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Color name
HEX #C736C8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C736C8 it is the complementary color #38C937. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C736C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C736C8 shade: #CC36C3, #DD48D6, #EE5AE9, #FF6CFC and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C736C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C736C8 shade: #C736C8, #B624B5, #A512A2, #94008F and #83007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C736C8 shade: #C736C8, #C836A1, #C8367A, #C83653 and #C83636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C736C8 shade: #C736C8, #9F36C8, #7836C8, #5136C8 and #3636C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C736C8 shade matches the following richer shades: #C736C8, #DB22DC and #EF0DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C736C8 shade: #C736C8, #B24BB3, #9E609E, #8A748A and #758975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C736C8 shade: #7836C8, #9E36C8, #C536C8, #C836A3 and #C8367D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C736C8 shade: #862587, #A62DA7, #C736C8, #D057D1 and #D977D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C736C8 shade: #C736C8, #C85136 and #36C88B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C736C8 shade: #C736C8, #C8C536 and #36C8C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C736C8 shade: #C736C8, #C85136, #39C836 and #36ADC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C736C8 shade: #C736C8, #C87D36, #39C836 and #3681C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

Complementary color

CMYK 72 / 0 / 73 / 21

HEX #38C937

RGB 56 201 55

HSL 119.59, 0.57%, 0.5%

LAB 71.48, -64.56, 58.62

 

CMYK 0 / 74 / 4 / 20

HEX #CC36C3

RGB 204 54 195

HSL 303.6, 0.6%, 0.51%

LAB 51.17, 72.48, -41.99

 

CMYK 0 / 67 / 3 / 13

HEX #DD48D6

RGB 221 72 214

HSL 302.82, 0.69%, 0.57%

LAB 56.94, 73.19, -43.57

 

CMYK 0 / 62 / 2 / 7

HEX #EE5AE9

RGB 238 90 233

HSL 302.03, 0.81%, 0.64%

LAB 62.82, 73.41, -44.81

 

CMYK 0 / 58 / 1 / 0

HEX #FF6CFC

RGB 255 108 252

HSL 301.22, 1%, 0.71%

LAB 68.76, 73.29, -45.8

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

CMYK 0 / 80 / 1 / 29

HEX #B624B5

RGB 182 36 181

HSL 300.41, 0.67%, 0.43%

LAB 45, 70.79, -43.84

 

CMYK 0 / 89 / 2 / 35

HEX #A512A2

RGB 165 18 162

HSL 301.22, 0.8%, 0.36%

LAB 39.65, 68.31, -41.24

 

CMYK 0 / 100 / 3 / 42

HEX #94008F

RGB 148 0 143

HSL 302.03, 1%, 0.29%

LAB 34.56, 64.73, -37.98

 

CMYK 0 / 100 / 5 / 49

HEX #83007C

RGB 131 0 124

HSL 303.21, 1%, 0.26%

LAB 30.11, 58.86, -33.42

 

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

CMYK 0 / 73 / 20 / 22

HEX #C836A1

RGB 200 54 161

HSL 316.03, 0.57%, 0.5%

LAB 48.87, 66.65, -25.71

 

CMYK 0 / 73 / 39 / 22

HEX #C8367A

RGB 200 54 122

HSL 332.05, 0.57%, 0.5%

LAB 47.4, 62, -4.49

 

CMYK 0 / 73 / 59 / 22

HEX #C83653

RGB 200 54 83

HSL 348.08, 0.57%, 0.5%

LAB 46.37, 58.63, 17.97

 

CMYK 0 / 73 / 73 / 22

HEX #C83636

RGB 200 54 54

HSL 0, 0.57%, 0.5%

LAB 45.89, 57.01, 34.79

 

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

CMYK 21 / 73 / 0 / 22

HEX #9F36C8

RGB 159 54 200

HSL 283.15, 0.57%, 0.5%

LAB 44.49, 64.02, -55.96

 

CMYK 40 / 73 / 0 / 22

HEX #7836C8

RGB 120 54 200

HSL 267.12, 0.57%, 0.5%

LAB 39.24, 56.73, -64.71

 

CMYK 60 / 73 / 0 / 22

HEX #5136C8

RGB 81 54 200

HSL 251.1, 0.57%, 0.5%

LAB 35.12, 50.69, -71.62

 

CMYK 73 / 73 / 0 / 22

HEX #3636C8

RGB 54 54 200

HSL 240, 0.57%, 0.5%

LAB 33.12, 47.64, -74.99

 

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

CMYK 0 / 85 / 0 / 14

HEX #DB22DC

RGB 219 34 220

HSL 299.68, 0.73%, 0.5%

LAB 53.35, 84.02, -52.7

 

CMYK 1 / 95 / 0 / 5

HEX #EF0DF1

RGB 239 13 241

HSL 299.47, 0.9%, 0.5%

LAB 57.07, 93, -58.41

 

