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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C76583 it is the complementary color #389A7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C76583. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C76583 shade: #CC657E, #DD7791, #EE89A4, #FF9BB7 and #FFADCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C76583. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C76583 shade: #C76583, #B65370, #A5415D, #942F4A and #831D37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C76583 shade: #C76583, #C76568 and #C76565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C76583 shade: #C76583, #C7659D, #C765B8, #BC65C7 and #A165C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C76583 shade matches the following richer shades: #C76583, #D8547C, #E94376 and #FA326F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C76583 shade: #C76583, #B67689, #A58790, #949897 and #83A89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C76583 shade: #C765B8, #C7659E, #C76584, #C7656A and #C77A65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C76583 shade: #A03959, #BC466B, #C76583, #D2839B and #DDA1B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C76583 shade: #C76583, #C7BC65 and #65ABC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C76583 shade: #C76583, #84C765 and #6584C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C76583 shade: #C76583, #C7BC65, #65C7A8 and #6570C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C76583 shade: #C76583, #B5C765, #65C7A8 and #7765C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

Complementary color

CMYK 64 / 0 / 19 / 40

HEX #389A7C

RGB 56 154 124

HSL 161.63, 0.47%, 0.41%

LAB 57.47, -35.94, 7.41

 

CMYK 0 / 50 / 38 / 20

HEX #CC657E

RGB 204 101 126

HSL 345.44, 0.5%, 0.6%

LAB 55.74, 43.35, 5.36

 

CMYK 0 / 46 / 34 / 13

HEX #DD7791

RGB 221 119 145

HSL 344.71, 0.6%, 0.67%

LAB 62.18, 42.43, 3.92

 

CMYK 0 / 42 / 31 / 7

HEX #EE89A4

RGB 238 137 164

HSL 343.96, 0.75%, 0.74%

LAB 68.57, 41.53, 2.67

 

CMYK 0 / 39 / 28 / 0

HEX #FF9BB7

RGB 255 155 183

HSL 343.2, 1%, 0.8%

LAB 74.9, 40.67, 1.56

 

CMYK 0 / 32 / 21 / 0

HEX #FFADCA

RGB 255 173 202

HSL 338.78, 1%, 0.84%

LAB 79.28, 33.96, -2.43

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 0 / 54 / 38 / 29

HEX #B65370

RGB 182 83 112

HSL 342.42, 0.4%, 0.52%

LAB 48.64, 43.06, 3.05

 

CMYK 0 / 61 / 44 / 35

HEX #A5415D

RGB 165 65 93

HSL 343.2, 0.43%, 0.45%

LAB 42.11, 43.84, 4.94

 

CMYK 0 / 68 / 50 / 42

HEX #942F4A

RGB 148 47 74

HSL 343.96, 0.52%, 0.38%

LAB 35.64, 44.36, 7.35

 

CMYK 0 / 78 / 58 / 49

HEX #831D37

RGB 131 29 55

HSL 344.71, 0.64%, 0.31%

LAB 29.36, 44.31, 10.55

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 0 / 49 / 48 / 22

HEX #C76568

RGB 199 101 104

HSL 358.16, 0.47%, 0.59%

LAB 54.5, 39.2, 16.43

 

CMYK 0 / 49 / 49 / 22

HEX #C76565

RGB 199 101 101

HSL 0, 0.47%, 0.59%

LAB 54.44, 38.91, 18.1

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 0 / 49 / 21 / 22

HEX #C7659D

RGB 199 101 157

HSL 325.71, 0.47%, 0.59%

LAB 55.97, 45.73, -12.52

 

CMYK 0 / 49 / 8 / 22

HEX #C765B8

RGB 199 101 184

HSL 309.18, 0.47%, 0.59%

LAB 56.99, 50.01, -26.6

 

CMYK 6 / 49 / 0 / 22

HEX #BC65C7

RGB 188 101 199

HSL 293.27, 0.47%, 0.59%

LAB 56.21, 49.51, -36.51

 

CMYK 19 / 49 / 0 / 22

HEX #A165C7

RGB 161 101 199

HSL 276.73, 0.47%, 0.59%

LAB 52.96, 41.91, -41.85

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 0 / 61 / 43 / 15

HEX #D8547C

RGB 216 84 124

HSL 341.82, 0.63%, 0.59%

LAB 54.44, 55.18, 4.92

 

CMYK 0 / 71 / 49 / 9

HEX #E94376

RGB 233 67 118

HSL 341.57, 0.79%, 0.59%

LAB 54.71, 66.4, 9.25

 

