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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C74D82 it is the complementary color #38B27D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C74D82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C74D82 shade: #CC4D7D, #DD5F90, #EE71A3, #FF83B6 and #FF95C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C74D82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C74D82 shade: #C74D82, #B63B6F, #A5295C, #941749 and #830536

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C74D82 shade: #C64C81, #C64C60 and #C64C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C74D82 shade: #C64C81, #C64CA2, #C64CC3, #A84CC6 and #884CC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C74D82 shade matches the following richer shades: #C64C81, #D9397F and #EC267C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C74D82 shade: #C64C81, #B35F84, #A07286, #8D8589 and #7A988B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C74D82 shade: #C64CC4, #C64CA4, #C64C83, #C64C63 and #C6564C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C74D82 shade: #922E59, #B1386D, #C64C81, #D06C97 and #DA8BAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C74D82 shade: #C74D82, #C6A84C and #4CB4C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C74D82 shade: #C74D82, #83C64C and #4C83C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C74D82 shade: #C74D82, #C6A84C, #4CC68F and #4C6BC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C74D82 shade: #C74D82, #C0C64C, #4CC68F and #524CC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 35 / 22

HEX #C74D82

RGB 199 77 130

HSL 333.93, 0.52%, 0.54%

LAB 50.76, 53.57, -4.36

 

Complementary color

CMYK 69 / 0 / 30 / 30

HEX #38B27D

RGB 56 178 125

HSL 153.93, 0.52%, 0.46%

LAB 65.09, -46.05, 17.55

 

CMYK 0 / 62 / 39 / 20

HEX #CC4D7D

RGB 204 77 125

HSL 337.32, 0.55%, 0.55%

LAB 51.41, 54.56, -0.31

 

CMYK 0 / 57 / 35 / 13

HEX #DD5F90

RGB 221 95 144

HSL 336.67, 0.65%, 0.62%

LAB 57.63, 54.01, -2.13

 

CMYK 0 / 53 / 32 / 7

HEX #EE71A3

RGB 238 113 163

HSL 336, 0.79%, 0.69%

LAB 63.86, 53.32, -3.65

 

CMYK 0 / 49 / 29 / 0

HEX #FF83B6

RGB 255 131 182

HSL 335.32, 1%, 0.76%

LAB 70.08, 52.55, -4.95

 

CMYK 0 / 42 / 21 / 0

HEX #FF95C9

RGB 255 149 201

HSL 330.57, 1%, 0.79%

LAB 74.17, 46.19, -9.43

 

CMYK 0 / 61 / 35 / 22

HEX #C74D82

RGB 199 77 130

HSL 333.93, 0.52%, 0.54%

LAB 50.76, 53.57, -4.36

 

CMYK 0 / 68 / 39 / 29

HEX #B63B6F

RGB 182 59 111

HSL 334.63, 0.51%, 0.47%

LAB 44.55, 53.83, -2.31

 

CMYK 0 / 75 / 44 / 35

HEX #A5295C

RGB 165 41 92

HSL 335.32, 0.6%, 0.4%

LAB 38.48, 53.6, 0.32

 

CMYK 0 / 84 / 51 / 42

HEX #941749

RGB 148 23 73

HSL 336, 0.73%, 0.34%

LAB 32.68, 52.48, 3.78

 

CMYK 0 / 96 / 59 / 49

HEX #830536

RGB 131 5 54

HSL 336.67, 0.93%, 0.27%

LAB 27.3, 50.04, 8.37

 

CMYK 0 / 62 / 35 / 22

HEX #C64C81

RGB 198 76 129

HSL 333.93, 0.52%, 0.54%

LAB 50.4, 53.58, -4.3

 

CMYK 0 / 62 / 52 / 22

HEX #C64C60

RGB 198 76 96

HSL 350.16, 0.52%, 0.54%

LAB 49.52, 50.22, 14.31

 

CMYK 0 / 62 / 62 / 22

HEX #C64C4C

RGB 198 76 76

HSL 0, 0.52%, 0.54%

LAB 49.13, 48.69, 25.75

 

CMYK 0 / 62 / 35 / 22

HEX #C64C81

RGB 198 76 129

HSL 333.93, 0.52%, 0.54%

LAB 50.4, 53.58, -4.3

 

CMYK 0 / 62 / 18 / 22

HEX #C64CA2

RGB 198 76 162

HSL 317.7, 0.52%, 0.54%

LAB 51.59, 57.92, -22.13

 

CMYK 0 / 62 / 2 / 22

HEX #C64CC3

RGB 198 76 195

HSL 301.48, 0.52%, 0.54%

LAB 53.07, 63.1, -39.04

 

CMYK 15 / 62 / 0 / 22

HEX #A84CC6

RGB 168 76 198

HSL 285.25, 0.52%, 0.54%

LAB 48.97, 56.27, -47.54

 

CMYK 31 / 62 / 0 / 22

HEX #884CC6

RGB 136 76 198

HSL 269.51, 0.52%, 0.54%

LAB 44.91, 48.7, -54.27

 

CMYK 0 / 62 / 35 / 22

HEX #C64C81

RGB 198 76 129

HSL 333.93, 0.52%, 0.54%

LAB 50.4, 53.58, -4.3

 

CMYK 0 / 74 / 41 / 15

HEX #D9397F

RGB 217 57 127

HSL 333.75, 0.68%, 0.54%

LAB 50.93, 66.12, -1.96

 

CMYK 0 / 84 / 47 / 7

HEX #EC267C

RGB 236 38 124

HSL 333.94, 0.84%, 0.54%

LAB 52.59, 75.65, 2.69

 

CMYK 0 / 62 / 35 / 22

HEX #C64C81

RGB 198 76 129

HSL 333.93, 0.52%, 0.54%

LAB 50.4, 53.58, -4.3

 

