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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C756A7 it is the complementary color #38A958. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C756A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C756A7 shade: #CC56A2, #DD68B5, #EE7AC8, #FF8CDB and #FF9EEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C756A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C756A7 shade: #C756A7, #B64494, #A53281, #94206E and #830E5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C756A7 shade: #C656A7, #C65688, #C6566A and #C65656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C756A7 shade: #C656A7, #C656C5, #AA56C6, #8B56C6 and #6D56C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C756A7 shade matches the following richer shades: #C656A7, #D944AF, #EB32B6 and #FD20BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C756A7 shade: #C656A7, #B4689F, #A27B97, #908D8F and #7E9F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C756A7 shade: #A856C6, #C656C6, #C656A8, #C6568B and #C6566D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C756A7 shade: #98327B, #B73D94, #C656A7, #D175B7 and #DB94C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C756A7 shade: #C756A7, #C68B56 and #56C6B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C756A7 shade: #C756A7, #A8C656 and #56A8C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C756A7 shade: #C756A7, #C68B56, #56C674 and #5692C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C756A7 shade: #C756A7, #C6AC56, #56C674 and #5670C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 16 / 22

HEX #C756A7

RGB 199 86 167

HSL 316.99, 0.5%, 0.56%

LAB 53.59, 54.49, -21.99

 

Complementary color

CMYK 67 / 0 / 48 / 34

HEX #38A958

RGB 56 169 88

HSL 136.99, 0.5%, 0.44%

LAB 61.59, -49.54, 32.63

 

CMYK 0 / 58 / 21 / 20

HEX #CC56A2

RGB 204 86 162

HSL 321.36, 0.54%, 0.57%

LAB 54.13, 55.23, -18.16

 

CMYK 0 / 53 / 18 / 13

HEX #DD68B5

RGB 221 104 181

HSL 320.51, 0.63%, 0.64%

LAB 60.43, 54.7, -19.33

 

CMYK 0 / 49 / 16 / 7

HEX #EE7AC8

RGB 238 122 200

HSL 319.66, 0.77%, 0.71%

LAB 66.72, 54.06, -20.31

 

CMYK 0 / 45 / 14 / 0

HEX #FF8CDB

RGB 255 140 219

HSL 318.78, 1%, 0.77%

LAB 72.98, 53.36, -21.14

 

CMYK 0 / 38 / 7 / 0

HEX #FF9EEE

RGB 255 158 238

HSL 310.52, 1%, 0.81%

LAB 77.21, 47.37, -25.07

 

CMYK 0 / 57 / 16 / 22

HEX #C756A7

RGB 199 86 167

HSL 316.99, 0.5%, 0.56%

LAB 53.59, 54.49, -21.99

 

CMYK 0 / 63 / 19 / 29

HEX #B64494

RGB 182 68 148

HSL 317.89, 0.46%, 0.49%

LAB 47.26, 54.81, -20.7

 

CMYK 0 / 70 / 22 / 35

HEX #A53281

RGB 165 50 129

HSL 318.78, 0.53%, 0.42%

LAB 41, 54.74, -19.03

 

CMYK 0 / 78 / 26 / 42

HEX #94206E

RGB 148 32 110

HSL 319.66, 0.64%, 0.35%

LAB 34.91, 53.98, -16.79

 

CMYK 0 / 89 / 31 / 49

HEX #830E5B

RGB 131 14 91

HSL 320.51, 0.81%, 0.28%

LAB 29.15, 52.03, -13.69

 

CMYK 0 / 57 / 16 / 22

HEX #C656A7

RGB 198 86 167

HSL 316.61, 0.5%, 0.56%

LAB 53.44, 54.2, -22.23

 

CMYK 0 / 57 / 31 / 22

HEX #C65688

RGB 198 86 136

HSL 333.21, 0.5%, 0.56%

LAB 52.33, 49.87, -5.63

 

