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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F956 it is the complementary color #3906A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F956 shade: #CBF951, #DCFF64, #EDFF77, #FEFF8A and #FFFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F956 shade: #C6F956, #B5E743, #A4D530, #93C31D and #82B10A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F956 shade: #C6F857, #F1F857, #F8D457, #F8A857 and #F87D57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F956 shade: #C6F857, #9AF857, #6FF857, #57F86B and #57F896

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F956 shade matches the following richer shades: #C6F857

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F956 shade: #C6F857, #C1EA65, #BBDC73, #B6CE81 and #B1C08F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F956 shade: #F8D357, #F3F857, #C8F857, #9DF857 and #72F857

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F956 shade: #ABF508, #B9F72F, #C6F857, #D3FA7F and #E1FBA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F956 shade: #C6F956, #57F8A8 and #E857F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F956 shade: #C6F956, #57C8F8 and #F857C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F956 shade: #C6F956, #57F8A8, #8857F8 and #F857A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F956 shade: #C6F956, #57F8D8, #8857F8 and #F85777

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 65 / 2

HEX #C6F956

RGB 198 249 86

HSL 78.77, 0.93%, 0.66%

LAB 91.88, -38.84, 70.03

 

Complementary color

CMYK 66 / 96 / 0 / 34

HEX #3906A9

RGB 57 6 169

HSL 258.77, 0.93%, 0.34%

LAB 23.22, 58.12, -72.96

 

CMYK 18 / 0 / 67 / 2

HEX #CBF951

RGB 203 249 81

HSL 76.43, 0.93%, 0.65%

LAB 92.15, -37.27, 72.28

 

CMYK 14 / 0 / 61 / 0

HEX #DCFF64

RGB 220 255 100

HSL 73.55, 1%, 0.7%

LAB 95.02, -32.26, 68.27

 

CMYK 7 / 0 / 53 / 0

HEX #EDFF77

RGB 237 255 119

HSL 67.94, 1%, 0.73%

LAB 96.35, -24.27, 62.01

 

CMYK 0 / 0 / 46 / 0

HEX #FEFF8A

RGB 254 255 138

HSL 60.51, 1%, 0.77%

LAB 97.8, -16.06, 55.41

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 20 / 0 / 65 / 2

HEX #C6F956

RGB 198 249 86

HSL 78.77, 0.93%, 0.66%

LAB 91.88, -38.84, 70.03

 

CMYK 22 / 0 / 71 / 9

HEX #B5E743

RGB 181 231 67

HSL 78.29, 0.77%, 0.58%

LAB 85.7, -38.4, 70.35

 

CMYK 23 / 0 / 77 / 16

HEX #A4D530

RGB 164 213 48

HSL 77.82, 0.66%, 0.51%

LAB 79.44, -37.82, 70.13

 

CMYK 25 / 0 / 85 / 24

HEX #93C31D

RGB 147 195 29

HSL 77.35, 0.74%, 0.44%

LAB 73.1, -37.07, 69.04

 

CMYK 27 / 0 / 94 / 31

HEX #82B10A

RGB 130 177 10

HSL 76.89, 0.89%, 0.37%

LAB 66.68, -36.1, 66.62

 

CMYK 20 / 0 / 65 / 3

HEX #C6F857

RGB 198 248 87

HSL 78.63, 0.92%, 0.66%

LAB 91.61, -38.33, 69.36

 

CMYK 3 / 0 / 65 / 3

HEX #F1F857

RGB 241 248 87

HSL 62.61, 0.92%, 0.66%

LAB 94.54, -21.58, 73.32

 

CMYK 0 / 15 / 65 / 3

HEX #F8D457

RGB 248 212 87

HSL 46.58, 0.92%, 0.66%

LAB 85.87, -0.92, 64.43

 

CMYK 0 / 32 / 65 / 3

HEX #F8A857

RGB 248 168 87

HSL 30.19, 0.92%, 0.66%

LAB 75.23, 21.98, 52.78

 

CMYK 0 / 50 / 65 / 3

HEX #F87D57

RGB 248 125 87

HSL 14.16, 0.92%, 0.66%

LAB 65.99, 44.11, 42.09

 

CMYK 20 / 0 / 65 / 3

HEX #C6F857

RGB 198 248 87

HSL 78.63, 0.92%, 0.66%

LAB 91.61, -38.33, 69.36

 

CMYK 38 / 0 / 65 / 3

HEX #9AF857

RGB 154 248 87

HSL 95.03, 0.92%, 0.66%

LAB 89.25, -53.8, 66.15

 

CMYK 55 / 0 / 65 / 3

HEX #6FF857

RGB 111 248 87

HSL 111.06, 0.92%, 0.66%

LAB 87.58, -66.12, 63.86

 

CMYK 65 / 0 / 57 / 3

HEX #57F86B

RGB 87 248 107

HSL 127.45, 0.92%, 0.66%

LAB 87.11, -69.25, 54.73

 

CMYK 65 / 0 / 40 / 3

HEX #57F896

RGB 87 248 150

HSL 143.48, 0.92%, 0.66%

LAB 87.66, -62.97, 35.06

 

CMYK 20 / 0 / 65 / 3

HEX #C6F857

RGB 198 248 87

HSL 78.63, 0.92%, 0.66%

LAB 91.61, -38.33, 69.36

 

CMYK 20 / 0 / 65 / 3

HEX #C6F857

RGB 198 248 87

HSL 78.63, 0.92%, 0.66%

LAB 91.61, -38.33, 69.36

 