CMYK 0 / 47 / 26 / 30

HEX #B35F84

RGB 179 95 132

HSL 333.57, 0.36%, 0.54%

LAB 51.19, 38.45, -5.24

 

CMYK 0 / 29 / 16 / 37

HEX #A07286

RGB 160 114 134

HSL 333.91, 0.19%, 0.54%

LAB 53.2, 21.3, -3.72

 

CMYK 0 / 6 / 3 / 45

HEX #8D8589

RGB 141 133 137

HSL 330, 0.03%, 0.54%

LAB 56.33, 3.76, -1.08

 

CMYK 20 / 0 / 9 / 40

HEX #7A988B

RGB 122 152 139

HSL 154, 0.13%, 0.54%

LAB 60.3, -13.23, 3.38

 

CMYK 0 / 62 / 1 / 22

HEX #C64CC4

RGB 198 76 196

HSL 300.98, 0.52%, 0.54%

LAB 53.12, 63.27, -39.54

 

CMYK 0 / 62 / 17 / 22

HEX #C64CA4

RGB 198 76 164

HSL 316.72, 0.52%, 0.54%

LAB 51.67, 58.21, -23.19

 

CMYK 0 / 62 / 34 / 22

HEX #C64C83

RGB 198 76 131

HSL 332.95, 0.52%, 0.54%

LAB 50.47, 53.82, -5.41

 

CMYK 0 / 62 / 50 / 22

HEX #C64C63

RGB 198 76 99

HSL 348.69, 0.52%, 0.54%

LAB 49.59, 50.48, 12.59

 

CMYK 0 / 57 / 62 / 22

HEX #C6564C

RGB 198 86 76

HSL 4.92, 0.52%, 0.54%

LAB 50.9, 44.01, 28

 

CMYK 0 / 68 / 39 / 43

HEX #922E59

RGB 146 46 89

HSL 334.2, 0.52%, 0.38%

LAB 35.57, 45.7, -2.44

 

CMYK 0 / 68 / 38 / 31

HEX #B1386D

RGB 177 56 109

HSL 333.72, 0.52%, 0.46%

LAB 43.18, 53.32, -3.18

 

CMYK 0 / 62 / 35 / 22

HEX #C64C81

RGB 198 76 129

HSL 333.93, 0.52%, 0.54%

LAB 50.4, 53.58, -4.3

 

CMYK 0 / 48 / 27 / 18

HEX #D06C97

RGB 208 108 151

HSL 334.2, 0.52%, 0.62%

LAB 58.39, 44.32, -5.3

 

CMYK 0 / 36 / 21 / 15

HEX #DA8BAD

RGB 218 139 173

HSL 334.18, 0.52%, 0.7%

LAB 66.82, 34.71, -5.25

 

CMYK 0 / 61 / 35 / 22

HEX #C74D82

RGB 199 77 130

HSL 333.93, 0.52%, 0.54%

LAB 50.76, 53.57, -4.36

 

CMYK 0 / 15 / 62 / 22

HEX #C6A84C

RGB 198 168 76

HSL 45.25, 0.52%, 0.54%

LAB 69.85, 0.23, 50.48

 

CMYK 62 / 9 / 0 / 22

HEX #4CB4C6

RGB 76 180 198

HSL 188.85, 0.52%, 0.54%

LAB 68.21, -24.46, -18.1

 

CMYK 0 / 61 / 35 / 22

HEX #C74D82

RGB 199 77 130

HSL 333.93, 0.52%, 0.54%

LAB 50.76, 53.57, -4.36

 

CMYK 34 / 0 / 62 / 22

HEX #83C64C

RGB 131 198 76

HSL 92.95, 0.52%, 0.54%

LAB 73.37, -41.58, 53.05

 

CMYK 62 / 34 / 0 / 22

HEX #4C83C6

RGB 76 131 198

HSL 212.95, 0.52%, 0.54%

LAB 53.86, 2.52, -40.28

 

CMYK 0 / 61 / 35 / 22

HEX #C74D82

RGB 199 77 130

HSL 333.93, 0.52%, 0.54%

LAB 50.76, 53.57, -4.36

 

CMYK 0 / 15 / 62 / 22

HEX #C6A84C

RGB 198 168 76

HSL 45.25, 0.52%, 0.54%

LAB 69.85, 0.23, 50.48

 

CMYK 62 / 0 / 28 / 22

HEX #4CC68F

RGB 76 198 143

HSL 152.95, 0.52%, 0.54%

LAB 72.17, -46.81, 17.7

 

CMYK 62 / 46 / 0 / 22

HEX #4C6BC6

RGB 76 107 198

HSL 224.75, 0.52%, 0.54%

LAB 47.14, 17.24, -50.96

 

CMYK 0 / 61 / 35 / 22

HEX #C74D82

RGB 199 77 130

HSL 333.93, 0.52%, 0.54%

LAB 50.76, 53.57, -4.36

 

CMYK 3 / 0 / 62 / 22

HEX #C0C64C

RGB 192 198 76

HSL 62.95, 0.52%, 0.54%

LAB 77.35, -17.83, 58.54

 

CMYK 62 / 0 / 28 / 22

HEX #4CC68F

RGB 76 198 143

HSL 152.95, 0.52%, 0.54%

LAB 72.17, -46.81, 17.7

 

CMYK 59 / 62 / 0 / 22

HEX #524CC6

RGB 82 76 198

HSL 242.95, 0.52%, 0.54%

LAB 39.65, 37.69, -63.05

 

Description

Color code: HEX #C74D82 | qconv.com Color code: HEX #C74D82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 77 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 77 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 35% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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