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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F790 it is the complementary color #39086F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F790. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F790 shade: #CBF78B, #DCFF9E, #EDFFB1, #FEFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F790. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F790 shade: #C6F790, #B5E57D, #A4D36A, #93C157 and #82AF44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F790 shade: #C6F791, #E2F791, #F7F091, #F7D591 and #F7B991

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F790 shade: #C6F791, #ABF791, #91F792, #91F7AE and #91F7C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F790 shade matches the following richer shades: #C6F791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F790 shade: #C6F791, #C6ED9A, #C5E4A4, #C5DAAD and #C4D1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F790 shade: #F7F091, #E2F791, #C7F791, #ACF791 and #91F791

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F790 shade: #9FF244, #B3F46A, #C6F791, #DAFAB7 and #EEFCDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F790 shade: #C6F790, #91F7D5 and #F791F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F790 shade: #C6F790, #91C7F7 and #F791C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F790 shade: #C6F790, #91F7D5, #C091F7 and #F791B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F790 shade: #C6F790, #91F7F3, #C091F7 and #F79194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 42 / 3

HEX #C6F790

RGB 198 247 144

HSL 88.54, 0.87%, 0.77%

LAB 91.93, -32.54, 44.43

 

Complementary color

CMYK 49 / 93 / 0 / 56

HEX #39086F

RGB 57 8 111

HSL 268.54, 0.87%, 0.23%

LAB 16.46, 42.87, -47.82

 

CMYK 18 / 0 / 44 / 3

HEX #CBF78B

RGB 203 247 139

HSL 84.44, 0.87%, 0.76%

LAB 92.17, -31.33, 47.21

 

CMYK 14 / 0 / 38 / 0

HEX #DCFF9E

RGB 220 255 158

HSL 81.65, 1%, 0.81%

LAB 95.67, -26.69, 42.67

 

CMYK 7 / 0 / 31 / 0

HEX #EDFFB1

RGB 237 255 177

HSL 73.85, 1%, 0.85%

LAB 97.11, -18.17, 35.4

 

CMYK 0 / 0 / 23 / 0

HEX #FEFFC4

RGB 254 255 196

HSL 61.02, 1%, 0.88%

LAB 98.66, -9.51, 28.17

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 20 / 0 / 42 / 3

HEX #C6F790

RGB 198 247 144

HSL 88.54, 0.87%, 0.77%

LAB 91.93, -32.54, 44.43

 

CMYK 21 / 0 / 45 / 10

HEX #B5E57D

RGB 181 229 125

HSL 87.69, 0.67%, 0.69%

LAB 85.68, -32.55, 45.56

 

CMYK 22 / 0 / 50 / 17

HEX #A4D36A

RGB 164 211 106

HSL 86.86, 0.54%, 0.62%

LAB 79.34, -32.53, 46.7

 

CMYK 24 / 0 / 55 / 24

HEX #93C157

RGB 147 193 87

HSL 86.04, 0.46%, 0.55%

LAB 72.91, -32.45, 47.8

 

CMYK 26 / 0 / 61 / 31

HEX #82AF44

RGB 130 175 68

HSL 85.23, 0.44%, 0.48%

LAB 66.38, -32.29, 48.79

 

CMYK 20 / 0 / 41 / 3

HEX #C6F791

RGB 198 247 145

HSL 88.82, 0.86%, 0.77%

LAB 91.94, -32.42, 43.96

 

CMYK 9 / 0 / 41 / 3

HEX #E2F791

RGB 226 247 145

HSL 72.35, 0.86%, 0.77%

LAB 93.77, -22.18, 46.65

 

CMYK 0 / 3 / 41 / 3

HEX #F7F091

RGB 247 240 145

HSL 55.88, 0.86%, 0.77%

LAB 93.51, -10.75, 46.66

 

CMYK 0 / 14 / 41 / 3

HEX #F7D591

RGB 247 213 145

HSL 40, 0.86%, 0.77%

LAB 86.71, 2.87, 37.97

 

CMYK 0 / 25 / 41 / 3

HEX #F7B991

RGB 247 185 145

HSL 23.53, 0.86%, 0.77%

LAB 79.91, 17.47, 29.02

 

CMYK 20 / 0 / 41 / 3

HEX #C6F791

RGB 198 247 145

HSL 88.82, 0.86%, 0.77%

LAB 91.94, -32.42, 43.96

 

CMYK 31 / 0 / 41 / 3

HEX #ABF791

RGB 171 247 145

HSL 104.71, 0.86%, 0.77%

LAB 90.42, -41.65, 41.71

 

CMYK 41 / 0 / 41 / 3

HEX #91F792

RGB 145 247 146

HSL 120.59, 0.86%, 0.77%

LAB 89.21, -49.54, 39.42

 

CMYK 41 / 0 / 30 / 3

HEX #91F7AE

RGB 145 247 174

HSL 137.06, 0.86%, 0.77%

LAB 89.67, -45.03, 26

 

CMYK 41 / 0 / 19 / 3

HEX #91F7C9

RGB 145 247 201

HSL 152.94, 0.86%, 0.77%

LAB 90.21, -39.94, 12.88

 

CMYK 20 / 0 / 41 / 3

HEX #C6F791

RGB 198 247 145

HSL 88.82, 0.86%, 0.77%

LAB 91.94, -32.42, 43.96

 

CMYK 20 / 0 / 41 / 3

HEX #C6F791

RGB 198 247 145

HSL 88.82, 0.86%, 0.77%

LAB 91.94, -32.42, 43.96

 

