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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6ED77 it is the complementary color #391288. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6ED77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6ED77 shade: #CBED72, #DCFF85, #EDFF98, #FEFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6ED77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6ED77 shade: #C6ED77, #B5DB64, #A4C951, #93B73E and #82A52B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6ED77 shade: #C6ED77, #E6ED77, #EDD477, #EDB577 and #ED9577

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6ED77 shade: #C6ED77, #A6ED77, #86ED77, #77ED88 and #77EDA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6ED77 shade matches the following richer shades: #C6ED77 and #CAF96B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6ED77 shade: #C6ED77, #C2E183, #BED490, #B9C89C and #B5BBA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6ED77 shade: #EDD377, #E7ED77, #C8ED77, #A8ED77 and #89ED77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6ED77 shade: #A7E32E, #B7E853, #C6ED77, #D5F29C and #E4F6C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6ED77 shade: #C6ED77, #77EDB4 and #E377ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6ED77 shade: #C6ED77, #77C8ED and #ED77C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6ED77 shade: #C6ED77, #77EDB4, #9C77ED and #ED77B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6ED77 shade: #C6ED77, #77EDD7, #9C77ED and #ED778D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

Complementary color

CMYK 58 / 87 / 0 / 47

HEX #391288

RGB 57 18 136

HSL 259.83, 0.77%, 0.3%

LAB 20.36, 46.13, -57.36

 

CMYK 14 / 0 / 52 / 7

HEX #CBED72

RGB 203 237 114

HSL 76.59, 0.77%, 0.69%

LAB 89.15, -29.25, 55.27

 

CMYK 14 / 0 / 48 / 0

HEX #DCFF85

RGB 220 255 133

HSL 77.21, 1%, 0.76%

LAB 95.34, -29.44, 54.19

 

CMYK 7 / 0 / 40 / 0

HEX #EDFF98

RGB 237 255 152

HSL 70.49, 1%, 0.8%

LAB 96.74, -21.13, 47.18

 

CMYK 0 / 0 / 33 / 0

HEX #FEFFAB

RGB 254 255 171

HSL 60.71, 1%, 0.84%

LAB 98.25, -12.64, 40.1

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

CMYK 17 / 0 / 54 / 14

HEX #B5DB64

RGB 181 219 100

HSL 79.16, 0.62%, 0.63%

LAB 82.6, -30.48, 53.62

 

CMYK 18 / 0 / 60 / 21

HEX #A4C951

RGB 164 201 81

HSL 78.5, 0.53%, 0.55%

LAB 76.23, -30.23, 54.59

 

CMYK 20 / 0 / 66 / 28

HEX #93B73E

RGB 147 183 62

HSL 77.85, 0.49%, 0.48%

LAB 69.77, -29.87, 55.33

 

CMYK 21 / 0 / 74 / 35

HEX #82A52B

RGB 130 165 43

HSL 77.21, 0.59%, 0.41%

LAB 63.2, -29.37, 55.63

 

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

CMYK 3 / 0 / 50 / 7

HEX #E6ED77

RGB 230 237 119

HSL 63.56, 0.77%, 0.7%

LAB 91.11, -18.36, 55.76

 

CMYK 0 / 11 / 50 / 7

HEX #EDD477

RGB 237 212 119

HSL 47.29, 0.77%, 0.7%

LAB 85.21, -3.1, 48.83

 

CMYK 0 / 24 / 50 / 7

HEX #EDB577

RGB 237 181 119

HSL 31.53, 0.77%, 0.7%

LAB 77.51, 13.04, 39.29

 

CMYK 0 / 37 / 50 / 7

HEX #ED9577

RGB 237 149 119

HSL 15.25, 0.77%, 0.7%

LAB 70.06, 29.99, 29.69

 

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

CMYK 30 / 0 / 50 / 7

HEX #A6ED77

RGB 166 237 119

HSL 96.1, 0.77%, 0.7%

LAB 87, -42.12, 49.85

 

CMYK 43 / 0 / 50 / 7

HEX #86ED77

RGB 134 237 119

HSL 112.37, 0.77%, 0.7%

LAB 85.49, -52.29, 47.66

 

CMYK 50 / 0 / 43 / 7

HEX #77ED88

RGB 119 237 136

HSL 128.64, 0.77%, 0.7%

LAB 85.13, -54.07, 38.88

 

CMYK 50 / 0 / 30 / 7

HEX #77EDA7

RGB 119 237 167

HSL 144.41, 0.77%, 0.7%

LAB 85.65, -48.81, 23.91

 

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

CMYK 19 / 0 / 57 / 2

HEX #CAF96B

RGB 202 249 107

HSL 79.86, 0.92%, 0.7%

LAB 92.3, -35.77, 61.99

 

