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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C76A99 it is the complementary color #389566. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C76A99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C76A99 shade: #CC6A94, #DD7CA7, #EE8EBA, #FFA0CD and #FFB2E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C76A99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C76A99 shade: #C76A99, #B65886, #A54673, #943460 and #83224D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C76A99 shade: #C66B99, #C66B80 and #C66B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C76A99 shade: #C66B99, #C66BB2, #C26BC6, #AA6BC6 and #916BC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C76A99 shade matches the following richer shades: #C66B99, #D75A99, #E74A99 and #F8399A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C76A99 shade: #C66B99, #B67B99, #A58C99, #959C98 and #84AD98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C76A99 shade: #C26BC6, #C66BB3, #C66B9A, #C66B82 and #C66C6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C76A99 shade: #A23D70, #BB4D84, #C66B99, #D289AE and #DDA6C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C76A99 shade: #C76A99, #C6A96B and #6BBFC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C76A99 shade: #C76A99, #9AC66B and #6B9AC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C76A99 shade: #C76A99, #C6A96B, #6BC697 and #6B88C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C76A99 shade: #C76A99, #C6C56B, #6BC697 and #6B6CC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 23 / 22

HEX #C76A99

RGB 199 106 153

HSL 329.68, 0.45%, 0.6%

LAB 56.83, 42.59, -8.91

 

Complementary color

CMYK 62 / 0 / 32 / 42

HEX #389566

RGB 56 149 102

HSL 149.68, 0.45%, 0.4%

LAB 55.37, -38.8, 16.89

 

CMYK 0 / 48 / 27 / 20

HEX #CC6A94

RGB 204 106 148

HSL 334.29, 0.49%, 0.61%

LAB 57.35, 43.58, -5.15

 

CMYK 0 / 44 / 24 / 13

HEX #DD7CA7

RGB 221 124 167

HSL 333.4, 0.59%, 0.68%

LAB 63.82, 42.75, -6.25

 

CMYK 0 / 40 / 22 / 7

HEX #EE8EBA

RGB 238 142 186

HSL 332.5, 0.74%, 0.75%

LAB 70.22, 41.94, -7.21

 

CMYK 0 / 37 / 20 / 0

HEX #FFA0CD

RGB 255 160 205

HSL 331.58, 1%, 0.81%

LAB 76.56, 41.15, -8.07

 

CMYK 0 / 30 / 12 / 0

HEX #FFB2E0

RGB 255 178 224

HSL 324.16, 1%, 0.85%

LAB 81.01, 34.72, -11.77

 

CMYK 0 / 47 / 23 / 22

HEX #C76A99

RGB 199 106 153

HSL 329.68, 0.45%, 0.6%

LAB 56.83, 42.59, -8.91

 

CMYK 0 / 52 / 26 / 29

HEX #B65886

RGB 182 88 134

HSL 330.64, 0.39%, 0.53%

LAB 50.27, 43.38, -7.76

 

CMYK 0 / 58 / 30 / 35

HEX #A54673

RGB 165 70 115

HSL 331.58, 0.4%, 0.46%

LAB 43.68, 44.08, -6.36

 

CMYK 0 / 65 / 35 / 42

HEX #943460

RGB 148 52 96

HSL 332.5, 0.48%, 0.39%

LAB 37.11, 44.56, -4.59

 

CMYK 0 / 74 / 41 / 49

HEX #83224D

RGB 131 34 77

HSL 333.4, 0.59%, 0.32%

LAB 30.65, 44.56, -2.21

 

CMYK 0 / 46 / 23 / 22

HEX #C66B99

RGB 198 107 153

HSL 329.67, 0.44%, 0.6%

LAB 56.9, 41.74, -8.82

 

CMYK 0 / 46 / 35 / 22

HEX #C66B80

RGB 198 107 128

HSL 346.15, 0.44%, 0.6%

LAB 56.17, 38.37, 4.7

 

