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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F88A it is the complementary color #390775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F88A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F88A shade: #CBF885, #DCFF98, #EDFFAB, #FEFFBE and #FFFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F88A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F88A shade: #C6F88A, #B5E677, #A4D464, #93C251 and #82B03E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F88A shade: #C6F88B, #E4F88B, #F8EF8B, #F8D18B and #F8B48B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F88A shade: #C6F88B, #A9F88B, #8CF88B, #8BF8A8 and #8BF8C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F88A shade matches the following richer shades: #C6F88B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F88A shade: #C6F88B, #C5EE95, #C4E49F, #C4DAA9 and #C3D0B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F88A shade: #F8EF8B, #E4F88B, #C7F88B, #AAF88B and #8DF88B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F88A shade: #A0F33D, #B3F564, #C6F88B, #D9FAB2 and #ECFCD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F88A shade: #C6F88A, #8BF8D2 and #F88BF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F88A shade: #C6F88A, #8BC7F8 and #F88BC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F88A shade: #C6F88A, #8BF8D2, #BC8BF8 and #F88BB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F88A shade: #C6F88A, #8BF8F2, #BC8BF8 and #F88B90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 44 / 3

HEX #C6F88A

RGB 198 248 138

HSL 87.27, 0.89%, 0.76%

LAB 92.12, -33.71, 47.56

 

Complementary color

CMYK 51 / 94 / 0 / 54

HEX #390775

RGB 57 7 117

HSL 267.27, 0.89%, 0.24%

LAB 17.02, 44.7, -50.79

 

CMYK 18 / 0 / 46 / 3

HEX #CBF885

RGB 203 248 133

HSL 83.48, 0.89%, 0.75%

LAB 92.36, -32.46, 50.31

 

CMYK 14 / 0 / 40 / 0

HEX #DCFF98

RGB 220 255 152

HSL 80.39, 1%, 0.8%

LAB 95.58, -27.4, 45.48

 

CMYK 7 / 0 / 33 / 0

HEX #EDFFAB

RGB 237 255 171

HSL 72.86, 1%, 0.84%

LAB 97.01, -18.92, 38.25

 

CMYK 0 / 0 / 25 / 0

HEX #FEFFBE

RGB 254 255 190

HSL 60.92, 1%, 0.87%

LAB 98.55, -10.3, 31.05

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88A

RGB 198 248 138

HSL 87.27, 0.89%, 0.76%

LAB 92.12, -33.71, 47.56

 

CMYK 21 / 0 / 48 / 10

HEX #B5E677

RGB 181 230 119

HSL 86.49, 0.69%, 0.68%

LAB 85.88, -33.69, 48.69

 

CMYK 23 / 0 / 53 / 17

HEX #A4D464

RGB 164 212 100

HSL 85.71, 0.57%, 0.61%

LAB 79.56, -33.62, 49.79

 

CMYK 24 / 0 / 58 / 24

HEX #93C251

RGB 147 194 81

HSL 84.96, 0.48%, 0.54%

LAB 73.14, -33.49, 50.83

 

CMYK 26 / 0 / 65 / 31

HEX #82B03E

RGB 130 176 62

HSL 84.21, 0.48%, 0.47%

LAB 66.63, -33.26, 51.68

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88B

RGB 198 248 139

HSL 87.52, 0.89%, 0.76%

LAB 92.13, -33.59, 47.1

 

CMYK 8 / 0 / 44 / 3

HEX #E4F88B

RGB 228 248 139

HSL 71.01, 0.89%, 0.76%

LAB 94.1, -22.54, 49.97

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 0 / 16 / 44 / 3

HEX #F8D18B

RGB 248 209 139

HSL 38.53, 0.89%, 0.76%

LAB 85.72, 4.72, 39.75

 

CMYK 0 / 27 / 44 / 3

HEX #F8B48B

RGB 248 180 139

HSL 22.57, 0.89%, 0.76%

LAB 78.73, 19.86, 30.65

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88B

RGB 198 248 139

HSL 87.52, 0.89%, 0.76%

LAB 92.13, -33.59, 47.1

 

CMYK 32 / 0 / 44 / 3

HEX #A9F88B

RGB 169 248 139

HSL 103.49, 0.89%, 0.76%

LAB 90.52, -43.52, 44.73

 

CMYK 44 / 0 / 44 / 3

HEX #8CF88B

RGB 140 248 139

HSL 119.45, 0.89%, 0.76%

LAB 89.19, -52.38, 42.77

 

CMYK 44 / 0 / 32 / 3

HEX #8BF8A8

RGB 139 248 168

HSL 135.96, 0.89%, 0.76%

LAB 89.6, -48.14, 28.91

 

CMYK 44 / 0 / 21 / 3

HEX #8BF8C5

RGB 139 248 197

HSL 151.93, 0.89%, 0.76%

LAB 90.16, -42.73, 14.85

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88B

RGB 198 248 139

HSL 87.52, 0.89%, 0.76%

LAB 92.13, -33.59, 47.1

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88B

RGB 198 248 139

HSL 87.52, 0.89%, 0.76%

LAB 92.13, -33.59, 47.1

 

