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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75090 it is the complementary color #38AF6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75090. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C75090 shade: #CC508B, #DD629E, #EE74B1, #FF86C4 and #FF98D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75090. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C75090 shade: #C75090, #B63E7D, #A52C6A, #941A57 and #830844

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C75090 shade: #C75090, #C75070 and #C75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C75090 shade: #C75090, #C750B0, #BE50C7, #9E50C7 and #7E50C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C75090 shade matches the following richer shades: #C75090, #DA3E92 and #ED2B93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C75090 shade: #C75090, #B5638F, #A2758D, #90888C and #7D9A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C75090 shade: #BD50C7, #C750B2, #C75092, #C75072 and #C75052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C75090 shade: #962F66, #B5397C, #C75090, #D16FA4 and #DB8FB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C75090 shade: #C75090, #C79E50 and #50C1C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C75090 shade: #C75090, #92C750 and #5092C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C75090 shade: #C75090, #C79E50, #50C786 and #507AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C75090 shade: #C75090, #C7C150, #50C786 and #5056C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

Complementary color

CMYK 68 / 0 / 37 / 31

HEX #38AF6F

RGB 56 175 111

HSL 147.73, 0.52%, 0.45%

LAB 63.88, -47.74, 23.47

 

CMYK 0 / 61 / 32 / 20

HEX #CC508B

RGB 204 80 139

HSL 331.45, 0.55%, 0.56%

LAB 52.33, 54.86, -7.31

 

CMYK 0 / 56 / 29 / 13

HEX #DD629E

RGB 221 98 158

HSL 330.73, 0.64%, 0.63%

LAB 58.58, 54.34, -8.87

 

CMYK 0 / 51 / 26 / 7

HEX #EE74B1

RGB 238 116 177

HSL 330, 0.78%, 0.69%

LAB 64.84, 53.68, -10.17

 

CMYK 0 / 47 / 23 / 0

HEX #FF86C4

RGB 255 134 196

HSL 329.26, 1%, 0.76%

LAB 71.07, 52.95, -11.29

 

CMYK 0 / 40 / 16 / 0

HEX #FF98D7

RGB 255 152 215

HSL 323.3, 1%, 0.8%

LAB 75.22, 46.74, -15.56

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 0 / 66 / 31 / 29

HEX #B63E7D

RGB 182 62 125

HSL 328.5, 0.49%, 0.48%

LAB 45.46, 54.24, -9.54

 

CMYK 0 / 73 / 36 / 35

HEX #A52C6A

RGB 165 44 106

HSL 329.26, 0.58%, 0.41%

LAB 39.31, 54.04, -7.3

 

CMYK 0 / 82 / 41 / 42

HEX #941A57

RGB 148 26 87

HSL 330, 0.7%, 0.34%

LAB 33.4, 53.02, -4.32

 

CMYK 0 / 94 / 48 / 49

HEX #830844

RGB 131 8 68

HSL 330.73, 0.88%, 0.27%

LAB 27.89, 50.66, -0.27

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 0 / 60 / 44 / 22

HEX #C75070

RGB 199 80 112

HSL 343.87, 0.52%, 0.55%

LAB 50.74, 50.25, 6.42

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 0 / 60 / 12 / 22

HEX #C750B0

RGB 199 80 176

HSL 311.6, 0.52%, 0.55%

LAB 52.96, 58.57, -28.2

 

CMYK 5 / 60 / 0 / 22

HEX #BE50C7

RGB 190 80 199

HSL 295.46, 0.52%, 0.55%

LAB 52.74, 60.08, -41.95

 

CMYK 21 / 60 / 0 / 22

HEX #9E50C7

RGB 158 80 199

HSL 279.33, 0.52%, 0.55%

LAB 48.42, 52.12, -49.07

 

CMYK 37 / 60 / 0 / 22

HEX #7E50C7

RGB 126 80 199

HSL 263.19, 0.52%, 0.55%

LAB 44.66, 44.53, -55.32

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 0 / 72 / 33 / 15

HEX #DA3E92

RGB 218 62 146

HSL 327.69, 0.68%, 0.55%

LAB 52.32, 66.71, -11.26

 

CMYK 0 / 82 / 38 / 7

HEX #ED2B93

RGB 237 43 147

HSL 327.84, 0.84%, 0.55%

LAB 53.86, 76.86, -9.2

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 0 / 45 / 21 / 29

HEX #B5638F

RGB 181 99 143

HSL 327.8, 0.36%, 0.55%

LAB 52.65, 38.65, -9.55

 

