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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C765AF it is the complementary color #389A50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C765AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C765AF shade: #CC65AA, #DD77BD, #EE89D0, #FF9BE3 and #FFADF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C765AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C765AF shade: #C765AF, #B6539C, #A54189, #942F76 and #831D63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C765AF shade: #C765AF, #C76595, #C7657A and #C76565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C765AF shade: #C765AF, #C565C7, #AA65C7, #9065C7 and #7565C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C765AF shade matches the following richer shades: #C765AF, #D854B8, #E943C0 and #FA32C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C765AF shade: #C765AF, #B676A6, #A5879E, #949895 and #83A88C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C765AF shade: #AA65C7, #C465C7, #C765B0, #C76596 and #C7657C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C765AF shade: #A03987, #BC469F, #C765AF, #D283BF and #DDA1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C765AF shade: #C765AF, #C78F65 and #65C7B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C765AF shade: #C765AF, #B0C765 and #65B0C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C765AF shade: #C765AF, #C78F65, #65C77C and #659DC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C765AF shade: #C765AF, #C7AD65, #65C77C and #657FC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

Complementary color

CMYK 64 / 0 / 48 / 40

HEX #389A50

RGB 56 154 80

HSL 134.69, 0.47%, 0.41%

LAB 56.62, -45.01, 30.52

 

CMYK 0 / 50 / 17 / 20

HEX #CC65AA

RGB 204 101 170

HSL 319.81, 0.5%, 0.6%

LAB 57.12, 49.28, -18.26

 

CMYK 0 / 46 / 14 / 13

HEX #DD77BD

RGB 221 119 189

HSL 318.82, 0.6%, 0.67%

LAB 63.54, 48.58, -19.16

 

CMYK 0 / 42 / 13 / 7

HEX #EE89D0

RGB 238 137 208

HSL 317.82, 0.75%, 0.74%

LAB 69.91, 47.84, -19.92

 

CMYK 0 / 39 / 11 / 0

HEX #FF9BE3

RGB 255 155 227

HSL 316.8, 1%, 0.8%

LAB 76.22, 47.1, -20.6

 

CMYK 0 / 32 / 4 / 0

HEX #FFADF6

RGB 255 173 246

HSL 306.59, 1%, 0.84%

LAB 80.63, 41.01, -24.18

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 0 / 54 / 14 / 29

HEX #B6539C

RGB 182 83 156

HSL 315.76, 0.4%, 0.52%

LAB 50.13, 49.15, -21.04

 

CMYK 0 / 61 / 17 / 35

HEX #A54189

RGB 165 65 137

HSL 316.8, 0.43%, 0.45%

LAB 43.63, 49.59, -19.87

 

CMYK 0 / 68 / 20 / 42

HEX #942F76

RGB 148 47 118

HSL 317.82, 0.52%, 0.38%

LAB 37.18, 49.68, -18.34

 

CMYK 0 / 78 / 24 / 49

HEX #831D63

RGB 131 29 99

HSL 318.82, 0.64%, 0.31%

LAB 30.89, 49.08, -16.21

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 0 / 49 / 25 / 22

HEX #C76595

RGB 199 101 149

HSL 330.61, 0.47%, 0.59%

LAB 55.7, 44.58, -8.25

 

CMYK 0 / 49 / 39 / 22

HEX #C7657A

RGB 199 101 122

HSL 347.14, 0.47%, 0.59%

LAB 54.92, 41.12, 6.45

 

CMYK 0 / 49 / 49 / 22

HEX #C76565

RGB 199 101 101

HSL 0, 0.47%, 0.59%

LAB 54.44, 38.91, 18.1

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 1 / 49 / 0 / 22

HEX #C565C7

RGB 197 101 199

HSL 298.78, 0.47%, 0.59%

LAB 57.37, 52.06, -34.61

 

CMYK 15 / 49 / 0 / 22

HEX #AA65C7

RGB 170 101 199

HSL 282.24, 0.47%, 0.59%

LAB 54, 44.43, -40.13

 

CMYK 28 / 49 / 0 / 22

HEX #9065C7

RGB 144 101 199

HSL 266.33, 0.47%, 0.59%

LAB 51.11, 37.24, -44.9

 

CMYK 41 / 49 / 0 / 22

HEX #7565C7

RGB 117 101 199

HSL 249.8, 0.47%, 0.59%

LAB 48.53, 30.24, -49.16

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 0 / 61 / 15 / 15

HEX #D854B8

RGB 216 84 184

HSL 314.55, 0.63%, 0.59%

LAB 56.49, 62.69, -27.18

 

CMYK 0 / 71 / 18 / 9

HEX #E943C0

RGB 233 67 192

HSL 314.82, 0.79%, 0.59%

LAB 57.22, 74.48, -30.44

 