CMYK 0 / 46 / 46 / 22

HEX #C66B6B

RGB 198 107 107

HSL 0, 0.44%, 0.6%

LAB 55.67, 36, 16.26

 

CMYK 0 / 46 / 23 / 22

HEX #C66B99

RGB 198 107 153

HSL 329.67, 0.44%, 0.6%

LAB 56.9, 41.74, -8.82

 

CMYK 0 / 46 / 10 / 22

HEX #C66BB2

RGB 198 107 178

HSL 313.19, 0.44%, 0.6%

LAB 57.79, 45.66, -21.93

 

CMYK 2 / 46 / 0 / 22

HEX #C26BC6

RGB 194 107 198

HSL 297.36, 0.44%, 0.6%

LAB 58.1, 47.99, -32.94

 

CMYK 14 / 46 / 0 / 22

HEX #AA6BC6

RGB 170 107 198

HSL 281.54, 0.44%, 0.6%

LAB 55.21, 40.98, -37.65

 

CMYK 27 / 46 / 0 / 22

HEX #916BC6

RGB 145 107 198

HSL 265.05, 0.44%, 0.6%

LAB 52.52, 33.85, -42.07

 

CMYK 0 / 46 / 23 / 22

HEX #C66B99

RGB 198 107 153

HSL 329.67, 0.44%, 0.6%

LAB 56.9, 41.74, -8.82

 

CMYK 0 / 58 / 29 / 16

HEX #D75A99

RGB 215 90 153

HSL 329.76, 0.61%, 0.6%

LAB 56.15, 55.51, -9.69

 

CMYK 0 / 68 / 34 / 9

HEX #E74A99

RGB 231 74 153

HSL 329.81, 0.77%, 0.6%

LAB 56.27, 66.74, -9.24

 

CMYK 0 / 77 / 38 / 3

HEX #F8399A

RGB 248 57 154

HSL 329.53, 0.93%, 0.6%

LAB 57.29, 76.7, -8.01

 

CMYK 0 / 46 / 23 / 22

HEX #C66B99

RGB 198 107 153

HSL 329.67, 0.44%, 0.6%

LAB 56.9, 41.74, -8.82

 

CMYK 0 / 32 / 16 / 29

HEX #B67B99

RGB 182 123 153

HSL 329.49, 0.29%, 0.6%

LAB 58.43, 27.49, -6.75

 

CMYK 0 / 15 / 7 / 35

HEX #A58C99

RGB 165 140 153

HSL 328.8, 0.12%, 0.6%

LAB 60.83, 11.69, -3.39

 

CMYK 4 / 0 / 3 / 39

HEX #959C98

RGB 149 156 152

HSL 145.71, 0.03%, 0.6%

LAB 63.7, -3.29, 1.21

 

CMYK 24 / 0 / 12 / 32

HEX #84AD98

RGB 132 173 152

HSL 149.27, 0.2%, 0.6%

LAB 67.32, -18.23, 6.3

 

CMYK 2 / 46 / 0 / 22

HEX #C26BC6

RGB 194 107 198

HSL 297.36, 0.44%, 0.6%

LAB 58.1, 47.99, -32.94

 

CMYK 0 / 46 / 10 / 22

HEX #C66BB3

RGB 198 107 179

HSL 312.53, 0.44%, 0.6%

LAB 57.82, 45.83, -22.45

 

CMYK 0 / 46 / 22 / 22

HEX #C66B9A

RGB 198 107 154

HSL 329.01, 0.44%, 0.6%

LAB 56.93, 41.88, -9.35

 

CMYK 0 / 46 / 34 / 22

HEX #C66B82

RGB 198 107 130

HSL 344.84, 0.44%, 0.6%

LAB 56.22, 38.61, 3.6

 

CMYK 0 / 45 / 46 / 22

HEX #C66C6B

RGB 198 108 107

HSL 0.66, 0.44%, 0.6%

LAB 55.88, 35.47, 16.55

 

