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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F6C5 it is the complementary color #39093A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F6C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F6C5 shade: #CBF6C0, #DCFFD3, #EDFFE6 and #FEFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F6C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F6C5 shade: #C6F6C5, #B5E4B2, #A4D29F, #93C08C and #82AE79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F6C5 shade: #C6F6C5, #D3F6C5, #E0F6C5, #EDF6C5 and #F6F1C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F6C5 shade: #C6F6C5, #C5F6D1, #C5F6DE, #C5F6EB and #C5F3F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F6C5 shade matches the following richer shades: #C6F6C5 and #C1FBC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F6C5 shade: #C6F6C5, #CBF0CB, #D0EBD0, #D6E5D5 and #DBE0DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F6C5 shade: #E1F6C5, #D4F6C5, #C7F6C5, #C5F6D0 and #C5F6DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F6C5 shade: #80EA7E, #A3F0A1, #C6F6C5 and #E9FBE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F6C5 shade: #C6F6C5, #C5EDF6 and #F6C5DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F6C5 shade: #C6F6C5, #C5C7F6 and #F6C5C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F6C5 shade: #C6F6C5, #C5EDF6, #F4C5F6 and #F6CDC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F6C5 shade: #C6F6C5, #C5DFF6, #F4C5F6 and #F6DCC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

Complementary color

CMYK 2 / 84 / 0 / 77

HEX #39093A

RGB 57 9 58

HSL 298.78, 0.73%, 0.13%

LAB 11.76, 30, -19.35

 

CMYK 17 / 0 / 22 / 4

HEX #CBF6C0

RGB 203 246 192

HSL 107.78, 0.75%, 0.86%

LAB 92.76, -23.57, 21.53

 

CMYK 14 / 0 / 17 / 0

HEX #DCFFD3

RGB 220 255 211

HSL 107.73, 1%, 0.91%

LAB 96.59, -19.13, 17.32

 

CMYK 7 / 0 / 10 / 0

HEX #EDFFE6

RGB 237 255 230

HSL 103.2, 1%, 0.95%

LAB 98.13, -10.27, 9.94

 

CMYK 0 / 0 / 2 / 0

HEX #FEFFF9

RGB 254 255 249

HSL 70, 1%, 0.99%

LAB 99.78, -1.37, 2.73

 

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

CMYK 21 / 0 / 22 / 11

HEX #B5E4B2

RGB 181 228 178

HSL 116.4, 0.48%, 0.8%

LAB 86.27, -24.57, 19.54

 

CMYK 22 / 0 / 24 / 18

HEX #A4D29F

RGB 164 210 159

HSL 114.12, 0.36%, 0.72%

LAB 79.89, -24.74, 20.49

 

CMYK 23 / 0 / 27 / 25

HEX #93C08C

RGB 147 192 140

HSL 111.92, 0.29%, 0.65%

LAB 73.41, -24.93, 21.5

 

CMYK 25 / 0 / 30 / 32

HEX #82AE79

RGB 130 174 121

HSL 109.81, 0.25%, 0.58%

LAB 66.82, -25.13, 22.58

 

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

CMYK 14 / 0 / 20 / 4

HEX #D3F6C5

RGB 211 246 197

HSL 102.86, 0.73%, 0.87%

LAB 93.36, -20.07, 19.88

 

CMYK 9 / 0 / 20 / 4

HEX #E0F6C5

RGB 224 246 197

HSL 86.94, 0.73%, 0.87%

LAB 94.22, -15.59, 21.21

 

CMYK 4 / 0 / 20 / 4

HEX #EDF6C5

RGB 237 246 197

HSL 71.02, 0.73%, 0.87%

LAB 95.14, -11.01, 22.62

 

CMYK 0 / 2 / 20 / 4

HEX #F6F1C5

RGB 246 241 197

HSL 53.88, 0.73%, 0.87%

LAB 94.54, -5.29, 21.9

 

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

CMYK 20 / 0 / 15 / 4

HEX #C5F6D1

RGB 197 246 209

HSL 134.69, 0.73%, 0.87%

LAB 92.74, -22.66, 12.71

 

CMYK 20 / 0 / 10 / 4

HEX #C5F6DE

RGB 197 246 222

HSL 150.61, 0.73%, 0.87%

LAB 93.04, -20.26, 6.41

 

CMYK 20 / 0 / 4 / 4

HEX #C5F6EB

RGB 197 246 235

HSL 166.53, 0.73%, 0.87%

LAB 93.35, -17.73, 0.13

 

CMYK 20 / 1 / 0 / 4

HEX #C5F3F6

RGB 197 243 246

HSL 183.67, 0.73%, 0.87%

LAB 92.85, -14, -6.32

 

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

CMYK 23 / 0 / 24 / 2

HEX #C1FBC0

RGB 193 251 192

HSL 118.98, 0.88%, 0.87%

LAB 93.51, -29.25, 22.48

 

