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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6E52D it is the complementary color #391AD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6E52D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6E52D shade: #CBE528, #DCF73B, #EDFF4E, #FEFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6E52D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6E52D shade: #C6E52D, #B5D31A, #A4C107, #93AF00 and #829D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6E52D shade: #C6E52E, #E5D22E, #E5A12E, #E56F2E and #E53E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6E52D shade: #C6E52E, #95E52E, #63E52E, #32E52E and #2EE55B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6E52D shade matches the following richer shades: #C6E52E and #D2F81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6E52D shade: #C6E52E, #B9D241, #ADBF54, #A0AC67 and #94997A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6E52D shade: #E5A22E, #E5D22E, #C6E52E, #95E52E and #65E52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6E52D shade: #92AB15, #B1D019, #C6E52E, #D0E952 and #DAEE77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6E52D shade: #C6E52D, #2EE571 and #BA2EE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6E52D shade: #C6E52D, #2EC6E5 and #E52EC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6E52D shade: #C6E52D, #2EE571, #4C2EE5 and #E52EA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6E52D shade: #C6E52D, #2EE5A8, #4C2EE5 and #E52E6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 80 / 10

HEX #C6E52D

RGB 198 229 45

HSL 70.11, 0.78%, 0.54%

LAB 86.12, -31.82, 77.78

 

Complementary color

CMYK 73 / 88 / 0 / 18

HEX #391AD2

RGB 57 26 210

HSL 250.11, 0.78%, 0.46%

LAB 30.06, 63.54, -85.87

 

CMYK 11 / 0 / 83 / 10

HEX #CBE528

RGB 203 229 40

HSL 68.25, 0.78%, 0.53%

LAB 86.45, -29.97, 79.41

 

CMYK 11 / 0 / 76 / 3

HEX #DCF73B

RGB 220 247 59

HSL 68.62, 0.92%, 0.6%

LAB 92.6, -30.84, 80.34

 

CMYK 7 / 0 / 69 / 0

HEX #EDFF4E

RGB 237 255 78

HSL 66.1, 1%, 0.65%

LAB 96.03, -26.96, 77.97

 

CMYK 0 / 0 / 62 / 0

HEX #FEFF61

RGB 254 255 97

HSL 60.38, 1%, 0.69%

LAB 97.41, -19.15, 72.75

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52D

RGB 198 229 45

HSL 70.11, 0.78%, 0.54%

LAB 86.12, -31.82, 77.78

 

CMYK 14 / 0 / 88 / 17

HEX #B5D31A

RGB 181 211 26

HSL 69.73, 0.78%, 0.46%

LAB 79.89, -30.87, 76.19

 

CMYK 15 / 0 / 96 / 24

HEX #A4C107

RGB 164 193 7

HSL 69.35, 0.93%, 0.39%

LAB 73.58, -29.72, 73.29

 

CMYK 16 / 0 / 100 / 31

HEX #93AF00

RGB 147 175 0

HSL 69.6, 1%, 0.34%

LAB 67.17, -28.36, 68.7

 

CMYK 17 / 0 / 100 / 38

HEX #829D00

RGB 130 157 0

HSL 70.32, 1%, 0.31%

LAB 60.66, -26.89, 63.28

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52E

RGB 198 229 46

HSL 70.16, 0.78%, 0.54%

LAB 86.13, -31.79, 77.53

 

CMYK 0 / 8 / 80 / 10

HEX #E5D22E

RGB 229 210 46

HSL 53.77, 0.78%, 0.54%

LAB 83.42, -9.72, 76.08

 

CMYK 0 / 30 / 80 / 10

HEX #E5A12E

RGB 229 161 46

HSL 37.7, 0.78%, 0.54%

LAB 71.11, 15.82, 65.19

 

CMYK 0 / 52 / 80 / 10

HEX #E56F2E

RGB 229 111 46

HSL 21.31, 0.78%, 0.54%

LAB 60.09, 41.94, 55.07

 

CMYK 0 / 73 / 80 / 10

HEX #E53E2E

RGB 229 62 46

HSL 5.25, 0.78%, 0.54%

LAB 52.18, 62.91, 47.47

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52E

RGB 198 229 46

HSL 70.16, 0.78%, 0.54%

LAB 86.13, -31.79, 77.53

 

CMYK 35 / 0 / 80 / 10

HEX #95E52E

RGB 149 229 46

HSL 86.23, 0.78%, 0.54%

LAB 83.24, -50.27, 73.87

 

CMYK 57 / 0 / 80 / 10

HEX #63E52E

RGB 99 229 46

HSL 102.62, 0.78%, 0.54%

LAB 81.23, -65.35, 71.28

 

CMYK 78 / 0 / 80 / 10

HEX #32E52E

RGB 50 229 46

HSL 118.69, 0.78%, 0.54%

LAB 80.13, -74.58, 69.86

 

CMYK 80 / 0 / 60 / 10

HEX #2EE55B

RGB 46 229 91

HSL 134.75, 0.78%, 0.54%

LAB 80.39, -71.17, 53.77

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52E

RGB 198 229 46

HSL 70.16, 0.78%, 0.54%

LAB 86.13, -31.79, 77.53

 

CMYK 15 / 0 / 89 / 3

HEX #D2F81B

RGB 210 248 27

HSL 70.32, 0.94%, 0.54%

LAB 92.09, -36.19, 86.7

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52E

RGB 198 229 46

HSL 70.16, 0.78%, 0.54%

LAB 86.13, -31.79, 77.53

 

