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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6E320 it is the complementary color #391CDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6E320. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6E320 shade: #CBE31B, #DCF52E, #EDFF41, #FEFF54 and #FFFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6E320. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6E320 shade: #C6E320, #B5D10D, #A4BF00, #93AD00 and #829B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6E320 shade: #C6E320, #E3CB20, #E39720, #E36220 and #E32E20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6E320 shade: #C6E320, #91E320, #5DE320, #28E320 and #20E34C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6E320 shade matches the following richer shades: #C6E320 and #D4F70C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6E320 shade: #C6E320, #B8CF34, #AABB49, #9BA65D and #8D9271

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6E320 shade: #E39520, #E3C920, #C9E320, #95E320 and #61E320

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6E320 shade: #899E13, #A9C218, #C6E320, #CFE845 and #D9EC6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6E320 shade: #C6E320, #20E361 and #AF20E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6E320 shade: #C6E320, #20C9E3 and #E320C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6E320 shade: #C6E320, #20E361, #3A20E3 and #E320A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6E320 shade: #C6E320, #20E39C, #3A20E3 and #E32068

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

Complementary color

CMYK 74 / 87 / 0 / 13

HEX #391CDF

RGB 57 28 223

HSL 248.92, 0.78%, 0.49%

LAB 31.87, 66.37, -90.37

 

CMYK 11 / 0 / 88 / 11

HEX #CBE31B

RGB 203 227 27

HSL 67.2, 0.79%, 0.5%

LAB 85.86, -29.35, 81.5

 

CMYK 10 / 0 / 81 / 4

HEX #DCF52E

RGB 220 245 46

HSL 67.54, 0.91%, 0.57%

LAB 92.01, -30.38, 83.24

 

CMYK 7 / 0 / 75 / 0

HEX #EDFF41

RGB 237 255 65

HSL 65.68, 1%, 0.63%

LAB 95.96, -27.55, 82.1

 

CMYK 0 / 0 / 67 / 0

HEX #FEFF54

RGB 254 255 84

HSL 60.35, 1%, 0.66%

LAB 97.32, -19.87, 77.56

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

CMYK 13 / 0 / 94 / 18

HEX #B5D10D

RGB 181 209 13

HSL 68.57, 0.88%, 0.44%

LAB 79.3, -30.16, 77.6

 

CMYK 14 / 0 / 100 / 25

HEX #A4BF00

RGB 164 191 0

HSL 68.48, 1%, 0.37%

LAB 72.99, -28.86, 73.6

 

CMYK 15 / 0 / 100 / 32

HEX #93AD00

RGB 147 173 0

HSL 69.02, 1%, 0.34%

LAB 66.59, -27.4, 68.26

 

CMYK 16 / 0 / 100 / 39

HEX #829B00

RGB 130 155 0

HSL 69.68, 1%, 0.3%

LAB 60.06, -25.92, 62.83

 

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

CMYK 0 / 11 / 86 / 11

HEX #E3CB20

RGB 227 203 32

HSL 52.62, 0.78%, 0.51%

LAB 81.37, -7.4, 77.73

 

CMYK 0 / 33 / 86 / 11

HEX #E39720

RGB 227 151 32

HSL 36.62, 0.78%, 0.51%

LAB 68.44, 19.9, 67.24

 

CMYK 0 / 57 / 86 / 11

HEX #E36220

RGB 227 98 32

HSL 20.31, 0.78%, 0.51%

LAB 57.24, 47.09, 58.11

 

CMYK 0 / 80 / 86 / 11

HEX #E32E20

RGB 227 46 32

HSL 4.31, 0.78%, 0.51%

LAB 49.96, 66.79, 52.13

 

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

CMYK 36 / 0 / 86 / 11

HEX #91E320

RGB 145 227 32

HSL 85.23, 0.78%, 0.51%

LAB 82.41, -51.36, 76.31

 

CMYK 59 / 0 / 86 / 11

HEX #5DE320

RGB 93 227 32

HSL 101.23, 0.78%, 0.51%

LAB 80.39, -66.74, 73.77

 

CMYK 82 / 0 / 86 / 11

HEX #28E320

RGB 40 227 32

HSL 117.54, 0.78%, 0.51%

LAB 79.32, -75.81, 72.43

 

CMYK 86 / 0 / 67 / 11

HEX #20E34C

RGB 32 227 76

HSL 133.54, 0.78%, 0.51%

LAB 79.48, -73.53, 58.96

 

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

CMYK 14 / 0 / 95 / 3

HEX #D4F70C

RGB 212 247 12

HSL 68.94, 0.94%, 0.51%

LAB 91.93, -35.16, 88.35

 

