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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7891D it is the complementary color #3876E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7891D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7891D shade: #CC8918, #DD9B2B, #EEAD3E, #FFBF51 and #FFD164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7891D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7891D shade: #C7891D, #B6770A, #A56500, #945300 and #834100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7891D shade: #C88A1C, #C85B1C, #C82D1C and #C81C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7891D shade: #C88A1C, #C8B81C, #AAC81C, #7CC81C and #4DC81C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7891D shade matches the following richer shades: #C88A1C and #DB8F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7891D shade: #C88A1C, #B6852F, #A37F41, #917A54 and #7E7566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7891D shade: #C82D1C, #C85B1C, #C8891C, #C8B71C and #ACC81C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7891D shade: #805812, #A47117, #C88A1C, #E19F2D and #E6B051

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7891D shade: #C7891D, #39C81C and #441CC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7891D shade: #C7891D, #1CC889 and #891CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7891D shade: #C7891D, #39C81C, #1C5BC8 and #AC1CC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7891D shade: #C7891D, #1CC833, #1C5BC8 and #C81CB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 85 / 22

HEX #C7891D

RGB 199 137 29

HSL 38.12, 0.75%, 0.45%

LAB 61.76, 15.26, 61.26

 

Complementary color

CMYK 75 / 48 / 0 / 11

HEX #3876E2

RGB 56 118 226

HSL 218.12, 0.75%, 0.55%

LAB 51.02, 17.34, -60.7

 

CMYK 0 / 33 / 88 / 20

HEX #CC8918

RGB 204 137 24

HSL 37.67, 0.79%, 0.45%

LAB 62.33, 17.33, 63.36

 

CMYK 0 / 30 / 81 / 13

HEX #DD9B2B

RGB 221 155 43

HSL 37.75, 0.72%, 0.52%

LAB 68.74, 15.49, 63.77

 

CMYK 0 / 27 / 74 / 7

HEX #EEAD3E

RGB 238 173 62

HSL 37.84, 0.84%, 0.59%

LAB 75.08, 13.89, 63.3

 

CMYK 0 / 25 / 68 / 0

HEX #FFBF51

RGB 255 191 81

HSL 37.93, 1%, 0.66%

LAB 81.36, 12.49, 62.4

 

CMYK 0 / 18 / 61 / 0

HEX #FFD164

RGB 255 209 100

HSL 42.19, 1%, 0.7%

LAB 85.9, 4.31, 58.96

 

CMYK 0 / 31 / 85 / 22

HEX #C7891D

RGB 199 137 29

HSL 38.12, 0.75%, 0.45%

LAB 61.76, 15.26, 61.26

 

CMYK 0 / 35 / 95 / 29

HEX #B6770A

RGB 182 119 10

HSL 38.02, 0.9%, 0.38%

LAB 55.24, 17.28, 59.9

 

CMYK 0 / 39 / 100 / 35

HEX #A56500

RGB 165 101 0

HSL 36.73, 1%, 0.32%

LAB 48.64, 19.6, 56.35

 

CMYK 0 / 44 / 100 / 42

HEX #945300

RGB 148 83 0

HSL 33.65, 1%, 0.29%

LAB 41.97, 22.14, 50.94

 

CMYK 0 / 50 / 100 / 49

HEX #834100

RGB 131 65 0

HSL 29.77, 1%, 0.26%

LAB 35.21, 24.75, 45.49

 

CMYK 0 / 31 / 86 / 22

HEX #C88A1C

RGB 200 138 28

HSL 38.37, 0.75%, 0.45%

LAB 62.12, 15.12, 61.9

 

CMYK 0 / 55 / 86 / 22

HEX #C85B1C

RGB 200 91 28

HSL 21.98, 0.75%, 0.45%

LAB 51.66, 40.13, 53.28

 

CMYK 0 / 78 / 86 / 22

HEX #C82D1C

RGB 200 45 28

HSL 5.93, 0.75%, 0.45%

LAB 44.58, 59.12, 47.36

 

CMYK 0 / 86 / 86 / 22

HEX #C81C1C

RGB 200 28 28

HSL 0, 0.75%, 0.45%

LAB 43.05, 63.43, 46.08

 

CMYK 0 / 31 / 86 / 22

HEX #C88A1C

RGB 200 138 28

HSL 38.37, 0.75%, 0.45%

LAB 62.12, 15.12, 61.9

 

CMYK 0 / 8 / 86 / 22

HEX #C8B81C

RGB 200 184 28

HSL 54.42, 0.75%, 0.45%

LAB 73.96, -9.45, 71.58

 

CMYK 15 / 0 / 86 / 22

HEX #AAC81C

RGB 170 200 28

HSL 70.47, 0.75%, 0.45%

LAB 76.03, -30.16, 72.32

 

CMYK 38 / 0 / 86 / 22

HEX #7CC81C

RGB 124 200 28

HSL 86.51, 0.75%, 0.45%

LAB 73.34, -47.78, 68.96

 

CMYK 62 / 0 / 86 / 22

HEX #4DC81C

RGB 77 200 28

HSL 102.91, 0.75%, 0.45%

LAB 71.53, -61.61, 66.7

 

CMYK 0 / 31 / 86 / 22

HEX #C88A1C

RGB 200 138 28

HSL 38.37, 0.75%, 0.45%

LAB 62.12, 15.12, 61.9

 

CMYK 0 / 35 / 95 / 14

HEX #DB8F0A

RGB 219 143 10

HSL 38.18, 0.91%, 0.45%

LAB 65.54, 20.39, 69.3

 

CMYK 0 / 31 / 86 / 22

HEX #C88A1C

RGB 200 138 28

HSL 38.37, 0.75%, 0.45%

LAB 62.12, 15.12, 61.9

 

