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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C73B4B it is the complementary color #38C4B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C73B4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C73B4B shade: #CC3B46, #DD4D59, #EE5F6C, #FF717F and #FF8392

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C73B4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C73B4B shade: #C73B4B, #B62938, #A51725, #940512 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C73B4B shade: #C83C4C and #C83C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C73B4B shade: #C83C4C, #C83C71, #C83C97, #C83CBD and #AD3CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C73B4B shade matches the following richer shades: #C83C4C, #DC273C and #F0132C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C73B4B shade: #C83C4C, #B3505B, #9F646B, #8B787A and #778C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C73B4B shade: #C83C97, #C83C71, #C83C4C, #C8513C and #C8763C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C73B4B shade: #8A2732, #AA303E, #C83C4C, #D15C69 and #DA7C87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C73B4B shade: #C73B4B, #BCC83C and #3C84C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C73B4B shade: #C73B4B, #4CC83C and #3C4CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C73B4B shade: #C73B4B, #BCC83C, #3CC8B7 and #473CC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C73B4B shade: #C73B4B, #92C83C, #3CC8B7 and #713CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 62 / 22

HEX #C73B4B

RGB 199 59 75

HSL 353.14, 0.56%, 0.51%

LAB 46.68, 56, 23.23

 

Complementary color

CMYK 71 / 0 / 8 / 23

HEX #38C4B4

RGB 56 196 180

HSL 173.14, 0.56%, 0.49%

LAB 71.97, -40.24, -2.67

 

CMYK 0 / 71 / 66 / 20

HEX #CC3B46

RGB 204 59 70

HSL 355.45, 0.59%, 0.52%

LAB 47.5, 57.26, 27.48

 

CMYK 0 / 65 / 60 / 13

HEX #DD4D59

RGB 221 77 89

HSL 355, 0.68%, 0.58%

LAB 53.39, 56.82, 24.34

 

CMYK 0 / 60 / 55 / 7

HEX #EE5F6C

RGB 238 95 108

HSL 354.55, 0.81%, 0.65%

LAB 59.38, 56.09, 21.71

 

CMYK 0 / 56 / 50 / 0

HEX #FF717F

RGB 255 113 127

HSL 354.08, 1%, 0.72%

LAB 65.44, 55.21, 19.48

 

CMYK 0 / 49 / 43 / 0

HEX #FF8392

RGB 255 131 146

HSL 352.74, 1%, 0.76%

LAB 69.16, 48.43, 13.92

 

CMYK 0 / 70 / 62 / 22

HEX #C73B4B

RGB 199 59 75

HSL 353.14, 0.56%, 0.51%

LAB 46.68, 56, 23.23

 

CMYK 0 / 77 / 69 / 29

HEX #B62938

RGB 182 41 56

HSL 353.62, 0.63%, 0.44%

LAB 40.92, 55.94, 26.88

 

CMYK 0 / 86 / 78 / 35

HEX #A51725

RGB 165 23 37

HSL 354.08, 0.76%, 0.37%

LAB 35.49, 55.04, 31.28

 

CMYK 0 / 97 / 88 / 42

HEX #940512

RGB 148 5 18

HSL 354.55, 0.93%, 0.3%

LAB 30.52, 52.93, 36.13

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 70 / 62 / 22

HEX #C83C4C

RGB 200 60 76

HSL 353.14, 0.56%, 0.51%

LAB 47.02, 56, 23.1

 

CMYK 0 / 70 / 70 / 22

HEX #C83C3C

RGB 200 60 60

HSL 0, 0.56%, 0.51%

LAB 46.76, 55.1, 32.32

 

CMYK 0 / 70 / 62 / 22

HEX #C83C4C

RGB 200 60 76

HSL 353.14, 0.56%, 0.51%

LAB 47.02, 56, 23.1

 

CMYK 0 / 70 / 44 / 22

HEX #C83C71

RGB 200 60 113

HSL 337.29, 0.56%, 0.51%

LAB 47.88, 58.97, 1.72

 

CMYK 0 / 70 / 25 / 22

HEX #C83C97

RGB 200 60 151

HSL 321, 0.56%, 0.51%

LAB 49.19, 63.28, -19.28

 

CMYK 0 / 70 / 5 / 22

HEX #C83CBD

RGB 200 60 189

HSL 304.71, 0.56%, 0.51%

LAB 50.9, 68.71, -38.97

 

CMYK 14 / 70 / 0 / 22

HEX #AD3CC8

RGB 173 60 200

HSL 288.43, 0.56%, 0.51%

LAB 47.35, 64.62, -51.25

 

CMYK 0 / 70 / 62 / 22

HEX #C83C4C

RGB 200 60 76

HSL 353.14, 0.56%, 0.51%

LAB 47.02, 56, 23.1

 

CMYK 0 / 82 / 73 / 14

HEX #DC273C

RGB 220 39 60

HSL 353.04, 0.72%, 0.51%

LAB 48.25, 67.44, 35.02

 

CMYK 0 / 92 / 82 / 6

HEX #F0132C

RGB 240 19 44

HSL 353.21, 0.88%, 0.51%

LAB 50.89, 75.52, 48

 

CMYK 0 / 70 / 62 / 22

HEX #C83C4C

RGB 200 60 76

HSL 353.14, 0.56%, 0.51%

LAB 47.02, 56, 23.1

 

CMYK 0 / 55 / 49 / 30

HEX #B3505B

RGB 179 80 91

HSL 353.33, 0.39%, 0.51%

LAB 47.07, 41.27, 13.48

 