CMYK 0 / 62 / 31 / 36

HEX #A23D70

RGB 162 61 112

HSL 329.7, 0.45%, 0.44%

LAB 41.51, 46.96, -7.8

 

CMYK 0 / 59 / 29 / 27

HEX #BB4D84

RGB 187 77 132

HSL 330, 0.45%, 0.52%

LAB 48.93, 50.07, -8.48

 

CMYK 0 / 46 / 23 / 22

HEX #C66B99

RGB 198 107 153

HSL 329.67, 0.44%, 0.6%

LAB 56.9, 41.74, -8.82

 

CMYK 0 / 35 / 17 / 18

HEX #D289AE

RGB 210 137 174

HSL 329.59, 0.45%, 0.68%

LAB 65.47, 33.14, -7.9

 

CMYK 0 / 25 / 12 / 13

HEX #DDA6C2

RGB 221 166 194

HSL 329.45, 0.45%, 0.76%

LAB 73.89, 24.57, -6.4

 

CMYK 0 / 47 / 23 / 22

HEX #C76A99

RGB 199 106 153

HSL 329.68, 0.45%, 0.6%

LAB 56.83, 42.59, -8.91

 

CMYK 0 / 15 / 46 / 22

HEX #C6A96B

RGB 198 169 107

HSL 40.88, 0.44%, 0.6%

LAB 70.49, 2.32, 35.81

 

CMYK 46 / 4 / 0 / 22

HEX #6BBFC6

RGB 107 191 198

HSL 184.62, 0.44%, 0.6%

LAB 72.54, -23.63, -11.47

 

CMYK 0 / 47 / 23 / 22

HEX #C76A99

RGB 199 106 153

HSL 329.68, 0.45%, 0.6%

LAB 56.83, 42.59, -8.91

 

CMYK 22 / 0 / 46 / 22

HEX #9AC66B

RGB 154 198 107

HSL 89.01, 0.44%, 0.6%

LAB 75.03, -30.01, 40.79

 

CMYK 46 / 22 / 0 / 22

HEX #6B9AC6

RGB 107 154 198

HSL 209.01, 0.44%, 0.6%

LAB 61.92, -3.93, -27.6

 

CMYK 0 / 47 / 23 / 22

HEX #C76A99

RGB 199 106 153

HSL 329.68, 0.45%, 0.6%

LAB 56.83, 42.59, -8.91

 

CMYK 0 / 15 / 46 / 22

HEX #C6A96B

RGB 198 169 107

HSL 40.88, 0.44%, 0.6%

LAB 70.49, 2.32, 35.81

 

CMYK 46 / 0 / 24 / 22

HEX #6BC697

RGB 107 198 151

HSL 149.01, 0.44%, 0.6%

LAB 73.38, -38, 15.26

 

CMYK 46 / 31 / 0 / 22

HEX #6B88C6

RGB 107 136 198

HSL 220.88, 0.44%, 0.6%

LAB 56.89, 6.43, -35.41

 

CMYK 0 / 47 / 23 / 22

HEX #C76A99

RGB 199 106 153

HSL 329.68, 0.45%, 0.6%

LAB 56.83, 42.59, -8.91

 

CMYK 0 / 1 / 46 / 22

HEX #C6C56B

RGB 198 197 107

HSL 59.34, 0.44%, 0.6%

LAB 77.87, -12.33, 44.99

 

CMYK 46 / 0 / 24 / 22

HEX #6BC697

RGB 107 198 151

HSL 149.01, 0.44%, 0.6%

LAB 73.38, -38, 15.26

 

CMYK 46 / 45 / 0 / 22

HEX #6B6CC6

RGB 107 108 198

HSL 239.34, 0.44%, 0.6%

LAB 49.41, 23.28, -47.23

 

Description

Color code: HEX #C76A99 | qconv.com Color code: HEX #C76A99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 106 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 106 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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