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

CMYK 11 / 0 / 75 / 19

HEX #B8CF34

RGB 184 207 52

HSL 68.9, 0.62%, 0.51%

LAB 79.08, -26.88, 69.04

 

CMYK 9 / 0 / 61 / 27

HEX #AABB49

RGB 170 187 73

HSL 68.95, 0.46%, 0.51%

LAB 72.61, -21.67, 54.21

 

CMYK 7 / 0 / 44 / 35

HEX #9BA65D

RGB 155 166 93

HSL 69.04, 0.29%, 0.51%

LAB 65.77, -15.36, 36.37

 

CMYK 3 / 0 / 23 / 43

HEX #8D9271

RGB 141 146 113

HSL 69.09, 0.13%, 0.51%

LAB 59.35, -7.71, 16.93

 

CMYK 0 / 34 / 86 / 11

HEX #E39520

RGB 227 149 32

HSL 36, 0.78%, 0.51%

LAB 67.97, 20.97, 66.86

 

CMYK 0 / 11 / 86 / 11

HEX #E3C920

RGB 227 201 32

HSL 52, 0.78%, 0.51%

LAB 80.85, -6.38, 77.31

 

CMYK 11 / 0 / 86 / 11

HEX #C9E320

RGB 201 227 32

HSL 68, 0.78%, 0.51%

LAB 85.74, -30.06, 80.44

 

CMYK 34 / 0 / 86 / 11

HEX #95E320

RGB 149 227 32

HSL 84, 0.78%, 0.51%

LAB 82.61, -49.96, 76.56

 

CMYK 57 / 0 / 86 / 11

HEX #61E320

RGB 97 227 32

HSL 100, 0.78%, 0.51%

LAB 80.51, -65.77, 73.93

 

CMYK 13 / 0 / 88 / 38

HEX #899E13

RGB 137 158 19

HSL 69.06, 0.79%, 0.35%

LAB 61.5, -24, 61.16

 

CMYK 13 / 0 / 88 / 24

HEX #A9C218

RGB 169 194 24

HSL 68.82, 0.78%, 0.43%

LAB 74.24, -27.83, 71.6

 

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

CMYK 11 / 0 / 70 / 9

HEX #CFE845

RGB 207 232 69

HSL 69.2, 0.78%, 0.59%

LAB 87.68, -28.59, 72.18

 

CMYK 8 / 0 / 55 / 7

HEX #D9EC6A

RGB 217 236 106

HSL 68.77, 0.77%, 0.67%

LAB 89.76, -24.07, 59.81

 

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

CMYK 86 / 0 / 57 / 11

HEX #20E361

RGB 32 227 97

HSL 140, 0.78%, 0.51%

LAB 79.68, -71.12, 50.24

 

CMYK 23 / 86 / 0 / 11

HEX #AF20E3

RGB 175 32 227

HSL 284, 0.78%, 0.51%

LAB 46.57, 78.36, -67.97

 

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

CMYK 86 / 11 / 0 / 11

HEX #20C9E3

RGB 32 201 227

HSL 188, 0.78%, 0.51%

LAB 74.59, -30.9, -24.29

 

CMYK 0 / 86 / 11 / 11

HEX #E320C9

RGB 227 32 201

HSL 308, 0.78%, 0.51%

LAB 53.58, 83.14, -41.39

 

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

CMYK 86 / 0 / 57 / 11

HEX #20E361

RGB 32 227 97

HSL 140, 0.78%, 0.51%

LAB 79.68, -71.12, 50.24

 

CMYK 74 / 86 / 0 / 11

HEX #3A20E3

RGB 58 32 227

HSL 248, 0.78%, 0.51%

LAB 32.87, 66.15, -91

 

CMYK 0 / 86 / 29 / 11

HEX #E320A2

RGB 227 32 162

HSL 320, 0.78%, 0.51%

LAB 51.81, 78.38, -21.39

 

CMYK 13 / 0 / 86 / 11

HEX #C6E320

RGB 198 227 32

HSL 68.92, 0.78%, 0.51%

LAB 85.53, -31.27, 80.18

 

CMYK 86 / 0 / 31 / 11

HEX #20E39C

RGB 32 227 156

HSL 158.15, 0.78%, 0.51%

LAB 80.54, -60.96, 22.28

 

CMYK 74 / 86 / 0 / 11

HEX #3A20E3

RGB 58 32 227

HSL 248, 0.78%, 0.51%

LAB 32.87, 66.15, -91

 

CMYK 0 / 86 / 54 / 11

HEX #E32068

RGB 227 32 104

HSL 337.85, 0.78%, 0.51%

LAB 49.93, 73.14, 10.82

 

Description

Color code: HEX #C6E320 | qconv.com Color code: HEX #C6E320 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 227 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 227 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 86 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 86% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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