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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C71DC2 it is the complementary color #38E23D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C71DC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C71DC2 shade: #CC1DBD, #DD2FD0, #EE41E3, #FF53F6 and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C71DC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C71DC2 shade: #C71DC2, #B60BAF, #A5009C, #940089 and #830076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C71DC2 shade: #C81CC3, #C81C95, #C81C66, #C81C38 and #C81C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C71DC2 shade: #C81CC3, #9F1CC8, #711CC8, #421CC8 and #1C1CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C71DC2 shade matches the following richer shades: #C81CC3 and #DB0AD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C71DC2 shade: #C81CC3, #B62FB2, #A341A0, #91548F and #7E667D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C71DC2 shade: #6F1CC8, #9D1CC8, #C81CC5, #C81C98 and #C81C6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C71DC2 shade: #80127D, #A417A0, #C81CC3, #E12DDB and #E651E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C71DC2 shade: #C71DC2, #C8411C and #1CC886

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C71DC2 shade: #C71DC2, #C5C81C and #1CC5C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C71DC2 shade: #C71DC2, #C8411C, #1CC81F and #1CA3C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C71DC2 shade: #C71DC2, #C8751C, #1CC81F and #1C6FC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 3 / 22

HEX #C71DC2

RGB 199 29 194

HSL 301.76, 0.75%, 0.45%

LAB 48.15, 77.47, -46.25

 

Complementary color

CMYK 75 / 0 / 73 / 11

HEX #38E23D

RGB 56 226 61

HSL 121.76, 0.75%, 0.55%

LAB 79.37, -71.89, 64.51

 

CMYK 0 / 86 / 7 / 20

HEX #CC1DBD

RGB 204 29 189

HSL 305.14, 0.75%, 0.46%

LAB 48.75, 77.67, -42.34

 

CMYK 0 / 79 / 6 / 13

HEX #DD2FD0

RGB 221 47 208

HSL 304.48, 0.72%, 0.53%

LAB 53.98, 79.85, -44.83

 

CMYK 0 / 73 / 5 / 7

HEX #EE41E3

RGB 238 65 227

HSL 303.82, 0.84%, 0.59%

LAB 59.44, 81.18, -46.79

 

CMYK 0 / 67 / 4 / 0

HEX #FF53F6

RGB 255 83 246

HSL 303.14, 1%, 0.66%

LAB 65.04, 81.89, -48.36

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 85 / 3 / 22

HEX #C71DC2

RGB 199 29 194

HSL 301.76, 0.75%, 0.45%

LAB 48.15, 77.47, -46.25

 

CMYK 0 / 94 / 4 / 29

HEX #B60BAF

RGB 182 11 175

HSL 302.46, 0.89%, 0.38%

LAB 43.18, 74.19, -43.19

 

CMYK 0 / 100 / 5 / 35

HEX #A5009C

RGB 165 0 156

HSL 303.27, 1%, 0.32%

LAB 38.55, 69.6, -39.37

 

CMYK 0 / 100 / 7 / 42

HEX #940089

RGB 148 0 137

HSL 304.46, 1%, 0.29%

LAB 34.19, 63.85, -34.85

 

CMYK 0 / 100 / 10 / 49

HEX #830076

RGB 131 0 118

HSL 305.95, 1%, 0.26%

LAB 29.75, 57.97, -30.19

 

CMYK 0 / 86 / 3 / 22

HEX #C81CC3

RGB 200 28 195

HSL 301.74, 0.75%, 0.45%

LAB 48.32, 77.98, -46.55

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 0 / 86 / 49 / 22

HEX #C81C66

RGB 200 28 102

HSL 334.19, 0.75%, 0.45%

LAB 44.33, 67.14, 3.36

 

CMYK 0 / 86 / 72 / 22

HEX #C81C38

RGB 200 28 56

HSL 350.23, 0.75%, 0.45%

LAB 43.35, 64.31, 30.66

 

CMYK 0 / 86 / 86 / 22

HEX #C81C1C

RGB 200 28 28

HSL 0, 0.75%, 0.45%

LAB 43.05, 63.43, 46.08

 

CMYK 0 / 86 / 3 / 22

HEX #C81CC3

RGB 200 28 195

HSL 301.74, 0.75%, 0.45%

LAB 48.32, 77.98, -46.55

 

CMYK 21 / 86 / 0 / 22

HEX #9F1CC8

RGB 159 28 200

HSL 285.7, 0.75%, 0.45%

LAB 41.8, 71.81, -60.3

 

CMYK 44 / 86 / 0 / 22

HEX #711CC8

RGB 113 28 200

HSL 269.65, 0.75%, 0.45%

LAB 35.03, 65.32, -71.65

 

CMYK 67 / 86 / 0 / 22

HEX #421CC8

RGB 66 28 200

HSL 253.26, 0.75%, 0.45%

LAB 29.81, 60.73, -80.44

 

CMYK 86 / 86 / 0 / 22

HEX #1C1CC8

RGB 28 28 200

HSL 240, 0.75%, 0.45%

LAB 27.43, 58.81, -84.46

 

CMYK 0 / 86 / 3 / 22

HEX #C81CC3

RGB 200 28 195

HSL 301.74, 0.75%, 0.45%

LAB 48.32, 77.98, -46.55

 

CMYK 0 / 95 / 3 / 14

HEX #DB0AD5

RGB 219 10 213

HSL 301.72, 0.91%, 0.45%

LAB 51.93, 86.01, -50.98

 

CMYK 0 / 86 / 3 / 22

HEX #C81CC3

RGB 200 28 195

HSL 301.74, 0.75%, 0.45%

LAB 48.32, 77.98, -46.55

 

