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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6CED9 it is the complementary color #393126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6CED9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6CED9 shade: #CBCED4, #DCE0E7, #EDF2FA and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6CED9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6CED9 shade: #C6CED9, #B5BCC6, #A4AAB3, #9398A0 and #82868D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6CED9 shade: #C4CDD8, #C4C7D8, #C7C4D8, #CCC4D8 and #D1C4D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6CED9 shade: #C4CDD8, #C4C7D8 and #C4C4D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6CED9 shade matches the following richer shades: #C4CDD8, #BDCBE0, #B5CAE7, #ADC9EF and #A5C8F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6CED9 shade: #C4CDD8, #CCCED0, #D4CFC8, #DCD0C0 and #E4D1B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6CED9 shade: #C4D7D8, #C4D2D8, #C4CDD8, #C4C8D8 and #C6C4D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6CED9 shade: #93A2B7, #ACB7C7, #C4CDD8, #DDE2E8 and #F6F7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6CED9 shade: #C6CED9, #D3C4D8 and #D5D8C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6CED9 shade: #C6CED9, #D8C4CD and #CDD8C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6CED9 shade: #C6CED9, #D3C4D8, #D8CFC4 and #C9D8C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6CED9 shade: #C6CED9, #D8C4D6, #D8CFC4 and #C4D8C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 5 / 0 / 15

HEX #C6CED9

RGB 198 206 217

HSL 214.74, 0.2%, 0.81%

LAB 82.46, -0.6, -6.39

 

Complementary color

CMYK 0 / 14 / 33 / 78

HEX #393126

RGB 57 49 38

HSL 34.74, 0.2%, 0.19%

LAB 20.85, 1.51, 8.35

 

CMYK 4 / 3 / 0 / 17

HEX #CBCED4

RGB 203 206 212

HSL 220, 0.09%, 0.81%

LAB 82.7, 0.1, -3.34

 

CMYK 5 / 3 / 0 / 9

HEX #DCE0E7

RGB 220 224 231

HSL 218.18, 0.19%, 0.88%

LAB 89.06, -0.05, -3.89

 

CMYK 5 / 3 / 0 / 2

HEX #EDF2FA

RGB 237 242 250

HSL 216.92, 0.57%, 0.95%

LAB 95.33, -0.19, -4.43

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 9 / 5 / 0 / 15

HEX #C6CED9

RGB 198 206 217

HSL 214.74, 0.2%, 0.81%

LAB 82.46, -0.6, -6.39

 

CMYK 9 / 5 / 0 / 22

HEX #B5BCC6

RGB 181 188 198

HSL 215.29, 0.13%, 0.74%

LAB 75.99, -0.46, -5.88

 

CMYK 8 / 5 / 0 / 30

HEX #A4AAB3

RGB 164 170 179

HSL 216, 0.09%, 0.67%

LAB 69.4, -0.32, -5.36

 

CMYK 8 / 5 / 0 / 37

HEX #9398A0

RGB 147 152 160

HSL 216.92, 0.06%, 0.6%

LAB 62.67, -0.18, -4.82

 

CMYK 8 / 5 / 0 / 45

HEX #82868D

RGB 130 134 141

HSL 218.18, 0.05%, 0.53%

LAB 55.81, -0.03, -4.27

 

CMYK 9 / 5 / 0 / 15

HEX #C4CDD8

RGB 196 205 216

HSL 213, 0.2%, 0.81%

LAB 82.03, -0.92, -6.51

 

CMYK 9 / 8 / 0 / 15

HEX #C4C7D8

RGB 196 199 216

HSL 231, 0.2%, 0.81%

LAB 80.48, 2.25, -8.81

 

CMYK 8 / 9 / 0 / 15

HEX #C7C4D8

RGB 199 196 216

HSL 249, 0.2%, 0.81%

LAB 79.94, 4.84, -9.59

 

