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Color name
HEX #C6AB80

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6AB80 it is the complementary color #39547F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6AB80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6AB80 shade: #CBAB7B, #DCBD8E, #EDCFA1, #FEE1B4 and #FFF3C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6AB80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6AB80 shade: #C6AB80, #B5996D, #A4875A, #937547 and #826334

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6AB80 shade: #C6AB80, #C69880, #C68580 and #C68080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6AB80 shade: #C6AB80, #C6BD80, #BBC680, #A8C680 and #95C680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6AB80 shade matches the following richer shades: #C6AB80, #D4AE71, #E3B162 and #F2B553

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6AB80 shade: #C6AB80, #B7A78F, #A8A49E, #99A0AC and #8A9DBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6AB80 shade: #C68480, #C69780, #C6AA80, #C6BC80 and #BCC680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6AB80 shade: #A8844B, #B99863, #C6AB80, #D2BE9C and #DFD0B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6AB80 shade: #C6AB80, #8EC680 and #8E80C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6AB80 shade: #C6AB80, #80C6AA and #AA80C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6AB80 shade: #C6AB80, #8EC680, #809CC6 and #B880C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6AB80 shade: #C6AB80, #80C687, #809CC6 and #C680BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

Complementary color

CMYK 55 / 34 / 0 / 50

HEX #39547F

RGB 57 84 127

HSL 216.86, 0.38%, 0.36%

LAB 35.48, 3.32, -27.35

 

CMYK 0 / 16 / 39 / 20

HEX #CBAB7B

RGB 203 171 123

HSL 36, 0.43%, 0.64%

LAB 71.73, 5.01, 29.06

 

CMYK 0 / 14 / 35 / 14

HEX #DCBD8E

RGB 220 189 142

HSL 36.15, 0.53%, 0.71%

LAB 78.21, 4.43, 27.87

 

CMYK 0 / 13 / 32 / 7

HEX #EDCFA1

RGB 237 207 161

HSL 36.32, 0.68%, 0.78%

LAB 84.59, 3.92, 26.75

 

CMYK 0 / 11 / 29 / 0

HEX #FEE1B4

RGB 254 225 180

HSL 36.49, 0.97%, 0.85%

LAB 90.88, 3.47, 25.7

 

CMYK 0 / 5 / 22 / 0

HEX #FFF3C7

RGB 255 243 199

HSL 47.14, 1%, 0.89%

LAB 95.78, -2.76, 22.7

 

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

CMYK 0 / 15 / 40 / 29

HEX #B5996D

RGB 181 153 109

HSL 36.67, 0.33%, 0.57%

LAB 64.73, 4.17, 26.99

 

CMYK 0 / 18 / 45 / 36

HEX #A4875A

RGB 164 135 90

HSL 36.49, 0.29%, 0.5%

LAB 58, 4.87, 28.29

 

CMYK 0 / 20 / 52 / 42

HEX #937547

RGB 147 117 71

HSL 36.32, 0.35%, 0.43%

LAB 51.13, 5.7, 29.69

 

CMYK 0 / 24 / 60 / 49

HEX #826334

RGB 130 99 52

HSL 36.15, 0.43%, 0.36%

LAB 44.11, 6.74, 31.17

 

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

CMYK 0 / 23 / 35 / 22

HEX #C69880

RGB 198 152 128

HSL 20.57, 0.38%, 0.64%

LAB 66.54, 13.92, 19.27

 

CMYK 0 / 33 / 35 / 22

HEX #C68580

RGB 198 133 128

HSL 4.29, 0.38%, 0.64%

LAB 61.95, 24.35, 12.9

 

CMYK 0 / 35 / 35 / 22

HEX #C68080

RGB 198 128 128

HSL 0, 0.38%, 0.64%

LAB 60.78, 27.09, 11.27

 

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

CMYK 0 / 5 / 35 / 22

HEX #C6BD80

RGB 198 189 128

HSL 52.29, 0.38%, 0.64%

LAB 76.04, -5.94, 32.01

 

CMYK 6 / 0 / 35 / 22

HEX #BBC680

RGB 187 198 128

HSL 69.43, 0.38%, 0.64%

LAB 77.59, -14.89, 33.86

 

CMYK 15 / 0 / 35 / 22

HEX #A8C680

RGB 168 198 128

HSL 85.71, 0.38%, 0.64%

LAB 76.24, -22.13, 31.84

 

CMYK 25 / 0 / 35 / 22

HEX #95C680

RGB 149 198 128

HSL 102, 0.38%, 0.64%

LAB 75.04, -29.02, 30.04

 

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

CMYK 0 / 18 / 47 / 17

HEX #D4AE71

RGB 212 174 113

HSL 36.97, 0.54%, 0.64%

LAB 73.19, 6.01, 36.4

 

CMYK 0 / 22 / 57 / 11

HEX #E3B162

RGB 227 177 98

HSL 36.74, 0.7%, 0.64%

LAB 75.24, 9.3, 46.87

 