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

CMYK 1 / 58 / 0 / 30

HEX #B24BB3

RGB 178 75 179

HSL 299.42, 0.41%, 0.5%

LAB 49.19, 55.65, -36.07

 

CMYK 0 / 39 / 0 / 38

HEX #9E609E

RGB 158 96 158

HSL 300, 0.24%, 0.5%

LAB 49.62, 35.16, -23.28

 

CMYK 0 / 16 / 0 / 46

HEX #8A748A

RGB 138 116 138

HSL 300, 0.09%, 0.5%

LAB 51.53, 12.7, -8.8

 

CMYK 15 / 0 / 15 / 46

HEX #758975

RGB 117 137 117

HSL 120, 0.08%, 0.5%

LAB 55.03, -11.3, 8.33

 

CMYK 40 / 73 / 0 / 22

HEX #7836C8

RGB 120 54 200

HSL 267.12, 0.57%, 0.5%

LAB 39.24, 56.73, -64.71

 

CMYK 21 / 73 / 0 / 22

HEX #9E36C8

RGB 158 54 200

HSL 282.74, 0.57%, 0.5%

LAB 44.34, 63.83, -56.2

 

CMYK 1 / 73 / 0 / 22

HEX #C536C8

RGB 197 54 200

HSL 298.77, 0.57%, 0.5%

LAB 50.31, 71.78, -46.31

 

CMYK 0 / 73 / 19 / 22

HEX #C836A3

RGB 200 54 163

HSL 315.21, 0.57%, 0.5%

LAB 48.96, 66.92, -26.76

 

CMYK 0 / 73 / 38 / 22

HEX #C8367D

RGB 200 54 125

HSL 330.82, 0.57%, 0.5%

LAB 47.49, 62.31, -6.17

 

CMYK 1 / 73 / 0 / 47

HEX #862587

RGB 134 37 135

HSL 299.39, 0.57%, 0.34%

LAB 34.27, 52.7, -33.64

 

CMYK 1 / 73 / 0 / 35

HEX #A62DA7

RGB 166 45 167

HSL 299.51, 0.58%, 0.42%

LAB 42.42, 62.63, -39.81

 

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

CMYK 0 / 58 / 0 / 18

HEX #D057D1

RGB 208 87 209

HSL 299.51, 0.57%, 0.58%

LAB 56.91, 63.31, -40.91

 

CMYK 0 / 45 / 0 / 15

HEX #D977D9

RGB 217 119 217

HSL 300, 0.56%, 0.66%

LAB 64.12, 52.08, -34.05

 

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

CMYK 0 / 60 / 73 / 22

HEX #C85136

RGB 200 81 54

HSL 11.1, 0.57%, 0.5%

LAB 50.01, 45.87, 39.43

 

CMYK 73 / 0 / 31 / 22

HEX #36C88B

RGB 54 200 139

HSL 154.93, 0.57%, 0.5%

LAB 72.2, -52.15, 19.8

 

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

CMYK 0 / 1 / 73 / 22

HEX #C8C536

RGB 200 197 54

HSL 58.77, 0.57%, 0.5%

LAB 77.57, -15.19, 67.4

 

CMYK 73 / 0 / 1 / 22

HEX #36C8C5

RGB 54 200 197

HSL 178.77, 0.57%, 0.5%

LAB 73.63, -37.57, -9.46

 

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

CMYK 0 / 60 / 73 / 22

HEX #C85136

RGB 200 81 54

HSL 11.1, 0.57%, 0.5%

LAB 50.01, 45.87, 39.43

 

CMYK 72 / 0 / 73 / 22

HEX #39C836

RGB 57 200 54

HSL 118.77, 0.57%, 0.5%

LAB 71.18, -64.15, 58.68

 

CMYK 73 / 14 / 0 / 22

HEX #36ADC8

RGB 54 173 200

HSL 191.1, 0.57%, 0.5%

LAB 65.63, -23.59, -23.19

 

CMYK 0 / 73 / 0 / 22

HEX #C736C8

RGB 199 54 200

HSL 299.59, 0.57%, 0.5%

LAB 50.63, 72.2, -45.78

 

CMYK 0 / 38 / 73 / 22

HEX #C87D36

RGB 200 125 54

HSL 29.18, 0.57%, 0.5%

LAB 59.17, 23.17, 49.24

 

CMYK 72 / 0 / 73 / 22

HEX #39C836

RGB 57 200 54

HSL 118.77, 0.57%, 0.5%

LAB 71.18, -64.15, 58.68

 

CMYK 73 / 36 / 0 / 22

HEX #3681C8

RGB 54 129 200

HSL 209.18, 0.57%, 0.5%

LAB 52.57, 0.83, -43.52

 

Description

Color code: HEX #C736C8 | qconv.com Color code: HEX #C736C8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 54 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 54 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 0% 22% C M Y K

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