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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6E12D it is the complementary color #391ED2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6E12D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6E12D shade: #CBE128, #DCF33B, #EDFF4E, #FEFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6E12D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6E12D shade: #C6E12D, #B5CF1A, #A4BD07, #93AB00 and #829900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6E12D shade: #C6E12D, #E1CB2D, #E19B2D, #E16A2D and #E13A2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6E12D shade: #C6E12D, #95E12D, #65E12D, #34E12D and #2DE156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6E12D shade matches the following richer shades: #C6E12D and #D3F419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6E12D shade: #C6E12D, #B8CD40, #AABA54, #9DA667 and #8F937A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6E12D shade: #E19C2D, #E1CC2D, #C6E12D, #96E12D and #66E12D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6E12D shade: #8FA417, #AEC81C, #C6E12D, #CFE651 and #D9EB75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6E12D shade: #C6E12D, #2DE16C and #B42DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6E12D shade: #C6E12D, #2DC6E1 and #E12DC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6E12D shade: #C6E12D, #2DE16C, #482DE1 and #E12DA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6E12D shade: #C6E12D, #2DE1A2, #482DE1 and #E12D6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

Complementary color

CMYK 73 / 86 / 0 / 18

HEX #391ED2

RGB 57 30 210

HSL 249, 0.75%, 0.47%

LAB 30.52, 62.16, -85.1

 

CMYK 10 / 0 / 82 / 12

HEX #CBE128

RGB 203 225 40

HSL 67.14, 0.76%, 0.52%

LAB 85.35, -28.09, 78.47

 

CMYK 9 / 0 / 76 / 5

HEX #DCF33B

RGB 220 243 59

HSL 67.5, 0.88%, 0.59%

LAB 91.52, -28.99, 79.35

 

CMYK 7 / 0 / 69 / 0

HEX #EDFF4E

RGB 237 255 78

HSL 66.1, 1%, 0.65%

LAB 96.03, -26.96, 77.97

 

CMYK 0 / 0 / 62 / 0

HEX #FEFF61

RGB 254 255 97

HSL 60.38, 1%, 0.69%

LAB 97.41, -19.15, 72.75

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 13 / 0 / 87 / 19

HEX #B5CF1A

RGB 181 207 26

HSL 68.62, 0.78%, 0.46%

LAB 78.77, -28.99, 75.28

 

CMYK 13 / 0 / 96 / 26

HEX #A4BD07

RGB 164 189 7

HSL 68.24, 0.93%, 0.38%

LAB 72.43, -27.82, 72.41

 

CMYK 14 / 0 / 100 / 33

HEX #93AB00

RGB 147 171 0

HSL 68.42, 1%, 0.34%

LAB 66, -26.43, 67.83

 

CMYK 15 / 0 / 100 / 40

HEX #829900

RGB 130 153 0

HSL 69.02, 1%, 0.3%

LAB 59.46, -24.93, 62.38

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 0 / 10 / 80 / 12

HEX #E1CB2D

RGB 225 203 45

HSL 52.67, 0.75%, 0.53%

LAB 81.24, -7.91, 74.32

 

CMYK 0 / 31 / 80 / 12

HEX #E19B2D

RGB 225 155 45

HSL 36.67, 0.75%, 0.53%

LAB 69.21, 17.27, 63.66

 

CMYK 0 / 53 / 80 / 12

HEX #E16A2D

RGB 225 106 45

HSL 20.33, 0.75%, 0.53%

LAB 58.51, 42.85, 53.81

 

CMYK 0 / 74 / 80 / 12

HEX #E13A2D

RGB 225 58 45

HSL 4.33, 0.75%, 0.53%

LAB 50.95, 62.99, 46.53

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 34 / 0 / 80 / 12

HEX #95E12D

RGB 149 225 45

HSL 85.33, 0.75%, 0.53%

LAB 82.07, -48.67, 73.07

 

CMYK 55 / 0 / 80 / 12

HEX #65E12D

RGB 101 225 45

HSL 101.33, 0.75%, 0.53%

LAB 80.07, -63.51, 70.5

 

CMYK 77 / 0 / 80 / 12

HEX #34E12D

RGB 52 225 45

HSL 117.67, 0.75%, 0.53%

LAB 78.91, -73.2, 69

 

CMYK 80 / 0 / 62 / 12

HEX #2DE156

RGB 45 225 86

HSL 133.67, 0.75%, 0.53%

LAB 79.09, -70.61, 54.44

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 14 / 0 / 90 / 4

HEX #D3F419

RGB 211 244 25

HSL 69.04, 0.91%, 0.53%

LAB 91.06, -34.02, 86.2

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 10 / 0 / 69 / 20

HEX #B8CD40

RGB 184 205 64

HSL 68.94, 0.59%, 0.53%

LAB 78.59, -25.31, 64.42

 