CMYK 0 / 80 / 20 / 2

HEX #FA32C9

RGB 250 50 201

HSL 314.7, 0.95%, 0.59%

LAB 58.81, 84.13, -32.9

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 0 / 35 / 9 / 29

HEX #B676A6

RGB 182 118 166

HSL 315, 0.3%, 0.59%

LAB 57.71, 32.48, -15.32

 

CMYK 0 / 18 / 4 / 35

HEX #A5879E

RGB 165 135 158

HSL 314, 0.14%, 0.59%

LAB 59.7, 15.45, -7.92

 

CMYK 3 / 0 / 2 / 40

HEX #949895

RGB 148 152 149

HSL 135, 0.02%, 0.59%

LAB 62.44, -2.03, 1.06

 

CMYK 22 / 0 / 17 / 34

HEX #83A88C

RGB 131 168 140

HSL 134.59, 0.18%, 0.59%

LAB 65.53, -18.36, 10.39

 

CMYK 15 / 49 / 0 / 22

HEX #AA65C7

RGB 170 101 199

HSL 282.24, 0.47%, 0.59%

LAB 54, 44.43, -40.13

 

CMYK 2 / 49 / 0 / 22

HEX #C465C7

RGB 196 101 199

HSL 298.16, 0.47%, 0.59%

LAB 57.24, 51.78, -34.82

 

CMYK 0 / 49 / 12 / 22

HEX #C765B0

RGB 199 101 176

HSL 314.08, 0.47%, 0.59%

LAB 56.67, 48.68, -22.48

 

CMYK 0 / 49 / 25 / 22

HEX #C76596

RGB 199 101 150

HSL 330, 0.47%, 0.59%

LAB 55.74, 44.72, -8.79

 

CMYK 0 / 49 / 38 / 22

HEX #C7657C

RGB 199 101 124

HSL 345.92, 0.47%, 0.59%

LAB 54.97, 41.35, 5.35

 

CMYK 0 / 64 / 16 / 37

HEX #A03987

RGB 160 57 135

HSL 314.56, 0.47%, 0.43%

LAB 41.45, 51.4, -22.08

 

CMYK 0 / 63 / 15 / 26

HEX #BC469F

RGB 188 70 159

HSL 314.75, 0.47%, 0.51%

LAB 48.98, 57.26, -24.52

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 0 / 38 / 9 / 18

HEX #D283BF

RGB 210 131 191

HSL 314.43, 0.47%, 0.67%

LAB 64.72, 39.15, -18.62

 

CMYK 0 / 27 / 7 / 13

HEX #DDA1CE

RGB 221 161 206

HSL 315, 0.47%, 0.75%

LAB 73.1, 29.3, -14.18

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 0 / 28 / 49 / 22

HEX #C78F65

RGB 199 143 101

HSL 25.71, 0.47%, 0.59%

LAB 63.94, 16.27, 30.67

 

CMYK 49 / 0 / 8 / 22

HEX #65C7B7

RGB 101 199 183

HSL 170.2, 0.47%, 0.59%

LAB 74.21, -32.73, -0.86

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 12 / 0 / 49 / 22

HEX #B0C765

RGB 176 199 101

HSL 74.08, 0.47%, 0.59%

LAB 76.69, -22.73, 46.09

 

CMYK 49 / 12 / 0 / 22

HEX #65B0C7

RGB 101 176 199

HSL 194.08, 0.47%, 0.59%

LAB 67.98, -17.05, -18.92

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 0 / 28 / 49 / 22

HEX #C78F65

RGB 199 143 101

HSL 25.71, 0.47%, 0.59%

LAB 63.94, 16.27, 30.67

 

CMYK 49 / 0 / 38 / 22

HEX #65C77C

RGB 101 199 124

HSL 134.08, 0.47%, 0.59%

LAB 72.94, -45.09, 28.92

 

CMYK 49 / 21 / 0 / 22

HEX #659DC7

RGB 101 157 199

HSL 205.71, 0.47%, 0.59%

LAB 62.51, -6.78, -27.28

 

CMYK 0 / 49 / 12 / 22

HEX #C765AF

RGB 199 101 175

HSL 314.69, 0.47%, 0.59%

LAB 56.63, 48.52, -21.97

 

CMYK 0 / 13 / 49 / 22

HEX #C7AD65

RGB 199 173 101

HSL 44.08, 0.47%, 0.59%

LAB 71.53, 0.02, 40.24

 

CMYK 49 / 0 / 38 / 22

HEX #65C77C

RGB 101 199 124

HSL 134.08, 0.47%, 0.59%

LAB 72.94, -45.09, 28.92

 

CMYK 49 / 36 / 0 / 22

HEX #657FC7

RGB 101 127 199

HSL 224.08, 0.47%, 0.59%

LAB 54.1, 10.61, -40.39

 

Description

Color code: HEX #C765AF | qconv.com Color code: HEX #C765AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 101 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 101 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 12 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 12% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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