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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C74171 it is the complementary color #38BE8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C74171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C74171 shade: #CC416C, #DD537F, #EE6592, #FF77A5 and #FF89B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C74171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C74171 shade: #C74171, #B62F5E, #A51D4B, #940B38 and #830025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C74171 shade: #C64271, #C6424E and #C64242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C74171 shade: #C64271, #C64295, #C642B9, #B042C6 and #8C42C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C74171 shade matches the following richer shades: #C64271, #DA2E6C and #EE1A66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C74171 shade: #C64271, #B25677, #9F6A7D, #8B7D82 and #779188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C74171 shade: #C642B9, #C64296, #C64272, #C6424F and #C65842

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C74171 shade: #8C2A4D, #AC335E, #C64271, #D06289 and #D982A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C74171 shade: #C74171, #C6B042 and #42A7C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C74171 shade: #C74171, #72C642 and #4272C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C74171 shade: #C74171, #C6B042, #42C696 and #4258C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C74171 shade: #C74171, #B5C642, #42C696 and #5442C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 43 / 22

HEX #C74171

RGB 199 65 113

HSL 338.51, 0.54%, 0.52%

LAB 48.4, 56.76, 2.45

 

Complementary color

CMYK 71 / 0 / 25 / 25

HEX #38BE8E

RGB 56 190 142

HSL 158.51, 0.54%, 0.48%

LAB 69.2, -47.19, 14.03

 

CMYK 0 / 68 / 47 / 20

HEX #CC416C

RGB 204 65 108

HSL 341.44, 0.58%, 0.53%

LAB 49.13, 57.79, 6.65

 

CMYK 0 / 62 / 43 / 13

HEX #DD537F

RGB 221 83 127

HSL 340.87, 0.67%, 0.6%

LAB 55.17, 57.49, 4.28

 

CMYK 0 / 58 / 39 / 7

HEX #EE6592

RGB 238 101 146

HSL 340.29, 0.8%, 0.66%

LAB 61.27, 56.92, 2.34

 

CMYK 0 / 53 / 35 / 0

HEX #FF77A5

RGB 255 119 165

HSL 339.71, 1%, 0.73%

LAB 67.4, 56.21, 0.69

 

CMYK 0 / 46 / 28 / 0

HEX #FF89B8

RGB 255 137 184

HSL 336.1, 1%, 0.77%

LAB 71.29, 49.88, -4.28

 

CMYK 0 / 67 / 43 / 22

HEX #C74171

RGB 199 65 113

HSL 338.51, 0.54%, 0.52%

LAB 48.4, 56.76, 2.45

 

CMYK 0 / 74 / 48 / 29

HEX #B62F5E

RGB 182 47 94

HSL 339.11, 0.59%, 0.45%

LAB 42.44, 56.62, 5.19

 

CMYK 0 / 82 / 55 / 35

HEX #A51D4B

RGB 165 29 75

HSL 339.71, 0.7%, 0.38%

LAB 36.72, 55.73, 8.69

 

CMYK 0 / 93 / 62 / 42

HEX #940B38

RGB 148 11 56

HSL 340.29, 0.86%, 0.31%

LAB 31.4, 53.63, 13.24

 

CMYK 0 / 100 / 72 / 49

HEX #830025

RGB 131 0 37

HSL 343.05, 1%, 0.26%

LAB 26.62, 49.92, 19.03

 

CMYK 0 / 67 / 43 / 22

HEX #C64271

RGB 198 66 113

HSL 338.64, 0.54%, 0.52%

LAB 48.38, 56.06, 2.39

 

CMYK 0 / 67 / 61 / 22

HEX #C6424E

RGB 198 66 78

HSL 354.55, 0.54%, 0.52%

LAB 47.56, 53.13, 22.53

 

CMYK 0 / 67 / 67 / 22

HEX #C64242

RGB 198 66 66

HSL 0, 0.54%, 0.52%

LAB 47.36, 52.39, 29.44

 

CMYK 0 / 67 / 43 / 22

HEX #C64271

RGB 198 66 113

HSL 338.64, 0.54%, 0.52%

LAB 48.38, 56.06, 2.39

 

CMYK 0 / 67 / 25 / 22

HEX #C64295

RGB 198 66 149

HSL 322.27, 0.54%, 0.52%

LAB 49.58, 60.23, -17.51

 

CMYK 0 / 67 / 7 / 22

HEX #C642B9

RGB 198 66 185

HSL 305.91, 0.54%, 0.52%

LAB 51.16, 65.44, -36.27

 

CMYK 11 / 67 / 0 / 22

HEX #B042C6

RGB 176 66 198

HSL 290, 0.54%, 0.52%

LAB 48.52, 62.52, -48.2

 

CMYK 29 / 67 / 0 / 22

HEX #8C42C6

RGB 140 66 198

HSL 273.64, 0.54%, 0.52%

LAB 43.58, 54.57, -56.4

 

CMYK 0 / 67 / 43 / 22

HEX #C64271

RGB 198 66 113

HSL 338.64, 0.54%, 0.52%

LAB 48.38, 56.06, 2.39

 

CMYK 0 / 79 / 50 / 15

HEX #DA2E6C

RGB 218 46 108

HSL 338.37, 0.7%, 0.52%

LAB 49.43, 67.98, 7.41

 

CMYK 0 / 89 / 57 / 7

HEX #EE1A66

RGB 238 26 102

HSL 338.49, 0.86%, 0.52%

LAB 51.7, 76.64, 14.81

 

CMYK 0 / 67 / 43 / 22

HEX #C64271

RGB 198 66 113

HSL 338.64, 0.54%, 0.52%

LAB 48.38, 56.06, 2.39

 

