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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C77B51 it is the complementary color #3884AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C77B51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C77B51 shade: #CC7B4C, #DD8D5F, #EE9F72, #FFB185 and #FFC398

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C77B51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C77B51 shade: #C77B51, #B6693E, #A5572B, #944518 and #833305

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C77B51 shade: #C67B51, #C65B51 and #C65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C77B51 shade: #C67B51, #C69A51, #C6BA51, #B3C651 and #93C651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C77B51 shade matches the following richer shades: #C67B51, #D9763F, #EB702C and #FE6B1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C77B51 shade: #C67B51, #B48064, #A18676, #8F8B89 and #7C909B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C77B51 shade: #C65167, #C65B51, #C67A51, #C69951 and #C6B951

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C77B51 shade: #955430, #B4663A, #C67B51, #D09370 and #DAAA90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C77B51 shade: #C77B51, #86C651 and #5157C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C77B51 shade: #C77B51, #51C67A and #7A51C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C77B51 shade: #C77B51, #86C651, #519DC6 and #9251C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C77B51 shade: #C77B51, #63C651, #519DC6 and #B551C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 59 / 22

HEX #C77B51

RGB 199 123 81

HSL 21.36, 0.51%, 0.55%

LAB 58.88, 25.5, 35.17

 

Complementary color

CMYK 68 / 24 / 0 / 32

HEX #3884AE

RGB 56 132 174

HSL 201.36, 0.51%, 0.45%

LAB 52.29, -9.77, -29.07

 

CMYK 0 / 40 / 63 / 20

HEX #CC7B4C

RGB 204 123 76

HSL 22.03, 0.56%, 0.55%

LAB 59.46, 27.2, 38.69

 

CMYK 0 / 36 / 57 / 13

HEX #DD8D5F

RGB 221 141 95

HSL 21.9, 0.65%, 0.62%

LAB 65.94, 25.85, 36.97

 

CMYK 0 / 33 / 52 / 7

HEX #EE9F72

RGB 238 159 114

HSL 21.77, 0.78%, 0.69%

LAB 72.35, 24.65, 35.37

 

CMYK 0 / 31 / 48 / 0

HEX #FFB185

RGB 255 177 133

HSL 21.64, 1%, 0.76%

LAB 78.69, 23.59, 33.9

 

CMYK 0 / 24 / 40 / 0

HEX #FFC398

RGB 255 195 152

HSL 25.05, 1%, 0.8%

LAB 83.21, 16.08, 29.89

 

CMYK 0 / 38 / 59 / 22

HEX #C77B51

RGB 199 123 81

HSL 21.36, 0.51%, 0.55%

LAB 58.88, 25.5, 35.17

 

CMYK 0 / 42 / 66 / 29

HEX #B6693E

RGB 182 105 62

HSL 21.5, 0.49%, 0.48%

LAB 52.28, 26.95, 36.98

 

CMYK 0 / 47 / 74 / 35

HEX #A5572B

RGB 165 87 43

HSL 21.64, 0.59%, 0.41%

LAB 45.62, 28.59, 38.89

 

CMYK 0 / 53 / 84 / 42

HEX #944518

RGB 148 69 24

HSL 21.77, 0.72%, 0.34%

LAB 38.93, 30.43, 40.66

 

CMYK 0 / 61 / 96 / 49

HEX #833305

RGB 131 51 5

HSL 21.9, 0.93%, 0.27%

LAB 32.27, 32.41, 41.66

 

CMYK 0 / 38 / 59 / 22

HEX #C67B51

RGB 198 123 81

HSL 21.54, 0.51%, 0.55%

LAB 58.76, 25.09, 34.98

 

CMYK 0 / 54 / 59 / 22

HEX #C65B51

RGB 198 91 81

HSL 5.13, 0.51%, 0.55%

LAB 51.93, 41.92, 26.41

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 38 / 59 / 22

HEX #C67B51

RGB 198 123 81

HSL 21.54, 0.51%, 0.55%

LAB 58.76, 25.09, 34.98

 

CMYK 0 / 22 / 59 / 22

HEX #C69A51

RGB 198 154 81

HSL 37.44, 0.51%, 0.55%

LAB 66.3, 8.13, 44.01

 

CMYK 0 / 6 / 59 / 22

HEX #C6BA51

RGB 198 186 81

HSL 53.85, 0.51%, 0.55%

LAB 74.65, -8.88, 53.54

 

CMYK 10 / 0 / 59 / 22

HEX #B3C651

RGB 179 198 81

HSL 69.74, 0.51%, 0.55%

LAB 76.42, -22.81, 55.08

 

CMYK 26 / 0 / 59 / 22

HEX #93C651

RGB 147 198 81

HSL 86.15, 0.51%, 0.55%

LAB 74.31, -35.33, 52.15

 

CMYK 0 / 38 / 59 / 22

HEX #C67B51

RGB 198 123 81

HSL 21.54, 0.51%, 0.55%

LAB 58.76, 25.09, 34.98

 

CMYK 0 / 46 / 71 / 15

HEX #D9763F

RGB 217 118 63

HSL 21.43, 0.67%, 0.55%

LAB 59.95, 34.36, 46.41

 

CMYK 0 / 52 / 81 / 8

HEX #EB702C

RGB 235 112 44

HSL 21.36, 0.83%, 0.55%

LAB 61.16, 43.69, 57.23

 

CMYK 0 / 58 / 90 / 0

HEX #FE6B1A

RGB 254 107 26

HSL 21.32, 0.99%, 0.55%

LAB 63.06, 52.68, 66.42

 

