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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6CA8A it is the complementary color #393575. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6CA8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6CA8A shade: #CBCA85, #DCDC98, #EDEEAB, #FEFFBE and #FFFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6CA8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6CA8A shade: #C6CA8A, #B5B877, #A4A664, #939451 and #82823E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6CA8A shade: #C6CA8A, #CABD8A, #CAAC8A, #CA9B8A and #CA8A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6CA8A shade: #C6CA8A, #B5CA8A, #A4CA8A, #93CA8A and #8ACA93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6CA8A shade matches the following richer shades: #C6CA8A, #D2D87D, #DEE66F and #EAF362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6CA8A shade: #C6CA8A, #BABD98, #AFAFA6, #A3A1B3 and #9794C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6CA8A shade: #CAAB8A, #CABC8A, #C7CA8A, #B6CA8A and #A5CA8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6CA8A shade: #ABB151, #B9BE6E, #C6CA8A, #D4D7A7 and #E2E4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6CA8A shade: #C6CA8A, #8ACA9A and #B48ACA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6CA8A shade: #C6CA8A, #8AC7CA and #CA8AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6CA8A shade: #C6CA8A, #8ACA9A, #8E8ACA and #CA8ABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6CA8A shade: #C6CA8A, #8ACAAE, #8E8ACA and #CA8AA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

Complementary color

CMYK 51 / 55 / 0 / 54

HEX #393575

RGB 57 53 117

HSL 243.75, 0.38%, 0.33%

LAB 25.86, 20.52, -36.38

 

CMYK 0 / 0 / 34 / 20

HEX #CBCA85

RGB 203 202 133

HSL 59.14, 0.4%, 0.66%

LAB 79.97, -10.09, 34.63

 

CMYK 0 / 0 / 31 / 14

HEX #DCDC98

RGB 220 220 152

HSL 60, 0.49%, 0.73%

LAB 86.34, -10.36, 33.5

 

CMYK 0 / 0 / 28 / 7

HEX #EDEEAB

RGB 237 238 171

HSL 60.9, 0.66%, 0.8%

LAB 92.62, -10.59, 32.42

 

CMYK 0 / 0 / 25 / 0

HEX #FEFFBE

RGB 254 255 190

HSL 60.92, 1%, 0.87%

LAB 98.55, -10.3, 31.05

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

CMYK 2 / 0 / 35 / 28

HEX #B5B877

RGB 181 184 119

HSL 62.77, 0.31%, 0.59%

LAB 73.18, -11.18, 32.71

 

CMYK 1 / 0 / 40 / 35

HEX #A4A664

RGB 164 166 100

HSL 61.82, 0.27%, 0.52%

LAB 66.58, -10.89, 33.91

 

CMYK 1 / 0 / 45 / 42

HEX #939451

RGB 147 148 81

HSL 60.9, 0.29%, 0.45%

LAB 59.87, -10.52, 35.15

 

CMYK 0 / 0 / 52 / 49

HEX #82823E

RGB 130 130 62

HSL 60, 0.35%, 0.38%

LAB 53.01, -10.03, 36.39

 

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

CMYK 0 / 6 / 32 / 21

HEX #CABD8A

RGB 202 189 138

HSL 47.81, 0.38%, 0.67%

LAB 76.55, -3.13, 27.48

 

CMYK 0 / 15 / 32 / 21

HEX #CAAC8A

RGB 202 172 138

HSL 31.88, 0.38%, 0.67%

LAB 72.16, 5.9, 21.55

 

CMYK 0 / 23 / 32 / 21

HEX #CA9B8A

RGB 202 155 138

HSL 15.94, 0.38%, 0.67%

LAB 67.9, 15.13, 15.67

 

CMYK 0 / 32 / 32 / 21

HEX #CA8A8A

RGB 202 138 138

HSL 0, 0.38%, 0.67%

LAB 63.81, 24.44, 9.93

 

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

CMYK 10 / 0 / 32 / 21

HEX #B5CA8A

RGB 181 202 138

HSL 79.69, 0.38%, 0.67%

LAB 78.4, -17.9, 29.67

 

CMYK 19 / 0 / 32 / 21

HEX #A4CA8A

RGB 164 202 138

HSL 95.63, 0.38%, 0.67%

LAB 77.26, -24.15, 27.94

 

CMYK 27 / 0 / 32 / 21

HEX #93CA8A

RGB 147 202 138

HSL 111.56, 0.38%, 0.67%

LAB 76.24, -30.08, 26.4

 

CMYK 32 / 0 / 27 / 21

HEX #8ACA93

RGB 138 202 147

HSL 128.44, 0.38%, 0.67%

LAB 75.92, -31.54, 21.13

 

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

CMYK 3 / 0 / 42 / 15

HEX #D2D87D

RGB 210 216 125

HSL 63.96, 0.54%, 0.67%

LAB 84.12, -15.3, 44.05

 

CMYK 3 / 0 / 52 / 10

HEX #DEE66F

RGB 222 230 111

HSL 64.03, 0.7%, 0.67%

LAB 88.58, -18.79, 56.3

 