CMYK 0 / 57 / 46 / 22

HEX #C6566A

RGB 198 86 106

HSL 349.29, 0.5%, 0.56%

LAB 51.5, 46.51, 11.06

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 57 / 16 / 22

HEX #C656A7

RGB 198 86 167

HSL 316.61, 0.5%, 0.56%

LAB 53.44, 54.2, -22.23

 

CMYK 0 / 57 / 1 / 22

HEX #C656C5

RGB 198 86 197

HSL 300.54, 0.5%, 0.56%

LAB 54.75, 59.1, -37.55

 

CMYK 14 / 57 / 0 / 22

HEX #AA56C6

RGB 170 86 198

HSL 285, 0.5%, 0.56%

LAB 51.01, 51.96, -44.28

 

CMYK 30 / 57 / 0 / 22

HEX #8B56C6

RGB 139 86 198

HSL 268.39, 0.5%, 0.56%

LAB 47.26, 44.08, -50.48

 

CMYK 45 / 57 / 0 / 22

HEX #6D56C6

RGB 109 86 198

HSL 252.32, 0.5%, 0.56%

LAB 44.21, 37.01, -55.55

 

CMYK 0 / 57 / 16 / 22

HEX #C656A7

RGB 198 86 167

HSL 316.61, 0.5%, 0.56%

LAB 53.44, 54.2, -22.23

 

CMYK 0 / 69 / 19 / 15

HEX #D944AF

RGB 217 68 175

HSL 316.91, 0.66%, 0.56%

LAB 54.01, 67.94, -25.78

 

CMYK 0 / 79 / 23 / 8

HEX #EB32B6

RGB 235 50 182

HSL 317.19, 0.82%, 0.56%

LAB 55.4, 78.57, -27.45

 

CMYK 0 / 87 / 25 / 1

HEX #FD20BE

RGB 253 32 190

HSL 317.1, 0.98%, 0.56%

LAB 57.69, 86.87, -28.29

 

CMYK 0 / 57 / 16 / 22

HEX #C656A7

RGB 198 86 167

HSL 316.61, 0.5%, 0.56%

LAB 53.44, 54.2, -22.23

 

CMYK 0 / 42 / 12 / 29

HEX #B4689F

RGB 180 104 159

HSL 316.58, 0.34%, 0.56%

LAB 54.14, 38.22, -16.7

 

CMYK 0 / 24 / 7 / 36

HEX #A27B97

RGB 162 123 151

HSL 316.92, 0.17%, 0.56%

LAB 56.17, 19.9, -9.19

 

CMYK 0 / 2 / 1 / 44

HEX #908D8F

RGB 144 141 143

HSL 320, 0.01%, 0.56%

LAB 58.94, 1.5, -0.68

 

CMYK 21 / 0 / 15 / 38

HEX #7E9F87

RGB 126 159 135

HSL 136.36, 0.15%, 0.56%

LAB 62.49, -16.37, 8.81

 

CMYK 15 / 57 / 0 / 22

HEX #A856C6

RGB 168 86 198

HSL 283.93, 0.5%, 0.56%

LAB 50.75, 51.44, -44.71

 

CMYK 0 / 57 / 0 / 22

HEX #C656C6

RGB 198 86 198

HSL 300, 0.5%, 0.56%

LAB 54.8, 59.27, -38.05

 

CMYK 0 / 57 / 15 / 22

HEX #C656A8

RGB 198 86 168

HSL 316.07, 0.5%, 0.56%

LAB 53.48, 54.35, -22.75

 

CMYK 0 / 57 / 30 / 22

HEX #C6568B

RGB 198 86 139

HSL 331.61, 0.5%, 0.56%

LAB 52.43, 50.25, -7.27

 

CMYK 0 / 57 / 45 / 22

HEX #C6566D

RGB 198 86 109

HSL 347.68, 0.5%, 0.56%

LAB 51.57, 46.8, 9.37

 