CMYK 0 / 38 / 59 / 22

HEX #C67B51

RGB 198 123 81

HSL 21.54, 0.51%, 0.55%

LAB 58.76, 25.09, 34.98

 

CMYK 0 / 29 / 44 / 29

HEX #B48064

RGB 180 128 100

HSL 21, 0.35%, 0.55%

LAB 58.1, 16.62, 23.17

 

CMYK 0 / 17 / 27 / 37

HEX #A18676

RGB 161 134 118

HSL 22.33, 0.19%, 0.55%

LAB 57.98, 7.75, 12.45

 

CMYK 0 / 3 / 4 / 44

HEX #8F8B89

RGB 143 139 137

HSL 20, 0.03%, 0.55%

LAB 58.14, 1.1, 1.59

 

CMYK 20 / 7 / 0 / 39

HEX #7C909B

RGB 124 144 155

HSL 201.29, 0.13%, 0.55%

LAB 58.6, -4.64, -8.21

 

CMYK 0 / 59 / 48 / 22

HEX #C65167

RGB 198 81 103

HSL 348.72, 0.51%, 0.55%

LAB 50.53, 48.57, 11.51

 

CMYK 0 / 54 / 59 / 22

HEX #C65B51

RGB 198 91 81

HSL 5.13, 0.51%, 0.55%

LAB 51.93, 41.92, 26.41

 

CMYK 0 / 38 / 59 / 22

HEX #C67A51

RGB 198 122 81

HSL 21.03, 0.51%, 0.55%

LAB 58.53, 25.63, 34.7

 

CMYK 0 / 23 / 59 / 22

HEX #C69951

RGB 198 153 81

HSL 36.92, 0.51%, 0.55%

LAB 66.05, 8.67, 43.72

 

CMYK 0 / 7 / 59 / 22

HEX #C6B951

RGB 198 185 81

HSL 53.33, 0.51%, 0.55%

LAB 74.38, -8.36, 53.24

 

CMYK 0 / 44 / 68 / 42

HEX #955430

RGB 149 84 48

HSL 21.39, 0.51%, 0.39%

LAB 42.68, 23.72, 32.3

 

CMYK 0 / 43 / 68 / 29

HEX #B4663A

RGB 180 102 58

HSL 21.64, 0.51%, 0.47%

LAB 51.28, 27.5, 37.89

 

CMYK 0 / 38 / 59 / 22

HEX #C67B51

RGB 198 123 81

HSL 21.54, 0.51%, 0.55%

LAB 58.76, 25.09, 34.98

 

CMYK 0 / 29 / 46 / 18

HEX #D09370

RGB 208 147 112

HSL 21.88, 0.51%, 0.63%

LAB 66.1, 18.86, 27.67

 

CMYK 0 / 22 / 34 / 15

HEX #DAAA90

RGB 218 170 144

HSL 21.08, 0.5%, 0.71%

LAB 73.33, 14.02, 20.15

 

CMYK 0 / 38 / 59 / 22

HEX #C77B51

RGB 199 123 81

HSL 21.36, 0.51%, 0.55%

LAB 58.88, 25.5, 35.17

 

CMYK 32 / 0 / 59 / 22

HEX #86C651

RGB 134 198 81

HSL 92.82, 0.51%, 0.55%

LAB 73.58, -40.06, 51.12

 

CMYK 59 / 56 / 0 / 22

HEX #5157C6

RGB 81 87 198

HSL 236.92, 0.51%, 0.55%

LAB 42.22, 30.73, -58.87

 

CMYK 0 / 38 / 59 / 22

HEX #C77B51

RGB 199 123 81

HSL 21.36, 0.51%, 0.55%

LAB 58.88, 25.5, 35.17

 

CMYK 59 / 0 / 38 / 22

HEX #51C67A

RGB 81 198 122

HSL 141.03, 0.51%, 0.55%

LAB 71.92, -49.88, 28.49

 

CMYK 38 / 59 / 0 / 22

HEX #7A51C6

RGB 122 81 198

HSL 261.03, 0.51%, 0.55%

LAB 44.38, 42.81, -55.22

 

CMYK 0 / 38 / 59 / 22

HEX #C77B51

RGB 199 123 81

HSL 21.36, 0.51%, 0.55%

LAB 58.88, 25.5, 35.17

 

CMYK 32 / 0 / 59 / 22

HEX #86C651

RGB 134 198 81

HSL 92.82, 0.51%, 0.55%

LAB 73.58, -40.06, 51.12

 

CMYK 59 / 21 / 0 / 22

HEX #519DC6

RGB 81 157 198

HSL 201.03, 0.51%, 0.55%

LAB 61.6, -11.41, -28.19

 

CMYK 26 / 59 / 0 / 22

HEX #9251C6

RGB 146 81 198

HSL 273.33, 0.51%, 0.55%

LAB 47.07, 48.46, -50.74

 

CMYK 0 / 38 / 59 / 22

HEX #C77B51

RGB 199 123 81

HSL 21.36, 0.51%, 0.55%

LAB 58.88, 25.5, 35.17

 

CMYK 50 / 0 / 59 / 22

HEX #63C651

RGB 99 198 81

HSL 110.77, 0.51%, 0.55%

LAB 71.98, -51.27, 48.88

 

CMYK 59 / 21 / 0 / 22

HEX #519DC6

RGB 81 157 198

HSL 201.03, 0.51%, 0.55%

LAB 61.6, -11.41, -28.19

 

CMYK 9 / 59 / 0 / 22

HEX #B551C6

RGB 181 81 198

HSL 291.28, 0.51%, 0.55%

LAB 51.59, 57.17, -43.27

 

Description

Color code: HEX #C77B51 | qconv.com Color code: HEX #C77B51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 123 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 123 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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