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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C72FD9 it is the complementary color #38D026. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C72FD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C72FD9 shade: #CC2FD4, #DD41E7, #EE53FA, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C72FD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C72FD9 shade: #C72FD9, #B61DC6, #A50BB3, #9400A0 and #83008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C72FD9 shade: #C730D9, #D930BD, #D9308F, #D93062 and #D93034

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C72FD9 shade: #C730D9, #9930D9, #6C30D9, #3E30D9 and #3030D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C72FD9 shade matches the following richer shades: #C730D9 and #D61CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C72FD9 shade: #C730D9, #B743C5, #A757B1, #986B9D and #887F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C72FD9 shade: #6B30D9, #9830D9, #C530D9, #D930BF and #D93092

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C72FD9 shade: #8D1C9A, #AC22BD, #C730D9, #D053DF and #D975E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C72FD9 shade: #C72FD9, #D93E30 and #30D981

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C72FD9 shade: #C72FD9, #D9C530 and #30D9C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C72FD9 shade: #C72FD9, #D93E30, #43D930 and #30CAD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C72FD9 shade: #C72FD9, #D97030, #43D930 and #3098D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 78 / 0 / 15

HEX #C72FD9

RGB 199 47 217

HSL 293.65, 0.69%, 0.52%

LAB 50.9, 77.02, -55.09

 

Complementary color

CMYK 73 / 0 / 82 / 18

HEX #38D026

RGB 56 208 38

HSL 113.65, 0.69%, 0.48%

LAB 73.61, -67.86, 65.98

 

CMYK 4 / 78 / 0 / 17

HEX #CC2FD4

RGB 204 47 212

HSL 297.09, 0.66%, 0.51%

LAB 51.41, 77.14, -51.38

 

CMYK 4 / 72 / 0 / 9

HEX #DD41E7

RGB 221 65 231

HSL 296.39, 0.78%, 0.58%

LAB 57, 78.29, -53.08

 

CMYK 5 / 67 / 0 / 2

HEX #EE53FA

RGB 238 83 250

HSL 295.69, 0.94%, 0.65%

LAB 62.73, 78.83, -54.39

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 8 / 78 / 0 / 15

HEX #C72FD9

RGB 199 47 217

HSL 293.65, 0.69%, 0.52%

LAB 50.9, 77.02, -55.09

 

CMYK 8 / 85 / 0 / 22

HEX #B61DC6

RGB 182 29 198

HSL 294.32, 0.74%, 0.45%

LAB 45.5, 75.06, -52.98

 

CMYK 8 / 94 / 0 / 30

HEX #A50BB3

RGB 165 11 179

HSL 295, 0.88%, 0.37%

LAB 40.4, 71.93, -50.19

 

CMYK 7 / 100 / 0 / 37

HEX #9400A0

RGB 148 0 160

HSL 295.5, 1%, 0.31%

LAB 35.66, 67.38, -46.59

 

CMYK 7 / 100 / 0 / 45

HEX #83008D

RGB 131 0 141

HSL 295.74, 1%, 0.28%

LAB 31.23, 61.54, -42.26

 

CMYK 8 / 78 / 0 / 15

HEX #C730D9

RGB 199 48 217

HSL 293.61, 0.69%, 0.52%

LAB 51, 76.75, -54.94

 

CMYK 0 / 78 / 13 / 15

HEX #D930BD

RGB 217 48 189

HSL 309.94, 0.69%, 0.52%

LAB 52.44, 76.08, -36.36

 

CMYK 0 / 78 / 34 / 15

HEX #D9308F

RGB 217 48 143

HSL 326.27, 0.69%, 0.52%

LAB 50.51, 70.44, -12.21

 

CMYK 0 / 78 / 55 / 15

HEX #D93062

RGB 217 48 98

HSL 342.25, 0.69%, 0.52%

LAB 49.19, 66.4, 13.16

 

CMYK 0 / 78 / 76 / 15

HEX #D93034

RGB 217 48 52

HSL 358.58, 0.69%, 0.52%

LAB 48.4, 63.94, 39.63

 

CMYK 8 / 78 / 0 / 15

HEX #C730D9

RGB 199 48 217

HSL 293.61, 0.69%, 0.52%

LAB 51, 76.75, -54.94

 

CMYK 29 / 78 / 0 / 15

HEX #9930D9

RGB 153 48 217

HSL 277.28, 0.69%, 0.52%

LAB 44.08, 68.56, -66.45

 

CMYK 50 / 78 / 0 / 15

HEX #6C30D9

RGB 108 48 217

HSL 261.3, 0.69%, 0.52%

LAB 38.4, 61.76, -75.98

 

CMYK 71 / 78 / 0 / 15

HEX #3E30D9

RGB 62 48 217

HSL 244.97, 0.69%, 0.52%

LAB 34.29, 56.81, -82.9

 

CMYK 78 / 78 / 0 / 15

HEX #3030D9

RGB 48 48 217

HSL 240, 0.69%, 0.52%

LAB 33.46, 55.8, -84.29

 

CMYK 8 / 78 / 0 / 15

HEX #C730D9

RGB 199 48 217

HSL 293.61, 0.69%, 0.52%

LAB 51, 76.75, -54.94

 

CMYK 9 / 88 / 0 / 7

HEX #D61CEC

RGB 214 28 236

HSL 293.65, 0.85%, 0.52%

LAB 53.15, 86.63, -62.12

 

CMYK 8 / 78 / 0 / 15

HEX #C730D9

RGB 199 48 217

HSL 293.61, 0.69%, 0.52%

LAB 51, 76.75, -54.94

 

