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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6E1AC it is the complementary color #391E53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6E1AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6E1AC shade: #CBE1A7, #DCF3BA, #EDFFCD, #FEFFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6E1AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6E1AC shade: #C6E1AC, #B5CF99, #A4BD86, #93AB73 and #829960

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6E1AC shade: #C6E1AC, #D4E1AC, #E1DFAC, #E1D1AC and #E1C3AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6E1AC shade: #C6E1AC, #B8E1AC, #ACE1AF, #ACE1BD and #ACE1CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6E1AC shade matches the following richer shades: #C6E1AC, #C6EAA3, #C6F39A and #C5FC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6E1AC shade: #C6E1AC, #C6D8B5, #C6CFBE, #C6C6C7 and #C7BCD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6E1AC shade: #E1DFAC, #D4E1AC, #C6E1AC, #B8E1AC and #ACE1AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6E1AC shade: #9CCB6F, #B1D68E, #C6E1AC, #DBECCA and #F0F7E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6E1AC shade: #C6E1AC, #ACE1D1 and #E1ACDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6E1AC shade: #C6E1AC, #ACC6E1 and #E1ACC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6E1AC shade: #C6E1AC, #ACE1D1, #C6ACE1 and #E1ACBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6E1AC shade: #C6E1AC, #ACE1E1, #C6ACE1 and #E1ACAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

Complementary color

CMYK 31 / 64 / 0 / 67

HEX #391E53

RGB 57 30 83

HSL 270.57, 0.47%, 0.22%

LAB 17.57, 24.97, -27.45

 

CMYK 10 / 0 / 26 / 12

HEX #CBE1A7

RGB 203 225 167

HSL 82.76, 0.49%, 0.77%

LAB 86.67, -17.16, 26.02

 

CMYK 9 / 0 / 23 / 5

HEX #DCF3BA

RGB 220 243 186

HSL 84.21, 0.7%, 0.84%

LAB 92.95, -17.18, 25.04

 

CMYK 7 / 0 / 20 / 0

HEX #EDFFCD

RGB 237 255 205

HSL 81.6, 1%, 0.9%

LAB 97.6, -14.26, 21.97

 

CMYK 0 / 0 / 12 / 0

HEX #FEFFE0

RGB 254 255 224

HSL 61.94, 1%, 0.94%

LAB 99.21, -5.45, 14.71

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 13 / 0 / 26 / 19

HEX #B5CF99

RGB 181 207 153

HSL 88.89, 0.36%, 0.71%

LAB 80.04, -18.24, 24.03

 

CMYK 13 / 0 / 29 / 26

HEX #A4BD86

RGB 164 189 134

HSL 87.27, 0.29%, 0.63%

LAB 73.55, -18.27, 25.07

 

CMYK 14 / 0 / 33 / 33

HEX #93AB73

RGB 147 171 115

HSL 85.71, 0.25%, 0.56%

LAB 66.95, -18.29, 26.17

 

CMYK 15 / 0 / 37 / 40

HEX #829960

RGB 130 153 96

HSL 84.21, 0.23%, 0.49%

LAB 60.22, -18.3, 27.34

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 6 / 0 / 24 / 12

HEX #D4E1AC

RGB 212 225 172

HSL 74.72, 0.47%, 0.78%

LAB 87.4, -13.17, 24.54

 

CMYK 0 / 1 / 24 / 12

HEX #E1DFAC

RGB 225 223 172

HSL 57.74, 0.47%, 0.78%

LAB 87.85, -7.39, 25.31

 

CMYK 0 / 7 / 24 / 12

HEX #E1D1AC

RGB 225 209 172

HSL 41.89, 0.47%, 0.78%

LAB 84.27, -0.21, 20.39

 

CMYK 0 / 13 / 24 / 12

HEX #E1C3AC

RGB 225 195 172

HSL 26.04, 0.47%, 0.78%

LAB 80.75, 7.11, 15.47

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 18 / 0 / 24 / 12

HEX #B8E1AC

RGB 184 225 172

HSL 106.42, 0.47%, 0.78%

LAB 85.51, -23.09, 21.64

 

CMYK 24 / 0 / 22 / 12

HEX #ACE1AF

RGB 172 225 175

HSL 123.4, 0.47%, 0.78%

LAB 84.85, -26.62, 19.05

 

CMYK 24 / 0 / 16 / 12

HEX #ACE1BD

RGB 172 225 189

HSL 139.25, 0.47%, 0.78%

LAB 85.15, -24.11, 12.13

 