CMYK 6 / 9 / 0 / 15

HEX #CCC4D8

RGB 204 196 216

HSL 264, 0.2%, 0.81%

LAB 80.33, 6.5, -8.96

 

CMYK 3 / 9 / 0 / 15

HEX #D1C4D8

RGB 209 196 216

HSL 279, 0.2%, 0.81%

LAB 80.73, 8.18, -8.33

 

CMYK 9 / 5 / 0 / 15

HEX #C4CDD8

RGB 196 205 216

HSL 213, 0.2%, 0.81%

LAB 82.03, -0.92, -6.51

 

CMYK 9 / 8 / 0 / 15

HEX #C4C7D8

RGB 196 199 216

HSL 231, 0.2%, 0.81%

LAB 80.48, 2.25, -8.81

 

CMYK 9 / 9 / 0 / 15

HEX #C4C4D8

RGB 196 196 216

HSL 240, 0.2%, 0.81%

LAB 79.71, 3.85, -9.96

 

CMYK 9 / 5 / 0 / 15

HEX #C4CDD8

RGB 196 205 216

HSL 213, 0.2%, 0.81%

LAB 82.03, -0.92, -6.51

 

CMYK 16 / 9 / 0 / 12

HEX #BDCBE0

RGB 189 203 224

HSL 216, 0.36%, 0.81%

LAB 81.24, -0.49, -12.02

 

CMYK 22 / 13 / 0 / 9

HEX #B5CAE7

RGB 181 202 231

HSL 214.8, 0.51%, 0.81%

LAB 80.65, -0.94, -16.72

 

CMYK 28 / 16 / 0 / 6

HEX #ADC9EF

RGB 173 201 239

HSL 214.55, 0.67%, 0.81%

LAB 80.12, -0.95, -21.85

 

CMYK 33 / 19 / 0 / 3

HEX #A5C8F7

RGB 165 200 247

HSL 214.39, 0.84%, 0.81%

LAB 79.63, -0.75, -26.92

 

CMYK 9 / 5 / 0 / 15

HEX #C4CDD8

RGB 196 205 216

HSL 213, 0.2%, 0.81%

LAB 82.03, -0.92, -6.51

 

CMYK 2 / 1 / 0 / 18

HEX #CCCED0

RGB 204 206 208

HSL 210, 0.04%, 0.81%

LAB 82.67, -0.31, -1.24

 

CMYK 0 / 2 / 6 / 17

HEX #D4CFC8

RGB 212 207 200

HSL 35, 0.12%, 0.81%

LAB 83.33, 0.49, 4.07

 

CMYK 0 / 5 / 13 / 14

HEX #DCD0C0

RGB 220 208 192

HSL 34.29, 0.29%, 0.81%

LAB 84.04, 1.48, 9.42

 

CMYK 0 / 8 / 19 / 11

HEX #E4D1B8

RGB 228 209 184

HSL 34.09, 0.45%, 0.81%

LAB 84.77, 2.63, 14.79

 

CMYK 9 / 0 / 0 / 15

HEX #C4D7D8

RGB 196 215 216

HSL 183, 0.2%, 0.81%

LAB 84.64, -6.15, -2.68

 

CMYK 9 / 3 / 0 / 15

HEX #C4D2D8

RGB 196 210 216

HSL 198, 0.2%, 0.81%

LAB 83.33, -3.55, -4.6

 

CMYK 9 / 5 / 0 / 15

HEX #C4CDD8

RGB 196 205 216

HSL 213, 0.2%, 0.81%

LAB 82.03, -0.92, -6.51

 

CMYK 9 / 7 / 0 / 15

HEX #C4C8D8

RGB 196 200 216

HSL 228, 0.2%, 0.81%

LAB 80.74, 1.72, -8.43

 

CMYK 8 / 9 / 0 / 15

HEX #C6C4D8

RGB 198 196 216

HSL 246, 0.2%, 0.81%

LAB 79.87, 4.51, -9.71

 

