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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7730E it is the complementary color #388CF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7730E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7730E shade: #CC7309, #DD851C, #EE972F, #FFA942 and #FFBB55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7730E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7730E shade: #C7730E, #B66100, #A54F00, #943D00 and #832B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7730E shade: #C8730D, #C8410D, #C80F0D and #C80D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7730E shade: #C8730D, #C8A50D, #B8C80D, #86C80D and #53C80D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7730E shade matches the following richer shades: #C8730D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7730E shade: #C8730D, #B6721F, #A57030, #946E41 and #826D53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7730E shade: #C80D0D, #C83F0D, #C8710D, #C8A30D and #BBC80D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7730E shade: #7B4708, #A15D0B, #C8730D, #EE8911 and #F19C37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7730E shade: #C7730E, #3FC80D and #260DC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7730E shade: #C7730E, #0DC871 and #710DC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7730E shade: #C7730E, #3FC80D, #0D64C8 and #960DC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7730E shade: #C7730E, #0DC814, #0D64C8 and #C80DC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 93 / 22

HEX #C7730E

RGB 199 115 14

HSL 32.76, 0.87%, 0.42%

LAB 56.52, 26.94, 61.06

 

Complementary color

CMYK 77 / 42 / 0 / 5

HEX #388CF1

RGB 56 140 241

HSL 212.76, 0.87%, 0.58%

LAB 57.99, 9.31, -57.89

 

CMYK 0 / 44 / 96 / 20

HEX #CC7309

RGB 204 115 9

HSL 32.62, 0.92%, 0.42%

LAB 57.19, 29, 62.79

 

CMYK 0 / 40 / 87 / 13

HEX #DD851C

RGB 221 133 28

HSL 32.64, 0.78%, 0.49%

LAB 63.53, 26.87, 64.12

 

CMYK 0 / 37 / 80 / 7

HEX #EE972F

RGB 238 151 47

HSL 32.67, 0.85%, 0.56%

LAB 69.84, 24.96, 64.08

 

CMYK 0 / 34 / 74 / 0

HEX #FFA942

RGB 255 169 66

HSL 32.7, 1%, 0.63%

LAB 76.09, 23.26, 63.32

 

CMYK 0 / 27 / 67 / 0

HEX #FFBB55

RGB 255 187 85

HSL 36, 1%, 0.67%

LAB 80.44, 14.79, 59.67

 

CMYK 0 / 42 / 93 / 22

HEX #C7730E

RGB 199 115 14

HSL 32.76, 0.87%, 0.42%

LAB 56.52, 26.94, 61.06

 

CMYK 0 / 47 / 100 / 29

HEX #B66100

RGB 182 97 0

HSL 31.98, 1%, 0.36%

LAB 50.09, 29.24, 58.44

 

CMYK 0 / 52 / 100 / 35

HEX #A54F00

RGB 165 79 0

HSL 28.73, 1%, 0.32%

LAB 43.64, 31.71, 53.26

 

CMYK 0 / 59 / 100 / 42

HEX #943D00

RGB 148 61 0

HSL 24.73, 1%, 0.29%

LAB 37.18, 34.1, 48.09

 

CMYK 0 / 67 / 100 / 49

HEX #832B00

RGB 131 43 0

HSL 19.69, 1%, 0.26%

LAB 30.77, 36.21, 42.66

 

CMYK 0 / 43 / 94 / 22

HEX #C8730D

RGB 200 115 13

HSL 32.73, 0.88%, 0.42%

LAB 56.65, 27.36, 61.43

 

CMYK 0 / 68 / 94 / 22

HEX #C8410D

RGB 200 65 13

HSL 16.68, 0.88%, 0.42%

LAB 47.09, 51.72, 54.91

 

CMYK 0 / 93 / 94 / 22

HEX #C80F0D

RGB 200 15 13

HSL 0.64, 0.88%, 0.42%

LAB 42.23, 65.31, 51.88

 

CMYK 0 / 94 / 94 / 22

HEX #C80D0D

RGB 200 13 13

HSL 0, 0.88%, 0.42%

LAB 42.15, 65.55, 51.83

 

CMYK 0 / 43 / 94 / 22

HEX #C8730D

RGB 200 115 13

HSL 32.73, 0.88%, 0.42%

LAB 56.65, 27.36, 61.43

 

CMYK 0 / 18 / 94 / 22

HEX #C8A50D

RGB 200 165 13

HSL 48.77, 0.88%, 0.42%

LAB 68.91, 0.23, 70.36

 

CMYK 8 / 0 / 94 / 22

HEX #B8C80D

RGB 184 200 13

HSL 65.13, 0.88%, 0.42%

LAB 77, -24.62, 75.91

 

CMYK 33 / 0 / 94 / 22

HEX #86C80D

RGB 134 200 13

HSL 81.18, 0.88%, 0.42%

LAB 73.81, -44.57, 72.04

 

CMYK 59 / 0 / 94 / 22

HEX #53C80D

RGB 83 200 13

HSL 97.54, 0.88%, 0.42%

LAB 71.67, -60.59, 69.42

 

CMYK 0 / 43 / 94 / 22

HEX #C8730D

RGB 200 115 13

HSL 32.73, 0.88%, 0.42%

LAB 56.65, 27.36, 61.43

 

CMYK 0 / 43 / 94 / 22

HEX #C8730D

RGB 200 115 13

HSL 32.73, 0.88%, 0.42%

LAB 56.65, 27.36, 61.43

 

