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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6FBEA it is the complementary color #390415. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6FBEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6FBEA shade: #CBFBE5, #DCFFF8, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6FBEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6FBEA shade: #C6FBEA, #B5E9D7, #A4D7C4, #93C5B1 and #82B39E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6FBEA shade: #C5FBE9, #C5FBDB, #C5FBCD, #CCFBC5 and #DBFBC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6FBEA shade: #C5FBE9, #C5FBF8, #C5EFFB, #C5E1FB and #C5D2FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6FBEA shade matches the following richer shades: #C5FBE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6FBEA shade: #C5FBE9, #CAF6E8, #CFF1E6, #D4ECE4 and #D9E7E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6FBEA shade: #C5FBCC, #C5FBDB, #C5FBE9, #C5FBF7 and #C5F0FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6FBEA shade: #78F5CD, #9FF8DB, #C5FBE9 and #ECFDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6FBEA shade: #C6FBEA, #C5CCFB and #FBD3C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6FBEA shade: #C6FBEA, #E9C5FB and #FBE9C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6FBEA shade: #C6FBEA, #C5CCFB, #FBC5D7 and #FBF3C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6FBEA shade: #C6FBEA, #CEC5FB, #FBC5D7 and #F2FBC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 7 / 2

HEX #C6FBEA

RGB 198 251 234

HSL 160.75, 0.87%, 0.88%

LAB 94.71, -20.08, 2.64

 

Complementary color

CMYK 0 / 93 / 63 / 78

HEX #390415

RGB 57 4 21

HSL 340.75, 0.87%, 0.12%

LAB 9.08, 26.78, 4.13

 

CMYK 19 / 0 / 9 / 2

HEX #CBFBE5

RGB 203 251 229

HSL 152.5, 0.86%, 0.89%

LAB 94.89, -19.5, 5.5

 

CMYK 14 / 0 / 3 / 0

HEX #DCFFF8

RGB 220 255 248

HSL 168, 1%, 0.93%

LAB 97.44, -12.54, -0.45

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 21 / 0 / 7 / 2

HEX #C6FBEA

RGB 198 251 234

HSL 160.75, 0.87%, 0.88%

LAB 94.71, -20.08, 2.64

 

CMYK 22 / 0 / 8 / 9

HEX #B5E9D7

RGB 181 233 215

HSL 159.23, 0.54%, 0.81%

LAB 88.45, -20.21, 3.31

 

CMYK 24 / 0 / 9 / 16

HEX #A4D7C4

RGB 164 215 196

HSL 157.65, 0.39%, 0.74%

LAB 82.1, -20.36, 4

 

CMYK 25 / 0 / 10 / 23

HEX #93C5B1

RGB 147 197 177

HSL 156, 0.3%, 0.67%

LAB 75.64, -20.53, 4.73

 

CMYK 27 / 0 / 12 / 30

HEX #82B39E

RGB 130 179 158

HSL 154.29, 0.24%, 0.61%

LAB 69.08, -20.72, 5.5

 

CMYK 22 / 0 / 7 / 2

HEX #C5FBE9

RGB 197 251 233

HSL 160, 0.87%, 0.88%

LAB 94.63, -20.58, 3.03

 

CMYK 22 / 0 / 13 / 2

HEX #C5FBDB

RGB 197 251 219

HSL 144.44, 0.87%, 0.88%

LAB 94.3, -23.25, 9.78

 

CMYK 22 / 0 / 18 / 2

HEX #C5FBCD

RGB 197 251 205

HSL 128.89, 0.87%, 0.88%

LAB 94, -25.76, 16.55

 

CMYK 19 / 0 / 22 / 2

HEX #CCFBC5

RGB 204 251 197

HSL 112.22, 0.87%, 0.88%

LAB 94.25, -24.83, 21.06

 

CMYK 13 / 0 / 22 / 2

HEX #DBFBC5

RGB 219 251 197

HSL 95.56, 0.87%, 0.88%

LAB 95.2, -19.76, 22.51

 

CMYK 22 / 0 / 7 / 2

HEX #C5FBE9

RGB 197 251 233

HSL 160, 0.87%, 0.88%

LAB 94.63, -20.58, 3.03

 

CMYK 22 / 0 / 1 / 2

HEX #C5FBF8

RGB 197 251 248

HSL 176.67, 0.87%, 0.88%

LAB 95.01, -17.55, -4.17

 

CMYK 22 / 5 / 0 / 2

HEX #C5EFFB

RGB 197 239 251

HSL 193.33, 0.87%, 0.88%

LAB 91.94, -10.93, -10.27

 

CMYK 22 / 10 / 0 / 2

HEX #C5E1FB

RGB 197 225 251

HSL 208.89, 0.87%, 0.88%

LAB 88.3, -3.77, -15.71

 

CMYK 22 / 16 / 0 / 2

HEX #C5D2FB

RGB 197 210 251

HSL 225.56, 0.87%, 0.88%

LAB 84.45, 4.11, -21.52

 

CMYK 22 / 0 / 7 / 2

HEX #C5FBE9

RGB 197 251 233

HSL 160, 0.87%, 0.88%

LAB 94.63, -20.58, 3.03

 

CMYK 22 / 0 / 7 / 2

HEX #C5FBE9

RGB 197 251 233

HSL 160, 0.87%, 0.88%

LAB 94.63, -20.58, 3.03

 