CMYK 20 / 11 / 0 / 28

HEX #93A2B7

RGB 147 162 183

HSL 215, 0.2%, 0.65%

LAB 66.11, -0.72, -12.61

 

CMYK 14 / 8 / 0 / 22

HEX #ACB7C7

RGB 172 183 199

HSL 215.56, 0.19%, 0.73%

LAB 74.04, -0.55, -9.39

 

CMYK 9 / 5 / 0 / 15

HEX #C4CDD8

RGB 196 205 216

HSL 213, 0.2%, 0.81%

LAB 82.03, -0.92, -6.51

 

CMYK 5 / 3 / 0 / 9

HEX #DDE2E8

RGB 221 226 232

HSL 212.73, 0.19%, 0.89%

LAB 89.67, -0.56, -3.51

 

CMYK 1 / 1 / 0 / 2

HEX #F6F7F9

RGB 246 247 249

HSL 220, 0.2%, 0.97%

LAB 97.21, 0.03, -1.08

 

CMYK 9 / 5 / 0 / 15

HEX #C6CED9

RGB 198 206 217

HSL 214.74, 0.2%, 0.81%

LAB 82.46, -0.6, -6.39

 

CMYK 2 / 9 / 0 / 15

HEX #D3C4D8

RGB 211 196 216

HSL 285, 0.2%, 0.81%

LAB 80.9, 8.86, -8.07

 

CMYK 1 / 0 / 9 / 15

HEX #D5D8C4

RGB 213 216 196

HSL 69, 0.2%, 0.81%

LAB 85.63, -4.51, 9.5

 

CMYK 9 / 5 / 0 / 15

HEX #C6CED9

RGB 198 206 217

HSL 214.74, 0.2%, 0.81%

LAB 82.46, -0.6, -6.39

 

CMYK 0 / 9 / 5 / 15

HEX #D8C4CD

RGB 216 196 205

HSL 333, 0.2%, 0.81%

LAB 81.01, 8.57, -1.95

 

CMYK 5 / 0 / 9 / 15

HEX #CDD8C4

RGB 205 216 196

HSL 93, 0.2%, 0.81%

LAB 85.04, -7.3, 8.58

 

CMYK 9 / 5 / 0 / 15

HEX #C6CED9

RGB 198 206 217

HSL 214.74, 0.2%, 0.81%

LAB 82.46, -0.6, -6.39

 

CMYK 2 / 9 / 0 / 15

HEX #D3C4D8

RGB 211 196 216

HSL 285, 0.2%, 0.81%

LAB 80.9, 8.86, -8.07

 

CMYK 0 / 4 / 9 / 15

HEX #D8CFC4

RGB 216 207 196

HSL 33, 0.2%, 0.81%

LAB 83.55, 1.23, 6.56

 

CMYK 7 / 0 / 9 / 15

HEX #C9D8C4

RGB 201 216 196

HSL 105, 0.2%, 0.81%

LAB 84.75, -8.69, 8.13

 

CMYK 9 / 5 / 0 / 15

HEX #C6CED9

RGB 198 206 217

HSL 214.74, 0.2%, 0.81%

LAB 82.46, -0.6, -6.39

 

CMYK 0 / 9 / 1 / 15

HEX #D8C4D6

RGB 216 196 214

HSL 306, 0.2%, 0.81%

LAB 81.26, 10.18, -6.42

 

CMYK 0 / 4 / 9 / 15

HEX #D8CFC4

RGB 216 207 196

HSL 33, 0.2%, 0.81%

LAB 83.55, 1.23, 6.56

 

CMYK 9 / 0 / 8 / 15

HEX #C4D8C6

RGB 196 216 198

HSL 126, 0.2%, 0.81%

LAB 84.44, -10.04, 6.59

 

Description

Color code: HEX #C6CED9 | qconv.com Color code: HEX #C6CED9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 206 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 206 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 5 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 5% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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