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Color name
HEX #C76613

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C76613 it is the complementary color #3899EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C76613. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C76613 shade: #CC660E, #DD7821, #EE8A34, #FF9C47 and #FFAE5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C76613. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C76613 shade: #C76613, #B65400, #A54200, #943000 and #831E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C76613 shade: #C86612, #C83512 and #C81212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C76613 shade: #C86612, #C89712, #C8C812, #97C812 and #66C812

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C76613 shade matches the following richer shades: #C86612 and #DA6500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C76613 shade: #C86612, #B66724, #A56936, #936A47 and #816C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C76613 shade: #C81221, #C83412, #C86412, #C89512 and #C8C512

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C76613 shade: #7D3F0B, #A2530F, #C86612, #E97A1A and #ED9040

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C76613 shade: #C76613, #52C812 and #1B12C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C76613 shade: #C76613, #12C864 and #6412C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C76613 shade: #C76613, #52C812, #1276C8 and #8812C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C76613 shade: #C76613, #1BC812, #1276C8 and #BF12C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 90 / 22

HEX #C76613

RGB 199 102 19

HSL 27.67, 0.83%, 0.43%

LAB 53.7, 33.93, 57.78

 

Complementary color

CMYK 76 / 35 / 0 / 7

HEX #3899EC

RGB 56 153 236

HSL 207.67, 0.83%, 0.57%

LAB 61.38, -0.18, -49.73

 

CMYK 0 / 50 / 93 / 20

HEX #CC660E

RGB 204 102 14

HSL 27.79, 0.87%, 0.43%

LAB 54.42, 35.89, 59.91

 

CMYK 0 / 46 / 85 / 13

HEX #DD7821

RGB 221 120 33

HSL 27.77, 0.74%, 0.5%

LAB 60.71, 33.82, 60.25

 

CMYK 0 / 42 / 78 / 7

HEX #EE8A34

RGB 238 138 52

HSL 27.74, 0.85%, 0.57%

LAB 66.98, 31.94, 59.49

 

CMYK 0 / 39 / 72 / 0

HEX #FF9C47

RGB 255 156 71

HSL 27.72, 1%, 0.64%

LAB 73.21, 30.25, 58.24

 

CMYK 0 / 32 / 65 / 0

HEX #FFAE5A

RGB 255 174 90

HSL 30.55, 1%, 0.68%

LAB 77.44, 21.87, 54.06

 

CMYK 0 / 49 / 90 / 22

HEX #C76613

RGB 199 102 19

HSL 27.67, 0.83%, 0.43%

LAB 53.7, 33.93, 57.78

 

CMYK 0 / 54 / 100 / 29

HEX #B65400

RGB 182 84 0

HSL 27.69, 1%, 0.36%

LAB 47.35, 36.08, 56.81

 

CMYK 0 / 60 / 100 / 35

HEX #A54200

RGB 165 66 0

HSL 24, 1%, 0.32%

LAB 41.05, 38.35, 51.78

 

CMYK 0 / 68 / 100 / 42

HEX #943000

RGB 148 48 0

HSL 19.46, 1%, 0.29%

LAB 34.82, 40.32, 46.82

 

CMYK 0 / 77 / 100 / 49

HEX #831E00

RGB 131 30 0

HSL 13.74, 1%, 0.26%

LAB 28.78, 41.62, 41.15

 

CMYK 0 / 49 / 91 / 22

HEX #C86612

RGB 200 102 18

HSL 27.69, 0.83%, 0.43%

LAB 53.84, 34.32, 58.23

 

CMYK 0 / 74 / 91 / 22

HEX #C83512

RGB 200 53 18

HSL 11.54, 0.83%, 0.43%

LAB 45.45, 56.33, 52.2

 

CMYK 0 / 91 / 91 / 22

HEX #C81212

RGB 200 18 18

HSL 0, 0.83%, 0.43%

LAB 42.39, 64.97, 50.09

 

CMYK 0 / 49 / 91 / 22

HEX #C86612

RGB 200 102 18

HSL 27.69, 0.83%, 0.43%

LAB 53.84, 34.32, 58.23

 

CMYK 0 / 25 / 91 / 22

HEX #C89712

RGB 200 151 18

HSL 43.85, 0.83%, 0.43%

LAB 65.32, 7.84, 66.83

 

CMYK 0 / 0 / 91 / 22

HEX #C8C812

RGB 200 200 18

HSL 60, 0.83%, 0.43%

LAB 78.25, -17.74, 76.77

 

CMYK 25 / 0 / 91 / 22

HEX #97C812

RGB 151 200 18

HSL 76.15, 0.83%, 0.43%

LAB 74.78, -38.02, 72.55

 

CMYK 49 / 0 / 91 / 22

HEX #66C812

RGB 102 200 18

HSL 92.31, 0.83%, 0.43%

LAB 72.35, -55.22, 69.56

 

CMYK 0 / 49 / 91 / 22

HEX #C86612

RGB 200 102 18

HSL 27.69, 0.83%, 0.43%

LAB 53.84, 34.32, 58.23

 

CMYK 0 / 54 / 100 / 15

HEX #DA6500

RGB 218 101 0

HSL 27.8, 1%, 0.43%

LAB 56.3, 41.78, 64.9

 

CMYK 0 / 49 / 91 / 22

HEX #C86612

RGB 200 102 18

HSL 27.69, 0.83%, 0.43%

LAB 53.84, 34.32, 58.23

 

