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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6D039 it is the complementary color #392FC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6D039. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6D039 shade: #CBD034, #DCE247, #EDF45A, #FEFF6D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6D039. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6D039 shade: #C6D039, #B5BE26, #A4AC13, #939A00 and #828800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6D039 shade: #C6D038, #D0B138, #D08838, #D05F38 and #D03838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6D039 shade: #C6D038, #9DD038, #74D038, #4BD038 and #38D04E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6D039 shade matches the following richer shades: #C6D038, #D7E424 and #E8F811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6D039 shade: #C6D038, #B5BC4C, #A4A860, #929574 and #818187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6D039 shade: #D08738, #D0AF38, #C8D038, #A0D038 and #77D038

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6D039 shade: #8C9322, #ACB52A, #C6D038, #CFD85A and #D9E07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6D039 shade: #C6D039, #38D05E and #9B38D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6D039 shade: #C6D039, #38C8D0 and #D038C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6D039 shade: #C6D039, #38D05E, #4038D0 and #D038AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6D039 shade: #C6D039, #38D08C, #4038D0 and #D0387D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 73 / 18

HEX #C6D039

RGB 198 208 57

HSL 63.97, 0.62%, 0.52%

LAB 80.41, -21.35, 69.03

 

Complementary color

CMYK 71 / 76 / 0 / 22

HEX #392FC6

RGB 57 47 198

HSL 243.97, 0.62%, 0.48%

LAB 31.76, 51.06, -76.05

 

CMYK 2 / 0 / 75 / 18

HEX #CBD034

RGB 203 208 52

HSL 61.92, 0.62%, 0.51%

LAB 80.77, -19.48, 71.13

 

CMYK 3 / 0 / 69 / 11

HEX #DCE247

RGB 220 226 71

HSL 62.32, 0.73%, 0.58%

LAB 87.03, -20.36, 71.14

 

CMYK 3 / 0 / 63 / 4

HEX #EDF45A

RGB 237 244 90

HSL 62.73, 0.88%, 0.65%

LAB 93.21, -21.09, 70.69

 

CMYK 0 / 0 / 57 / 0

HEX #FEFF6D

RGB 254 255 109

HSL 60.41, 1%, 0.71%

LAB 97.51, -18.37, 67.97

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 5 / 0 / 73 / 18

HEX #C6D039

RGB 198 208 57

HSL 63.97, 0.62%, 0.52%

LAB 80.41, -21.35, 69.03

 

CMYK 5 / 0 / 80 / 25

HEX #B5BE26

RGB 181 190 38

HSL 63.55, 0.67%, 0.45%

LAB 74.06, -20.41, 68.56

 

CMYK 5 / 0 / 89 / 33

HEX #A4AC13

RGB 164 172 19

HSL 63.14, 0.8%, 0.37%

LAB 67.61, -19.27, 66.99

 

CMYK 5 / 0 / 100 / 40

HEX #939A00

RGB 147 154 0

HSL 62.73, 1%, 0.3%

LAB 61.06, -17.93, 64.15

 

CMYK 4 / 0 / 100 / 47

HEX #828800

RGB 130 136 0

HSL 62.65, 1%, 0.27%

LAB 54.4, -16.27, 58.61

 

CMYK 5 / 0 / 73 / 18

HEX #C6D038

RGB 198 208 56

HSL 63.95, 0.62%, 0.52%

LAB 80.41, -21.4, 69.36

 

CMYK 0 / 15 / 73 / 18

HEX #D0B138

RGB 208 177 56

HSL 47.76, 0.62%, 0.52%

LAB 72.98, -1.36, 62.54

 

CMYK 0 / 35 / 73 / 18

HEX #D08838

RGB 208 136 56

HSL 31.58, 0.62%, 0.52%

LAB 62.76, 20.69, 52.34

 

CMYK 0 / 54 / 73 / 18

HEX #D05F38

RGB 208 95 56

HSL 15.39, 0.62%, 0.52%

LAB 53.9, 42.21, 43

 

CMYK 0 / 73 / 73 / 18

HEX #D03838

RGB 208 56 56

HSL 0, 0.62%, 0.52%

LAB 47.65, 58.88, 36.05

 

CMYK 5 / 0 / 73 / 18

HEX #C6D038

RGB 198 208 56

HSL 63.95, 0.62%, 0.52%

LAB 80.41, -21.4, 69.36

 

CMYK 25 / 0 / 73 / 18

HEX #9DD038

RGB 157 208 56

HSL 80.13, 0.62%, 0.52%

LAB 77.62, -37.87, 65.71

 

CMYK 44 / 0 / 73 / 18

HEX #74D038

RGB 116 208 56

HSL 96.32, 0.62%, 0.52%

LAB 75.52, -52.27, 62.94

 

CMYK 64 / 0 / 73 / 18

HEX #4BD038

RGB 75 208 56

HSL 112.5, 0.62%, 0.52%

LAB 74.12, -63.17, 61.08

 

CMYK 73 / 0 / 63 / 18

HEX #38D04E

RGB 56 208 78

HSL 128.68, 0.62%, 0.52%

LAB 73.87, -64.63, 52.03

 

CMYK 5 / 0 / 73 / 18

HEX #C6D038

RGB 198 208 56

HSL 63.95, 0.62%, 0.52%

LAB 80.41, -21.4, 69.36

 

CMYK 6 / 0 / 84 / 11

HEX #D7E424

RGB 215 228 36

HSL 64.06, 0.78%, 0.52%

LAB 87.03, -24.7, 81.12

 

CMYK 6 / 0 / 93 / 3

HEX #E8F811

RGB 232 248 17

HSL 64.16, 0.94%, 0.52%

LAB 93.59, -27.52, 89.77

 

