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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C78565 it is the complementary color #387A9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C78565. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C78565 shade: #CC8560, #DD9773, #EEA986, #FFBB99 and #FFCDAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C78565. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C78565 shade: #C78565, #B67352, #A5613F, #944F2C and #833D19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C78565 shade: #C78565, #C76A65 and #C76565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C78565 shade: #C78565, #C79F65, #C7BA65, #BAC765 and #9FC765

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C78565 shade matches the following richer shades: #C78565, #D87F54, #E97943 and #FA7332

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C78565 shade: #C78565, #B68B76, #A59187, #949798 and #839CA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C78565 shade: #C7657A, #C76A65, #C78465, #C79E65 and #C7B865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C78565 shade: #A05B39, #BC6D46, #C78565, #D29D83 and #DDB5A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C78565 shade: #C78565, #94C765 and #656DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C78565 shade: #C78565, #65C784 and #8465C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C78565 shade: #C78565, #94C765, #65A8C7 and #9865C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C78565 shade: #C78565, #77C765, #65A8C7 and #B565C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

Complementary color

CMYK 64 / 21 / 0 / 40

HEX #387A9A

RGB 56 122 154

HSL 199.59, 0.47%, 0.41%

LAB 48.38, -10.79, -23.5

 

CMYK 0 / 35 / 53 / 20

HEX #CC8560

RGB 204 133 96

HSL 20.56, 0.51%, 0.59%

LAB 62.05, 23.34, 31.09

 

CMYK 0 / 32 / 48 / 13

HEX #DD9773

RGB 221 151 115

HSL 20.38, 0.61%, 0.66%

LAB 68.56, 22.23, 29.56

 

CMYK 0 / 29 / 44 / 7

HEX #EEA986

RGB 238 169 134

HSL 20.19, 0.75%, 0.73%

LAB 75, 21.25, 28.16

 

CMYK 0 / 27 / 40 / 0

HEX #FFBB99

RGB 255 187 153

HSL 20, 1%, 0.8%

LAB 81.35, 20.37, 26.87

 

CMYK 0 / 20 / 33 / 0

HEX #FFCDAC

RGB 255 205 172

HSL 23.86, 1%, 0.84%

LAB 85.96, 13.17, 23.13

 

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

CMYK 0 / 37 / 55 / 29

HEX #B67352

RGB 182 115 82

HSL 19.8, 0.41%, 0.52%

LAB 54.88, 22.94, 29.16

 

CMYK 0 / 41 / 62 / 35

HEX #A5613F

RGB 165 97 63

HSL 20, 0.45%, 0.45%

LAB 48.14, 24.29, 30.95

 

CMYK 0 / 47 / 70 / 42

HEX #944F2C

RGB 148 79 44

HSL 20.19, 0.54%, 0.38%

LAB 41.33, 25.86, 32.93

 

CMYK 0 / 53 / 81 / 49

HEX #833D19

RGB 131 61 25

HSL 20.38, 0.68%, 0.31%

LAB 34.46, 27.65, 34.96

 

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

CMYK 0 / 47 / 49 / 22

HEX #C76A65

RGB 199 106 101

HSL 3.06, 0.47%, 0.59%

LAB 55.47, 36.31, 19.5

 

CMYK 0 / 49 / 49 / 22

HEX #C76565

RGB 199 101 101

HSL 0, 0.47%, 0.59%

LAB 54.44, 38.91, 18.1

 

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

CMYK 0 / 20 / 49 / 22

HEX #C79F65

RGB 199 159 101

HSL 35.51, 0.47%, 0.59%

LAB 67.93, 7.54, 35.75

 

CMYK 0 / 7 / 49 / 22

HEX #C7BA65

RGB 199 186 101

HSL 52.04, 0.47%, 0.59%

LAB 74.95, -6.82, 44.42

 

CMYK 7 / 0 / 49 / 22

HEX #BAC765

RGB 186 199 101

HSL 67.96, 0.47%, 0.59%

LAB 77.42, -18.75, 47.14

 

CMYK 20 / 0 / 49 / 22

HEX #9FC765

RGB 159 199 101

HSL 84.49, 0.47%, 0.59%

LAB 75.55, -29.29, 44.45

 

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

CMYK 0 / 41 / 61 / 15

HEX #D87F54

RGB 216 127 84

HSL 19.55, 0.63%, 0.59%

LAB 62.01, 30.48, 37.87

 

CMYK 0 / 48 / 71 / 9

HEX #E97943

RGB 233 121 67

HSL 19.52, 0.79%, 0.59%

LAB 62.85, 39.33, 48.22

 

CMYK 0 / 54 / 80 / 2

HEX #FA7332

RGB 250 115 50

HSL 19.5, 0.95%, 0.59%

LAB 64.01, 48.06, 58.14

 