CMYK 0 / 74 / 2 / 29

HEX #B62FB2

RGB 182 47 178

HSL 301.78, 0.59%, 0.45%

LAB 45.9, 67.25, -40.65

 

CMYK 0 / 60 / 2 / 36

HEX #A341A0

RGB 163 65 160

HSL 301.84, 0.43%, 0.45%

LAB 44.38, 52.83, -32.57

 

CMYK 0 / 42 / 1 / 43

HEX #91548F

RGB 145 84 143

HSL 301.97, 0.27%, 0.45%

LAB 44.72, 34.7, -22.05

 

CMYK 0 / 19 / 1 / 51

HEX #7E667D

RGB 126 102 125

HSL 302.5, 0.11%, 0.45%

LAB 46.2, 13.91, -9.18

 

CMYK 45 / 86 / 0 / 22

HEX #6F1CC8

RGB 111 28 200

HSL 268.95, 0.75%, 0.45%

LAB 34.76, 65.08, -72.09

 

CMYK 22 / 86 / 0 / 22

HEX #9D1CC8

RGB 157 28 200

HSL 285, 0.75%, 0.45%

LAB 41.48, 71.5, -60.83

 

CMYK 0 / 86 / 1 / 22

HEX #C81CC5

RGB 200 28 197

HSL 301.05, 0.75%, 0.45%

LAB 48.44, 78.27, -47.53

 

CMYK 0 / 86 / 24 / 22

HEX #C81C98

RGB 200 28 152

HSL 316.74, 0.75%, 0.45%

LAB 46.15, 72.19, -24.56

 

CMYK 0 / 86 / 47 / 22

HEX #C81C6A

RGB 200 28 106

HSL 332.79, 0.75%, 0.45%

LAB 44.45, 67.47, 1.04

 

CMYK 0 / 86 / 2 / 50

HEX #80127D

RGB 128 18 125

HSL 301.64, 0.75%, 0.29%

LAB 30.65, 55.36, -33.23

 

CMYK 0 / 86 / 2 / 36

HEX #A417A0

RGB 164 23 160

HSL 301.7, 0.75%, 0.37%

LAB 39.65, 66.93, -40.04

 

CMYK 0 / 86 / 3 / 22

HEX #C81CC3

RGB 200 28 195

HSL 301.74, 0.75%, 0.45%

LAB 48.32, 77.98, -46.55

 

CMYK 0 / 80 / 3 / 12

HEX #E12DDB

RGB 225 45 219

HSL 302, 0.75%, 0.53%

LAB 55.07, 82.71, -49.33

 

CMYK 0 / 65 / 2 / 10

HEX #E651E1

RGB 230 81 225

HSL 302.01, 0.75%, 0.61%

LAB 60.02, 73.7, -44.83

 

CMYK 0 / 85 / 3 / 22

HEX #C71DC2

RGB 199 29 194

HSL 301.76, 0.75%, 0.45%

LAB 48.15, 77.47, -46.25

 

CMYK 0 / 68 / 86 / 22

HEX #C8411C

RGB 200 65 28

HSL 12.91, 0.75%, 0.45%

LAB 47.16, 51.99, 49.53

 

CMYK 86 / 0 / 33 / 22

HEX #1CC886

RGB 28 200 134

HSL 156.98, 0.75%, 0.45%

LAB 71.74, -55.99, 21.77

 

CMYK 0 / 85 / 3 / 22

HEX #C71DC2

RGB 199 29 194

HSL 301.76, 0.75%, 0.45%

LAB 48.15, 77.47, -46.25

 

CMYK 1 / 0 / 86 / 22

HEX #C5C81C

RGB 197 200 28

HSL 61.05, 0.75%, 0.45%

LAB 78.03, -18.83, 74.79

 

CMYK 86 / 1 / 0 / 22

HEX #1CC5C8

RGB 28 197 200

HSL 181.05, 0.75%, 0.45%

LAB 72.46, -37.61, -12.87

 

CMYK 0 / 85 / 3 / 22

HEX #C71DC2

RGB 199 29 194

HSL 301.76, 0.75%, 0.45%

LAB 48.15, 77.47, -46.25

 

CMYK 0 / 68 / 86 / 22

HEX #C8411C

RGB 200 65 28

HSL 12.91, 0.75%, 0.45%

LAB 47.16, 51.99, 49.53

 

CMYK 86 / 0 / 85 / 22

HEX #1CC81F

RGB 28 200 31

HSL 121.05, 0.75%, 0.45%

LAB 70.63, -69.33, 64.87

 

CMYK 86 / 19 / 0 / 22

HEX #1CA3C8

RGB 28 163 200

HSL 192.91, 0.75%, 0.45%

LAB 62.18, -20.94, -28.53

 

CMYK 0 / 85 / 3 / 22

HEX #C71DC2

RGB 199 29 194

HSL 301.76, 0.75%, 0.45%

LAB 48.15, 77.47, -46.25

 

CMYK 0 / 42 / 86 / 22

HEX #C8751C

RGB 200 117 28

HSL 31.05, 0.75%, 0.45%

LAB 57.16, 26.56, 57.82

 

CMYK 86 / 0 / 85 / 22

HEX #1CC81F

RGB 28 200 31

HSL 121.05, 0.75%, 0.45%

LAB 70.63, -69.33, 64.87

 

CMYK 86 / 45 / 0 / 22

HEX #1C6FC8

RGB 28 111 200

HSL 211.05, 0.75%, 0.45%

LAB 46.69, 9.2, -52.93

 

Description

Color code: HEX #C71DC2 | qconv.com Color code: HEX #C71DC2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 29 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 29 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 3 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 3% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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