CMYK 5 / 0 / 73 / 18

HEX #C6D038

RGB 198 208 56

HSL 63.95, 0.62%, 0.52%

LAB 80.41, -21.4, 69.36

 

CMYK 4 / 0 / 60 / 26

HEX #B5BC4C

RGB 181 188 76

HSL 63.75, 0.46%, 0.52%

LAB 73.75, -17.39, 54.38

 

CMYK 2 / 0 / 43 / 34

HEX #A4A860

RGB 164 168 96

HSL 63.33, 0.29%, 0.52%

LAB 67.08, -12.38, 36.61

 

CMYK 2 / 0 / 22 / 42

HEX #929574

RGB 146 149 116

HSL 65.45, 0.13%, 0.52%

LAB 60.66, -6.9, 17.11

 

CMYK 4 / 4 / 0 / 47

HEX #818187

RGB 129 129 135

HSL 240, 0.02%, 0.52%

LAB 54.15, 1.22, -3.24

 

CMYK 0 / 35 / 73 / 18

HEX #D08738

RGB 208 135 56

HSL 31.18, 0.62%, 0.52%

LAB 62.53, 21.23, 52.1

 

CMYK 0 / 16 / 73 / 18

HEX #D0AF38

RGB 208 175 56

HSL 46.97, 0.62%, 0.52%

LAB 72.47, -0.31, 62.03

 

CMYK 4 / 0 / 73 / 18

HEX #C8D038

RGB 200 208 56

HSL 63.16, 0.62%, 0.52%

LAB 80.56, -20.56, 69.56

 

CMYK 23 / 0 / 73 / 18

HEX #A0D038

RGB 160 208 56

HSL 78.95, 0.62%, 0.52%

LAB 77.8, -36.72, 65.95

 

CMYK 43 / 0 / 73 / 18

HEX #77D038

RGB 119 208 56

HSL 95.13, 0.62%, 0.52%

LAB 75.65, -51.32, 63.11

 

CMYK 5 / 0 / 77 / 42

HEX #8C9322

RGB 140 147 34

HSL 63.72, 0.62%, 0.35%

LAB 58.56, -16.56, 54.61

 

CMYK 5 / 0 / 77 / 29

HEX #ACB52A

RGB 172 181 42

HSL 63.88, 0.62%, 0.44%

LAB 70.86, -19.62, 64.27

 

CMYK 5 / 0 / 73 / 18

HEX #C6D038

RGB 198 208 56

HSL 63.95, 0.62%, 0.52%

LAB 80.41, -21.4, 69.36

 

CMYK 4 / 0 / 58 / 15

HEX #CFD85A

RGB 207 216 90

HSL 64.29, 0.62%, 0.6%

LAB 83.5, -19.6, 59.58

 

CMYK 3 / 0 / 45 / 12

HEX #D9E07B

RGB 217 224 123

HSL 64.16, 0.62%, 0.68%

LAB 86.75, -16.73, 48.4

 

CMYK 5 / 0 / 73 / 18

HEX #C6D039

RGB 198 208 57

HSL 63.97, 0.62%, 0.52%

LAB 80.41, -21.35, 69.03

 

CMYK 73 / 0 / 55 / 18

HEX #38D05E

RGB 56 208 94

HSL 135, 0.62%, 0.52%

LAB 74.04, -62.65, 45

 

CMYK 25 / 73 / 0 / 18

HEX #9B38D0

RGB 155 56 208

HSL 279.08, 0.62%, 0.52%

LAB 44.73, 64.11, -60.22

 

CMYK 5 / 0 / 73 / 18

HEX #C6D039

RGB 198 208 57

HSL 63.97, 0.62%, 0.52%

LAB 80.41, -21.35, 69.03

 

CMYK 73 / 4 / 0 / 18

HEX #38C8D0

RGB 56 200 208

HSL 183.16, 0.62%, 0.52%

LAB 74, -34.14, -14.87

 

CMYK 0 / 73 / 4 / 18

HEX #D038C8

RGB 208 56 200

HSL 303.16, 0.62%, 0.52%

LAB 52.3, 73.48, -43.05

 

CMYK 5 / 0 / 73 / 18

HEX #C6D039

RGB 198 208 57

HSL 63.97, 0.62%, 0.52%

LAB 80.41, -21.35, 69.03

 

CMYK 73 / 0 / 55 / 18

HEX #38D05E

RGB 56 208 94

HSL 135, 0.62%, 0.52%

LAB 74.04, -62.65, 45

 

CMYK 69 / 73 / 0 / 18

HEX #4038D0

RGB 64 56 208

HSL 243.16, 0.62%, 0.52%

LAB 34.95, 50.08, -76.6

 

CMYK 0 / 73 / 18 / 18

HEX #D038AA

RGB 208 56 170

HSL 315, 0.62%, 0.52%

LAB 50.85, 69.14, -27.86

 

CMYK 5 / 0 / 73 / 18

HEX #C6D039

RGB 198 208 57

HSL 63.97, 0.62%, 0.52%

LAB 80.41, -21.35, 69.03

 

CMYK 73 / 0 / 33 / 18

HEX #38D08C

RGB 56 208 140

HSL 153.16, 0.62%, 0.52%

LAB 74.73, -54.77, 22.74

 

CMYK 69 / 73 / 0 / 18

HEX #4038D0

RGB 64 56 208

HSL 243.16, 0.62%, 0.52%

LAB 34.95, 50.08, -76.6

 

CMYK 0 / 73 / 40 / 18

HEX #D0387D

RGB 208 56 125

HSL 332.76, 0.62%, 0.52%

LAB 49.15, 63.81, -3.55

 

Description

Color code: HEX #C6D039 | qconv.com Color code: HEX #C6D039 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 208 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 208 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 73 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 73% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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