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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C713B4 it is the complementary color #38EC4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C713B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C713B4 shade: #CC13AF, #DD25C2, #EE37D5, #FF49E8 and #FF5BFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C713B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C713B4 shade: #C713B4, #B601A1, #A5008E, #94007B and #830068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C713B4 shade: #C812B5, #C81284, #C81253, #C81222 and #C81212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C713B4 shade: #C812B5, #AA12C8, #7912C8, #4812C8 and #1712C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C713B4 shade matches the following richer shades: #C812B5 and #DA00C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C713B4 shade: #C812B5, #B624A7, #A53699, #93478B and #81597D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C713B4 shade: #7912C8, #AA12C8, #C812B6, #C81285 and #C81255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C713B4 shade: #7D0B71, #A20F93, #C812B5, #E91AD3 and #ED40DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C713B4 shade: #C713B4, #C84912 and #12C892

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C713B4 shade: #C713B4, #B6C812 and #12B6C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C713B4 shade: #C713B4, #C84912, #12C824 and #1292C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C713B4 shade: #C713B4, #C87F12, #12C824 and #125BC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 10 / 22

HEX #C713B4

RGB 199 19 180

HSL 306.33, 0.83%, 0.43%

LAB 46.85, 77.03, -40.13

 

Complementary color

CMYK 76 / 0 / 68 / 7

HEX #38EC4B

RGB 56 236 75

HSL 126.33, 0.83%, 0.57%

LAB 82.56, -73.78, 62.74

 

CMYK 0 / 91 / 14 / 20

HEX #CC13AF

RGB 204 19 175

HSL 309.41, 0.83%, 0.44%

LAB 47.49, 77.29, -36.11

 

CMYK 0 / 83 / 12 / 13

HEX #DD25C2

RGB 221 37 194

HSL 308.8, 0.73%, 0.51%

LAB 52.5, 80.12, -39.12

 

CMYK 0 / 77 / 11 / 7

HEX #EE37D5

RGB 238 55 213

HSL 308.2, 0.84%, 0.57%

LAB 57.76, 81.97, -41.52

 

CMYK 0 / 71 / 9 / 0

HEX #FF49E8

RGB 255 73 232

HSL 307.58, 1%, 0.64%

LAB 63.22, 83.09, -43.45

 

CMYK 0 / 64 / 2 / 0

HEX #FF5BFB

RGB 255 91 251

HSL 301.46, 1%, 0.68%

LAB 66.3, 79.83, -49.13

 

CMYK 0 / 90 / 10 / 22

HEX #C713B4

RGB 199 19 180

HSL 306.33, 0.83%, 0.43%

LAB 46.85, 77.03, -40.13

 

CMYK 0 / 99 / 12 / 29

HEX #B601A1

RGB 182 1 161

HSL 306.96, 0.99%, 0.36%

LAB 42.06, 73.2, -36.61

 

CMYK 0 / 100 / 14 / 35

HEX #A5008E

RGB 165 0 142

HSL 308.36, 1%, 0.32%

LAB 37.76, 67.65, -32.09

 

CMYK 0 / 100 / 17 / 42

HEX #94007B

RGB 148 0 123

HSL 310.14, 1%, 0.29%

LAB 33.41, 61.9, -27.36

 

CMYK 0 / 100 / 21 / 49

HEX #830068

RGB 131 0 104

HSL 312.37, 1%, 0.26%

LAB 28.97, 56.03, -22.44

 

CMYK 0 / 91 / 10 / 22

HEX #C812B5

RGB 200 18 181

HSL 306.26, 0.83%, 0.43%

LAB 47.04, 77.48, -40.41

 

CMYK 0 / 91 / 34 / 22

HEX #C81284

RGB 200 18 132

HSL 322.42, 0.83%, 0.43%

LAB 44.77, 71.55, -14.54

 

CMYK 0 / 91 / 59 / 22

HEX #C81253

RGB 200 18 83

HSL 338.57, 0.83%, 0.43%

LAB 43.27, 67.43, 13.76

 

CMYK 0 / 91 / 83 / 22

HEX #C81222

RGB 200 18 34

HSL 354.73, 0.83%, 0.43%

LAB 42.5, 65.28, 42.49

 

CMYK 0 / 91 / 91 / 22

HEX #C81212

RGB 200 18 18

HSL 0, 0.83%, 0.43%

LAB 42.39, 64.97, 50.09

 

CMYK 0 / 91 / 10 / 22

HEX #C812B5

RGB 200 18 181

HSL 306.26, 0.83%, 0.43%

LAB 47.04, 77.48, -40.41

 

CMYK 15 / 91 / 0 / 22

HEX #AA12C8

RGB 170 18 200

HSL 290.11, 0.83%, 0.43%

LAB 42.99, 75.32, -58.3

 

CMYK 40 / 91 / 0 / 22

HEX #7912C8

RGB 121 18 200

HSL 273.96, 0.83%, 0.43%

LAB 35.34, 68.63, -71.1

 

CMYK 64 / 91 / 0 / 22

HEX #4812C8

RGB 72 18 200

HSL 257.8, 0.83%, 0.43%

LAB 29.36, 64.14, -81.16

 

CMYK 89 / 91 / 0 / 22

HEX #1712C8

RGB 23 18 200

HSL 241.65, 0.83%, 0.43%

LAB 26.11, 62.1, -86.66

 

CMYK 0 / 91 / 10 / 22

HEX #C812B5

RGB 200 18 181

HSL 306.26, 0.83%, 0.43%

LAB 47.04, 77.48, -40.41

 

CMYK 0 / 100 / 11 / 15

HEX #DA00C3

RGB 218 0 195

HSL 306.33, 1%, 0.43%

LAB 50.51, 84.13, -42.88

 

