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Color name
HEX #C750A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C750A2 it is the complementary color #38AF5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C750A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C750A2 shade: #CC509D, #DD62B0, #EE74C3, #FF86D6 and #FF98E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C750A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C750A2 shade: #C750A2, #B63E8F, #A52C7C, #941A69 and #830856

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C750A2 shade: #C750A2, #C75082, #C75062 and #C75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C750A2 shade: #C750A2, #C750C2, #AC50C7, #8C50C7 and #6C50C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C750A2 shade matches the following richer shades: #C750A2, #DA3EA9 and #ED2BB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C750A2 shade: #C750A2, #B5639B, #A27594, #90888D and #7D9A86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C750A2 shade: #AC50C7, #C750C3, #C750A4, #C75084 and #C75064

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C750A2 shade: #962F76, #B5398F, #C750A2, #D16FB3 and #DB8FC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C750A2 shade: #C750A2, #C78C50 and #50C7BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C750A2 shade: #C750A2, #A4C750 and #50A4C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C750A2 shade: #C750A2, #C78C50, #50C774 and #508CC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C750A2 shade: #C750A2, #C7B050, #50C774 and #5068C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

Complementary color

CMYK 68 / 0 / 47 / 31

HEX #38AF5D

RGB 56 175 93

HSL 138.66, 0.52%, 0.45%

LAB 63.58, -51, 32.58

 

CMYK 0 / 61 / 23 / 20

HEX #CC509D

RGB 204 80 157

HSL 322.74, 0.55%, 0.56%

LAB 52.96, 57.2, -17.02

 

CMYK 0 / 56 / 20 / 13

HEX #DD62B0

RGB 221 98 176

HSL 321.95, 0.64%, 0.63%

LAB 59.2, 56.78, -18.34

 

CMYK 0 / 51 / 18 / 7

HEX #EE74C3

RGB 238 116 195

HSL 321.15, 0.78%, 0.69%

LAB 65.44, 56.2, -19.44

 

CMYK 0 / 47 / 16 / 0

HEX #FF86D6

RGB 255 134 214

HSL 320.33, 1%, 0.76%

LAB 71.67, 55.53, -20.38

 

CMYK 0 / 40 / 9 / 0

HEX #FF98E9

RGB 255 152 233

HSL 312.82, 1%, 0.8%

LAB 75.82, 49.59, -24.47

 

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

CMYK 0 / 66 / 21 / 29

HEX #B63E8F

RGB 182 62 143

HSL 319.5, 0.49%, 0.48%

LAB 46.14, 56.61, -19.41

 

CMYK 0 / 73 / 25 / 35

HEX #A52C7C

RGB 165 44 124

HSL 320.33, 0.58%, 0.41%

LAB 40.01, 56.26, -17.47

 

CMYK 0 / 82 / 29 / 42

HEX #941A69

RGB 148 26 105

HSL 321.15, 0.7%, 0.34%

LAB 34.1, 55.06, -14.86

 

CMYK 0 / 94 / 34 / 49

HEX #830856

RGB 131 8 86

HSL 321.95, 0.88%, 0.27%

LAB 28.57, 52.5, -11.28

 

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

CMYK 0 / 60 / 35 / 22

HEX #C75082

RGB 199 80 130

HSL 334.79, 0.52%, 0.55%

LAB 51.26, 52.23, -3.63

 

CMYK 0 / 60 / 51 / 22

HEX #C75062

RGB 199 80 98

HSL 350.92, 0.52%, 0.55%

LAB 50.41, 48.92, 14.35

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

CMYK 0 / 60 / 3 / 22

HEX #C750C2

RGB 199 80 194

HSL 302.52, 0.52%, 0.55%

LAB 53.79, 61.49, -37.34

 

CMYK 14 / 60 / 0 / 22

HEX #AC50C7

RGB 172 80 199

HSL 286.39, 0.52%, 0.55%

LAB 50.25, 55.58, -46.05

 

CMYK 30 / 60 / 0 / 22

HEX #8C50C7

RGB 140 80 199

HSL 270.25, 0.52%, 0.55%

LAB 46.23, 47.78, -52.71

 

CMYK 46 / 60 / 0 / 22

HEX #6C50C7

RGB 108 80 199

HSL 254.12, 0.52%, 0.55%

LAB 42.84, 40.59, -58.35

 

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

CMYK 0 / 72 / 22 / 15

HEX #DA3EA9

RGB 218 62 169

HSL 318.85, 0.68%, 0.55%

LAB 53.18, 69.48, -23.52

 

CMYK 0 / 82 / 26 / 7

HEX #ED2BB0

RGB 237 43 176

HSL 318.87, 0.84%, 0.55%

LAB 54.93, 79.93, -24.65

 