CMYK 7 / 66 / 0 / 23

HEX #B743C5

RGB 183 67 197

HSL 293.54, 0.53%, 0.52%

LAB 49.63, 63.53, -45.79

 

CMYK 6 / 51 / 0 / 31

HEX #A757B1

RGB 167 87 177

HSL 293.33, 0.37%, 0.52%

LAB 49.75, 46.43, -34.14

 

CMYK 3 / 32 / 0 / 38

HEX #986B9D

RGB 152 107 157

HSL 294, 0.2%, 0.52%

LAB 51.41, 26.74, -20

 

CMYK 1 / 7 / 0 / 46

HEX #887F89

RGB 136 127 137

HSL 294, 0.04%, 0.52%

LAB 54.26, 5.35, -4.18

 

CMYK 51 / 78 / 0 / 15

HEX #6B30D9

RGB 107 48 217

HSL 260.95, 0.69%, 0.52%

LAB 38.29, 61.63, -76.17

 

CMYK 30 / 78 / 0 / 15

HEX #9830D9

RGB 152 48 217

HSL 276.92, 0.69%, 0.52%

LAB 43.94, 68.39, -66.69

 

CMYK 9 / 78 / 0 / 15

HEX #C530D9

RGB 197 48 217

HSL 292.9, 0.69%, 0.52%

LAB 50.68, 76.37, -55.47

 

CMYK 0 / 78 / 12 / 15

HEX #D930BF

RGB 217 48 191

HSL 309.23, 0.69%, 0.52%

LAB 52.54, 76.36, -37.37

 

CMYK 0 / 78 / 33 / 15

HEX #D93092

RGB 217 48 146

HSL 325.21, 0.69%, 0.52%

LAB 50.62, 70.76, -13.84

 

CMYK 8 / 82 / 0 / 40

HEX #8D1C9A

RGB 141 28 154

HSL 293.81, 0.69%, 0.36%

LAB 35.65, 60.37, -43.04

 

CMYK 9 / 82 / 0 / 26

HEX #AC22BD

RGB 172 34 189

HSL 293.42, 0.7%, 0.44%

LAB 43.64, 70.69, -50.81

 

CMYK 8 / 78 / 0 / 15

HEX #C730D9

RGB 199 48 217

HSL 293.61, 0.69%, 0.52%

LAB 51, 76.75, -54.94

 

CMYK 7 / 63 / 0 / 13

HEX #D053DF

RGB 208 83 223

HSL 293.57, 0.69%, 0.6%

LAB 57, 67.46, -48.69

 

CMYK 5 / 49 / 0 / 10

HEX #D975E5

RGB 217 117 229

HSL 293.57, 0.68%, 0.68%

LAB 64.27, 55.26, -40.51

 

CMYK 8 / 78 / 0 / 15

HEX #C72FD9

RGB 199 47 217

HSL 293.65, 0.69%, 0.52%

LAB 50.9, 77.02, -55.09

 

CMYK 0 / 71 / 78 / 15

HEX #D93E30

RGB 217 62 48

HSL 4.97, 0.69%, 0.52%

LAB 49.99, 59.26, 43.51

 

CMYK 78 / 0 / 41 / 15

HEX #30D981

RGB 48 217 129

HSL 148.76, 0.69%, 0.52%

LAB 77.18, -61.25, 31.7

 

CMYK 8 / 78 / 0 / 15

HEX #C72FD9

RGB 199 47 217

HSL 293.65, 0.69%, 0.52%

LAB 50.9, 77.02, -55.09

 

CMYK 0 / 9 / 78 / 15

HEX #D9C530

RGB 217 197 48

HSL 52.9, 0.69%, 0.52%

LAB 78.98, -8.17, 71.17

 

CMYK 78 / 0 / 9 / 15

HEX #30D9C5

RGB 48 217 197

HSL 172.9, 0.69%, 0.52%

LAB 78.63, -45.75, -2.08

 

CMYK 8 / 78 / 0 / 15

HEX #C72FD9

RGB 199 47 217

HSL 293.65, 0.69%, 0.52%

LAB 50.9, 77.02, -55.09

 

CMYK 0 / 71 / 78 / 15

HEX #D93E30

RGB 217 62 48

HSL 4.97, 0.69%, 0.52%

LAB 49.99, 59.26, 43.51

 

CMYK 69 / 0 / 78 / 15

HEX #43D930

RGB 67 217 48

HSL 113.25, 0.69%, 0.52%

LAB 76.7, -68.22, 66.15

 

CMYK 78 / 7 / 0 / 15

HEX #30CAD9

RGB 48 202 217

HSL 185.33, 0.69%, 0.52%

LAB 74.75, -33.24, -18.62

 

CMYK 8 / 78 / 0 / 15

HEX #C72FD9

RGB 199 47 217

HSL 293.65, 0.69%, 0.52%

LAB 50.9, 77.02, -55.09

 

CMYK 0 / 48 / 78 / 15

HEX #D97030

RGB 217 112 48

HSL 22.72, 0.69%, 0.52%

LAB 58.56, 36.81, 52.11

 

CMYK 69 / 0 / 78 / 15

HEX #43D930

RGB 67 217 48

HSL 113.25, 0.69%, 0.52%

LAB 76.7, -68.22, 66.15

 

CMYK 78 / 30 / 0 / 15

HEX #3098D9

RGB 48 152 217

HSL 203.08, 0.69%, 0.52%

LAB 59.97, -7.24, -41.42

 

Description

Color code: HEX #C72FD9 | qconv.com Color code: HEX #C72FD9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 47 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 47 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 78 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 78% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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