CMYK 0 / 27 / 74 / 29

HEX #B6852F

RGB 182 133 47

HSL 38.22, 0.59%, 0.45%

LAB 58.91, 10.58, 51.38

 

CMYK 0 / 22 / 60 / 36

HEX #A37F41

RGB 163 127 65

HSL 37.96, 0.43%, 0.45%

LAB 55.43, 6.6, 38.48

 

CMYK 0 / 16 / 42 / 43

HEX #917A54

RGB 145 122 84

HSL 37.38, 0.27%, 0.45%

LAB 52.49, 3.37, 24.11

 

CMYK 0 / 7 / 19 / 51

HEX #7E7566

RGB 126 117 102

HSL 37.5, 0.11%, 0.45%

LAB 49.64, 0.78, 9.53

 

CMYK 0 / 78 / 86 / 22

HEX #C82D1C

RGB 200 45 28

HSL 5.93, 0.75%, 0.45%

LAB 44.58, 59.12, 47.36

 

CMYK 0 / 55 / 86 / 22

HEX #C85B1C

RGB 200 91 28

HSL 21.98, 0.75%, 0.45%

LAB 51.66, 40.13, 53.28

 

CMYK 0 / 32 / 86 / 22

HEX #C8891C

RGB 200 137 28

HSL 38.02, 0.75%, 0.45%

LAB 61.87, 15.67, 61.7

 

CMYK 0 / 9 / 86 / 22

HEX #C8B71C

RGB 200 183 28

HSL 54.07, 0.75%, 0.45%

LAB 73.69, -8.94, 71.36

 

CMYK 14 / 0 / 86 / 22

HEX #ACC81C

RGB 172 200 28

HSL 69.77, 0.75%, 0.45%

LAB 76.17, -29.34, 72.49

 

CMYK 0 / 31 / 86 / 50

HEX #805812

RGB 128 88 18

HSL 38.18, 0.75%, 0.29%

LAB 40.59, 10.34, 43.48

 

CMYK 0 / 31 / 86 / 36

HEX #A47117

RGB 164 113 23

HSL 38.3, 0.75%, 0.37%

LAB 51.57, 12.78, 52.91

 

CMYK 0 / 31 / 86 / 22

HEX #C88A1C

RGB 200 138 28

HSL 38.37, 0.75%, 0.45%

LAB 62.12, 15.12, 61.9

 

CMYK 0 / 29 / 80 / 12

HEX #E19F2D

RGB 225 159 45

HSL 38, 0.75%, 0.53%

LAB 70.17, 15.14, 64.53

 

CMYK 0 / 23 / 65 / 10

HEX #E6B051

RGB 230 176 81

HSL 38.26, 0.75%, 0.61%

LAB 75.12, 9.91, 54.91

 

CMYK 0 / 31 / 85 / 22

HEX #C7891D

RGB 199 137 29

HSL 38.12, 0.75%, 0.45%

LAB 61.76, 15.26, 61.26

 

CMYK 72 / 0 / 86 / 22

HEX #39C81C

RGB 57 200 28

HSL 109.88, 0.75%, 0.45%

LAB 71.05, -65.68, 66.09

 

CMYK 66 / 86 / 0 / 22

HEX #441CC8

RGB 68 28 200

HSL 253.95, 0.75%, 0.45%

LAB 29.98, 60.88, -80.14

 

CMYK 0 / 31 / 85 / 22

HEX #C7891D

RGB 199 137 29

HSL 38.12, 0.75%, 0.45%

LAB 61.76, 15.26, 61.26

 

CMYK 86 / 0 / 32 / 22

HEX #1CC889

RGB 28 200 137

HSL 158.02, 0.75%, 0.45%

LAB 71.8, -55.34, 20.25

 

CMYK 32 / 86 / 0 / 22

HEX #891CC8

RGB 137 28 200

HSL 278.02, 0.75%, 0.45%

LAB 38.41, 68.5, -65.97

 

CMYK 0 / 31 / 85 / 22

HEX #C7891D

RGB 199 137 29

HSL 38.12, 0.75%, 0.45%

LAB 61.76, 15.26, 61.26

 

CMYK 72 / 0 / 86 / 22

HEX #39C81C

RGB 57 200 28

HSL 109.88, 0.75%, 0.45%

LAB 71.05, -65.68, 66.09

 

CMYK 86 / 55 / 0 / 22

HEX #1C5BC8

RGB 28 91 200

HSL 218.02, 0.75%, 0.45%

LAB 41.06, 22.13, -62.03

 

CMYK 14 / 86 / 0 / 22

HEX #AC1CC8

RGB 172 28 200

HSL 290.23, 0.75%, 0.45%

LAB 43.9, 73.91, -56.8

 

CMYK 0 / 31 / 85 / 22

HEX #C7891D

RGB 199 137 29

HSL 38.12, 0.75%, 0.45%

LAB 61.76, 15.26, 61.26

 

CMYK 86 / 0 / 75 / 22

HEX #1CC833

RGB 28 200 51

HSL 128.02, 0.75%, 0.45%

LAB 70.73, -68.09, 59.14

 

CMYK 86 / 55 / 0 / 22

HEX #1C5BC8

RGB 28 91 200

HSL 218.02, 0.75%, 0.45%

LAB 41.06, 22.13, -62.03

 

CMYK 0 / 86 / 12 / 22

HEX #C81CB1

RGB 200 28 177

HSL 308.02, 0.75%, 0.45%

LAB 47.35, 75.41, -37.57

 

Description

Color code: HEX #C7891D | qconv.com Color code: HEX #C7891D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 137 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 137 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 85 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 85% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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