CMYK 24 / 0 / 10 / 12

HEX #ACE1CB

RGB 172 225 203

HSL 155.09, 0.47%, 0.78%

LAB 85.47, -21.43, 5.23

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 15 / 0 / 30 / 8

HEX #C6EAA3

RGB 198 234 163

HSL 90.42, 0.63%, 0.78%

LAB 88.68, -23.93, 30.73

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 22 / 0 / 42 / 1

HEX #C5FC91

RGB 197 252 145

HSL 90.84, 0.95%, 0.78%

LAB 93.25, -35.07, 45.61

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 8 / 0 / 16 / 15

HEX #C6D8B5

RGB 198 216 181

HSL 90.86, 0.31%, 0.78%

LAB 84.2, -12.28, 15.24

 

CMYK 4 / 0 / 8 / 19

HEX #C6CFBE

RGB 198 207 190

HSL 91.76, 0.15%, 0.78%

LAB 82.03, -6.14, 7.38

 

CMYK 1 / 1 / 0 / 22

HEX #C6C6C7

RGB 198 198 199

HSL 240, 0.01%, 0.78%

LAB 79.91, 0.19, -0.51

 

CMYK 4 / 10 / 0 / 18

HEX #C7BCD0

RGB 199 188 208

HSL 273, 0.18%, 0.78%

LAB 77.68, 7.57, -8.65

 

CMYK 0 / 1 / 24 / 12

HEX #E1DFAC

RGB 225 223 172

HSL 57.74, 0.47%, 0.78%

LAB 87.85, -7.39, 25.31

 

CMYK 6 / 0 / 24 / 12

HEX #D4E1AC

RGB 212 225 172

HSL 74.72, 0.47%, 0.78%

LAB 87.4, -13.17, 24.54

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 18 / 0 / 24 / 12

HEX #B8E1AC

RGB 184 225 172

HSL 106.42, 0.47%, 0.78%

LAB 85.51, -23.09, 21.64

 

CMYK 24 / 0 / 23 / 12

HEX #ACE1AE

RGB 172 225 174

HSL 122.26, 0.47%, 0.78%

LAB 84.83, -26.79, 19.54

 

CMYK 23 / 0 / 45 / 20

HEX #9CCB6F

RGB 156 203 111

HSL 90.65, 0.47%, 0.62%

LAB 76.64, -31.16, 40.83

 

CMYK 17 / 0 / 34 / 16

HEX #B1D68E

RGB 177 214 142

HSL 90.83, 0.47%, 0.7%

LAB 81.51, -24.73, 31.67

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 7 / 0 / 14 / 7

HEX #DBECCA

RGB 219 236 202

HSL 90, 0.47%, 0.86%

LAB 91.38, -11.58, 14.59

 

CMYK 3 / 0 / 6 / 3

HEX #F0F7E9

RGB 240 247 233

HSL 90, 0.47%, 0.94%

LAB 96.38, -4.76, 5.91

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 24 / 0 / 7 / 12

HEX #ACE1D1

RGB 172 225 209

HSL 161.89, 0.47%, 0.78%

LAB 85.62, -20.22, 2.28

 

CMYK 0 / 24 / 3 / 12

HEX #E1ACDB

RGB 225 172 219

HSL 306.79, 0.47%, 0.78%

LAB 76.45, 27.03, -16.2

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 24 / 12 / 0 / 12

HEX #ACC6E1

RGB 172 198 225

HSL 210.57, 0.47%, 0.78%

LAB 78.81, -2.89, -16.33

 

CMYK 0 / 24 / 12 / 12

HEX #E1ACC6

RGB 225 172 198

HSL 330.57, 0.47%, 0.78%

LAB 75.82, 23.4, -5.71

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 24 / 0 / 7 / 12

HEX #ACE1D1

RGB 172 225 209

HSL 161.89, 0.47%, 0.78%

LAB 85.62, -20.22, 2.28

 

CMYK 12 / 24 / 0 / 12

HEX #C6ACE1

RGB 198 172 225

HSL 269.43, 0.47%, 0.78%

LAB 74.16, 19.37, -23.19

 

CMYK 0 / 24 / 16 / 12

HEX #E1ACBC

RGB 225 172 188

HSL 341.89, 0.47%, 0.78%

LAB 75.54, 21.78, -0.65

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 24 / 0 / 0 / 12

HEX #ACE1E1

RGB 172 225 225

HSL 180, 0.47%, 0.78%

LAB 86.04, -16.86, -5.55

 

CMYK 12 / 24 / 0 / 12

HEX #C6ACE1

RGB 198 172 225

HSL 269.43, 0.47%, 0.78%

LAB 74.16, 19.37, -23.19

 

CMYK 0 / 24 / 24 / 12

HEX #E1ACAC

RGB 225 172 172

HSL 0, 0.47%, 0.78%

LAB 75.13, 19.37, 7.51

 

Description

Color code: HEX #C6E1AC | qconv.com Color code: HEX #C6E1AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 225 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 225 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 24 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 24% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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