CMYK 0 / 28 / 13 / 36

HEX #A2758D

RGB 162 117 141

HSL 328, 0.19%, 0.55%

LAB 54.37, 21.53, -6.06

 

CMYK 0 / 6 / 3 / 44

HEX #90888C

RGB 144 136 140

HSL 330, 0.03%, 0.55%

LAB 57.49, 3.75, -1.07

 

CMYK 19 / 0 / 10 / 40

HEX #7D9A8B

RGB 125 154 139

HSL 148.97, 0.13%, 0.55%

LAB 61.08, -13.27, 4.53

 

CMYK 5 / 60 / 0 / 22

HEX #BD50C7

RGB 189 80 199

HSL 294.96, 0.52%, 0.55%

LAB 52.6, 59.83, -42.18

 

CMYK 0 / 60 / 11 / 22

HEX #C750B2

RGB 199 80 178

HSL 310.59, 0.52%, 0.55%

LAB 53.05, 58.88, -29.23

 

CMYK 0 / 60 / 27 / 22

HEX #C75092

RGB 199 80 146

HSL 326.72, 0.52%, 0.55%

LAB 51.79, 54.24, -12.37

 

CMYK 0 / 60 / 43 / 22

HEX #C75072

RGB 199 80 114

HSL 342.86, 0.52%, 0.55%

LAB 50.8, 50.45, 5.3

 

CMYK 0 / 60 / 59 / 22

HEX #C75052

RGB 199 80 82

HSL 358.99, 0.52%, 0.55%

LAB 50.08, 47.63, 23.47

 

CMYK 0 / 69 / 32 / 41

HEX #962F66

RGB 150 47 102

HSL 327.96, 0.52%, 0.39%

LAB 36.89, 48.08, -8.69

 

CMYK 0 / 69 / 31 / 29

HEX #B5397C

RGB 181 57 124

HSL 327.58, 0.52%, 0.47%

LAB 44.53, 55.83, -10.34

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 0 / 47 / 22 / 18

HEX #D16FA4

RGB 209 111 164

HSL 327.55, 0.52%, 0.63%

LAB 59.53, 44.97, -11.09

 

CMYK 0 / 35 / 16 / 14

HEX #DB8FB8

RGB 219 143 184

HSL 327.63, 0.51%, 0.71%

LAB 68.14, 34.62, -9.43

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 0 / 21 / 60 / 22

HEX #C79E50

RGB 199 158 80

HSL 39.33, 0.52%, 0.55%

LAB 67.41, 6.31, 45.83

 

CMYK 60 / 3 / 0 / 22

HEX #50C1C7

RGB 80 193 199

HSL 183.03, 0.52%, 0.55%

LAB 72.21, -29.9, -12.61

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 27 / 0 / 60 / 22

HEX #92C750

RGB 146 199 80

HSL 86.72, 0.52%, 0.55%

LAB 74.53, -36.25, 52.82

 

CMYK 60 / 27 / 0 / 22

HEX #5092C7

RGB 80 146 199

HSL 206.72, 0.52%, 0.55%

LAB 58.4, -5.13, -33.72

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 0 / 21 / 60 / 22

HEX #C79E50

RGB 199 158 80

HSL 39.33, 0.52%, 0.55%

LAB 67.41, 6.31, 45.83

 

CMYK 60 / 0 / 33 / 22

HEX #50C786

RGB 80 199 134

HSL 147.23, 0.52%, 0.55%

LAB 72.41, -48.25, 22.84

 

CMYK 60 / 39 / 0 / 22

HEX #507AC7

RGB 80 122 199

HSL 218.82, 0.52%, 0.55%

LAB 51.55, 9.06, -44.49

 

CMYK 0 / 60 / 28 / 22

HEX #C75090

RGB 199 80 144

HSL 327.73, 0.52%, 0.55%

LAB 51.72, 53.97, -11.28

 

CMYK 0 / 3 / 60 / 22

HEX #C7C150

RGB 199 193 80

HSL 56.97, 0.52%, 0.55%

LAB 76.59, -12.12, 56.16

 

CMYK 60 / 0 / 33 / 22

HEX #50C786

RGB 80 199 134

HSL 147.23, 0.52%, 0.55%

LAB 72.41, -48.25, 22.84

 

CMYK 60 / 57 / 0 / 22

HEX #5056C7

RGB 80 86 199

HSL 236.97, 0.52%, 0.55%

LAB 41.98, 31.51, -59.85

 

Description

Color code: HEX #C75090 | qconv.com Color code: HEX #C75090 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 80 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 80 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 28% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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