CMYK 0 / 80 / 56 / 2

HEX #FA326F

RGB 250 50 111

HSL 341.7, 0.95%, 0.59%

LAB 55.84, 75.47, 15.47

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 0 / 35 / 25 / 29

HEX #B67689

RGB 182 118 137

HSL 342.19, 0.3%, 0.59%

LAB 56.79, 27.76, 0.1

 

CMYK 0 / 18 / 13 / 35

HEX #A58790

RGB 165 135 144

HSL 342, 0.14%, 0.59%

LAB 59.29, 12.92, -0.51

 

CMYK 3 / 0 / 1 / 40

HEX #949897

RGB 148 152 151

HSL 165, 0.02%, 0.59%

LAB 62.5, -1.64, 0.01

 

CMYK 22 / 0 / 7 / 34

HEX #83A89D

RGB 131 168 157

HSL 162.16, 0.18%, 0.59%

LAB 65.95, -14.92, 1.54

 

CMYK 0 / 49 / 8 / 22

HEX #C765B8

RGB 199 101 184

HSL 309.18, 0.47%, 0.59%

LAB 56.99, 50.01, -26.6

 

CMYK 0 / 49 / 21 / 22

HEX #C7659E

RGB 199 101 158

HSL 325.1, 0.47%, 0.59%

LAB 56.01, 45.88, -13.05

 

CMYK 0 / 49 / 34 / 22

HEX #C76584

RGB 199 101 132

HSL 341.02, 0.47%, 0.59%

LAB 55.19, 42.32, 0.96

 

CMYK 0 / 49 / 47 / 22

HEX #C7656A

RGB 199 101 106

HSL 356.94, 0.47%, 0.59%

LAB 54.54, 39.4, 15.32

 

CMYK 0 / 39 / 49 / 22

HEX #C77A65

RGB 199 122 101

HSL 12.86, 0.47%, 0.59%

LAB 58.98, 27.76, 24.19

 

CMYK 0 / 64 / 44 / 37

HEX #A03959

RGB 160 57 89

HSL 341.36, 0.47%, 0.43%

LAB 39.78, 45.42, 4

 

CMYK 0 / 63 / 43 / 26

HEX #BC466B

RGB 188 70 107

HSL 341.19, 0.47%, 0.51%

LAB 47.15, 50.64, 4.06

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 0 / 38 / 26 / 18

HEX #D2839B

RGB 210 131 155

HSL 341.77, 0.47%, 0.67%

LAB 63.59, 33.53, 0.09

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B4

RGB 221 161 180

HSL 341, 0.47%, 0.75%

LAB 72.33, 25.03, -0.99

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 0 / 6 / 49 / 22

HEX #C7BC65

RGB 199 188 101

HSL 53.27, 0.47%, 0.59%

LAB 75.48, -7.86, 45.06

 

CMYK 49 / 14 / 0 / 22

HEX #65ABC7

RGB 101 171 199

HSL 197.14, 0.47%, 0.59%

LAB 66.53, -14.41, -21.11

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 34 / 0 / 49 / 22

HEX #84C765

RGB 132 199 101

HSL 101.02, 0.47%, 0.59%

LAB 73.99, -39.02, 42.19

 

CMYK 49 / 34 / 0 / 22

HEX #6584C7

RGB 101 132 199

HSL 221.02, 0.47%, 0.59%

LAB 55.47, 7.63, -38.23

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 0 / 6 / 49 / 22

HEX #C7BC65

RGB 199 188 101

HSL 53.27, 0.47%, 0.59%

LAB 75.48, -7.86, 45.06

 

CMYK 49 / 0 / 16 / 22

HEX #65C7A8

RGB 101 199 168

HSL 161.02, 0.47%, 0.59%

LAB 73.83, -36.28, 6.71

 

CMYK 49 / 44 / 0 / 22

HEX #6570C7

RGB 101 112 199

HSL 233.27, 0.47%, 0.59%

LAB 50.07, 19.72, -46.77

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 9 / 0 / 49 / 22

HEX #B5C765

RGB 181 199 101

HSL 71.02, 0.47%, 0.59%

LAB 77.05, -20.75, 46.61

 

CMYK 49 / 0 / 16 / 22

HEX #65C7A8

RGB 101 199 168

HSL 161.02, 0.47%, 0.59%

LAB 73.83, -36.28, 6.71

 

CMYK 40 / 49 / 0 / 22

HEX #7765C7

RGB 119 101 199

HSL 251.02, 0.47%, 0.59%

LAB 48.7, 30.74, -48.87

 

Description

Color code: HEX #C76583 | qconv.com Color code: HEX #C76583 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 101 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 101 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 34 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 34% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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