CMYK 18 / 0 / 57 / 8

HEX #C1EA65

RGB 193 234 101

HSL 78.5, 0.76%, 0.66%

LAB 87.54, -32.8, 59.06

 

CMYK 15 / 0 / 48 / 14

HEX #BBDC73

RGB 187 220 115

HSL 78.86, 0.6%, 0.66%

LAB 83.44, -27.19, 47.7

 

CMYK 12 / 0 / 37 / 19

HEX #B6CE81

RGB 182 206 129

HSL 78.7, 0.44%, 0.66%

LAB 79.43, -20.69, 35.66

 

CMYK 8 / 0 / 26 / 25

HEX #B1C08F

RGB 177 192 143

HSL 78.37, 0.28%, 0.66%

LAB 75.47, -13.61, 23.04

 

CMYK 0 / 15 / 65 / 3

HEX #F8D357

RGB 248 211 87

HSL 46.21, 0.92%, 0.66%

LAB 85.62, -0.4, 64.17

 

CMYK 2 / 0 / 65 / 3

HEX #F3F857

RGB 243 248 87

HSL 61.86, 0.92%, 0.66%

LAB 94.69, -20.78, 73.52

 

CMYK 19 / 0 / 65 / 3

HEX #C8F857

RGB 200 248 87

HSL 77.89, 0.92%, 0.66%

LAB 91.73, -37.58, 69.53

 

CMYK 37 / 0 / 65 / 3

HEX #9DF857

RGB 157 248 87

HSL 93.91, 0.92%, 0.66%

LAB 89.39, -52.82, 66.34

 

CMYK 54 / 0 / 65 / 3

HEX #72F857

RGB 114 248 87

HSL 109.94, 0.92%, 0.66%

LAB 87.68, -65.37, 63.99

 

CMYK 30 / 0 / 97 / 4

HEX #ABF508

RGB 171 245 8

HSL 78.73, 0.94%, 0.5%

LAB 88.91, -49.96, 85.26

 

CMYK 25 / 0 / 81 / 3

HEX #B9F72F

RGB 185 247 47

HSL 78.6, 0.93%, 0.58%

LAB 90.34, -44.81, 80.69

 

CMYK 20 / 0 / 65 / 3

HEX #C6F857

RGB 198 248 87

HSL 78.63, 0.92%, 0.66%

LAB 91.61, -38.33, 69.36

 

CMYK 16 / 0 / 49 / 2

HEX #D3FA7F

RGB 211 250 127

HSL 79.02, 0.92%, 0.74%

LAB 93.34, -31.06, 54.42

 

CMYK 10 / 0 / 33 / 2

HEX #E1FBA7

RGB 225 251 167

HSL 78.57, 0.91%, 0.82%

LAB 95.07, -21.87, 37.53

 

CMYK 20 / 0 / 65 / 2

HEX #C6F956

RGB 198 249 86

HSL 78.77, 0.93%, 0.66%

LAB 91.88, -38.84, 70.03

 

CMYK 65 / 0 / 32 / 3

HEX #57F8A8

RGB 87 248 168

HSL 150.19, 0.92%, 0.66%

LAB 87.96, -59.68, 26.41

 

CMYK 6 / 65 / 0 / 3

HEX #E857F8

RGB 232 87 248

HSL 294.04, 0.92%, 0.66%

LAB 62.3, 75.69, -54.03

 

CMYK 20 / 0 / 65 / 2

HEX #C6F956

RGB 198 249 86

HSL 78.77, 0.93%, 0.66%

LAB 91.88, -38.84, 70.03

 

CMYK 65 / 19 / 0 / 3

HEX #57C8F8

RGB 87 200 248

HSL 197.89, 0.92%, 0.66%

LAB 76.14, -17.74, -33.11

 

CMYK 0 / 65 / 19 / 3

HEX #F857C8

RGB 248 87 200

HSL 317.89, 0.92%, 0.66%

LAB 62.46, 72.17, -26.71

 

CMYK 20 / 0 / 65 / 2

HEX #C6F956

RGB 198 249 86

HSL 78.77, 0.93%, 0.66%

LAB 91.88, -38.84, 70.03

 

CMYK 65 / 0 / 32 / 3

HEX #57F8A8

RGB 87 248 168

HSL 150.19, 0.92%, 0.66%

LAB 87.96, -59.68, 26.41

 

CMYK 45 / 65 / 0 / 3

HEX #8857F8

RGB 136 87 248

HSL 258.26, 0.92%, 0.66%

LAB 50.49, 55.76, -73.64

 

CMYK 0 / 65 / 32 / 3

HEX #F857A8

RGB 248 87 168

HSL 329.81, 0.92%, 0.66%

LAB 61.31, 68.21, -10.15

 

CMYK 20 / 0 / 65 / 2

HEX #C6F956

RGB 198 249 86

HSL 78.77, 0.93%, 0.66%

LAB 91.88, -38.84, 70.03

 

CMYK 65 / 0 / 13 / 3

HEX #57F8D8

RGB 87 248 216

HSL 168.07, 0.92%, 0.66%

LAB 88.98, -49.16, 3.09

 

CMYK 45 / 65 / 0 / 3

HEX #8857F8

RGB 136 87 248

HSL 258.26, 0.92%, 0.66%

LAB 50.49, 55.76, -73.64

 

CMYK 0 / 65 / 52 / 3

HEX #F85777

RGB 248 87 119

HSL 348.07, 0.92%, 0.66%

LAB 59.98, 63.48, 16.41

 

Description

Color code: HEX #C6F956 | qconv.com Color code: HEX #C6F956 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 249 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 249 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 65 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 65% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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