CMYK 17 / 0 / 37 / 7

HEX #C5EE95

RGB 197 238 149

HSL 87.64, 0.72%, 0.76%

LAB 89.48, -28.08, 38.82

 

CMYK 14 / 0 / 30 / 11

HEX #C4E49F

RGB 196 228 159

HSL 87.83, 0.56%, 0.76%

LAB 86.86, -22.3, 30.31

 

CMYK 10 / 0 / 22 / 15

HEX #C4DAA9

RGB 196 218 169

HSL 86.94, 0.4%, 0.76%

LAB 84.35, -15.9, 21.73

 

CMYK 6 / 0 / 14 / 18

HEX #C3D0B2

RGB 195 208 178

HSL 86, 0.24%, 0.76%

LAB 81.8, -9.75, 13.41

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 8 / 0 / 44 / 3

HEX #E4F88B

RGB 228 248 139

HSL 71.01, 0.89%, 0.76%

LAB 94.1, -22.54, 49.97

 

CMYK 20 / 0 / 44 / 3

HEX #C7F88B

RGB 199 248 139

HSL 86.97, 0.89%, 0.76%

LAB 92.19, -33.24, 47.19

 

CMYK 31 / 0 / 44 / 3

HEX #AAF88B

RGB 170 248 139

HSL 102.94, 0.89%, 0.76%

LAB 90.57, -43.2, 44.8

 

CMYK 43 / 0 / 44 / 3

HEX #8DF88B

RGB 141 248 139

HSL 118.9, 0.89%, 0.76%

LAB 89.23, -52.1, 42.83

 

CMYK 34 / 0 / 75 / 5

HEX #A0F33D

RGB 160 243 61

HSL 87.36, 0.88%, 0.6%

LAB 87.93, -51.48, 74.09

 

CMYK 27 / 0 / 59 / 4

HEX #B3F564

RGB 179 245 100

HSL 87.31, 0.88%, 0.68%

LAB 89.77, -42.96, 61.77

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88B

RGB 198 248 139

HSL 87.52, 0.89%, 0.76%

LAB 92.13, -33.59, 47.1

 

CMYK 13 / 0 / 29 / 2

HEX #D9FAB2

RGB 217 250 178

HSL 87.5, 0.88%, 0.84%

LAB 94.46, -22.78, 31.11

 

CMYK 6 / 0 / 14 / 1

HEX #ECFCD9

RGB 236 252 217

HSL 87.43, 0.85%, 0.92%

LAB 97.01, -11.26, 15

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88A

RGB 198 248 138

HSL 87.27, 0.89%, 0.76%

LAB 92.12, -33.71, 47.56

 

CMYK 44 / 0 / 15 / 3

HEX #8BF8D2

RGB 139 248 210

HSL 159.08, 0.89%, 0.76%

LAB 90.45, -40.05, 8.53

 

CMYK 0 / 44 / 2 / 3

HEX #F88BF2

RGB 248 139 242

HSL 303.3, 0.89%, 0.76%

LAB 72.78, 55.5, -34.13

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88A

RGB 198 248 138

HSL 87.27, 0.89%, 0.76%

LAB 92.12, -33.71, 47.56

 

CMYK 44 / 20 / 0 / 3

HEX #8BC7F8

RGB 139 199 248

HSL 206.97, 0.89%, 0.76%

LAB 77.94, -6.71, -30.16

 

CMYK 0 / 44 / 20 / 3

HEX #F88BC7

RGB 248 139 199

HSL 326.97, 0.89%, 0.76%

LAB 71.25, 48.66, -12.79

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88A

RGB 198 248 138

HSL 87.27, 0.89%, 0.76%

LAB 92.12, -33.71, 47.56

 

CMYK 44 / 0 / 15 / 3

HEX #8BF8D2

RGB 139 248 210

HSL 159.08, 0.89%, 0.76%

LAB 90.45, -40.05, 8.53

 

CMYK 24 / 44 / 0 / 3

HEX #BC8BF8

RGB 188 139 248

HSL 266.97, 0.89%, 0.76%

LAB 66.47, 39.68, -47.75

 

CMYK 0 / 44 / 29 / 3

HEX #F88BB1

RGB 248 139 177

HSL 339.08, 0.89%, 0.76%

LAB 70.59, 45.63, -1.51

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88A

RGB 198 248 138

HSL 87.27, 0.89%, 0.76%

LAB 92.12, -33.71, 47.56

 

CMYK 44 / 0 / 2 / 3

HEX #8BF8F2

RGB 139 248 242

HSL 176.7, 0.89%, 0.76%

LAB 91.25, -32.79, -6.92

 

CMYK 24 / 44 / 0 / 3

HEX #BC8BF8

RGB 188 139 248

HSL 266.97, 0.89%, 0.76%

LAB 66.47, 39.68, -47.75

 

CMYK 0 / 44 / 42 / 3

HEX #F88B90

RGB 248 139 144

HSL 357.25, 0.89%, 0.76%

LAB 69.78, 41.75, 15.76

 

Description

Color code: HEX #C6F88A | qconv.com Color code: HEX #C6F88A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 248 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 248 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 44 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 44% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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