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

CMYK 14 / 0 / 42 / 12

HEX #C2E183

RGB 194 225 131

HSL 79.79, 0.61%, 0.7%

LAB 85.48, -25.19, 42.57

 

CMYK 10 / 0 / 32 / 17

HEX #BED490

RGB 190 212 144

HSL 79.41, 0.44%, 0.7%

LAB 81.86, -18.71, 31.27

 

CMYK 8 / 0 / 22 / 22

HEX #B9C89C

RGB 185 200 156

HSL 80.45, 0.29%, 0.7%

LAB 78.48, -12.78, 20.34

 

CMYK 3 / 0 / 10 / 27

HEX #B5BBA9

RGB 181 187 169

HSL 80, 0.12%, 0.7%

LAB 74.97, -5.35, 8.39

 

CMYK 0 / 11 / 50 / 7

HEX #EDD377

RGB 237 211 119

HSL 46.78, 0.77%, 0.7%

LAB 84.96, -2.59, 48.52

 

CMYK 3 / 0 / 50 / 7

HEX #E7ED77

RGB 231 237 119

HSL 63.05, 0.77%, 0.7%

LAB 91.18, -17.97, 55.87

 

CMYK 16 / 0 / 50 / 7

HEX #C8ED77

RGB 200 237 119

HSL 78.81, 0.77%, 0.7%

LAB 89.01, -29.91, 52.75

 

CMYK 29 / 0 / 50 / 7

HEX #A8ED77

RGB 168 237 119

HSL 95.08, 0.77%, 0.7%

LAB 87.11, -41.44, 50.01

 

CMYK 42 / 0 / 50 / 7

HEX #89ED77

RGB 137 237 119

HSL 110.85, 0.77%, 0.7%

LAB 85.61, -51.41, 47.84

 

CMYK 26 / 0 / 80 / 11

HEX #A7E32E

RGB 167 227 46

HSL 79.89, 0.76%, 0.54%

LAB 83.63, -42.93, 74.57

 

CMYK 21 / 0 / 64 / 9

HEX #B7E853

RGB 183 232 83

HSL 79.73, 0.76%, 0.62%

LAB 86.21, -37.07, 64.94

 

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

CMYK 12 / 0 / 36 / 5

HEX #D5F29C

RGB 213 242 156

HSL 80.23, 0.77%, 0.78%

LAB 91.71, -23.3, 38.44

 

CMYK 7 / 0 / 22 / 4

HEX #E4F6C0

RGB 228 246 192

HSL 80, 0.75%, 0.86%

LAB 94.4, -14.94, 24.06

 

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

CMYK 50 / 0 / 24 / 7

HEX #77EDB4

RGB 119 237 180

HSL 151.02, 0.77%, 0.7%

LAB 85.9, -46.29, 17.54

 

CMYK 4 / 50 / 0 / 7

HEX #E377ED

RGB 227 119 237

HSL 294.92, 0.77%, 0.7%

LAB 66.24, 58.5, -41.76

 

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

CMYK 50 / 16 / 0 / 7

HEX #77C8ED

RGB 119 200 237

HSL 198.81, 0.77%, 0.7%

LAB 76.89, -14.92, -25.96

 

CMYK 0 / 50 / 16 / 7

HEX #ED77C8

RGB 237 119 200

HSL 318.81, 0.77%, 0.7%

LAB 66.03, 55.2, -21.37

 

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

CMYK 50 / 0 / 24 / 7

HEX #77EDB4

RGB 119 237 180

HSL 151.02, 0.77%, 0.7%

LAB 85.9, -46.29, 17.54

 

CMYK 34 / 50 / 0 / 7

HEX #9C77ED

RGB 156 119 237

HSL 258.81, 0.77%, 0.7%

LAB 58.39, 39.74, -54.68

 

CMYK 0 / 50 / 26 / 7

HEX #ED77B0

RGB 237 119 176

HSL 331.02, 0.77%, 0.7%

LAB 65.23, 51.78, -9.04

 

CMYK 16 / 0 / 50 / 7

HEX #C6ED77

RGB 198 237 119

HSL 79.83, 0.77%, 0.7%

LAB 88.88, -30.65, 52.56

 

CMYK 50 / 0 / 9 / 7

HEX #77EDD7

RGB 119 237 215

HSL 168.81, 0.77%, 0.7%

LAB 86.7, -38.62, 0.41

 

CMYK 34 / 50 / 0 / 7

HEX #9C77ED

RGB 156 119 237

HSL 258.81, 0.77%, 0.7%

LAB 58.39, 39.74, -54.68

 

CMYK 0 / 50 / 41 / 7

HEX #ED778D

RGB 237 119 141

HSL 348.81, 0.77%, 0.7%

LAB 64.26, 47.55, 9.48

 

Description

Color code: HEX #C6ED77 | qconv.com Color code: HEX #C6ED77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 237 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 237 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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