CMYK 9 / 0 / 55 / 27

HEX #AABA54

RGB 170 186 84

HSL 69.41, 0.43%, 0.53%

LAB 72.43, -20.29, 49.05

 

CMYK 5 / 0 / 38 / 35

HEX #9DA667

RGB 157 166 103

HSL 68.57, 0.26%, 0.53%

LAB 66.07, -13.38, 31.56

 

CMYK 3 / 0 / 17 / 42

HEX #8F937A

RGB 143 147 122

HSL 69.6, 0.1%, 0.53%

LAB 59.99, -6.02, 12.76

 

CMYK 0 / 31 / 80 / 12

HEX #E19C2D

RGB 225 156 45

HSL 37, 0.75%, 0.53%

LAB 69.45, 16.74, 63.88

 

CMYK 0 / 9 / 80 / 12

HEX #E1CC2D

RGB 225 204 45

HSL 53, 0.75%, 0.53%

LAB 81.5, -8.42, 74.55

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 33 / 0 / 80 / 12

HEX #96E12D

RGB 150 225 45

HSL 85, 0.75%, 0.53%

LAB 82.12, -48.32, 73.13

 

CMYK 55 / 0 / 80 / 12

HEX #66E12D

RGB 102 225 45

HSL 101, 0.75%, 0.53%

LAB 80.1, -63.25, 70.54

 

CMYK 13 / 0 / 86 / 36

HEX #8FA417

RGB 143 164 23

HSL 68.94, 0.75%, 0.37%

LAB 63.72, -24.28, 62.32

 

CMYK 13 / 0 / 86 / 22

HEX #AEC81C

RGB 174 200 28

HSL 69.07, 0.75%, 0.45%

LAB 76.31, -28.51, 72.66

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 10 / 0 / 65 / 10

HEX #CFE651

RGB 207 230 81

HSL 69.26, 0.75%, 0.61%

LAB 87.22, -26.96, 67.28

 

CMYK 8 / 0 / 50 / 8

HEX #D9EB75

RGB 217 235 117

HSL 69.15, 0.75%, 0.69%

LAB 89.6, -22.65, 54.67

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 80 / 0 / 52 / 12

HEX #2DE16C

RGB 45 225 108

HSL 141, 0.75%, 0.53%

LAB 79.32, -67.76, 44.76

 

CMYK 20 / 80 / 0 / 12

HEX #B42DE1

RGB 180 45 225

HSL 285, 0.75%, 0.53%

LAB 48.28, 75.59, -64.03

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 80 / 12 / 0 / 12

HEX #2DC6E1

RGB 45 198 225

HSL 189, 0.75%, 0.53%

LAB 73.79, -29.11, -24.41

 

CMYK 0 / 80 / 12 / 12

HEX #E12DC6

RGB 225 45 198

HSL 309, 0.75%, 0.53%

LAB 53.99, 79.73, -39.04

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 80 / 0 / 52 / 12

HEX #2DE16C

RGB 45 225 108

HSL 141, 0.75%, 0.53%

LAB 79.32, -67.76, 44.76

 

CMYK 68 / 80 / 0 / 12

HEX #482DE1

RGB 72 45 225

HSL 249, 0.75%, 0.53%

LAB 35.38, 61.35, -85.66

 

CMYK 0 / 80 / 28 / 12

HEX #E12DA2

RGB 225 45 162

HSL 321, 0.75%, 0.53%

LAB 52.39, 75.2, -20.52

 

CMYK 12 / 0 / 80 / 12

HEX #C6E12D

RGB 198 225 45

HSL 69, 0.75%, 0.53%

LAB 85.02, -29.96, 76.82

 

CMYK 80 / 0 / 28 / 12

HEX #2DE1A2

RGB 45 225 162

HSL 159, 0.75%, 0.53%

LAB 80.19, -57.84, 18.69

 

CMYK 68 / 80 / 0 / 12

HEX #482DE1

RGB 72 45 225

HSL 249, 0.75%, 0.53%

LAB 35.38, 61.35, -85.66

 

CMYK 0 / 80 / 52 / 12

HEX #E12D6C

RGB 225 45 108

HSL 339, 0.75%, 0.53%

LAB 50.65, 70.06, 9.33

 

Description

Color code: HEX #C6E12D | qconv.com Color code: HEX #C6E12D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 225 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 225 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 80 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 80% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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