CMYK 0 / 67 / 19 / 40

HEX #98327B

RGB 152 50 123

HSL 317.06, 0.5%, 0.4%

LAB 38.53, 50.3, -19.32

 

CMYK 0 / 67 / 19 / 28

HEX #B73D94

RGB 183 61 148

HSL 317.21, 0.5%, 0.48%

LAB 46.37, 57.99, -22.05

 

CMYK 0 / 57 / 16 / 22

HEX #C656A7

RGB 198 86 167

HSL 316.61, 0.5%, 0.56%

LAB 53.44, 54.2, -22.23

 

CMYK 0 / 44 / 12 / 18

HEX #D175B7

RGB 209 117 183

HSL 316.96, 0.5%, 0.64%

LAB 61.39, 44.83, -19.16

 

CMYK 0 / 32 / 9 / 14

HEX #DB94C7

RGB 219 148 199

HSL 316.9, 0.5%, 0.72%

LAB 69.73, 34.41, -15.41

 

CMYK 0 / 57 / 16 / 22

HEX #C756A7

RGB 199 86 167

HSL 316.99, 0.5%, 0.56%

LAB 53.59, 54.49, -21.99

 

CMYK 0 / 30 / 57 / 22

HEX #C68B56

RGB 198 139 86

HSL 28.39, 0.5%, 0.56%

LAB 62.63, 16.72, 37.05

 

CMYK 57 / 0 / 8 / 22

HEX #56C6B7

RGB 86 198 183

HSL 171.96, 0.5%, 0.56%

LAB 73.41, -35.45, -2.1

 

CMYK 0 / 57 / 16 / 22

HEX #C756A7

RGB 199 86 167

HSL 316.99, 0.5%, 0.56%

LAB 53.59, 54.49, -21.99

 

CMYK 15 / 0 / 57 / 22

HEX #A8C656

RGB 168 198 86

HSL 76.07, 0.5%, 0.56%

LAB 75.69, -26.8, 51.82

 

CMYK 57 / 15 / 0 / 22

HEX #56A8C6

RGB 86 168 198

HSL 196.07, 0.5%, 0.56%

LAB 65.01, -16.36, -22.94

 

CMYK 0 / 57 / 16 / 22

HEX #C756A7

RGB 199 86 167

HSL 316.99, 0.5%, 0.56%

LAB 53.59, 54.49, -21.99

 

CMYK 0 / 30 / 57 / 22

HEX #C68B56

RGB 198 139 86

HSL 28.39, 0.5%, 0.56%

LAB 62.63, 16.72, 37.05

 

CMYK 57 / 0 / 41 / 22

HEX #56C674

RGB 86 198 116

HSL 136.07, 0.5%, 0.56%

LAB 71.98, -49.79, 31.7

 

CMYK 57 / 26 / 0 / 22

HEX #5692C6

RGB 86 146 198

HSL 207.86, 0.5%, 0.56%

LAB 58.61, -4.23, -32.81

 

CMYK 0 / 57 / 16 / 22

HEX #C756A7

RGB 199 86 167

HSL 316.99, 0.5%, 0.56%

LAB 53.59, 54.49, -21.99

 

CMYK 0 / 13 / 57 / 22

HEX #C6AC56

RGB 198 172 86

HSL 46.07, 0.5%, 0.56%

LAB 71, -1.16, 47.04

 

CMYK 57 / 0 / 41 / 22

HEX #56C674

RGB 86 198 116

HSL 136.07, 0.5%, 0.56%

LAB 71.98, -49.79, 31.7

 

CMYK 57 / 43 / 0 / 22

HEX #5670C6

RGB 86 112 198

HSL 226.07, 0.5%, 0.56%

LAB 49.06, 16.09, -47.86

 

Description

Color code: HEX #C756A7 | qconv.com Color code: HEX #C756A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 86 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 86 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 16 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 16% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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