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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C76D4C it is the complementary color #3892B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C76D4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C76D4C shade: #CC6D47, #DD7F5A, #EE916D, #FFA380 and #FFB593

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C76D4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C76D4C shade: #C76D4C, #B65B39, #A54926, #943713 and #832500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C76D4C shade: #C66D4C and #C64C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C76D4C shade: #C66D4C, #C68E4C, #C6AF4C, #BDC64C and #9CC64C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C76D4C shade matches the following richer shades: #C66D4C, #D96439 and #EC5B26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C76D4C shade: #C66D4C, #B3765F, #A07F72, #8D8785 and #7A9098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C76D4C shade: #C64C6D, #C64C4C, #C66D4C, #C68D4C and #C6AE4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C76D4C shade: #92492E, #B15838, #C66D4C, #D0876C and #DAA08B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C76D4C shade: #C76D4C, #8DC64C and #4C5CC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C76D4C shade: #C76D4C, #4CC66D and #6D4CC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C76D4C shade: #C76D4C, #8DC64C, #4CA6C6 and #854CC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C76D4C shade: #C76D4C, #69C64C, #4CA6C6 and #AA4CC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 62 / 22

HEX #C76D4C

RGB 199 109 76

HSL 16.1, 0.52%, 0.54%

LAB 55.69, 32.67, 33.98

 

Complementary color

CMYK 69 / 18 / 0 / 30

HEX #3892B3

RGB 56 146 179

HSL 196.1, 0.52%, 0.46%

LAB 56.74, -15.89, -25.04

 

CMYK 0 / 47 / 65 / 20

HEX #CC6D47

RGB 204 109 71

HSL 17.14, 0.57%, 0.54%

LAB 56.32, 34.33, 37.64

 

CMYK 0 / 43 / 59 / 13

HEX #DD7F5A

RGB 221 127 90

HSL 16.95, 0.66%, 0.61%

LAB 62.75, 32.91, 35.7

 

CMYK 0 / 39 / 54 / 7

HEX #EE916D

RGB 238 145 109

HSL 16.74, 0.79%, 0.68%

LAB 69.13, 31.61, 33.93

 

CMYK 0 / 36 / 50 / 0

HEX #FFA380

RGB 255 163 128

HSL 16.54, 1%, 0.75%

LAB 75.46, 30.45, 32.33

 

CMYK 0 / 29 / 42 / 0

HEX #FFB593

RGB 255 181 147

HSL 18.89, 1%, 0.79%

LAB 79.85, 22.88, 28.03

 

CMYK 0 / 45 / 62 / 22

HEX #C76D4C

RGB 199 109 76

HSL 16.1, 0.52%, 0.54%

LAB 55.69, 32.67, 33.98

 

CMYK 0 / 50 / 69 / 29

HEX #B65B39

RGB 182 91 57

HSL 16.32, 0.52%, 0.47%

LAB 49.16, 34.17, 36.07

 

CMYK 0 / 56 / 77 / 35

HEX #A54926

RGB 165 73 38

HSL 16.54, 0.63%, 0.4%

LAB 42.62, 35.78, 38.32

 

CMYK 0 / 63 / 87 / 42

HEX #943713

RGB 148 55 19

HSL 16.74, 0.77%, 0.33%

LAB 36.13, 37.44, 40.43

 

CMYK 0 / 72 / 100 / 49

HEX #832500

RGB 131 37 0

HSL 16.95, 1%, 0.26%

LAB 29.78, 38.87, 41.93

 

CMYK 0 / 45 / 62 / 22

HEX #C66D4C

RGB 198 109 76

HSL 16.23, 0.52%, 0.54%

LAB 55.55, 32.27, 33.78

 

CMYK 0 / 62 / 62 / 22

HEX #C64C4C

RGB 198 76 76

HSL 0, 0.52%, 0.54%

LAB 49.13, 48.69, 25.75

 

CMYK 0 / 45 / 62 / 22

HEX #C66D4C

RGB 198 109 76

HSL 16.23, 0.52%, 0.54%

LAB 55.55, 32.27, 33.78

 

CMYK 0 / 28 / 62 / 22

HEX #C68E4C

RGB 198 142 76

HSL 32.46, 0.52%, 0.54%

LAB 63.24, 14.32, 42.95

 

CMYK 0 / 12 / 62 / 22

HEX #C6AF4C

RGB 198 175 76

HSL 48.69, 0.52%, 0.54%

LAB 71.68, -3.49, 52.52

 

CMYK 5 / 0 / 62 / 22

HEX #BDC64C

RGB 189 198 76

HSL 64.43, 0.52%, 0.54%

LAB 77.12, -19.07, 58.22

 

CMYK 21 / 0 / 62 / 22

HEX #9CC64C

RGB 156 198 76

HSL 80.66, 0.52%, 0.54%

LAB 74.81, -32.33, 55.05

 

CMYK 0 / 45 / 62 / 22

HEX #C66D4C

RGB 198 109 76

HSL 16.23, 0.52%, 0.54%

LAB 55.55, 32.27, 33.78

 

CMYK 0 / 54 / 74 / 15

HEX #D96439

RGB 217 100 57

HSL 16.13, 0.68%, 0.54%

LAB 56.25, 43.21, 45.42

 

CMYK 0 / 61 / 84 / 7

HEX #EC5B26

RGB 236 91 38

HSL 16.06, 0.84%, 0.54%

LAB 57.52, 53.66, 56.55

 

CMYK 0 / 45 / 62 / 22

HEX #C66D4C

RGB 198 109 76

HSL 16.23, 0.52%, 0.54%

LAB 55.55, 32.27, 33.78

 