CMYK 0 / 37 / 83 / 29

HEX #B6721F

RGB 182 114 31

HSL 32.98, 0.71%, 0.42%

LAB 54.11, 20.52, 53.24

 

CMYK 0 / 32 / 71 / 35

HEX #A57030

RGB 165 112 48

HSL 32.82, 0.55%, 0.42%

LAB 51.61, 14.84, 42.79

 

CMYK 0 / 26 / 56 / 42

HEX #946E41

RGB 148 110 65

HSL 32.53, 0.39%, 0.42%

LAB 49.29, 9.61, 30.75

 

CMYK 0 / 16 / 36 / 49

HEX #826D53

RGB 130 109 83

HSL 33.19, 0.22%, 0.42%

LAB 47.38, 4.26, 17.62

 

CMYK 0 / 94 / 94 / 22

HEX #C80D0D

RGB 200 13 13

HSL 0, 0.88%, 0.42%

LAB 42.15, 65.55, 51.83

 

CMYK 0 / 69 / 94 / 22

HEX #C83F0D

RGB 200 63 13

HSL 16.04, 0.88%, 0.42%

LAB 46.79, 52.53, 54.72

 

CMYK 0 / 44 / 94 / 22

HEX #C8710D

RGB 200 113 13

HSL 32.09, 0.88%, 0.42%

LAB 56.21, 28.43, 61.11

 

CMYK 0 / 19 / 94 / 22

HEX #C8A30D

RGB 200 163 13

HSL 48.13, 0.88%, 0.42%

LAB 68.39, 1.3, 69.98

 

CMYK 7 / 0 / 94 / 22

HEX #BBC80D

RGB 187 200 13

HSL 64.17, 0.88%, 0.42%

LAB 77.22, -23.35, 76.18

 

CMYK 0 / 42 / 93 / 52

HEX #7B4708

RGB 123 71 8

HSL 32.87, 0.88%, 0.26%

LAB 35.47, 17.8, 42.29

 

CMYK 0 / 42 / 93 / 37

HEX #A15D0B

RGB 161 93 11

HSL 32.8, 0.87%, 0.34%

LAB 46.22, 22.49, 51.9

 

CMYK 0 / 43 / 94 / 22

HEX #C8730D

RGB 200 115 13

HSL 32.73, 0.88%, 0.42%

LAB 56.65, 27.36, 61.43

 

CMYK 0 / 42 / 93 / 7

HEX #EE8911

RGB 238 137 17

HSL 32.58, 0.87%, 0.5%

LAB 66.6, 31.64, 70.02

 

CMYK 0 / 35 / 77 / 5

HEX #F19C37

RGB 241 156 55

HSL 32.58, 0.87%, 0.58%

LAB 71.39, 23.85, 62.62

 

CMYK 0 / 42 / 93 / 22

HEX #C7730E

RGB 199 115 14

HSL 32.76, 0.87%, 0.42%

LAB 56.52, 26.94, 61.06

 

CMYK 69 / 0 / 94 / 22

HEX #3FC80D

RGB 63 200 13

HSL 103.96, 0.88%, 0.42%

LAB 71.14, -65.05, 68.76

 

CMYK 81 / 94 / 0 / 22

HEX #260DC8

RGB 38 13 200

HSL 248.02, 0.88%, 0.42%

LAB 26.36, 63.76, -86.23

 

CMYK 0 / 42 / 93 / 22

HEX #C7730E

RGB 199 115 14

HSL 32.76, 0.87%, 0.42%

LAB 56.52, 26.94, 61.06

 

CMYK 94 / 0 / 44 / 22

HEX #0DC871

RGB 13 200 113

HSL 152.09, 0.88%, 0.42%

LAB 71.27, -61.03, 32.07

 

CMYK 44 / 94 / 0 / 22

HEX #710DC8

RGB 113 13 200

HSL 272.09, 0.88%, 0.42%

LAB 33.92, 68.63, -73.47

 

CMYK 0 / 42 / 93 / 22

HEX #C7730E

RGB 199 115 14

HSL 32.76, 0.87%, 0.42%

LAB 56.52, 26.94, 61.06

 

CMYK 69 / 0 / 94 / 22

HEX #3FC80D

RGB 63 200 13

HSL 103.96, 0.88%, 0.42%

LAB 71.14, -65.05, 68.76

 

CMYK 94 / 50 / 0 / 22

HEX #0D64C8

RGB 13 100 200

HSL 212.09, 0.88%, 0.42%

LAB 43.32, 15.42, -58.38

 

CMYK 25 / 94 / 0 / 22

HEX #960DC8

RGB 150 13 200

HSL 283.96, 0.88%, 0.42%

LAB 39.48, 73.09, -64.14

 

CMYK 0 / 42 / 93 / 22

HEX #C7730E

RGB 199 115 14

HSL 32.76, 0.87%, 0.42%

LAB 56.52, 26.94, 61.06

 

CMYK 94 / 0 / 90 / 22

HEX #0DC814

RGB 13 200 20

HSL 122.25, 0.88%, 0.42%

LAB 70.49, -70.77, 66.92

 

CMYK 94 / 50 / 0 / 22

HEX #0D64C8

RGB 13 100 200

HSL 212.09, 0.88%, 0.42%

LAB 43.32, 15.42, -58.38

 

CMYK 0 / 94 / 3 / 22

HEX #C80DC2

RGB 200 13 194

HSL 301.93, 0.88%, 0.42%

LAB 47.58, 79.86, -47.16

 

Description

Color code: HEX #C7730E | qconv.com Color code: HEX #C7730E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 115 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 115 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 93 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 93% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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