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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F740 it is the complementary color #3908BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F740 shade: #CBF73B, #DCFF4E, #EDFF61, #FEFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F740 shade: #C6F740, #B5E52D, #A4D31A, #93C107 and #82AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F740 shade: #C6F740, #F7F640, #F7C540, #F79440 and #F76240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F740 shade: #C6F740, #94F740, #63F740, #40F74E and #40F77F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F740 shade matches the following richer shades: #C6F740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F740 shade: #C6F740, #BEE650, #B7D660, #AFC670 and #A8B680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F740 shade: #F7C640, #F7F740, #C6F740, #95F740 and #64F740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F740 shade: #A3DB09, #BAF518, #C6F740, #D1F867 and #DDFA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F740 shade: #C6F740, #40F795 and #DE40F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F740 shade: #C6F740, #40C6F7 and #F740C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F740 shade: #C6F740, #40F795, #7040F7 and #F740A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F740 shade: #C6F740, #40F7CC, #7040F7 and #F7406A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

Complementary color

CMYK 70 / 96 / 0 / 25

HEX #3908BF

RGB 57 8 191

HSL 256.07, 0.92%, 0.39%

LAB 26.17, 63.19, -81.21

 

CMYK 18 / 0 / 76 / 3

HEX #CBF73B

RGB 203 247 59

HSL 74.04, 0.92%, 0.6%

LAB 91.48, -37.51, 78.9

 

CMYK 14 / 0 / 69 / 0

HEX #DCFF4E

RGB 220 255 78

HSL 71.86, 1%, 0.65%

LAB 94.86, -33.63, 76.43

 

CMYK 7 / 0 / 62 / 0

HEX #EDFF61

RGB 237 255 97

HSL 66.84, 1%, 0.69%

LAB 96.16, -25.87, 71.04

 

CMYK 0 / 0 / 55 / 0

HEX #FEFF74

RGB 254 255 116

HSL 60.43, 1%, 0.73%

LAB 97.57, -17.87, 65.05

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 21 / 0 / 80 / 10

HEX #B5E52D

RGB 181 229 45

HSL 75.65, 0.78%, 0.54%

LAB 85.02, -38.52, 76.39

 

CMYK 22 / 0 / 88 / 17

HEX #A4D31A

RGB 164 211 26

HSL 75.24, 0.78%, 0.46%

LAB 78.78, -37.68, 74.83

 

CMYK 24 / 0 / 96 / 24

HEX #93C107

RGB 147 193 7

HSL 74.84, 0.93%, 0.39%

LAB 72.47, -36.63, 71.95

 

CMYK 26 / 0 / 100 / 31

HEX #82AF00

RGB 130 175 0

HSL 75.43, 1%, 0.34%

LAB 66.06, -35.36, 67.37

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 0 / 0 / 74 / 3

HEX #F7F640

RGB 247 246 64

HSL 59.67, 0.92%, 0.61%

LAB 94.34, -19.29, 81.18

 

CMYK 0 / 20 / 74 / 3

HEX #F7C540

RGB 247 197 64

HSL 43.61, 0.92%, 0.61%

LAB 81.88, 5.23, 69.47

 

CMYK 0 / 40 / 74 / 3

HEX #F79440

RGB 247 148 64

HSL 27.54, 0.92%, 0.61%

LAB 70.4, 30.86, 58.14

 

CMYK 0 / 60 / 74 / 3

HEX #F76240

RGB 247 98 64

HSL 11.15, 0.92%, 0.61%

LAB 60.68, 55.27, 48

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 40 / 0 / 74 / 3

HEX #94F740

RGB 148 247 64

HSL 92.46, 0.92%, 0.61%

LAB 88.54, -56.9, 73.54

 

CMYK 60 / 0 / 74 / 3

HEX #63F740

RGB 99 247 64

HSL 108.52, 0.92%, 0.61%

LAB 86.77, -70.39, 71.21

 

CMYK 74 / 0 / 68 / 3

HEX #40F74E

RGB 64 247 78

HSL 124.59, 0.92%, 0.61%

LAB 86.09, -75.77, 65.38

 

CMYK 74 / 0 / 49 / 3

HEX #40F77F

RGB 64 247 127

HSL 140.66, 0.92%, 0.61%

LAB 86.58, -69.94, 44.78

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 17 / 0 / 65 / 10

HEX #BEE650

RGB 190 230 80

HSL 76, 0.75%, 0.61%

LAB 86.07, -33.69, 66.11

 