CMYK 16 / 0 / 35 / 7

HEX #C6ED9A

RGB 198 237 154

HSL 88.19, 0.7%, 0.77%

LAB 89.35, -26.6, 36.17

 

CMYK 14 / 0 / 28 / 11

HEX #C5E4A4

RGB 197 228 164

HSL 89.06, 0.54%, 0.77%

LAB 87.02, -21.23, 27.97

 

CMYK 10 / 0 / 21 / 15

HEX #C5DAAD

RGB 197 218 173

HSL 88, 0.38%, 0.77%

LAB 84.5, -14.92, 19.85

 

CMYK 6 / 0 / 12 / 18

HEX #C4D1B7

RGB 196 209 183

HSL 90, 0.22%, 0.77%

LAB 82.25, -9.08, 11.4

 

CMYK 0 / 3 / 41 / 3

HEX #F7F091

RGB 247 240 145

HSL 55.88, 0.86%, 0.77%

LAB 93.51, -10.75, 46.66

 

CMYK 9 / 0 / 41 / 3

HEX #E2F791

RGB 226 247 145

HSL 72.35, 0.86%, 0.77%

LAB 93.77, -22.18, 46.65

 

CMYK 19 / 0 / 41 / 3

HEX #C7F791

RGB 199 247 145

HSL 88.24, 0.86%, 0.77%

LAB 92, -32.07, 44.05

 

CMYK 30 / 0 / 41 / 3

HEX #ACF791

RGB 172 247 145

HSL 104.12, 0.86%, 0.77%

LAB 90.48, -41.32, 41.79

 

CMYK 41 / 0 / 41 / 3

HEX #91F791

RGB 145 247 145

HSL 120, 0.86%, 0.77%

LAB 89.2, -49.68, 39.89

 

CMYK 34 / 0 / 72 / 5

HEX #9FF244

RGB 159 242 68

HSL 88.62, 0.87%, 0.61%

LAB 87.63, -51.02, 71.51

 

CMYK 27 / 0 / 57 / 4

HEX #B3F46A

RGB 179 244 106

HSL 88.26, 0.86%, 0.69%

LAB 89.55, -41.99, 58.93

 

CMYK 20 / 0 / 41 / 3

HEX #C6F791

RGB 198 247 145

HSL 88.82, 0.86%, 0.77%

LAB 91.94, -32.42, 43.96

 

CMYK 13 / 0 / 27 / 2

HEX #DAFAB7

RGB 218 250 183

HSL 88.66, 0.87%, 0.85%

LAB 94.61, -21.72, 28.81

 

CMYK 6 / 0 / 12 / 1

HEX #EEFCDE

RGB 238 252 222

HSL 88, 0.83%, 0.93%

LAB 97.26, -9.77, 12.8

 

CMYK 20 / 0 / 42 / 3

HEX #C6F790

RGB 198 247 144

HSL 88.54, 0.87%, 0.77%

LAB 91.93, -32.54, 44.43

 

CMYK 41 / 0 / 14 / 3

HEX #91F7D5

RGB 145 247 213

HSL 160, 0.86%, 0.77%

LAB 90.48, -37.45, 7.05

 

CMYK 0 / 41 / 3 / 3

HEX #F791F0

RGB 247 145 240

HSL 304.12, 0.86%, 0.77%

LAB 73.75, 51.87, -31.55

 

CMYK 20 / 0 / 42 / 3

HEX #C6F790

RGB 198 247 144

HSL 88.54, 0.87%, 0.77%

LAB 91.93, -32.54, 44.43

 

CMYK 41 / 19 / 0 / 3

HEX #91C7F7

RGB 145 199 247

HSL 208.24, 0.86%, 0.77%

LAB 78.22, -5.49, -29.18

 

CMYK 0 / 41 / 19 / 3

HEX #F791C7

RGB 247 145 199

HSL 328.24, 0.86%, 0.77%

LAB 72.33, 45.3, -11.18

 

CMYK 20 / 0 / 42 / 3

HEX #C6F790

RGB 198 247 144

HSL 88.54, 0.87%, 0.77%

LAB 91.93, -32.54, 44.43

 

CMYK 41 / 0 / 14 / 3

HEX #91F7D5

RGB 145 247 213

HSL 160, 0.86%, 0.77%

LAB 90.48, -37.45, 7.05

 

CMYK 22 / 41 / 0 / 3

HEX #C091F7

RGB 192 145 247

HSL 267.65, 0.86%, 0.77%

LAB 68.15, 37.26, -44.54

 

CMYK 0 / 41 / 28 / 3

HEX #F791B3

RGB 247 145 179

HSL 340, 0.86%, 0.77%

LAB 71.74, 42.5, -0.95

 

CMYK 20 / 0 / 42 / 3

HEX #C6F790

RGB 198 247 144

HSL 88.54, 0.87%, 0.77%

LAB 91.93, -32.54, 44.43

 

CMYK 41 / 0 / 2 / 3

HEX #91F7F3

RGB 145 247 243

HSL 177.65, 0.86%, 0.77%

LAB 91.24, -30.68, -7.43

 

CMYK 22 / 41 / 0 / 3

HEX #C091F7

RGB 192 145 247

HSL 267.65, 0.86%, 0.77%

LAB 68.15, 37.26, -44.54

 

CMYK 0 / 41 / 40 / 3

HEX #F79194

RGB 247 145 148

HSL 358.24, 0.86%, 0.77%

LAB 70.98, 38.75, 15.2

 

Description

Color code: HEX #C6F790 | qconv.com Color code: HEX #C6F790 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 247 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 247 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 42 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 42% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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