CMYK 18 / 0 / 6 / 4

HEX #CAF6E8

RGB 202 246 232

HSL 160.91, 0.71%, 0.88%

LAB 93.58, -16.78, 2.05

 

CMYK 14 / 0 / 5 / 5

HEX #CFF1E6

RGB 207 241 230

HSL 160.59, 0.55%, 0.88%

LAB 92.53, -13.11, 1.6

 

CMYK 10 / 0 / 3 / 7

HEX #D4ECE4

RGB 212 236 228

HSL 160, 0.39%, 0.88%

LAB 91.5, -9.37, 1.18

 

CMYK 6 / 0 / 2 / 9

HEX #D9E7E2

RGB 217 231 226

HSL 158.57, 0.23%, 0.88%

LAB 90.5, -5.56, 0.82

 

CMYK 22 / 0 / 19 / 2

HEX #C5FBCC

RGB 197 251 204

HSL 127.78, 0.87%, 0.88%

LAB 93.98, -25.94, 17.03

 

CMYK 22 / 0 / 13 / 2

HEX #C5FBDB

RGB 197 251 219

HSL 144.44, 0.87%, 0.88%

LAB 94.3, -23.25, 9.78

 

CMYK 22 / 0 / 7 / 2

HEX #C5FBE9

RGB 197 251 233

HSL 160, 0.87%, 0.88%

LAB 94.63, -20.58, 3.03

 

CMYK 22 / 0 / 2 / 2

HEX #C5FBF7

RGB 197 251 247

HSL 175.56, 0.87%, 0.88%

LAB 94.98, -17.76, -3.69

 

CMYK 22 / 4 / 0 / 2

HEX #C5F0FB

RGB 197 240 251

HSL 192.22, 0.87%, 0.88%

LAB 92.2, -11.44, -9.88

 

CMYK 51 / 0 / 16 / 4

HEX #78F5CD

RGB 120 245 205

HSL 160.8, 0.86%, 0.72%

LAB 88.78, -44.25, 8.65

 

CMYK 36 / 0 / 12 / 3

HEX #9FF8DB

RGB 159 248 219

HSL 160.45, 0.86%, 0.8%

LAB 91.51, -32.96, 5.51

 

CMYK 22 / 0 / 7 / 2

HEX #C5FBE9

RGB 197 251 233

HSL 160, 0.87%, 0.88%

LAB 94.63, -20.58, 3.03

 

CMYK 7 / 0 / 2 / 1

HEX #ECFDF8

RGB 236 253 248

HSL 162.35, 0.81%, 0.96%

LAB 97.98, -6.44, 0.47

 

CMYK 21 / 0 / 7 / 2

HEX #C6FBEA

RGB 198 251 234

HSL 160.75, 0.87%, 0.88%

LAB 94.71, -20.08, 2.64

 

CMYK 22 / 19 / 0 / 2

HEX #C5CCFB

RGB 197 204 251

HSL 232.22, 0.87%, 0.88%

LAB 82.92, 7.31, -23.83

 

CMYK 0 / 16 / 22 / 2

HEX #FBD3C5

RGB 251 211 197

HSL 15.56, 0.87%, 0.88%

LAB 87.55, 11.89, 12.14

 

CMYK 21 / 0 / 7 / 2

HEX #C6FBEA

RGB 198 251 234

HSL 160.75, 0.87%, 0.88%

LAB 94.71, -20.08, 2.64

 

CMYK 7 / 22 / 0 / 2

HEX #E9C5FB

RGB 233 197 251

HSL 280, 0.87%, 0.88%

LAB 84.08, 22.25, -21.8

 

CMYK 0 / 7 / 22 / 2

HEX #FBE9C5

RGB 251 233 197

HSL 40, 0.87%, 0.88%

LAB 92.93, 0.56, 19.72

 

CMYK 21 / 0 / 7 / 2

HEX #C6FBEA

RGB 198 251 234

HSL 160.75, 0.87%, 0.88%

LAB 94.71, -20.08, 2.64

 

CMYK 22 / 19 / 0 / 2

HEX #C5CCFB

RGB 197 204 251

HSL 232.22, 0.87%, 0.88%

LAB 82.92, 7.31, -23.83

 

CMYK 0 / 22 / 14 / 2

HEX #FBC5D7

RGB 251 197 215

HSL 340, 0.87%, 0.88%

LAB 84.66, 21.94, -1.58

 

CMYK 0 / 3 / 22 / 2

HEX #FBF3C5

RGB 251 243 197

HSL 51.11, 0.87%, 0.88%

LAB 95.43, -4.49, 23.19

 

CMYK 21 / 0 / 7 / 2

HEX #C6FBEA

RGB 198 251 234

HSL 160.75, 0.87%, 0.88%

LAB 94.71, -20.08, 2.64

 

CMYK 18 / 22 / 0 / 2

HEX #CEC5FB

RGB 206 197 251

HSL 250, 0.87%, 0.88%

LAB 81.85, 13.8, -25.4

 

CMYK 0 / 22 / 14 / 2

HEX #FBC5D7

RGB 251 197 215

HSL 340, 0.87%, 0.88%

LAB 84.66, 21.94, -1.58

 

CMYK 4 / 0 / 22 / 2

HEX #F2FBC5

RGB 242 251 197

HSL 70, 0.87%, 0.88%

LAB 96.78, -11.7, 24.95

 

Description

Color code: HEX #C6FBEA | qconv.com Color code: HEX #C6FBEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 251 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 251 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 7 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 7% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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