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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C77CD9 it is the complementary color #388326. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C77CD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C77CD9 shade: #CC7CD4, #DD8EE7, #EEA0FA, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C77CD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C77CD9 shade: #C77CD9, #B66AC6, #A558B3, #9446A0 and #83348D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C77CD9 shade: #C77CD9, #D97CD2, #D97CB9, #D97CA0 and #D97C87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C77CD9 shade: #C77CD9, #AE7CD9, #957CD9 and #7C7CD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C77CD9 shade matches the following richer shades: #C77CD9, #CF6EE6 and #D761F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C77CD9 shade: #C77CD9, #BE8ACB, #B697BD, #AEA5B0 and #A5B3A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C77CD9 shade: #957CD9, #AD7CD9, #C67CD9, #D97CD2 and #D97CBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C77CD9 shade: #AB3CC6, #B95CCF, #C77CD9, #D49CE2 and #E2BCEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C77CD9 shade: #C77CD9, #D97C7C and #7CD9A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C77CD9 shade: #C77CD9, #D9C67C and #7CD9C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C77CD9 shade: #C77CD9, #D97C7C, #8FD97C and #7CD9D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C77CD9 shade: #C77CD9, #D9987C, #8FD97C and #7CBDD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

Complementary color

CMYK 57 / 0 / 71 / 49

HEX #388326

RGB 56 131 38

HSL 108.39, 0.55%, 0.33%

LAB 48.53, -41.33, 41.48

 

CMYK 4 / 42 / 0 / 17

HEX #CC7CD4

RGB 204 124 212

HSL 294.55, 0.51%, 0.66%

LAB 63.35, 44.75, -32.58

 

CMYK 4 / 39 / 0 / 9

HEX #DD8EE7

RGB 221 142 231

HSL 293.26, 0.65%, 0.73%

LAB 69.82, 44.01, -32.94

 

CMYK 5 / 36 / 0 / 2

HEX #EEA0FA

RGB 238 160 250

HSL 292, 0.9%, 0.8%

LAB 76.2, 43.28, -33.27

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

CMYK 8 / 46 / 0 / 22

HEX #B66AC6

RGB 182 106 198

HSL 289.57, 0.45%, 0.6%

LAB 56.42, 45, -35.67

 

CMYK 8 / 51 / 0 / 30

HEX #A558B3

RGB 165 88 179

HSL 290.77, 0.37%, 0.52%

LAB 49.78, 45.74, -35.27

 

CMYK 7 / 56 / 0 / 37

HEX #9446A0

RGB 148 70 160

HSL 292, 0.39%, 0.45%

LAB 43.08, 46.38, -34.76

 

CMYK 7 / 63 / 0 / 45

HEX #83348D

RGB 131 52 141

HSL 293.26, 0.46%, 0.38%

LAB 36.37, 46.8, -34.04

 

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

CMYK 0 / 43 / 3 / 15

HEX #D97CD2

RGB 217 124 210

HSL 304.52, 0.55%, 0.67%

LAB 64.82, 48.3, -29.06

 

CMYK 0 / 43 / 15 / 15

HEX #D97CB9

RGB 217 124 185

HSL 320.65, 0.55%, 0.67%

LAB 63.89, 44.12, -16.41

 

CMYK 0 / 43 / 26 / 15

HEX #D97CA0

RGB 217 124 160

HSL 336.77, 0.55%, 0.67%

LAB 63.1, 40.4, -3.38

 

CMYK 0 / 43 / 38 / 15

HEX #D97C87

RGB 217 124 135

HSL 352.9, 0.55%, 0.67%

LAB 62.44, 37.22, 9.94

 

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

CMYK 20 / 43 / 0 / 15

HEX #AE7CD9

RGB 174 124 217

HSL 272.26, 0.55%, 0.67%

LAB 60.27, 36.95, -40.43

 

CMYK 31 / 43 / 0 / 15

HEX #957CD9

RGB 149 124 217

HSL 256.13, 0.55%, 0.67%

LAB 57.86, 29.93, -44.39

 

CMYK 43 / 43 / 0 / 15

HEX #7C7CD9

RGB 124 124 217

HSL 240, 0.55%, 0.67%

LAB 55.8, 23.4, -47.79

 

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

CMYK 10 / 52 / 0 / 10

HEX #CF6EE6

RGB 207 110 230

HSL 288.5, 0.71%, 0.67%

LAB 61.77, 56.2, -45.08

 

CMYK 12 / 60 / 0 / 4

HEX #D761F4

RGB 215 97 244

HSL 288.16, 0.87%, 0.67%

LAB 61.24, 66.95, -53.63

 

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

CMYK 6 / 32 / 0 / 20

HEX #BE8ACB

RGB 190 138 203

HSL 288, 0.38%, 0.67%

LAB 64.51, 31.07, -25.87

 

