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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C74AA3 it is the complementary color #38B55C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C74AA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C74AA3 shade: #CC4A9E, #DD5CB1, #EE6EC4, #FF80D7 and #FF92EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C74AA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C74AA3 shade: #C74AA3, #B63890, #A5267D, #94146A and #830257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C74AA3 shade: #C74BA4, #C74B82, #C74B61 and #C74B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C74AA3 shade: #C74BA4, #C74BC5, #A84BC7, #874BC7 and #654BC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C74AA3 shade matches the following richer shades: #C74BA4, #DA38AC and #ED25B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C74AA3 shade: #C74BA4, #B45E9C, #A17193, #8E848B and #7B9783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C74AA3 shade: #A84BC7, #C74BC5, #C74BA4, #C74B83 and #C74B62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C74AA3 shade: #932D76, #B3378F, #C74BA4, #D16BB4 and #DB8AC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C74AA3 shade: #C74AA3, #C7874B and #4BC7B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C74AA3 shade: #C74AA3, #A4C74B and #4BA4C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C74AA3 shade: #C74AA3, #C7874B, #4BC76E and #4B8BC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C74AA3 shade: #C74AA3, #C7AC4B, #4BC76E and #4B66C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 18 / 22

HEX #C74AA3

RGB 199 74 163

HSL 317.28, 0.53%, 0.54%

LAB 51.48, 59.19, -22.88

 

Complementary color

CMYK 69 / 0 / 49 / 29

HEX #38B55C

RGB 56 181 92

HSL 137.28, 0.53%, 0.46%

LAB 65.48, -53.4, 35.49

 

CMYK 0 / 64 / 23 / 20

HEX #CC4A9E

RGB 204 74 158

HSL 321.23, 0.56%, 0.55%

LAB 52.07, 59.88, -18.97

 

CMYK 0 / 58 / 20 / 13

HEX #DD5CB1

RGB 221 92 177

HSL 320.47, 0.65%, 0.61%

LAB 58.23, 59.63, -20.4

 

CMYK 0 / 54 / 18 / 7

HEX #EE6EC4

RGB 238 110 196

HSL 319.69, 0.79%, 0.68%

LAB 64.41, 59.15, -21.57

 

CMYK 0 / 50 / 16 / 0

HEX #FF80D7

RGB 255 128 215

HSL 318.9, 1%, 0.75%

LAB 70.6, 58.55, -22.56

 

CMYK 0 / 43 / 8 / 0

HEX #FF92EA

RGB 255 146 234

HSL 311.56, 1%, 0.79%

LAB 74.67, 52.76, -26.78

 

CMYK 0 / 63 / 18 / 22

HEX #C74AA3

RGB 199 74 163

HSL 317.28, 0.53%, 0.54%

LAB 51.48, 59.19, -22.88

 

CMYK 0 / 69 / 21 / 29

HEX #B63890

RGB 182 56 144

HSL 318.1, 0.53%, 0.47%

LAB 45.34, 59.09, -21.25

 

CMYK 0 / 77 / 24 / 35

HEX #A5267D

RGB 165 38 125

HSL 318.9, 0.63%, 0.4%

LAB 39.35, 58.36, -19.1

 

CMYK 0 / 86 / 28 / 42

HEX #94146A

RGB 148 20 106

HSL 319.69, 0.76%, 0.33%

LAB 33.64, 56.62, -16.2

 

CMYK 0 / 98 / 34 / 49

HEX #830257

RGB 131 2 87

HSL 320.47, 0.97%, 0.26%

LAB 28.27, 53.61, -12.4

 

CMYK 0 / 62 / 18 / 22

HEX #C74BA4

RGB 199 75 164

HSL 316.94, 0.53%, 0.54%

LAB 51.67, 58.91, -23.17

 

CMYK 0 / 62 / 35 / 22

HEX #C74B82

RGB 199 75 130

HSL 333.39, 0.53%, 0.54%

LAB 50.44, 54.44, -4.84

 