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

CMYK 0 / 24 / 35 / 29

HEX #B68B76

RGB 182 139 118

HSL 19.69, 0.3%, 0.59%

LAB 61.41, 13.42, 17.55

 

CMYK 0 / 12 / 18 / 35

HEX #A59187

RGB 165 145 135

HSL 20, 0.14%, 0.59%

LAB 61.65, 5.78, 8.03

 

CMYK 3 / 1 / 0 / 40

HEX #949798

RGB 148 151 152

HSL 195, 0.02%, 0.59%

LAB 62.25, -0.88, -0.91

 

CMYK 22 / 7 / 0 / 34

HEX #839CA8

RGB 131 156 168

HSL 199.46, 0.18%, 0.59%

LAB 62.87, -6.01, -9.17

 

CMYK 0 / 49 / 39 / 22

HEX #C7657A

RGB 199 101 122

HSL 347.14, 0.47%, 0.59%

LAB 54.92, 41.12, 6.45

 

CMYK 0 / 47 / 49 / 22

HEX #C76A65

RGB 199 106 101

HSL 3.06, 0.47%, 0.59%

LAB 55.47, 36.31, 19.5

 

CMYK 0 / 34 / 49 / 22

HEX #C78465

RGB 199 132 101

HSL 18.98, 0.47%, 0.59%

LAB 61.29, 22.31, 27.24

 

CMYK 0 / 21 / 49 / 22

HEX #C79E65

RGB 199 158 101

HSL 34.9, 0.47%, 0.59%

LAB 67.68, 8.08, 35.43

 

CMYK 0 / 8 / 49 / 22

HEX #C7B865

RGB 199 184 101

HSL 50.82, 0.47%, 0.59%

LAB 74.42, -5.78, 43.77

 

CMYK 0 / 43 / 64 / 37

HEX #A05B39

RGB 160 91 57

HSL 19.81, 0.47%, 0.43%

LAB 45.98, 25.1, 31.54

 

CMYK 0 / 42 / 63 / 26

HEX #BC6D46

RGB 188 109 70

HSL 19.83, 0.47%, 0.51%

LAB 54.1, 27.79, 35.01

 

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

CMYK 0 / 25 / 38 / 18

HEX #D29D83

RGB 210 157 131

HSL 19.75, 0.47%, 0.67%

LAB 69.08, 16.32, 21.29

 

CMYK 0 / 18 / 27 / 13

HEX #DDB5A1

RGB 221 181 161

HSL 20, 0.47%, 0.75%

LAB 76.67, 11.5, 15.62

 

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

CMYK 26 / 0 / 49 / 22

HEX #94C765

RGB 148 199 101

HSL 91.22, 0.47%, 0.59%

LAB 74.88, -33.38, 43.47

 

CMYK 49 / 45 / 0 / 22

HEX #656DC7

RGB 101 109 199

HSL 235.1, 0.47%, 0.59%

LAB 49.29, 21.56, -48.02

 

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

CMYK 49 / 0 / 34 / 22

HEX #65C784

RGB 101 199 132

HSL 138.98, 0.47%, 0.59%

LAB 73.08, -43.68, 24.91

 

CMYK 34 / 49 / 0 / 22

HEX #8465C7

RGB 132 101 199

HSL 258.98, 0.47%, 0.59%

LAB 49.9, 34.06, -46.89

 

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

CMYK 26 / 0 / 49 / 22

HEX #94C765

RGB 148 199 101

HSL 91.22, 0.47%, 0.59%

LAB 74.88, -33.38, 43.47

 

CMYK 49 / 16 / 0 / 22

HEX #65A8C7

RGB 101 168 199

HSL 198.98, 0.47%, 0.59%

LAB 65.67, -12.8, -22.43

 

CMYK 24 / 49 / 0 / 22

HEX #9865C7

RGB 152 101 199

HSL 271.22, 0.47%, 0.59%

LAB 51.96, 39.42, -43.49

 

CMYK 0 / 33 / 49 / 22

HEX #C78565

RGB 199 133 101

HSL 19.59, 0.47%, 0.59%

LAB 61.53, 21.76, 27.55

 

CMYK 40 / 0 / 49 / 22

HEX #77C765

RGB 119 199 101

HSL 108.98, 0.47%, 0.59%

LAB 73.36, -43.29, 41.26

 

CMYK 49 / 16 / 0 / 22

HEX #65A8C7

RGB 101 168 199

HSL 198.98, 0.47%, 0.59%

LAB 65.67, -12.8, -22.43

 

CMYK 9 / 49 / 0 / 22

HEX #B565C7

RGB 181 101 199

HSL 288.98, 0.47%, 0.59%

LAB 55.33, 47.53, -37.94

 

Description

Color code: HEX #C78565 | qconv.com Color code: HEX #C78565 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 133 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 133 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 49 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 49% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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