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

CMYK 0 / 45 / 14 / 29

HEX #B5639B

RGB 181 99 155

HSL 319.02, 0.36%, 0.55%

LAB 53.07, 40.55, -15.97

 

CMYK 0 / 28 / 9 / 36

HEX #A27594

RGB 162 117 148

HSL 318.67, 0.19%, 0.55%

LAB 54.6, 22.78, -9.8

 

CMYK 0 / 6 / 2 / 44

HEX #90888D

RGB 144 136 141

HSL 322.5, 0.03%, 0.55%

LAB 57.52, 3.94, -1.61

 

CMYK 19 / 0 / 13 / 40

HEX #7D9A86

RGB 125 154 134

HSL 138.62, 0.13%, 0.55%

LAB 60.95, -14.27, 7.17

 

CMYK 14 / 60 / 0 / 22

HEX #AC50C7

RGB 172 80 199

HSL 286.39, 0.52%, 0.55%

LAB 50.25, 55.58, -46.05

 

CMYK 0 / 60 / 2 / 22

HEX #C750C3

RGB 199 80 195

HSL 302.02, 0.52%, 0.55%

LAB 53.84, 61.66, -37.84

 

CMYK 0 / 60 / 18 / 22

HEX #C750A4

RGB 199 80 164

HSL 317.65, 0.52%, 0.55%

LAB 52.46, 56.75, -21.96

 

CMYK 0 / 60 / 34 / 22

HEX #C75084

RGB 199 80 132

HSL 333.78, 0.52%, 0.55%

LAB 51.32, 52.47, -4.73

 

CMYK 0 / 60 / 50 / 22

HEX #C75064

RGB 199 80 100

HSL 349.92, 0.52%, 0.55%

LAB 50.45, 49.1, 13.22

 

CMYK 0 / 69 / 21 / 41

HEX #962F76

RGB 150 47 118

HSL 318.64, 0.52%, 0.39%

LAB 37.53, 50.24, -17.78

 

CMYK 0 / 69 / 21 / 29

HEX #B5398F

RGB 181 57 143

HSL 318.39, 0.52%, 0.47%

LAB 45.27, 58.3, -20.77

 

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

CMYK 0 / 47 / 14 / 18

HEX #D16FB3

RGB 209 111 179

HSL 318.37, 0.52%, 0.63%

LAB 60.05, 47.25, -18.92

 

CMYK 0 / 35 / 11 / 14

HEX #DB8FC3

RGB 219 143 195

HSL 318.95, 0.51%, 0.71%

LAB 68.49, 36.41, -15.05

 

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

CMYK 0 / 30 / 60 / 22

HEX #C78C50

RGB 199 140 80

HSL 30.25, 0.52%, 0.55%

LAB 62.91, 16.13, 40.55

 

CMYK 60 / 0 / 6 / 22

HEX #50C7BB

RGB 80 199 187

HSL 173.95, 0.52%, 0.55%

LAB 73.64, -36.01, -3.96

 

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

CMYK 18 / 0 / 60 / 22

HEX #A4C750

RGB 164 199 80

HSL 77.65, 0.52%, 0.55%

LAB 75.65, -29.36, 54.38

 

CMYK 60 / 18 / 0 / 22

HEX #50A4C7

RGB 80 164 199

HSL 197.65, 0.52%, 0.55%

LAB 63.66, -15.1, -25.59

 

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

CMYK 0 / 30 / 60 / 22

HEX #C78C50

RGB 199 140 80

HSL 30.25, 0.52%, 0.55%

LAB 62.91, 16.13, 40.55

 

CMYK 60 / 0 / 42 / 22

HEX #50C774

RGB 80 199 116

HSL 138.15, 0.52%, 0.55%

LAB 72.1, -51.54, 31.83

 

CMYK 60 / 30 / 0 / 22

HEX #508CC7

RGB 80 140 199

HSL 209.75, 0.52%, 0.55%

LAB 56.67, -1.67, -36.43

 

CMYK 0 / 60 / 19 / 22

HEX #C750A2

RGB 199 80 162

HSL 318.66, 0.52%, 0.55%

LAB 52.38, 56.46, -20.9

 

CMYK 0 / 12 / 60 / 22

HEX #C7B050

RGB 199 176 80

HSL 48.4, 0.52%, 0.55%

LAB 72.08, -3.31, 51.15

 

CMYK 60 / 0 / 42 / 22

HEX #50C774

RGB 80 199 116

HSL 138.15, 0.52%, 0.55%

LAB 72.1, -51.54, 31.83

 

CMYK 60 / 48 / 0 / 22

HEX #5068C7

RGB 80 104 199

HSL 227.9, 0.52%, 0.55%

LAB 46.62, 20.21, -52.37

 

Description

Color code: HEX #C750A2 | qconv.com Color code: HEX #C750A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 80 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 80 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 19 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 19% 22% C M Y K

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Provide designers and agencies with accurate color values.

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