CMYK 0 / 62 / 51 / 22

HEX #C74B61

RGB 199 75 97

HSL 349.35, 0.53%, 0.54%

LAB 49.54, 51.08, 13.76

 

CMYK 0 / 62 / 62 / 22

HEX #C74B4B

RGB 199 75 75

HSL 0, 0.53%, 0.54%

LAB 49.11, 49.42, 26.35

 

CMYK 0 / 62 / 18 / 22

HEX #C74BA4

RGB 199 75 164

HSL 316.94, 0.53%, 0.54%

LAB 51.67, 58.91, -23.17

 

CMYK 0 / 62 / 1 / 22

HEX #C74BC5

RGB 199 75 197

HSL 300.97, 0.53%, 0.54%

LAB 53.17, 64.09, -40.03

 

CMYK 16 / 62 / 0 / 22

HEX #A84BC7

RGB 168 75 199

HSL 285, 0.53%, 0.54%

LAB 48.86, 56.94, -48.3

 

CMYK 32 / 62 / 0 / 22

HEX #874BC7

RGB 135 75 199

HSL 269.03, 0.53%, 0.54%

LAB 44.67, 49.24, -55.25

 

CMYK 49 / 62 / 0 / 22

HEX #654BC7

RGB 101 75 199

HSL 252.58, 0.53%, 0.54%

LAB 41.09, 42.06, -61.21

 

CMYK 0 / 62 / 18 / 22

HEX #C74BA4

RGB 199 75 164

HSL 316.94, 0.53%, 0.54%

LAB 51.67, 58.91, -23.17

 

CMYK 0 / 74 / 21 / 15

HEX #DA38AC

RGB 218 56 172

HSL 317.04, 0.69%, 0.54%

LAB 52.63, 71.78, -26.13

 

CMYK 0 / 84 / 24 / 7

HEX #ED25B4

RGB 237 37 180

HSL 317.1, 0.85%, 0.54%

LAB 54.68, 81.61, -27.37

 

CMYK 0 / 62 / 18 / 22

HEX #C74BA4

RGB 199 75 164

HSL 316.94, 0.53%, 0.54%

LAB 51.67, 58.91, -23.17

 

CMYK 0 / 48 / 13 / 29

HEX #B45E9C

RGB 180 94 156

HSL 316.74, 0.36%, 0.54%

LAB 51.96, 43, -18.27

 

CMYK 0 / 30 / 9 / 37

HEX #A17193

RGB 161 113 147

HSL 317.5, 0.2%, 0.54%

LAB 53.49, 24.52, -10.9

 

CMYK 0 / 7 / 2 / 44

HEX #8E848B

RGB 142 132 139

HSL 318, 0.04%, 0.54%

LAB 56.21, 5.09, -2.41

 

CMYK 19 / 0 / 13 / 41

HEX #7B9783

RGB 123 151 131

HSL 137.14, 0.12%, 0.54%

LAB 59.87, -13.97, 7.3

 

CMYK 16 / 62 / 0 / 22

HEX #A84BC7

RGB 168 75 199

HSL 285, 0.53%, 0.54%

LAB 48.86, 56.94, -48.3

 

CMYK 0 / 62 / 1 / 22

HEX #C74BC5

RGB 199 75 197

HSL 300.97, 0.53%, 0.54%

LAB 53.17, 64.09, -40.03

 

CMYK 0 / 62 / 18 / 22

HEX #C74BA4

RGB 199 75 164

HSL 316.94, 0.53%, 0.54%

LAB 51.67, 58.91, -23.17

 

CMYK 0 / 62 / 34 / 22

HEX #C74B83

RGB 199 75 131

HSL 332.9, 0.53%, 0.54%

LAB 50.47, 54.56, -5.39

 

CMYK 0 / 62 / 51 / 22

HEX #C74B62

RGB 199 75 98

HSL 348.87, 0.53%, 0.54%

LAB 49.56, 51.17, 13.19

 