CMYK 12 / 0 / 69 / 18

HEX #B9D241

RGB 185 210 65

HSL 70.34, 0.62%, 0.54%

LAB 80.06, -27.24, 65.54

 

CMYK 9 / 0 / 56 / 25

HEX #ADBF54

RGB 173 191 84

HSL 70.09, 0.46%, 0.54%

LAB 74.05, -21.55, 50.96

 

CMYK 7 / 0 / 40 / 33

HEX #A0AC67

RGB 160 172 103

HSL 70.43, 0.29%, 0.54%

LAB 67.99, -15.29, 34.06

 

CMYK 3 / 0 / 20 / 40

HEX #94997A

RGB 148 153 122

HSL 69.68, 0.13%, 0.54%

LAB 62.07, -7.35, 15.72

 

CMYK 0 / 29 / 80 / 10

HEX #E5A22E

RGB 229 162 46

HSL 38.03, 0.78%, 0.54%

LAB 71.35, 15.28, 65.41

 

CMYK 0 / 8 / 80 / 10

HEX #E5D22E

RGB 229 210 46

HSL 53.77, 0.78%, 0.54%

LAB 83.42, -9.72, 76.08

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52E

RGB 198 229 46

HSL 70.16, 0.78%, 0.54%

LAB 86.13, -31.79, 77.53

 

CMYK 35 / 0 / 80 / 10

HEX #95E52E

RGB 149 229 46

HSL 86.23, 0.78%, 0.54%

LAB 83.24, -50.27, 73.87

 

CMYK 56 / 0 / 80 / 10

HEX #65E52E

RGB 101 229 46

HSL 101.97, 0.78%, 0.54%

LAB 81.29, -64.85, 71.36

 

CMYK 15 / 0 / 88 / 33

HEX #92AB15

RGB 146 171 21

HSL 70, 0.78%, 0.38%

LAB 65.97, -26.48, 64.72

 

CMYK 15 / 0 / 88 / 18

HEX #B1D019

RGB 177 208 25

HSL 70.16, 0.79%, 0.46%

LAB 78.77, -31.12, 75.34

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52E

RGB 198 229 46

HSL 70.16, 0.78%, 0.54%

LAB 86.13, -31.79, 77.53

 

CMYK 11 / 0 / 65 / 9

HEX #D0E952

RGB 208 233 82

HSL 69.93, 0.77%, 0.62%

LAB 88.11, -27.91, 67.84

 

CMYK 8 / 0 / 50 / 7

HEX #DAEE77

RGB 218 238 119

HSL 70.08, 0.78%, 0.7%

LAB 90.5, -23.52, 54.82

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52D

RGB 198 229 45

HSL 70.11, 0.78%, 0.54%

LAB 86.12, -31.82, 77.78

 

CMYK 80 / 0 / 51 / 10

HEX #2EE571

RGB 46 229 113

HSL 141.97, 0.78%, 0.54%

LAB 80.63, -68.23, 44

 

CMYK 19 / 80 / 0 / 10

HEX #BA2EE5

RGB 186 46 229

HSL 285.9, 0.78%, 0.54%

LAB 49.56, 77.07, -64.19

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52D

RGB 198 229 45

HSL 70.11, 0.78%, 0.54%

LAB 86.12, -31.82, 77.78

 

CMYK 80 / 14 / 0 / 10

HEX #2EC6E5

RGB 46 198 229

HSL 190.16, 0.78%, 0.54%

LAB 73.95, -27.76, -26.33

 

CMYK 0 / 80 / 14 / 10

HEX #E52EC6

RGB 229 46 198

HSL 310.16, 0.78%, 0.54%

LAB 54.75, 80.31, -37.79

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52D

RGB 198 229 45

HSL 70.11, 0.78%, 0.54%

LAB 86.12, -31.82, 77.78

 

CMYK 80 / 0 / 51 / 10

HEX #2EE571

RGB 46 229 113

HSL 141.97, 0.78%, 0.54%

LAB 80.63, -68.23, 44

 

CMYK 67 / 80 / 0 / 10

HEX #4C2EE5

RGB 76 46 229

HSL 249.84, 0.78%, 0.54%

LAB 36.27, 62.38, -86.47

 

CMYK 0 / 80 / 29 / 10

HEX #E52EA2

RGB 229 46 162

HSL 321.97, 0.78%, 0.54%

LAB 53.19, 75.87, -19.23

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52D

RGB 198 229 45

HSL 70.11, 0.78%, 0.54%

LAB 86.12, -31.82, 77.78

 

CMYK 80 / 0 / 27 / 10

HEX #2EE5A8

RGB 46 229 168

HSL 160, 0.78%, 0.54%

LAB 81.54, -57.94, 17.43

 

CMYK 67 / 80 / 0 / 10

HEX #4C2EE5

RGB 76 46 229

HSL 249.84, 0.78%, 0.54%

LAB 36.27, 62.38, -86.47

 

CMYK 0 / 80 / 53 / 10

HEX #E52E6B

RGB 229 46 107

HSL 340, 0.78%, 0.54%

LAB 51.47, 70.77, 11.19

 

Description

Color code: HEX #C6E52D | qconv.com Color code: HEX #C6E52D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 229 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 229 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 80 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 80% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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