CMYK 0 / 43 / 80 / 29

HEX #B66724

RGB 182 103 36

HSL 27.53, 0.67%, 0.43%

LAB 51.58, 26.75, 48.96

 

CMYK 0 / 36 / 67 / 35

HEX #A56936

RGB 165 105 54

HSL 27.57, 0.51%, 0.43%

LAB 49.94, 19.17, 37.94

 

CMYK 0 / 28 / 52 / 42

HEX #936A47

RGB 147 106 71

HSL 27.63, 0.35%, 0.43%

LAB 48.22, 12.05, 26.02

 

CMYK 0 / 16 / 31 / 49

HEX #816C59

RGB 129 108 89

HSL 28.5, 0.18%, 0.43%

LAB 47.12, 5.25, 13.73

 

CMYK 0 / 91 / 84 / 22

HEX #C81221

RGB 200 18 33

HSL 355.05, 0.83%, 0.43%

LAB 42.49, 65.26, 43.02

 

CMYK 0 / 74 / 91 / 22

HEX #C83412

RGB 200 52 18

HSL 11.21, 0.83%, 0.43%

LAB 45.33, 56.67, 52.11

 

CMYK 0 / 50 / 91 / 22

HEX #C86412

RGB 200 100 18

HSL 27.03, 0.83%, 0.43%

LAB 53.42, 35.36, 57.92

 

CMYK 0 / 26 / 91 / 22

HEX #C89512

RGB 200 149 18

HSL 43.19, 0.83%, 0.43%

LAB 64.82, 8.92, 66.44

 

CMYK 0 / 1 / 91 / 22

HEX #C8C512

RGB 200 197 18

HSL 59.01, 0.83%, 0.43%

LAB 77.43, -16.25, 76.14

 

CMYK 0 / 50 / 91 / 51

HEX #7D3F0B

RGB 125 63 11

HSL 27.37, 0.84%, 0.27%

LAB 33.86, 23.45, 40.17

 

CMYK 0 / 49 / 91 / 36

HEX #A2530F

RGB 162 83 15

HSL 27.76, 0.83%, 0.35%

LAB 44.09, 28.54, 49.28

 

CMYK 0 / 49 / 91 / 22

HEX #C86612

RGB 200 102 18

HSL 27.69, 0.83%, 0.43%

LAB 53.84, 34.32, 58.23

 

CMYK 0 / 48 / 89 / 9

HEX #E97A1A

RGB 233 122 26

HSL 27.83, 0.82%, 0.51%

LAB 62.77, 37.48, 64.8

 

CMYK 0 / 39 / 73 / 7

HEX #ED9040

RGB 237 144 64

HSL 27.75, 0.83%, 0.59%

LAB 68.26, 28.89, 55.54

 

CMYK 0 / 49 / 90 / 22

HEX #C76613

RGB 199 102 19

HSL 27.67, 0.83%, 0.43%

LAB 53.7, 33.93, 57.78

 

CMYK 59 / 0 / 91 / 22

HEX #52C812

RGB 82 200 18

HSL 98.9, 0.83%, 0.43%

LAB 71.65, -60.73, 68.7

 

CMYK 87 / 91 / 0 / 22

HEX #1B12C8

RGB 27 18 200

HSL 242.97, 0.83%, 0.43%

LAB 26.26, 62.19, -86.41

 

CMYK 0 / 49 / 90 / 22

HEX #C76613

RGB 199 102 19

HSL 27.67, 0.83%, 0.43%

LAB 53.7, 33.93, 57.78

 

CMYK 91 / 0 / 50 / 22

HEX #12C864

RGB 18 200 100

HSL 147.03, 0.83%, 0.43%

LAB 71.12, -63.01, 38.42

 

CMYK 50 / 91 / 0 / 22

HEX #6412C8

RGB 100 18 200

HSL 267.03, 0.83%, 0.43%

LAB 32.51, 66.4, -75.86

 

CMYK 0 / 49 / 90 / 22

HEX #C76613

RGB 199 102 19

HSL 27.67, 0.83%, 0.43%

LAB 53.7, 33.93, 57.78

 

CMYK 59 / 0 / 91 / 22

HEX #52C812

RGB 82 200 18

HSL 98.9, 0.83%, 0.43%

LAB 71.65, -60.73, 68.7

 

CMYK 91 / 41 / 0 / 22

HEX #1276C8

RGB 18 118 200

HSL 207.03, 0.83%, 0.43%

LAB 48.58, 4.19, -49.91

 

CMYK 32 / 91 / 0 / 22

HEX #8812C8

RGB 136 18 200

HSL 278.9, 0.83%, 0.43%

LAB 37.55, 70.47, -67.39

 

CMYK 0 / 49 / 90 / 22

HEX #C76613

RGB 199 102 19

HSL 27.67, 0.83%, 0.43%

LAB 53.7, 33.93, 57.78

 

CMYK 87 / 0 / 91 / 22

HEX #1BC812

RGB 27 200 18

HSL 117.03, 0.83%, 0.43%

LAB 70.58, -69.91, 67.37

 

CMYK 91 / 41 / 0 / 22

HEX #1276C8

RGB 18 118 200

HSL 207.03, 0.83%, 0.43%

LAB 48.58, 4.19, -49.91

 

CMYK 5 / 91 / 0 / 22

HEX #BF12C8

RGB 191 18 200

HSL 297.03, 0.83%, 0.43%

LAB 46.55, 78.68, -52.37

 

Description

Color code: HEX #C76613 | qconv.com Color code: HEX #C76613 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 102 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 102 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 90% 22% C M Y K

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