CMYK 0 / 25 / 66 / 5

HEX #F2B553

RGB 242 181 83

HSL 36.98, 0.86%, 0.64%

LAB 77.61, 12.42, 57.09

 

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

CMYK 0 / 9 / 22 / 28

HEX #B7A78F

RGB 183 167 143

HSL 36, 0.22%, 0.64%

LAB 69.25, 1.88, 14.52

 

CMYK 0 / 2 / 6 / 34

HEX #A8A49E

RGB 168 164 158

HSL 36, 0.05%, 0.64%

LAB 67.53, 0.34, 3.61

 

CMYK 11 / 7 / 0 / 33

HEX #99A0AC

RGB 153 160 172

HSL 217.89, 0.1%, 0.64%

LAB 65.66, -0.04, -7.08

 

CMYK 26 / 16 / 0 / 27

HEX #8A9DBB

RGB 138 157 187

HSL 216.73, 0.26%, 0.64%

LAB 64.25, 0.16, -17.72

 

CMYK 0 / 33 / 35 / 22

HEX #C68480

RGB 198 132 128

HSL 3.43, 0.38%, 0.64%

LAB 61.71, 24.9, 12.58

 

CMYK 0 / 24 / 35 / 22

HEX #C69780

RGB 198 151 128

HSL 19.71, 0.38%, 0.64%

LAB 66.29, 14.46, 18.93

 

CMYK 0 / 14 / 35 / 22

HEX #C6AA80

RGB 198 170 128

HSL 36, 0.38%, 0.64%

LAB 71.09, 4.13, 25.44

 

CMYK 0 / 5 / 35 / 22

HEX #C6BC80

RGB 198 188 128

HSL 51.43, 0.38%, 0.64%

LAB 75.78, -5.42, 31.66

 

CMYK 5 / 0 / 35 / 22

HEX #BCC680

RGB 188 198 128

HSL 68.57, 0.38%, 0.64%

LAB 77.66, -14.51, 33.97

 

CMYK 0 / 21 / 55 / 34

HEX #A8844B

RGB 168 132 75

HSL 36.77, 0.38%, 0.48%

LAB 57.4, 6.81, 35.74

 

CMYK 0 / 18 / 46 / 27

HEX #B99863

RGB 185 152 99

HSL 36.98, 0.38%, 0.56%

LAB 64.7, 5.3, 32.43

 

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

CMYK 0 / 10 / 26 / 18

HEX #D2BE9C

RGB 210 190 156

HSL 37.78, 0.38%, 0.72%

LAB 77.83, 1.83, 19.77

 

CMYK 0 / 7 / 17 / 13

HEX #DFD0B9

RGB 223 208 185

HSL 36.32, 0.37%, 0.8%

LAB 84.12, 1.47, 13.29

 

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

CMYK 28 / 0 / 35 / 22

HEX #8EC680

RGB 142 198 128

HSL 108, 0.38%, 0.64%

LAB 74.63, -31.44, 29.43

 

CMYK 28 / 35 / 0 / 22

HEX #8E80C6

RGB 142 128 198

HSL 252, 0.38%, 0.64%

LAB 57.33, 20.77, -34.53

 

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

CMYK 35 / 0 / 14 / 22

HEX #80C6AA

RGB 128 198 170

HSL 156, 0.38%, 0.64%

LAB 74.75, -28.22, 7.1

 

CMYK 14 / 35 / 0 / 22

HEX #AA80C6

RGB 170 128 198

HSL 276, 0.38%, 0.64%

LAB 59.94, 29.29, -30.27

 

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

CMYK 28 / 0 / 35 / 22

HEX #8EC680

RGB 142 198 128

HSL 108, 0.38%, 0.64%

LAB 74.63, -31.44, 29.43

 

CMYK 35 / 21 / 0 / 22

HEX #809CC6

RGB 128 156 198

HSL 216, 0.38%, 0.64%

LAB 63.71, 0.55, -24.75

 

CMYK 7 / 35 / 0 / 22

HEX #B880C6

RGB 184 128 198

HSL 288, 0.38%, 0.64%

LAB 61.4, 33.68, -27.9

 

CMYK 0 / 14 / 35 / 22

HEX #C6AB80

RGB 198 171 128

HSL 36.86, 0.38%, 0.64%

LAB 71.34, 3.59, 25.78

 

CMYK 35 / 0 / 32 / 22

HEX #80C687

RGB 128 198 135

HSL 126, 0.38%, 0.64%

LAB 74.01, -34.91, 24.8

 

CMYK 35 / 21 / 0 / 22

HEX #809CC6

RGB 128 156 198

HSL 216, 0.38%, 0.64%

LAB 63.71, 0.55, -24.75

 

CMYK 0 / 35 / 4 / 22

HEX #C680BF

RGB 198 128 191

HSL 306, 0.38%, 0.64%

LAB 62.68, 36.83, -21.85

 

Description

Color code: HEX #C6AB80 | qconv.com Color code: HEX #C6AB80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 171 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 171 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 35% 22% C M Y K

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Provide designers and agencies with accurate color values.

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