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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C77251 it is the complementary color #388DAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C77251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C77251 shade: #CC724C, #DD845F, #EE9672, #FFA885 and #FFBA98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C77251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C77251 shade: #C77251, #B6603E, #A54E2B, #943C18 and #832A05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C77251 shade: #C67251, #C65251 and #C65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C77251 shade: #C67251, #C69251, #C6B151, #BCC651 and #9CC651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C77251 shade matches the following richer shades: #C67251, #D96A3F, #EB622C and #FE591A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C77251 shade: #C67251, #B47A64, #A18276, #8F8B89 and #7C939B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C77251 shade: #C65170, #C65151, #C67051, #C69051 and #C6AF51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C77251 shade: #954C30, #B45C3A, #C67251, #D08B70 and #DAA490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C77251 shade: #C77251, #90C651 and #5161C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C77251 shade: #C77251, #51C670 and #7051C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C77251 shade: #C77251, #90C651, #51A7C6 and #8851C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C77251 shade: #C77251, #6DC651, #51A7C6 and #AB51C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 59 / 22

HEX #C77251

RGB 199 114 81

HSL 16.78, 0.51%, 0.55%

LAB 56.85, 30.36, 32.66

 

Complementary color

CMYK 68 / 19 / 0 / 32

HEX #388DAE

RGB 56 141 174

HSL 196.78, 0.51%, 0.45%

LAB 55.02, -14.81, -24.84

 

CMYK 0 / 44 / 63 / 20

HEX #CC724C

RGB 204 114 76

HSL 17.81, 0.56%, 0.55%

LAB 57.46, 32.02, 36.29

 

CMYK 0 / 40 / 57 / 13

HEX #DD845F

RGB 221 132 95

HSL 17.62, 0.65%, 0.62%

LAB 63.92, 30.64, 34.44

 

CMYK 0 / 37 / 52 / 7

HEX #EE9672

RGB 238 150 114

HSL 17.42, 0.78%, 0.69%

LAB 70.32, 29.41, 32.76

 

CMYK 0 / 34 / 48 / 0

HEX #FFA885

RGB 255 168 133

HSL 17.21, 1%, 0.76%

LAB 76.65, 28.3, 31.23

 

CMYK 0 / 27 / 40 / 0

HEX #FFBA98

RGB 255 186 152

HSL 19.81, 1%, 0.8%

LAB 81.1, 20.79, 27.06

 

CMYK 0 / 43 / 59 / 22

HEX #C77251

RGB 199 114 81

HSL 16.78, 0.51%, 0.55%

LAB 56.85, 30.36, 32.66

 

CMYK 0 / 47 / 66 / 29

HEX #B6603E

RGB 182 96 62

HSL 17, 0.49%, 0.48%

LAB 50.29, 31.82, 34.64

 

CMYK 0 / 53 / 74 / 35

HEX #A54E2B

RGB 165 78 43

HSL 17.21, 0.59%, 0.41%

LAB 43.69, 33.42, 36.81

 

CMYK 0 / 59 / 84 / 42

HEX #943C18

RGB 148 60 24

HSL 17.42, 0.72%, 0.34%

LAB 37.1, 35.13, 38.98

 

CMYK 0 / 68 / 96 / 49

HEX #832A05

RGB 131 42 5

HSL 17.62, 0.93%, 0.27%

LAB 30.62, 36.77, 40.52

 

CMYK 0 / 42 / 59 / 22

HEX #C67251

RGB 198 114 81

HSL 16.92, 0.51%, 0.55%

LAB 56.72, 29.96, 32.46

 

CMYK 0 / 59 / 59 / 22

HEX #C65251

RGB 198 82 81

HSL 0.51, 0.51%, 0.55%

LAB 50.26, 46.27, 24.25

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 42 / 59 / 22

HEX #C67251

RGB 198 114 81

HSL 16.92, 0.51%, 0.55%

LAB 56.72, 29.96, 32.46

 

CMYK 0 / 26 / 59 / 22

HEX #C69251

RGB 198 146 81

HSL 33.33, 0.51%, 0.55%

LAB 64.29, 12.49, 41.65

 

CMYK 0 / 11 / 59 / 22

HEX #C6B151

RGB 198 177 81

HSL 49.23, 0.51%, 0.55%

LAB 72.26, -4.19, 50.86

 

CMYK 5 / 0 / 59 / 22

HEX #BCC651

RGB 188 198 81

HSL 65.13, 0.51%, 0.55%

LAB 77.09, -19.13, 56.01

 

CMYK 21 / 0 / 59 / 22

HEX #9CC651

RGB 156 198 81

HSL 81.54, 0.51%, 0.55%

LAB 74.86, -31.92, 52.91

 

CMYK 0 / 42 / 59 / 22

HEX #C67251

RGB 198 114 81

HSL 16.92, 0.51%, 0.55%

LAB 56.72, 29.96, 32.46

 

CMYK 0 / 51 / 71 / 15

HEX #D96A3F

RGB 217 106 63

HSL 16.75, 0.67%, 0.55%

LAB 57.48, 40.51, 43.69

 

CMYK 0 / 58 / 81 / 8

HEX #EB622C

RGB 235 98 44

HSL 16.96, 0.83%, 0.55%

LAB 58.58, 50.33, 54.87

 

CMYK 0 / 65 / 90 / 0

HEX #FE591A

RGB 254 89 26

HSL 16.58, 0.99%, 0.55%

LAB 60.15, 60.4, 64.34

 

