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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C74DCB it is the complementary color #38B234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C74DCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C74DCB shade: #CC4DC6, #DD5FD9, #EE71EC, #FF83FF and #FF95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C74DCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C74DCB shade: #C74DCB, #B63BB8, #A529A5, #941792 and #83057F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C74DCB shade: #C74DCB, #CB4DAD, #CB4D8B, #CB4D69 and #CB4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C74DCB shade: #C74DCB, #A54DCB, #834DCB, #614DCB and #4D4DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C74DCB shade matches the following richer shades: #C74DCB, #D83ADD and #EA28F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C74DCB shade: #C74DCB, #B55FB8, #A472A6, #938493 and #819781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C74DCB shade: #834DCB, #A54DCB, #C74DCB, #CB4DAD and #CB4D8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C74DCB shade: #952C99, #B535B9, #C74DCB, #D16DD4 and #DB8DDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C74DCB shade: #C74DCB, #CB624D and #4DCB94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C74DCB shade: #C74DCB, #CBC74D and #4DCBC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C74DCB shade: #C74DCB, #CB624D, #51CB4D and #4DB6CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C74DCB shade: #C74DCB, #CB884D, #51CB4D and #4D90CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

Complementary color

CMYK 69 / 0 / 71 / 30

HEX #38B234

RGB 56 178 52

HSL 118.1, 0.55%, 0.45%

LAB 64.1, -57.24, 52.14

 

CMYK 0 / 62 / 3 / 20

HEX #CC4DC6

RGB 204 77 198

HSL 302.83, 0.55%, 0.55%

LAB 54.26, 64.67, -38.84

 

CMYK 0 / 57 / 2 / 13

HEX #DD5FD9

RGB 221 95 217

HSL 301.9, 0.65%, 0.62%

LAB 60.4, 64.5, -39.83

 

CMYK 0 / 53 / 1 / 7

HEX #EE71EC

RGB 238 113 236

HSL 300.96, 0.79%, 0.69%

LAB 66.55, 64.09, -40.62

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 1 / 68 / 0 / 28

HEX #B63BB8

RGB 182 59 184

HSL 299.04, 0.51%, 0.48%

LAB 47.67, 64.13, -41.36

 

CMYK 0 / 75 / 0 / 35

HEX #A529A5

RGB 165 41 165

HSL 300, 0.6%, 0.4%

LAB 41.69, 63.36, -39.79

 

CMYK 0 / 84 / 1 / 42

HEX #941792

RGB 148 23 146

HSL 300.96, 0.73%, 0.34%

LAB 35.95, 61.63, -37.6

 

CMYK 0 / 96 / 3 / 49

HEX #83057F

RGB 131 5 127

HSL 301.9, 0.93%, 0.27%

LAB 30.56, 58.54, -34.59

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 0 / 62 / 15 / 20

HEX #CB4DAD

RGB 203 77 173

HSL 314.29, 0.55%, 0.55%

LAB 52.97, 60.49, -26.39

 

CMYK 0 / 62 / 32 / 20

HEX #CB4D8B

RGB 203 77 139

HSL 330.48, 0.55%, 0.55%

LAB 51.69, 55.87, -8.29

 

CMYK 0 / 62 / 48 / 20

HEX #CB4D69

RGB 203 77 105

HSL 346.67, 0.55%, 0.55%

LAB 50.72, 52.23, 10.68

 

CMYK 0 / 62 / 62 / 20

HEX #CB4D4D

RGB 203 77 77

HSL 0, 0.55%, 0.55%

LAB 50.14, 50.03, 26.63

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 19 / 62 / 0 / 20

HEX #A54DCB

RGB 165 77 203

HSL 281.9, 0.55%, 0.55%

LAB 49.03, 56.11, -50.35

 

CMYK 35 / 62 / 0 / 20

HEX #834DCB

RGB 131 77 203

HSL 265.71, 0.55%, 0.55%

LAB 44.86, 48.3, -57.27

 

CMYK 52 / 62 / 0 / 20

HEX #614DCB

RGB 97 77 203

HSL 249.52, 0.55%, 0.55%

LAB 41.47, 41.33, -62.93

 

CMYK 62 / 62 / 0 / 20

HEX #4D4DCB

RGB 77 77 203

HSL 240, 0.55%, 0.55%

LAB 39.91, 37.89, -65.53

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 2 / 74 / 0 / 13

HEX #D83ADD

RGB 216 58 221

HSL 298.16, 0.71%, 0.55%

LAB 54.91, 77.83, -50.81

 