CMYK 0 / 34 / 47 / 30

HEX #B3765F

RGB 179 118 95

HSL 16.43, 0.36%, 0.54%

LAB 55.45, 21.26, 22.47

 

CMYK 0 / 21 / 29 / 37

HEX #A07F72

RGB 160 127 114

HSL 16.96, 0.19%, 0.54%

LAB 55.95, 10.74, 11.9

 

CMYK 0 / 4 / 6 / 45

HEX #8D8785

RGB 141 135 133

HSL 15, 0.03%, 0.54%

LAB 56.77, 1.86, 1.86

 

CMYK 20 / 5 / 0 / 40

HEX #7A9098

RGB 122 144 152

HSL 196, 0.13%, 0.54%

LAB 58.37, -6, -6.86

 

CMYK 0 / 62 / 45 / 22

HEX #C64C6D

RGB 198 76 109

HSL 343.77, 0.52%, 0.54%

LAB 49.83, 51.42, 6.9

 

CMYK 0 / 62 / 62 / 22

HEX #C64C4C

RGB 198 76 76

HSL 0, 0.52%, 0.54%

LAB 49.13, 48.69, 25.75

 

CMYK 0 / 45 / 62 / 22

HEX #C66D4C

RGB 198 109 76

HSL 16.23, 0.52%, 0.54%

LAB 55.55, 32.27, 33.78

 

CMYK 0 / 29 / 62 / 22

HEX #C68D4C

RGB 198 141 76

HSL 31.97, 0.52%, 0.54%

LAB 62.99, 14.86, 42.67

 

CMYK 0 / 12 / 62 / 22

HEX #C6AE4C

RGB 198 174 76

HSL 48.2, 0.52%, 0.54%

LAB 71.42, -2.96, 52.23

 

CMYK 0 / 50 / 68 / 43

HEX #92492E

RGB 146 73 46

HSL 16.2, 0.52%, 0.38%

LAB 39.7, 28.47, 29.86

 

CMYK 0 / 50 / 68 / 31

HEX #B15838

RGB 177 88 56

HSL 15.87, 0.52%, 0.46%

LAB 47.77, 33.69, 34.82

 

CMYK 0 / 45 / 62 / 22

HEX #C66D4C

RGB 198 109 76

HSL 16.23, 0.52%, 0.54%

LAB 55.55, 32.27, 33.78

 

CMYK 0 / 35 / 48 / 18

HEX #D0876C

RGB 208 135 108

HSL 16.2, 0.52%, 0.62%

LAB 63.19, 24.98, 26.05

 

CMYK 0 / 27 / 36 / 15

HEX #DAA08B

RGB 218 160 139

HSL 15.95, 0.52%, 0.7%

LAB 70.81, 18.79, 19.41

 

CMYK 0 / 45 / 62 / 22

HEX #C76D4C

RGB 199 109 76

HSL 16.1, 0.52%, 0.54%

LAB 55.69, 32.67, 33.98

 

CMYK 29 / 0 / 62 / 22

HEX #8DC64C

RGB 141 198 76

HSL 88.03, 0.52%, 0.54%

LAB 73.92, -37.99, 53.81

 

CMYK 62 / 54 / 0 / 22

HEX #4C5CC6

RGB 76 92 198

HSL 232.13, 0.52%, 0.54%

LAB 43.16, 26.7, -57.36

 

CMYK 0 / 45 / 62 / 22

HEX #C76D4C

RGB 199 109 76

HSL 16.1, 0.52%, 0.54%

LAB 55.69, 32.67, 33.98

 

CMYK 62 / 0 / 45 / 22

HEX #4CC66D

RGB 76 198 109

HSL 136.23, 0.52%, 0.54%

LAB 71.57, -53.17, 34.7

 

CMYK 45 / 62 / 0 / 22

HEX #6D4CC6

RGB 109 76 198

HSL 256.23, 0.52%, 0.54%

LAB 42, 42.8, -59.13

 

CMYK 0 / 45 / 62 / 22

HEX #C76D4C

RGB 199 109 76

HSL 16.1, 0.52%, 0.54%

LAB 55.69, 32.67, 33.98

 

CMYK 29 / 0 / 62 / 22

HEX #8DC64C

RGB 141 198 76

HSL 88.03, 0.52%, 0.54%

LAB 73.92, -37.99, 53.81

 

CMYK 62 / 16 / 0 / 22

HEX #4CA6C6

RGB 76 166 198

HSL 195.74, 0.52%, 0.54%

LAB 64.07, -17.21, -24.41

 

CMYK 33 / 62 / 0 / 22

HEX #854CC6

RGB 133 76 198

HSL 268.03, 0.52%, 0.54%

LAB 44.56, 48.02, -54.85

 

CMYK 0 / 45 / 62 / 22

HEX #C76D4C

RGB 199 109 76

HSL 16.1, 0.52%, 0.54%

LAB 55.69, 32.67, 33.98

 

CMYK 47 / 0 / 62 / 22

HEX #69C64C

RGB 105 198 76

HSL 105.74, 0.52%, 0.54%

LAB 72.17, -50.05, 51.38

 

CMYK 62 / 16 / 0 / 22

HEX #4CA6C6

RGB 76 166 198

HSL 195.74, 0.52%, 0.54%

LAB 64.07, -17.21, -24.41

 

CMYK 14 / 62 / 0 / 22

HEX #AA4CC6

RGB 170 76 198

HSL 286.23, 0.52%, 0.54%

LAB 49.24, 56.76, -47.09

 

Description

Color code: HEX #C76D4C | qconv.com Color code: HEX #C76D4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 109 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 109 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 62 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 62% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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