CMYK 14 / 0 / 55 / 16

HEX #B7D660

RGB 183 214 96

HSL 75.76, 0.59%, 0.61%

LAB 81.29, -27.7, 53.97

 

CMYK 12 / 0 / 43 / 22

HEX #AFC670

RGB 175 198 112

HSL 76.05, 0.43%, 0.61%

LAB 76.48, -21.45, 40.41

 

CMYK 8 / 0 / 30 / 29

HEX #A8B680

RGB 168 182 128

HSL 75.56, 0.27%, 0.61%

LAB 71.78, -14.05, 25.94

 

CMYK 0 / 20 / 74 / 3

HEX #F7C640

RGB 247 198 64

HSL 43.93, 0.92%, 0.61%

LAB 82.13, 4.71, 69.7

 

CMYK 0 / 0 / 74 / 3

HEX #F7F740

RGB 247 247 64

HSL 60, 0.92%, 0.61%

LAB 94.6, -19.77, 81.42

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 40 / 0 / 74 / 3

HEX #95F740

RGB 149 247 64

HSL 92.13, 0.92%, 0.61%

LAB 88.58, -56.57, 73.6

 

CMYK 60 / 0 / 74 / 3

HEX #64F740

RGB 100 247 64

HSL 108.2, 0.92%, 0.61%

LAB 86.8, -70.16, 71.25

 

CMYK 26 / 0 / 96 / 14

HEX #A3DB09

RGB 163 219 9

HSL 76, 0.92%, 0.45%

LAB 81, -41.9, 78.81

 

CMYK 24 / 0 / 90 / 4

HEX #BAF518

RGB 186 245 24

HSL 76.02, 0.92%, 0.53%

LAB 89.77, -44.19, 84.65

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 16 / 0 / 58 / 3

HEX #D1F867

RGB 209 248 103

HSL 76.14, 0.91%, 0.69%

LAB 92.43, -33.01, 63.97

 

CMYK 12 / 0 / 43 / 2

HEX #DDFA8F

RGB 221 250 143

HSL 76.26, 0.91%, 0.77%

LAB 94.2, -25.69, 48.08

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 74 / 0 / 40 / 3

HEX #40F795

RGB 64 247 149

HSL 147.87, 0.92%, 0.61%

LAB 86.89, -66.31, 34.45

 

CMYK 10 / 74 / 0 / 3

HEX #DE40F7

RGB 222 64 247

HSL 291.8, 0.92%, 0.61%

LAB 57.95, 81.46, -60.49

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 74 / 20 / 0 / 3

HEX #40C6F7

RGB 64 198 247

HSL 196.07, 0.92%, 0.61%

LAB 74.95, -20.16, -34.46

 

CMYK 0 / 74 / 20 / 3

HEX #F740C6

RGB 247 64 198

HSL 316.07, 0.92%, 0.61%

LAB 59.45, 79.44, -30.23

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 74 / 0 / 40 / 3

HEX #40F795

RGB 64 247 149

HSL 147.87, 0.92%, 0.61%

LAB 86.89, -66.31, 34.45

 

CMYK 55 / 74 / 0 / 3

HEX #7040F7

RGB 112 64 247

HSL 255.74, 0.92%, 0.61%

LAB 43.98, 63.1, -83.81

 

CMYK 0 / 74 / 35 / 3

HEX #F740A1

RGB 247 64 161

HSL 328.2, 0.92%, 0.61%

LAB 58.05, 75.15, -10.98

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 74 / 0 / 17 / 3

HEX #40F7CC

RGB 64 247 204

HSL 165.9, 0.92%, 0.61%

LAB 87.95, -54.74, 7.79

 

CMYK 55 / 74 / 0 / 3

HEX #7040F7

RGB 112 64 247

HSL 255.74, 0.92%, 0.61%

LAB 43.98, 63.1, -83.81

 

CMYK 0 / 74 / 57 / 3

HEX #F7406A

RGB 247 64 106

HSL 346.23, 0.92%, 0.61%

LAB 56.57, 70.43, 19.34

 

Description

Color code: HEX #C6F740 | qconv.com Color code: HEX #C6F740 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 247 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 247 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 74 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 74% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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