CMYK 3 / 83 / 0 / 6

HEX #EA28F0

RGB 234 40 240

HSL 298.2, 0.87%, 0.55%

LAB 57.37, 88.51, -57.42

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 2 / 48 / 0 / 28

HEX #B55FB8

RGB 181 95 184

HSL 297.98, 0.39%, 0.55%

LAB 53.46, 47.72, -32.26

 

CMYK 1 / 31 / 0 / 35

HEX #A472A6

RGB 164 114 166

HSL 297.69, 0.23%, 0.55%

LAB 54.74, 28.6, -20.03

 

CMYK 0 / 10 / 0 / 42

HEX #938493

RGB 147 132 147

HSL 300, 0.06%, 0.55%

LAB 56.89, 8.5, -5.96

 

CMYK 15 / 0 / 15 / 41

HEX #819781

RGB 129 151 129

HSL 120, 0.1%, 0.55%

LAB 60.24, -12.21, 9.01

 

CMYK 35 / 62 / 0 / 20

HEX #834DCB

RGB 131 77 203

HSL 265.71, 0.55%, 0.55%

LAB 44.86, 48.3, -57.27

 

CMYK 19 / 62 / 0 / 20

HEX #A54DCB

RGB 165 77 203

HSL 281.9, 0.55%, 0.55%

LAB 49.03, 56.11, -50.35

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 0 / 62 / 15 / 20

HEX #CB4DAD

RGB 203 77 173

HSL 314.29, 0.55%, 0.55%

LAB 52.97, 60.49, -26.39

 

CMYK 0 / 62 / 31 / 20

HEX #CB4D8C

RGB 203 77 140

HSL 330, 0.55%, 0.55%

LAB 51.72, 55.99, -8.83

 

CMYK 3 / 71 / 0 / 40

HEX #952C99

RGB 149 44 153

HSL 297.8, 0.55%, 0.39%

LAB 38.71, 56.77, -37.47

 

CMYK 2 / 71 / 0 / 27

HEX #B535B9

RGB 181 53 185

HSL 298.18, 0.55%, 0.47%

LAB 46.81, 66.22, -43.32

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 1 / 49 / 0 / 17

HEX #D16DD4

RGB 209 109 212

HSL 298.25, 0.54%, 0.63%

LAB 61, 53.86, -36.19

 

CMYK 1 / 36 / 0 / 13

HEX #DB8DDD

RGB 219 141 221

HSL 298.5, 0.54%, 0.71%

LAB 68.99, 42.05, -28.73

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 0 / 52 / 62 / 20

HEX #CB624D

RGB 203 98 77

HSL 10, 0.55%, 0.55%

LAB 53.99, 40.01, 31.47

 

CMYK 62 / 0 / 27 / 20

HEX #4DCB94

RGB 77 203 148

HSL 153.81, 0.55%, 0.55%

LAB 73.82, -47.64, 17.33

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 0 / 2 / 62 / 20

HEX #CBC74D

RGB 203 199 77

HSL 58.1, 0.55%, 0.55%

LAB 78.51, -13.69, 59.62

 

CMYK 62 / 0 / 2 / 20

HEX #4DCBC7

RGB 77 203 199

HSL 178.1, 0.55%, 0.55%

LAB 75.08, -35.16, -8.32

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 0 / 52 / 62 / 20

HEX #CB624D

RGB 203 98 77

HSL 10, 0.55%, 0.55%

LAB 53.99, 40.01, 31.47

 

CMYK 60 / 0 / 62 / 20

HEX #51CB4D

RGB 81 203 77

HSL 118.1, 0.55%, 0.55%

LAB 72.89, -58.2, 51.52

 

CMYK 62 / 10 / 0 / 20

HEX #4DB6CB

RGB 77 182 203

HSL 190, 0.55%, 0.55%

LAB 69, -23.82, -19.65

 

CMYK 2 / 62 / 0 / 20

HEX #C74DCB

RGB 199 77 203

HSL 298.1, 0.55%, 0.55%

LAB 53.77, 64.29, -42.52

 

CMYK 0 / 33 / 62 / 20

HEX #CB884D

RGB 203 136 77

HSL 28.1, 0.55%, 0.55%

LAB 62.37, 19.79, 41.58

 

CMYK 60 / 0 / 62 / 20

HEX #51CB4D

RGB 81 203 77

HSL 118.1, 0.55%, 0.55%

LAB 72.89, -58.2, 51.52

 

CMYK 62 / 29 / 0 / 20

HEX #4D90CB

RGB 77 144 203

HSL 208.1, 0.55%, 0.55%

LAB 57.88, -3.25, -36.8

 

Description

Color code: HEX #C74DCB | qconv.com Color code: HEX #C74DCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 77 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 77 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 62 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 62% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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