CMYK 0 / 52 / 33 / 30

HEX #B25677

RGB 178 86 119

HSL 338.48, 0.37%, 0.52%

LAB 48.83, 41.02, -0.97

 

CMYK 0 / 33 / 21 / 38

HEX #9F6A7D

RGB 159 106 125

HSL 338.49, 0.22%, 0.52%

LAB 50.87, 24.02, -1.85

 

CMYK 0 / 10 / 6 / 45

HEX #8B7D82

RGB 139 125 130

HSL 338.57, 0.06%, 0.52%

LAB 53.78, 6.27, -0.77

 

CMYK 18 / 0 / 6 / 43

HEX #779188

RGB 119 145 136

HSL 159.23, 0.11%, 0.52%

LAB 57.99, -11.11, 1.71

 

CMYK 0 / 67 / 7 / 22

HEX #C642B9

RGB 198 66 185

HSL 305.91, 0.54%, 0.52%

LAB 51.16, 65.44, -36.27

 

CMYK 0 / 67 / 24 / 22

HEX #C64296

RGB 198 66 150

HSL 321.82, 0.54%, 0.52%

LAB 49.62, 60.36, -18.04

 

CMYK 0 / 67 / 42 / 22

HEX #C64272

RGB 198 66 114

HSL 338.18, 0.54%, 0.52%

LAB 48.41, 56.16, 1.83

 

CMYK 0 / 67 / 60 / 22

HEX #C6424F

RGB 198 66 79

HSL 354.09, 0.54%, 0.52%

LAB 47.58, 53.19, 21.95

 

CMYK 0 / 56 / 67 / 22

HEX #C65842

RGB 198 88 66

HSL 10, 0.54%, 0.52%

LAB 51.13, 42.41, 34

 

CMYK 0 / 70 / 45 / 45

HEX #8C2A4D

RGB 140 42 77

HSL 338.57, 0.54%, 0.36%

LAB 33.49, 44.17, 2.14

 

CMYK 0 / 70 / 45 / 33

HEX #AC335E

RGB 172 51 94

HSL 338.68, 0.54%, 0.44%

LAB 41.13, 52.22, 3.07

 

CMYK 0 / 67 / 43 / 22

HEX #C64271

RGB 198 66 113

HSL 338.64, 0.54%, 0.52%

LAB 48.38, 56.06, 2.39

 

CMYK 0 / 53 / 34 / 18

HEX #D06289

RGB 208 98 137

HSL 338.73, 0.54%, 0.6%

LAB 56.04, 47.51, -0.59

 

CMYK 0 / 40 / 26 / 15

HEX #D982A1

RGB 217 130 161

HSL 338.62, 0.53%, 0.68%

LAB 64.4, 37.4, -2.05

 

CMYK 0 / 67 / 43 / 22

HEX #C74171

RGB 199 65 113

HSL 338.51, 0.54%, 0.52%

LAB 48.4, 56.76, 2.45

 

CMYK 0 / 11 / 67 / 22

HEX #C6B042

RGB 198 176 66

HSL 50, 0.54%, 0.52%

LAB 71.86, -4.64, 57.1

 

CMYK 67 / 16 / 0 / 22

HEX #42A7C6

RGB 66 167 198

HSL 194.09, 0.54%, 0.52%

LAB 64.06, -19.43, -24.46

 

CMYK 0 / 67 / 43 / 22

HEX #C74171

RGB 199 65 113

HSL 338.51, 0.54%, 0.52%

LAB 48.4, 56.76, 2.45

 

CMYK 42 / 0 / 67 / 22

HEX #72C642

RGB 114 198 66

HSL 98.18, 0.54%, 0.52%

LAB 72.47, -48.17, 56.02

 

CMYK 67 / 42 / 0 / 22

HEX #4272C6

RGB 66 114 198

HSL 218.18, 0.54%, 0.52%

LAB 48.6, 11.1, -48.66

 

CMYK 0 / 67 / 43 / 22

HEX #C74171

RGB 199 65 113

HSL 338.51, 0.54%, 0.52%

LAB 48.4, 56.76, 2.45

 

CMYK 0 / 11 / 67 / 22

HEX #C6B042

RGB 198 176 66

HSL 50, 0.54%, 0.52%

LAB 71.86, -4.64, 57.1

 

CMYK 67 / 0 / 24 / 22

HEX #42C696

RGB 66 198 150

HSL 158.18, 0.54%, 0.52%

LAB 72.06, -47.09, 13.75

 

CMYK 67 / 56 / 0 / 22

HEX #4258C6

RGB 66 88 198

HSL 230, 0.54%, 0.52%

LAB 41.56, 27.59, -59.99

 

CMYK 0 / 67 / 43 / 22

HEX #C74171

RGB 199 65 113

HSL 338.51, 0.54%, 0.52%

LAB 48.4, 56.76, 2.45

 

CMYK 9 / 0 / 67 / 22

HEX #B5C642

RGB 181 198 66

HSL 67.73, 0.54%, 0.52%

LAB 76.44, -23.02, 61.4

 

CMYK 67 / 0 / 24 / 22

HEX #42C696

RGB 66 198 150

HSL 158.18, 0.54%, 0.52%

LAB 72.06, -47.09, 13.75

 

CMYK 58 / 67 / 0 / 22

HEX #5442C6

RGB 84 66 198

HSL 248.18, 0.54%, 0.52%

LAB 37.59, 43.93, -66.4

 

Description

Color code: HEX #C74171 | qconv.com Color code: HEX #C74171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 65 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 65 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 43 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 43% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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