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

CMYK 15 / 0 / 15 / 6

HEX #CBF0CB

RGB 203 240 203

HSL 120, 0.55%, 0.87%

LAB 91.38, -18.83, 13.93

 

CMYK 11 / 0 / 11 / 8

HEX #D0EBD0

RGB 208 235 208

HSL 120, 0.4%, 0.87%

LAB 90.5, -13.81, 10.12

 

CMYK 7 / 0 / 7 / 10

HEX #D6E5D5

RGB 214 229 213

HSL 116.25, 0.24%, 0.87%

LAB 89.46, -7.89, 6.08

 

CMYK 2 / 0 / 2 / 12

HEX #DBE0DB

RGB 219 224 219

HSL 120, 0.07%, 0.87%

LAB 88.68, -2.58, 1.85

 

CMYK 9 / 0 / 20 / 4

HEX #E1F6C5

RGB 225 246 197

HSL 85.71, 0.73%, 0.87%

LAB 94.29, -15.24, 21.32

 

CMYK 14 / 0 / 20 / 4

HEX #D4F6C5

RGB 212 246 197

HSL 101.63, 0.73%, 0.87%

LAB 93.42, -19.73, 19.98

 

CMYK 19 / 0 / 20 / 4

HEX #C7F6C5

RGB 199 246 197

HSL 117.55, 0.73%, 0.87%

LAB 92.61, -24.08, 18.72

 

CMYK 20 / 0 / 15 / 4

HEX #C5F6D0

RGB 197 246 208

HSL 133.47, 0.73%, 0.87%

LAB 92.72, -22.83, 13.2

 

CMYK 20 / 0 / 10 / 4

HEX #C5F6DD

RGB 197 246 221

HSL 149.39, 0.73%, 0.87%

LAB 93.02, -20.45, 6.9

 

CMYK 45 / 0 / 46 / 8

HEX #80EA7E

RGB 128 234 126

HSL 118.89, 0.72%, 0.71%

LAB 84.45, -51.88, 42.97

 

CMYK 32 / 0 / 33 / 6

HEX #A3F0A1

RGB 163 240 161

HSL 118.48, 0.72%, 0.79%

LAB 88.29, -38.79, 30.88

 

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

CMYK 7 / 0 / 7 / 2

HEX #E9FBE9

RGB 233 251 233

HSL 120, 0.69%, 0.95%

LAB 96.9, -9.1, 6.6

 

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

CMYK 20 / 4 / 0 / 4

HEX #C5EDF6

RGB 197 237 246

HSL 191.02, 0.73%, 0.87%

LAB 91.28, -10.98, -8.65

 

CMYK 0 / 20 / 11 / 4

HEX #F6C5DA

RGB 246 197 218

HSL 334.29, 0.73%, 0.87%

LAB 84.27, 20.68, -3.81

 

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

CMYK 20 / 19 / 0 / 4

HEX #C5C7F6

RGB 197 199 246

HSL 237.55, 0.73%, 0.87%

LAB 81.5, 8.88, -23.34

 

CMYK 0 / 20 / 19 / 4

HEX #F6C5C7

RGB 246 197 199

HSL 357.55, 0.73%, 0.87%

LAB 83.78, 17.71, 5.63

 

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

CMYK 20 / 4 / 0 / 4

HEX #C5EDF6

RGB 197 237 246

HSL 191.02, 0.73%, 0.87%

LAB 91.28, -10.98, -8.65

 

CMYK 1 / 20 / 0 / 4

HEX #F4C5F6

RGB 244 197 246

HSL 297.55, 0.73%, 0.87%

LAB 84.9, 24.85, -17.8

 

CMYK 0 / 17 / 20 / 4

HEX #F6CDC5

RGB 246 205 197

HSL 9.8, 0.73%, 0.87%

LAB 85.65, 13.21, 9.37

 

CMYK 20 / 0 / 20 / 4

HEX #C6F6C5

RGB 198 246 197

HSL 118.78, 0.73%, 0.87%

LAB 92.55, -24.41, 18.63

 

CMYK 20 / 9 / 0 / 4

HEX #C5DFF6

RGB 197 223 246

HSL 208.16, 0.73%, 0.87%

LAB 87.63, -3.81, -14.08

 

CMYK 1 / 20 / 0 / 4

HEX #F4C5F6

RGB 244 197 246

HSL 297.55, 0.73%, 0.87%

LAB 84.9, 24.85, -17.8

 

CMYK 0 / 11 / 20 / 4

HEX #F6DCC5

RGB 246 220 197

HSL 28.16, 0.73%, 0.87%

LAB 89.3, 5.41, 14.57

 

Description

Color code: HEX #C6F6C5 | qconv.com Color code: HEX #C6F6C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 246 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 246 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 20 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 20% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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