CMYK 0 / 69 / 20 / 42

HEX #932D76

RGB 147 45 118

HSL 317.06, 0.53%, 0.38%

LAB 36.72, 50.21, -19.06

 

CMYK 0 / 69 / 20 / 30

HEX #B3378F

RGB 179 55 143

HSL 317.42, 0.53%, 0.46%

LAB 44.66, 58.53, -21.73

 

CMYK 0 / 62 / 18 / 22

HEX #C74BA4

RGB 199 75 164

HSL 316.94, 0.53%, 0.54%

LAB 51.67, 58.91, -23.17

 

CMYK 0 / 49 / 14 / 18

HEX #D16BB4

RGB 209 107 180

HSL 317.06, 0.53%, 0.62%

LAB 59.31, 49.42, -20.62

 

CMYK 0 / 37 / 11 / 14

HEX #DB8AC4

RGB 219 138 196

HSL 317.04, 0.53%, 0.7%

LAB 67.44, 39.23, -17.19

 

CMYK 0 / 63 / 18 / 22

HEX #C74AA3

RGB 199 74 163

HSL 317.28, 0.53%, 0.54%

LAB 51.48, 59.19, -22.88

 

CMYK 0 / 32 / 62 / 22

HEX #C7874B

RGB 199 135 75

HSL 29.03, 0.53%, 0.54%

LAB 61.64, 18.51, 41.62

 

CMYK 62 / 0 / 7 / 22

HEX #4BC7B9

RGB 75 199 185

HSL 173.23, 0.53%, 0.54%

LAB 73.45, -37.41, -3.17

 

CMYK 0 / 63 / 18 / 22

HEX #C74AA3

RGB 199 74 163

HSL 317.28, 0.53%, 0.54%

LAB 51.48, 59.19, -22.88

 

CMYK 18 / 0 / 62 / 22

HEX #A4C74B

RGB 164 199 75

HSL 76.94, 0.53%, 0.54%

LAB 75.6, -29.76, 56.49

 

CMYK 62 / 18 / 0 / 22

HEX #4BA4C7

RGB 75 164 199

HSL 196.94, 0.53%, 0.54%

LAB 63.48, -16.02, -25.87

 

CMYK 0 / 63 / 18 / 22

HEX #C74AA3

RGB 199 74 163

HSL 317.28, 0.53%, 0.54%

LAB 51.48, 59.19, -22.88

 

CMYK 0 / 32 / 62 / 22

HEX #C7874B

RGB 199 135 75

HSL 29.03, 0.53%, 0.54%

LAB 61.64, 18.51, 41.62

 

CMYK 62 / 0 / 45 / 22

HEX #4BC76E

RGB 75 199 110

HSL 136.94, 0.53%, 0.54%

LAB 71.87, -53.6, 34.56

 

CMYK 62 / 30 / 0 / 22

HEX #4B8BC7

RGB 75 139 199

HSL 209.03, 0.53%, 0.54%

LAB 56.17, -2.05, -37.22

 

CMYK 0 / 63 / 18 / 22

HEX #C74AA3

RGB 199 74 163

HSL 317.28, 0.53%, 0.54%

LAB 51.48, 59.19, -22.88

 

CMYK 0 / 14 / 62 / 22

HEX #C7AC4B

RGB 199 172 75

HSL 46.94, 0.53%, 0.54%

LAB 70.98, -1.54, 52.22

 

CMYK 62 / 0 / 45 / 22

HEX #4BC76E

RGB 75 199 110

HSL 136.94, 0.53%, 0.54%

LAB 71.87, -53.6, 34.56

 

CMYK 62 / 49 / 0 / 22

HEX #4B66C7

RGB 75 102 199

HSL 226.94, 0.53%, 0.54%

LAB 45.8, 20.55, -53.69

 

Description

Color code: HEX #C74AA3 | qconv.com Color code: HEX #C74AA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 74 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 74 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 18 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 18% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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