CMYK 4 / 20 / 0 / 26

HEX #B697BD

RGB 182 151 189

HSL 288.95, 0.22%, 0.67%

LAB 66.33, 18.39, -15.34

 

CMYK 1 / 6 / 0 / 31

HEX #AEA5B0

RGB 174 165 176

HSL 289.09, 0.07%, 0.67%

LAB 68.78, 5.3, -4.51

 

CMYK 8 / 0 / 9 / 30

HEX #A5B3A2

RGB 165 179 162

HSL 109.41, 0.1%, 0.67%

LAB 71.45, -8.09, 7.01

 

CMYK 31 / 43 / 0 / 15

HEX #957CD9

RGB 149 124 217

HSL 256.13, 0.55%, 0.67%

LAB 57.86, 29.93, -44.39

 

CMYK 20 / 43 / 0 / 15

HEX #AD7CD9

RGB 173 124 217

HSL 271.61, 0.55%, 0.67%

LAB 60.17, 36.66, -40.6

 

CMYK 9 / 43 / 0 / 15

HEX #C67CD9

RGB 198 124 217

HSL 287.74, 0.55%, 0.67%

LAB 62.87, 43.94, -36.17

 

CMYK 0 / 43 / 3 / 15

HEX #D97CD2

RGB 217 124 210

HSL 304.52, 0.55%, 0.67%

LAB 64.82, 48.3, -29.06

 

CMYK 0 / 43 / 14 / 15

HEX #D97CBA

RGB 217 124 186

HSL 320, 0.55%, 0.67%

LAB 63.93, 44.28, -16.92

 

CMYK 14 / 70 / 0 / 22

HEX #AB3CC6

RGB 171 60 198

HSL 288.26, 0.55%, 0.51%

LAB 46.93, 63.81, -50.78

 

CMYK 11 / 56 / 0 / 19

HEX #B95CCF

RGB 185 92 207

HSL 288.52, 0.55%, 0.59%

LAB 54.53, 54.72, -43.74

 

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

CMYK 6 / 31 / 0 / 11

HEX #D49CE2

RGB 212 156 226

HSL 288, 0.55%, 0.75%

LAB 71.73, 32.77, -27.32

 

CMYK 4 / 20 / 0 / 8

HEX #E2BCEB

RGB 226 188 235

HSL 288.51, 0.54%, 0.83%

LAB 80.81, 21.73, -18.26

 

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

CMYK 0 / 43 / 43 / 15

HEX #D97C7C

RGB 217 124 124

HSL 0, 0.55%, 0.67%

LAB 62.19, 35.99, 15.87

 

CMYK 43 / 0 / 26 / 15

HEX #7CD9A1

RGB 124 217 161

HSL 143.87, 0.55%, 0.67%

LAB 79.89, -40, 19.12

 

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

CMYK 0 / 9 / 43 / 15

HEX #D9C67C

RGB 217 198 124

HSL 47.74, 0.55%, 0.67%

LAB 79.95, -3.47, 39.43

 

CMYK 43 / 0 / 9 / 15

HEX #7CD9C6

RGB 124 217 198

HSL 167.74, 0.55%, 0.67%

LAB 80.73, -32.17, 0.71

 

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

CMYK 0 / 43 / 43 / 15

HEX #D97C7C

RGB 217 124 124

HSL 0, 0.55%, 0.67%

LAB 62.19, 35.99, 15.87

 

CMYK 34 / 0 / 43 / 15

HEX #8FD97C

RGB 143 217 124

HSL 107.74, 0.55%, 0.67%

LAB 80.13, -40.37, 38.63

 

CMYK 43 / 0 / 0 / 15

HEX #7CD9D9

RGB 124 217 217

HSL 180, 0.55%, 0.67%

LAB 81.25, -27.61, -8.66

 

CMYK 8 / 43 / 0 / 15

HEX #C77CD9

RGB 199 124 217

HSL 288.39, 0.55%, 0.67%

LAB 62.98, 44.24, -35.99

 

CMYK 0 / 30 / 43 / 15

HEX #D9987C

RGB 217 152 124

HSL 18.06, 0.55%, 0.67%

LAB 68.51, 21.01, 24.49

HEX #D9987C

CMYK 34 / 0 / 43 / 15

HEX #8FD97C

RGB 143 217 124

HSL 107.74, 0.55%, 0.67%

LAB 80.13, -40.37, 38.63

HEX #8FD97C

CMYK 43 / 13 / 0 / 15

HEX #7CBDD9

RGB 124 189 217

HSL 198.06, 0.55%, 0.67%

LAB 73.34, -13.45, -20.53

HEX #7CBDD9

Description

Color code: HEX #C77CD9 | qconv.com Color code: HEX #C77CD9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 124 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 124 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 43 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 43% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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