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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C736C3 it is the complementary color #38C93C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C736C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C736C3 shade: #CC36BE, #DD48D1, #EE5AE4, #FF6CF7 and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C736C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C736C3 shade: #C736C3, #B624B0, #A5129D, #94008A and #830077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C736C3 shade: #C836C4, #C8369C, #C83675, #C8364E and #C83636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C736C3 shade: #C836C4, #A536C8, #7D36C8, #5636C8 and #3636C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C736C3 shade matches the following richer shades: #C836C4, #DC22D7 and #F10DEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C736C3 shade: #C836C4, #B34BB0, #9E609D, #8A7489 and #758976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C736C3 shade: #7D36C8, #A336C8, #C836C5, #C8369E and #C83678

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C736C3 shade: #872584, #A72DA4, #C836C4, #D157CD and #D977D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C736C3 shade: #C736C3, #C85636 and #36C890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C736C3 shade: #C736C3, #C5C836 and #36C5C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C736C3 shade: #C736C3, #C85636, #36C839 and #36A8C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C736C3 shade: #C736C3, #C88136, #36C839 and #367DC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 2 / 22

HEX #C736C3

RGB 199 54 195

HSL 301.66, 0.57%, 0.5%

LAB 50.36, 71.4, -43.32

 

Complementary color

CMYK 72 / 0 / 70 / 21

HEX #38C93C

RGB 56 201 60

HSL 121.66, 0.57%, 0.5%

LAB 71.51, -64.14, 56.81

 

CMYK 0 / 74 / 7 / 20

HEX #CC36BE

RGB 204 54 190

HSL 305.6, 0.6%, 0.51%

LAB 50.91, 71.72, -39.5

 

CMYK 0 / 67 / 5 / 13

HEX #DD48D1

RGB 221 72 209

HSL 304.83, 0.69%, 0.57%

LAB 56.69, 72.41, -41.12

 

CMYK 0 / 62 / 4 / 7

HEX #EE5AE4

RGB 238 90 228

HSL 304.05, 0.81%, 0.64%

LAB 62.58, 72.61, -42.4

 

CMYK 0 / 58 / 3 / 0

HEX #FF6CF7

RGB 255 108 247

HSL 303.27, 1%, 0.71%

LAB 68.53, 72.48, -43.41

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 73 / 2 / 22

HEX #C736C3

RGB 199 54 195

HSL 301.66, 0.57%, 0.5%

LAB 50.36, 71.4, -43.32

 

CMYK 0 / 80 / 3 / 29

HEX #B624B0

RGB 182 36 176

HSL 302.47, 0.67%, 0.43%

LAB 44.72, 70.02, -41.34

 

CMYK 0 / 89 / 5 / 35

HEX #A5129D

RGB 165 18 157

HSL 303.27, 0.8%, 0.36%

LAB 39.35, 67.56, -38.69

 

CMYK 0 / 100 / 7 / 42

HEX #94008A

RGB 148 0 138

HSL 304.05, 1%, 0.29%

LAB 34.25, 63.99, -35.38

 

CMYK 0 / 100 / 9 / 49

HEX #830077

RGB 131 0 119

HSL 305.5, 1%, 0.26%

LAB 29.81, 58.11, -30.73

 

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

CMYK 0 / 73 / 22 / 22

HEX #C8369C

RGB 200 54 156

HSL 318.08, 0.57%, 0.5%

LAB 48.66, 65.99, -23.07

 

CMYK 0 / 73 / 42 / 22

HEX #C83675

RGB 200 54 117

HSL 334.11, 0.57%, 0.5%

LAB 47.24, 61.49, -1.67

 

CMYK 0 / 73 / 61 / 22

HEX #C8364E

RGB 200 54 78

HSL 350.14, 0.57%, 0.5%

LAB 46.27, 58.3, 20.9

 

CMYK 0 / 73 / 73 / 22

HEX #C83636

RGB 200 54 54

HSL 0, 0.57%, 0.5%

LAB 45.89, 57.01, 34.79

 

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

CMYK 18 / 73 / 0 / 22

HEX #A536C8

RGB 165 54 200

HSL 285.62, 0.57%, 0.5%

LAB 45.37, 65.22, -54.49

 

CMYK 38 / 73 / 0 / 22

HEX #7D36C8

RGB 125 54 200

HSL 269.18, 0.57%, 0.5%

LAB 39.86, 57.61, -63.67

 

CMYK 57 / 73 / 0 / 22

HEX #5636C8

RGB 86 54 200

HSL 253.15, 0.57%, 0.5%

LAB 35.57, 51.37, -70.86

 

CMYK 73 / 73 / 0 / 22

HEX #3636C8

RGB 54 54 200

HSL 240, 0.57%, 0.5%

LAB 33.12, 47.64, -74.99

 

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

CMYK 0 / 85 / 2 / 14

HEX #DC22D7

RGB 220 34 215

HSL 301.61, 0.73%, 0.5%

LAB 53.24, 83.46, -50.02

 

CMYK 0 / 95 / 2 / 5

HEX #F10DEB

RGB 241 13 235

HSL 301.58, 0.9%, 0.5%

LAB 57.06, 92.47, -55.03

 

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

CMYK 0 / 58 / 2 / 30

HEX #B34BB0

RGB 179 75 176

HSL 301.73, 0.41%, 0.5%

LAB 49.19, 55.39, -34.31

 