CMYK 0 / 37 / 33 / 38

HEX #9F646B

RGB 159 100 107

HSL 352.88, 0.24%, 0.51%

LAB 48.94, 24.77, 6.07

 

CMYK 0 / 14 / 12 / 45

HEX #8B787A

RGB 139 120 122

HSL 353.68, 0.08%, 0.51%

LAB 52.2, 7.69, 1.61

 

CMYK 15 / 0 / 1 / 45

HEX #778C8A

RGB 119 140 138

HSL 174.29, 0.08%, 0.51%

LAB 56.6, -7.92, -1.47

 

CMYK 0 / 70 / 25 / 22

HEX #C83C97

RGB 200 60 151

HSL 321, 0.56%, 0.51%

LAB 49.19, 63.28, -19.28

 

CMYK 0 / 70 / 44 / 22

HEX #C83C71

RGB 200 60 113

HSL 337.29, 0.56%, 0.51%

LAB 47.88, 58.97, 1.72

 

CMYK 0 / 70 / 62 / 22

HEX #C83C4C

RGB 200 60 76

HSL 353.14, 0.56%, 0.51%

LAB 47.02, 56, 23.1

 

CMYK 0 / 60 / 70 / 22

HEX #C8513C

RGB 200 81 60

HSL 9, 0.56%, 0.51%

LAB 50.09, 46.16, 36.22

 

CMYK 0 / 41 / 70 / 22

HEX #C8763C

RGB 200 118 60

HSL 24.86, 0.56%, 0.51%

LAB 57.62, 27.27, 44.69

 

CMYK 0 / 72 / 64 / 46

HEX #8A2732

RGB 138 39 50

HSL 353.33, 0.56%, 0.35%

LAB 32, 42.42, 17.6

 

CMYK 0 / 72 / 64 / 33

HEX #AA303E

RGB 170 48 62

HSL 353.11, 0.56%, 0.43%

LAB 39.59, 50.16, 21

 

CMYK 0 / 70 / 62 / 22

HEX #C83C4C

RGB 200 60 76

HSL 353.14, 0.56%, 0.51%

LAB 47.02, 56, 23.1

 

CMYK 0 / 56 / 50 / 18

HEX #D15C69

RGB 209 92 105

HSL 353.33, 0.56%, 0.59%

LAB 54.27, 47.36, 15.76

 

CMYK 0 / 43 / 38 / 15

HEX #DA7C87

RGB 218 124 135

HSL 352.98, 0.56%, 0.67%

LAB 62.57, 37.58, 10.14

 

CMYK 0 / 70 / 62 / 22

HEX #C73B4B

RGB 199 59 75

HSL 353.14, 0.56%, 0.51%

LAB 46.68, 56, 23.23

 

CMYK 6 / 0 / 70 / 22

HEX #BCC83C

RGB 188 200 60

HSL 65.14, 0.56%, 0.51%

LAB 77.48, -21.44, 64.88

 

CMYK 70 / 34 / 0 / 22

HEX #3C84C8

RGB 60 132 200

HSL 209.14, 0.56%, 0.51%

LAB 53.64, -0.11, -41.82

 

CMYK 0 / 70 / 62 / 22

HEX #C73B4B

RGB 199 59 75

HSL 353.14, 0.56%, 0.51%

LAB 46.68, 56, 23.23

 

CMYK 62 / 0 / 70 / 22

HEX #4CC83C

RGB 76 200 60

HSL 113.14, 0.56%, 0.51%

LAB 71.67, -59.9, 57.12

 

CMYK 70 / 62 / 0 / 22

HEX #3C4CC8

RGB 60 76 200

HSL 233.14, 0.56%, 0.51%

LAB 38.37, 35.06, -66.35

 

CMYK 0 / 70 / 62 / 22

HEX #C73B4B

RGB 199 59 75

HSL 353.14, 0.56%, 0.51%

LAB 46.68, 56, 23.23

 

CMYK 6 / 0 / 70 / 22

HEX #BCC83C

RGB 188 200 60

HSL 65.14, 0.56%, 0.51%

LAB 77.48, -21.44, 64.88

 

CMYK 70 / 0 / 9 / 22

HEX #3CC8B7

RGB 60 200 183

HSL 172.71, 0.56%, 0.51%

LAB 73.34, -40.68, -2.27

 

CMYK 65 / 70 / 0 / 22

HEX #473CC8

RGB 71 60 200

HSL 244.71, 0.56%, 0.51%

LAB 35.48, 46.12, -71.06

 

CMYK 0 / 70 / 62 / 22

HEX #C73B4B

RGB 199 59 75

HSL 353.14, 0.56%, 0.51%

LAB 46.68, 56, 23.23

 

CMYK 27 / 0 / 70 / 22

HEX #92C83C

RGB 146 200 60

HSL 83.14, 0.56%, 0.51%

LAB 74.66, -38.23, 61.14

 

CMYK 70 / 0 / 9 / 22

HEX #3CC8B7

RGB 60 200 183

HSL 172.71, 0.56%, 0.51%

LAB 73.34, -40.68, -2.27

 

CMYK 44 / 70 / 0 / 22

HEX #713CC8

RGB 113 60 200

HSL 262.71, 0.56%, 0.51%

LAB 39.43, 52.65, -64.43

 

Description

Color code: HEX #C73B4B | qconv.com Color code: HEX #C73B4B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 59 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 59 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 62 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 62% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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