CMYK 0 / 42 / 59 / 22

HEX #C67251

RGB 198 114 81

HSL 16.92, 0.51%, 0.55%

LAB 56.72, 29.96, 32.46

 

CMYK 0 / 32 / 44 / 29

HEX #B47A64

RGB 180 122 100

HSL 16.5, 0.35%, 0.55%

LAB 56.63, 19.97, 21.21

 

CMYK 0 / 19 / 27 / 37

HEX #A18276

RGB 161 130 118

HSL 16.74, 0.19%, 0.55%

LAB 56.93, 10.02, 10.98

 

CMYK 0 / 3 / 4 / 44

HEX #8F8B89

RGB 143 139 137

HSL 20, 0.03%, 0.55%

LAB 58.14, 1.1, 1.59

 

CMYK 20 / 5 / 0 / 39

HEX #7C939B

RGB 124 147 155

HSL 195.48, 0.13%, 0.55%

LAB 59.45, -6.31, -6.94

 

CMYK 0 / 59 / 43 / 22

HEX #C65170

RGB 198 81 112

HSL 344.1, 0.51%, 0.55%

LAB 50.76, 49.46, 6.42

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 43 / 59 / 22

HEX #C67051

RGB 198 112 81

HSL 15.9, 0.51%, 0.55%

LAB 56.28, 31.03, 31.91

 

CMYK 0 / 27 / 59 / 22

HEX #C69051

RGB 198 144 81

HSL 32.31, 0.51%, 0.55%

LAB 63.79, 13.59, 41.06

 

CMYK 0 / 12 / 59 / 22

HEX #C6AF51

RGB 198 175 81

HSL 48.21, 0.51%, 0.55%

LAB 71.73, -3.13, 50.26

 

CMYK 0 / 49 / 68 / 42

HEX #954C30

RGB 149 76 48

HSL 16.63, 0.51%, 0.39%

LAB 40.85, 28.2, 30.17

 

CMYK 0 / 49 / 68 / 29

HEX #B45C3A

RGB 180 92 58

HSL 16.72, 0.51%, 0.47%

LAB 49.08, 32.89, 35.36

 

CMYK 0 / 42 / 59 / 22

HEX #C67251

RGB 198 114 81

HSL 16.92, 0.51%, 0.55%

LAB 56.72, 29.96, 32.46

 

CMYK 0 / 33 / 46 / 18

HEX #D08B70

RGB 208 139 112

HSL 16.88, 0.51%, 0.63%

LAB 64.2, 23.21, 25.16

 

CMYK 0 / 25 / 34 / 15

HEX #DAA490

RGB 218 164 144

HSL 16.22, 0.5%, 0.71%

LAB 71.87, 17.25, 18.14

 

CMYK 0 / 43 / 59 / 22

HEX #C77251

RGB 199 114 81

HSL 16.78, 0.51%, 0.55%

LAB 56.85, 30.36, 32.66

 

CMYK 27 / 0 / 59 / 22

HEX #90C651

RGB 144 198 81

HSL 87.69, 0.51%, 0.55%

LAB 74.13, -36.44, 51.9

 

CMYK 59 / 51 / 0 / 22

HEX #5161C6

RGB 81 97 198

HSL 231.79, 0.51%, 0.55%

LAB 44.77, 24.46, -54.76

 

CMYK 0 / 43 / 59 / 22

HEX #C77251

RGB 199 114 81

HSL 16.78, 0.51%, 0.55%

LAB 56.85, 30.36, 32.66

 

CMYK 59 / 0 / 43 / 22

HEX #51C670

RGB 81 198 112

HSL 135.9, 0.51%, 0.55%

LAB 71.76, -51.6, 33.44

 

CMYK 43 / 59 / 0 / 22

HEX #7051C6

RGB 112 81 198

HSL 255.9, 0.51%, 0.55%

LAB 43.37, 40.58, -56.89

 

CMYK 0 / 43 / 59 / 22

HEX #C77251

RGB 199 114 81

HSL 16.78, 0.51%, 0.55%

LAB 56.85, 30.36, 32.66

 

CMYK 27 / 0 / 59 / 22

HEX #90C651

RGB 144 198 81

HSL 87.69, 0.51%, 0.55%

LAB 74.13, -36.44, 51.9

 

CMYK 59 / 16 / 0 / 22

HEX #51A7C6

RGB 81 167 198

HSL 195.9, 0.51%, 0.55%

LAB 64.53, -16.81, -23.68

 

CMYK 31 / 59 / 0 / 22

HEX #8851C6

RGB 136 81 198

HSL 268.21, 0.51%, 0.55%

LAB 45.9, 46.06, -52.68

 

CMYK 0 / 43 / 59 / 22

HEX #C77251

RGB 199 114 81

HSL 16.78, 0.51%, 0.55%

LAB 56.85, 30.36, 32.66

 

CMYK 45 / 0 / 59 / 22

HEX #6DC651

RGB 109 198 81

HSL 105.64, 0.51%, 0.55%

LAB 72.38, -48.33, 49.44

 

CMYK 59 / 16 / 0 / 22

HEX #51A7C6

RGB 81 167 198

HSL 195.9, 0.51%, 0.55%

LAB 64.53, -16.81, -23.68

 

CMYK 14 / 59 / 0 / 22

HEX #AB51C6

RGB 171 81 198

HSL 286.15, 0.51%, 0.55%

LAB 50.24, 54.65, -45.5

 

Description

Color code: HEX #C77251 | qconv.com Color code: HEX #C77251 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 114 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 114 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 59% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - nypost1.jpg (1200x82...
Link: http://llreps.files.wordpress.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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