CMYK 0 / 39 / 1 / 38

HEX #9E609D

RGB 158 96 157

HSL 300.97, 0.24%, 0.5%

LAB 49.58, 34.97, -22.75

 

CMYK 0 / 16 / 1 / 46

HEX #8A7489

RGB 138 116 137

HSL 302.73, 0.09%, 0.5%

LAB 51.5, 12.49, -8.26

 

CMYK 15 / 0 / 14 / 46

HEX #758976

RGB 117 137 118

HSL 123, 0.08%, 0.5%

LAB 55.05, -11.11, 7.79

 

CMYK 38 / 73 / 0 / 22

HEX #7D36C8

RGB 125 54 200

HSL 269.18, 0.57%, 0.5%

LAB 39.86, 57.61, -63.67

 

CMYK 19 / 73 / 0 / 22

HEX #A336C8

RGB 163 54 200

HSL 284.79, 0.57%, 0.5%

LAB 45.07, 64.82, -54.98

 

CMYK 0 / 73 / 1 / 22

HEX #C836C5

RGB 200 54 197

HSL 301.23, 0.57%, 0.5%

LAB 50.63, 71.93, -44.04

 

CMYK 0 / 73 / 21 / 22

HEX #C8369E

RGB 200 54 158

HSL 317.26, 0.57%, 0.5%

LAB 48.74, 66.25, -24.13

 

CMYK 0 / 73 / 40 / 22

HEX #C83678

RGB 200 54 120

HSL 332.88, 0.57%, 0.5%

LAB 47.33, 61.79, -3.36

 

CMYK 0 / 73 / 2 / 47

HEX #872584

RGB 135 37 132

HSL 301.84, 0.57%, 0.34%

LAB 34.27, 52.41, -31.77

 

CMYK 0 / 73 / 2 / 35

HEX #A72DA4

RGB 167 45 164

HSL 301.48, 0.58%, 0.42%

LAB 42.42, 62.35, -38.01

 

CMYK 0 / 73 / 2 / 22

HEX #C836C4

RGB 200 54 196

HSL 301.64, 0.57%, 0.5%

LAB 50.57, 71.78, -43.55

 

CMYK 0 / 58 / 2 / 18

HEX #D157CD

RGB 209 87 205

HSL 301.97, 0.57%, 0.58%

LAB 56.86, 62.88, -38.71

 

CMYK 0 / 45 / 1 / 15

HEX #D977D7

RGB 217 119 215

HSL 301.22, 0.56%, 0.66%

LAB 64.04, 51.72, -33.06

 

CMYK 0 / 73 / 2 / 22

HEX #C736C3

RGB 199 54 195

HSL 301.66, 0.57%, 0.5%

LAB 50.36, 71.4, -43.32

 

CMYK 0 / 57 / 73 / 22

HEX #C85636

RGB 200 86 54

HSL 13.15, 0.57%, 0.5%

LAB 50.92, 43.49, 40.43

 

CMYK 73 / 0 / 28 / 22

HEX #36C890

RGB 54 200 144

HSL 156.99, 0.57%, 0.5%

LAB 72.3, -51.07, 17.27

 

CMYK 0 / 73 / 2 / 22

HEX #C736C3

RGB 199 54 195

HSL 301.66, 0.57%, 0.5%

LAB 50.36, 71.4, -43.32

 

CMYK 1 / 0 / 73 / 22

HEX #C5C836

RGB 197 200 54

HSL 61.23, 0.57%, 0.5%

LAB 78.14, -17.96, 67.85

 

CMYK 73 / 1 / 0 / 22

HEX #36C5C8

RGB 54 197 200

HSL 181.23, 0.57%, 0.5%

LAB 72.82, -35.31, -12.3

 

CMYK 0 / 73 / 2 / 22

HEX #C736C3

RGB 199 54 195

HSL 301.66, 0.57%, 0.5%

LAB 50.36, 71.4, -43.32

 

CMYK 0 / 57 / 73 / 22

HEX #C85636

RGB 200 86 54

HSL 13.15, 0.57%, 0.5%

LAB 50.92, 43.49, 40.43

 

CMYK 73 / 0 / 72 / 22

HEX #36C839

RGB 54 200 57

HSL 121.23, 0.57%, 0.5%

LAB 71.14, -64.4, 57.53

 

CMYK 73 / 16 / 0 / 22

HEX #36A8C8

RGB 54 168 200

HSL 193.15, 0.57%, 0.5%

LAB 64.13, -21.02, -25.49

 

CMYK 0 / 73 / 2 / 22

HEX #C736C3

RGB 199 54 195

HSL 301.66, 0.57%, 0.5%

LAB 50.36, 71.4, -43.32

 

CMYK 0 / 36 / 73 / 22

HEX #C88136

RGB 200 129 54

HSL 30.82, 0.57%, 0.5%

LAB 60.11, 20.98, 50.21

 

CMYK 73 / 0 / 72 / 22

HEX #36C839

RGB 54 200 57

HSL 121.23, 0.57%, 0.5%

LAB 71.14, -64.4, 57.53

 

CMYK 73 / 38 / 0 / 22

HEX #367DC8

RGB 54 125 200

HSL 210.82, 0.57%, 0.5%

LAB 51.41, 3.24, -45.36

 

Description

Color code: HEX #C736C3 | qconv.com Color code: HEX #C736C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 54 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 54 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 2 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 2% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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