 23 / 22

HEX #C6BA99

RGB 198 186 153

HSL 44, 0.28%, 0.69%

LAB 75.71, -1.06, 18.29

 

CMYK 0 / 32 / 40 / 34

HEX #A87265

RGB 168 114 101

HSL 11.64, 0.28%, 0.53%

LAB 53.28, 19.67, 15.85

 

CMYK 0 / 25 / 31 / 28

HEX #B78A7F

RGB 183 138 127

HSL 11.79, 0.28%, 0.61%

LAB 61.46, 15.57, 12.55

 

CMYK 0 / 18 / 23 / 22

HEX #C6A299

RGB 198 162 153

HSL 12, 0.28%, 0.69%

LAB 69.57, 11.86, 9.66

 

CMYK 0 / 12 / 15 / 17

HEX #D4BAB4

RGB 212 186 180

HSL 11.25, 0.27%, 0.77%

LAB 77.53, 8.28, 6.43

 

CMYK 0 / 7 / 9 / 11

HEX #E3D2CE

RGB 227 210 206

HSL 11.43, 0.27%, 0.85%

LAB 85.44, 5.21, 4.09

 

CMYK 0 / 18 / 22 / 22

HEX #C6A39A

RGB 198 163 154

HSL 12.27, 0.28%, 0.69%

LAB 69.85, 11.46, 9.5

 

CMYK 9 / 0 / 23 / 22

HEX #B4C699

RGB 180 198 153

HSL 84, 0.28%, 0.69%

LAB 77.51, -14.06, 20.56

 

CMYK 23 / 18 / 0 / 22

HEX #99A2C6

RGB 153 162 198

HSL 228, 0.28%, 0.69%

LAB 67.04, 4.65, -19.5

 

CMYK 0 / 18 / 22 / 22

HEX #C6A39A

RGB 198 163 154

HSL 12.27, 0.28%, 0.69%

LAB 69.85, 11.46, 9.5

 

CMYK 23 / 0 / 18 / 22

HEX #99C6A2

RGB 153 198 162

HSL 132, 0.28%, 0.69%

LAB 75.93, -22.01, 13.27

 

CMYK 18 / 23 / 0 / 22

HEX #A299C6

RGB 162 153 198

HSL 252, 0.28%, 0.69%

LAB 65.39, 12.56, -21.96

 

CMYK 0 / 18 / 22 / 22

HEX #C6A39A

RGB 198 163 154

HSL 12.27, 0.28%, 0.69%

LAB 69.85, 11.46, 9.5

 

CMYK 9 / 0 / 23 / 22

HEX #B4C699

RGB 180 198 153

HSL 84, 0.28%, 0.69%

LAB 77.51, -14.06, 20.56

 

CMYK 23 / 5 / 0 / 22

HEX #99BDC6

RGB 153 189 198

HSL 192, 0.28%, 0.69%

LAB 74.35, -10.02, -8.52

 

CMYK 14 / 23 / 0 / 22

HEX #AB99C6

RGB 171 153 198

HSL 264, 0.28%, 0.69%

LAB 66.15, 15.47, -20.73

 

CMYK 0 / 18 / 22 / 22

HEX #C6A39A

RGB 198 163 154

HSL 12.27, 0.28%, 0.69%

LAB 69.85, 11.46, 9.5

 

CMYK 16 / 0 / 23 / 22

HEX #A7C699

RGB 167 198 153

HSL 101.33, 0.28%, 0.69%

LAB 76.62, -18.75, 19.18

 

CMYK 23 / 5 / 0 / 22

HEX #99BDC6

RGB 153 189 198

HSL 192, 0.28%, 0.69%

LAB 74.35, -10.02, -8.52

 

CMYK 7 / 23 / 0 / 22

HEX #B899C6

RGB 184 153 198

HSL 281.33, 0.28%, 0.69%

LAB 67.31, 19.75, -18.85

 

Description

Color code: HEX #C6A39A | qconv.com Color code: HEX #C6A39A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 163 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 163 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 22 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 22% 22% C M Y K

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Provide designers and agencies with accurate color values.

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