CMYK 4 / 0 / 60 / 5

HEX #EAF362

RGB 234 243 98

HSL 63.72, 0.86%, 0.67%

LAB 92.78, -21.3, 66.95

 

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

CMYK 2 / 0 / 20 / 26

HEX #BABD98

RGB 186 189 152

HSL 64.86, 0.22%, 0.67%

LAB 75.51, -7.33, 18.4

 

CMYK 0 / 0 / 5 / 31

HEX #AFAFA6

RGB 175 175 166

HSL 60, 0.05%, 0.67%

LAB 71.23, -1.65, 4.6

 

CMYK 9 / 10 / 0 / 30

HEX #A3A1B3

RGB 163 161 179

HSL 246.67, 0.11%, 0.67%

LAB 66.92, 4.29, -9.03

 

CMYK 22 / 23 / 0 / 24

HEX #9794C1

RGB 151 148 193

HSL 244, 0.27%, 0.67%

LAB 63.02, 10.75, -22.86

 

CMYK 0 / 15 / 32 / 21

HEX #CAAB8A

RGB 202 171 138

HSL 30.94, 0.38%, 0.67%

LAB 71.9, 6.44, 21.2

 

CMYK 0 / 7 / 32 / 21

HEX #CABC8A

RGB 202 188 138

HSL 46.88, 0.38%, 0.67%

LAB 76.29, -2.61, 27.13

 

CMYK 1 / 0 / 32 / 21

HEX #C7CA8A

RGB 199 202 138

HSL 62.81, 0.38%, 0.67%

LAB 79.74, -11.03, 31.68

 

CMYK 10 / 0 / 32 / 21

HEX #B6CA8A

RGB 182 202 138

HSL 78.75, 0.38%, 0.67%

LAB 78.47, -17.52, 29.78

 

CMYK 18 / 0 / 32 / 21

HEX #A5CA8A

RGB 165 202 138

HSL 94.69, 0.38%, 0.67%

LAB 77.33, -23.79, 28.04

 

CMYK 3 / 0 / 54 / 31

HEX #ABB151

RGB 171 177 81

HSL 63.75, 0.38%, 0.51%

LAB 69.96, -15.59, 47.63

 

CMYK 3 / 0 / 42 / 25

HEX #B9BE6E

RGB 185 190 110

HSL 63.75, 0.38%, 0.59%

LAB 74.99, -13.7, 39.71

 

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

CMYK 1 / 0 / 22 / 16

HEX #D4D7A7

RGB 212 215 167

HSL 63.75, 0.38%, 0.75%

LAB 84.68, -8.84, 23.41

 

CMYK 1 / 0 / 14 / 11

HEX #E2E4C3

RGB 226 228 195

HSL 63.64, 0.38%, 0.83%

LAB 89.67, -6.2, 15.9

 

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

CMYK 32 / 0 / 24 / 21

HEX #8ACA9A

RGB 138 202 154

HSL 135, 0.38%, 0.67%

LAB 76.06, -30.28, 17.6

 

CMYK 11 / 32 / 0 / 21

HEX #B48ACA

RGB 180 138 202

HSL 279.38, 0.38%, 0.67%

LAB 63.46, 27.67, -27.01

 

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

CMYK 32 / 1 / 0 / 21

HEX #8AC7CA

RGB 138 199 202

HSL 182.81, 0.38%, 0.67%

LAB 76.38, -18.69, -7.76

 

CMYK 0 / 32 / 1 / 21

HEX #CA8AC7

RGB 202 138 199

HSL 302.81, 0.38%, 0.67%

LAB 65.64, 34.18, -21.79

 

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

CMYK 32 / 0 / 24 / 21

HEX #8ACA9A

RGB 138 202 154

HSL 135, 0.38%, 0.67%

LAB 76.06, -30.28, 17.6

 

CMYK 30 / 32 / 0 / 21

HEX #8E8ACA

RGB 142 138 202

HSL 243.75, 0.38%, 0.67%

LAB 60.06, 15.97, -32.54

 

CMYK 0 / 32 / 8 / 21

HEX #CA8ABA

RGB 202 138 186

HSL 315, 0.38%, 0.67%

LAB 65.18, 31.84, -15.19

 

CMYK 2 / 0 / 32 / 21

HEX #C6CA8A

RGB 198 202 138

HSL 63.75, 0.38%, 0.67%

LAB 79.66, -11.42, 31.56

 

CMYK 32 / 0 / 14 / 21

HEX #8ACAAE

RGB 138 202 174

HSL 153.75, 0.38%, 0.67%

LAB 76.5, -26.38, 7.51

 

CMYK 30 / 32 / 0 / 21

HEX #8E8ACA

RGB 142 138 202

HSL 243.75, 0.38%, 0.67%

LAB 60.06, 15.97, -32.54

 

CMYK 0 / 32 / 17 / 21

HEX #CA8AA7

RGB 202 138 167

HSL 332.81, 0.38%, 0.67%

LAB 64.58, 28.66, -5.37

 

Description

Color code: HEX #C6CA8A | qconv.com Color code: HEX #C6CA8A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 202 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 202 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 32 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 32% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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