CMYK 0 / 91 / 10 / 22

HEX #C812B5

RGB 200 18 181

HSL 306.26, 0.83%, 0.43%

LAB 47.04, 77.48, -40.41

 

CMYK 0 / 80 / 8 / 29

HEX #B624A7

RGB 182 36 167

HSL 306.16, 0.67%, 0.43%

LAB 44.23, 68.66, -36.78

 

CMYK 0 / 67 / 7 / 35

HEX #A53699

RGB 165 54 153

HSL 306.49, 0.51%, 0.43%

LAB 42.67, 56.81, -31.04

 

CMYK 0 / 52 / 5 / 42

HEX #93478B

RGB 147 71 139

HSL 306.32, 0.35%, 0.43%

LAB 42.11, 41.59, -23.65

 

CMYK 0 / 31 / 3 / 49

HEX #81597D

RGB 129 89 125

HSL 306, 0.18%, 0.43%

LAB 43.2, 22.77, -13.68

 

CMYK 40 / 91 / 0 / 22

HEX #7912C8

RGB 121 18 200

HSL 273.96, 0.83%, 0.43%

LAB 35.34, 68.63, -71.1

 

CMYK 15 / 91 / 0 / 22

HEX #AA12C8

RGB 170 18 200

HSL 290.11, 0.83%, 0.43%

LAB 42.99, 75.32, -58.3

 

CMYK 0 / 91 / 9 / 22

HEX #C812B6

RGB 200 18 182

HSL 305.93, 0.83%, 0.43%

LAB 47.09, 77.62, -40.91

 

CMYK 0 / 91 / 34 / 22

HEX #C81285

RGB 200 18 133

HSL 322.09, 0.83%, 0.43%

LAB 44.81, 71.65, -15.09

 

CMYK 0 / 91 / 58 / 22

HEX #C81255

RGB 200 18 85

HSL 337.91, 0.83%, 0.43%

LAB 43.31, 67.56, 12.57

 

CMYK 0 / 91 / 10 / 51

HEX #7D0B71

RGB 125 11 113

HSL 306.32, 0.84%, 0.27%

LAB 28.88, 54.26, -28.45

 

CMYK 0 / 91 / 9 / 36

HEX #A20F93

RGB 162 15 147

HSL 306.12, 0.83%, 0.35%

LAB 38.07, 65.98, -34.69

 

CMYK 0 / 91 / 10 / 22

HEX #C812B5

RGB 200 18 181

HSL 306.26, 0.83%, 0.43%

LAB 47.04, 77.48, -40.41

 

CMYK 0 / 89 / 9 / 9

HEX #E91AD3

RGB 233 26 211

HSL 306.38, 0.82%, 0.51%

LAB 54.83, 86.5, -45.07

 

CMYK 0 / 73 / 8 / 7

HEX #ED40DB

RGB 237 64 219

HSL 306.24, 0.83%, 0.59%

LAB 58.78, 80.09, -43.34

 

CMYK 0 / 90 / 10 / 22

HEX #C713B4

RGB 199 19 180

HSL 306.33, 0.83%, 0.43%

LAB 46.85, 77.03, -40.13

 

CMYK 0 / 64 / 91 / 22

HEX #C84912

RGB 200 73 18

HSL 18.13, 0.83%, 0.43%

LAB 48.37, 48.4, 54.26

 

CMYK 91 / 0 / 27 / 22

HEX #12C892

RGB 18 200 146

HSL 162.2, 0.83%, 0.43%

LAB 71.9, -53.93, 15.58

 

CMYK 0 / 90 / 10 / 22

HEX #C713B4

RGB 199 19 180

HSL 306.33, 0.83%, 0.43%

LAB 46.85, 77.03, -40.13

 

CMYK 9 / 0 / 91 / 22

HEX #B6C812

RGB 182 200 18

HSL 65.93, 0.83%, 0.43%

LAB 76.86, -25.39, 75.09

 

CMYK 91 / 9 / 0 / 22

HEX #12B6C8

RGB 18 182 200

HSL 185.93, 0.83%, 0.43%

LAB 67.84, -31.07, -19.86

 

CMYK 0 / 90 / 10 / 22

HEX #C713B4

RGB 199 19 180

HSL 306.33, 0.83%, 0.43%

LAB 46.85, 77.03, -40.13

 

CMYK 0 / 64 / 91 / 22

HEX #C84912

RGB 200 73 18

HSL 18.13, 0.83%, 0.43%

LAB 48.37, 48.4, 54.26

 

CMYK 91 / 0 / 82 / 22

HEX #12C824

RGB 18 200 36

HSL 125.93, 0.83%, 0.43%

LAB 70.57, -69.81, 63.54

 

CMYK 91 / 27 / 0 / 22

HEX #1292C8

RGB 18 146 200

HSL 197.8, 0.83%, 0.43%

LAB 56.94, -12.33, -36.69

 

CMYK 0 / 90 / 10 / 22

HEX #C713B4

RGB 199 19 180

HSL 306.33, 0.83%, 0.43%

LAB 46.85, 77.03, -40.13

 

CMYK 0 / 37 / 91 / 22

HEX #C87F12

RGB 200 127 18

HSL 35.93, 0.83%, 0.43%

LAB 59.44, 20.93, 62.38

 

CMYK 91 / 0 / 82 / 22

HEX #12C824

RGB 18 200 36

HSL 125.93, 0.83%, 0.43%

LAB 70.57, -69.81, 63.54

 

CMYK 91 / 55 / 0 / 22

HEX #125BC8

RGB 18 91 200

HSL 215.93, 0.83%, 0.43%

LAB 40.87, 21.54, -62.35

 

Description

Color code: HEX #C713B4 | qconv.com Color code: HEX #C713B4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 19 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 19 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 10 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 10% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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